Images at Librifly

search results: Watercolor clear search

The Cape of Good Hope, Print made by Gerard van der Gucht, 1696–1776, British, after Samuel Scott, 1701/2–1772, British, after George Lambert, 1700–1765, British, undated, Line engraving with hand coloring in watercolor on medium,

Return From the Chase, After a Fall, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, and graphite on thick, moderately textured, beige, wove paper, Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm), Contemporary

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boats, channel (water

Bamburgh Castle, Northumberland, John Varley, 1778–1842, British, undated, Watercolor and scratching out on moderately thick, moderately textured, cream wove paper mounted on board, Mount: 7 11/16 x 9 9/16 inches (19.5 x 24.3 cm) and

The First Book of Urizen, Plate 5 (Bentley 12), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9

Illustrations from Mr. Lambkin, plate 13, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

The Rows, Chester, Thomas Webster, 1800–1886, British, 1807, Watercolor, graphite, and gouache with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 10 3/4 × 17 5/8 inches (27.3 × 44.8 cm

The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers, William Alexander, 1767–1816, British, ca. 1799, Watercolor over graphite on medium, slightly textured, beige, wove paper, mounted on, medium,

Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right, Thomas Shotter Boys, 1803–1874, British, ca. 1840, Watercolor with gouache and graphite on moderately thick, slightly

The Death, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, blued white, laid

Ruined Archway with a Line of Washing, possibly in Rome, Heneage Finch fourth Earl of Aylesford, 1751–1812, British, after 1771, Watercolor, graphite, and blue wash on medium, slightly textured, cream laid paper, Sheet: 10 1/2 × 8 7/8

The Artist Sketching Mlle. de St. Legier as a Shepherdess, James Moore, 1762–1799, British, 1787, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm),

Jerusalem, Plate 4, 'Jerusalem / Chap. 1....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13

Tomb of William Hogarth and Mrs. Jane Hogarth from Chiswick, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

The Dead Sea, 16 and 17 April 1858, Edward Lear, 1812–1888, British, April 16 and 17, 1858, Pen and brown ink with watercolor over graphite on thick, rough, cream wove paper, Sheet: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm), birds,

Chilham Castle, Kent, Job Bulman, active 1767, undated, Watercolor on thin, slightly textured, cream laid paper, Sheet: 10 1/8 × 14 3/4 inches (25.7 × 37.5 cm), architectural subject

Achilles Statue, Hyde Park, London, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 9 7/8 x 13 7/16 inches (25.1 x 34.1 cm), clouds, dogs (animals),

Sketches of Athens, Edward Lear, 1812–1888, British, 1848, Watercolor, pen and brown ink, and graphite on medium, slightly textured, blue wove paper, Sheet: 6 3/4 × 17 7/8 inches (17.1 × 45.4 cm), architectural subject, columns,

The Pottery Shop, unknown artist, eighteenth century-nineteenth century, after Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown ink on medium, moderately textured, blued white laid paper, Sheet: 3 13/16 x 6

Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves, James Bruce, 1730–1794, British, ca. 1768, Watercolor and gouache over graphite on medium, slightly textured, cream

Illustrations of the Book of Job, John Linnell, 1792–1882, British, and circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor with pen and black ink on card, Old Testament,

A Man and a Saddled Horse, Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, mounted on moderately thick, moderately textured, cream, laid paper,

Naples from the Strada Nouva, Nov.26, 1830, James Duffield Harding, 1798–1863, British, 1830, Graphite, watercolor, and gouache on thick, slightly textured, gray wove paper, Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm),

Landscape Scene From Hilltop, Looking into Sunlit Valley, Thomas Sully, 1783–1872, American, undated, Watercolor and gouache on medium, slightly textured, beige, wove paper, Sheet: 6 × 8 13/16 inches (15.2 × 22.4 cm

Register Office for the Hiring of Servants, Thomas Rowlandson, 1756–1827, British, between 1800 and 1805, Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, blued white, wove paper, Sheet: 9

Seascape with Rocks Lizard, Cornwall, Peter DeWint, 1784–1849, British, undated, Watercolor over graphite on thick, cream, moderately textured wove paper, Sheet: 11 7/8 x 17 1/2 inches (30.2 x 44.5 cm), clouds, coastline, geology,

Day - Landscape with Rapids and Cattle, John Laporte, 1761–1839, British, undated, Watercolor and gouache on medium, slightly textured, cream laid paper mounted to card, Sheet: 10 3/8 × 15 1/8 inches (26.4 × 38.4 cm

Herstmonceux Castle, East Sussex: South West View, James Lambert of Lewes, 1725–1788, British, undated, Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper, Sheet: 18 5/8 x

Qaw el Kebir, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, blue wove paper, Sheet: 5 1/2 x 5 inches (14 x 12.7 cm), figures (representations),

Steeplechasing: The Start, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 15/16 × 6 1/8 inches (25.2 × 15.6 cm), buildings, fields, galloping, horse

Tomb of Unidentified Mother and Infant Child from Pancras Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove

A Cottage, Sawrey Gilpin, 1733–1807, British, 1760, Watercolor, graphite, pen and black ink on medium, slightly textured, beige, laid paper, mounted on, medium, moderately textured, beige, laid paper, Sheet: 6 3/4 × 9 7/16 inches

Nether Alderley, Maria Leycester, 1798–1870, 1821, Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm) and Binding: 6 1/2 inches (16.5 cm

A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in 'The National Sports of Great Britain', Henry Thomas Alken, 1785–1851, British, 1821, Graphite and watercolor on medium, slightly textuered, cream, wove

A Lady of Fashion with Black Shawl and Red Shoes, John Collet, ca. 1725–1780, British, ca. 1778, Pen, black ink and watercolor on medium, moderately textured, beige laid paper mounted to medium, moderately textured, brown laid paper,

A View of Boxhill from Norbury Park, Surrey, Thomas Sandby RA, 1721–1798, British, ca. 1775, Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 12 1/8 × 39 1/8 inches (30.8 ×

Portrait Study of a Man's Face, Charles Beale, 1660–1714?, British, Formerly attributed to Mary Beale, 1633–1699, British, undated, Watercolor on medium, slightly textured, brown wove paper, Sheet: 5 × 5 inches (12.7 × 12.7 cm),

Memorials to Cyrus Maigre, Ann Maigre and Henry and Margaret Cooper from Hampton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove

Coursing, Plate 4, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Near Grindelwald, Joseph Mallord William Turner, 1775–1851, British, ca. 1796, Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper, Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm), clouds, hills,

Daniel in the Den of Lions, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm),

Tomb: Cherub Weeping by an Urn, Joseph Nollekens, 1737–1823, British, undated, Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 3 7/16 inches (16.8 × 8.7

Cliffs and a Cove, attributed to George Jones, 1786–1869, British, 1813, Watercolor on moderately thick, moderately textured, blue wove paper, Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm), cliffs, cove, figure, fishing, landscape,

Jerusalem, Plate 51, Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in black with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 10 3/8 x 13 1/2 inches (26.4 x

Monument with Missing Brass Plates of James and Eleanor Walsingham, Chislehurst, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove

The Arrival of the Fire Engine, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red brown and brown ink, over graphite on medium, smooth, blued white, wove paper, Sheet: 4 7/16 x 7 inches (11.3 x 17.8 cm),

Venice, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache and graphite on medium, moderately textured, cream laid paper, Sheet: 6 x 8 7/8 inches (15.2 x 22.5 cm), architectural subject, boats, cityscape,

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Pen, black ink and graphite with watercolor and gouache on

The Junction of Lyon and Tay, John Warwick Smith, 1749–1831, British, 1788, Watercolor over graphite on medium, slightly textured, beige wove paper, Sheet: 12 1/8 x 17 5/8 inches (30.8 x 44.8 cm), clouds, forest, houses, landscape,

Young's Night Thoughts, Page 57, 'Trembling each gulp, lest death should snatch the bowl', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream

Traders and a Warship in Coastal Waters, George Chambers, 1803–1840, British, between 1820 and 1840, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 9 x 12 1/4 inches (22.9 x 31.1 cm), buoy, marine art,

View from Port Orotava, Tenerife, Alfred Diston, active 1818–1829, 1825, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 9 1/8 × 7 3/8 inches (23.2 × 18.7 cm), cliff, coast, farms, gardens,

Eira Ferruginea - Gulo Castaneus Griffith's Cuvier, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper,

Algeciras from Gibraltar, George Lothian Hall, 1825–1888, British, 1843, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm), cannons, figure, fort,

The Hoo, Kimpton, Hertfordshire: Elevations and Details of a Gateway, Sir William Chambers RA, 1723–1796, British, ca. 1760-1764, Graphite, pen and brown ink, and watercolor on moderately thick, moderately textured, cream laid paper,

Harvesting - The Noontide Rest, Charles Vincent Barber, 1784–1854, British, 1811, Graphite and watercolor on moderately thick, rough, cream wove paper, Sheet: 22 5/8 x 31 3/4 inches (57.5 x 80.6 cm), basket, bridge (built work), clouds,

Salahiyeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, blue wove paper, Sheet: 2 1/4 x 9 inches (5.7 x 22.9 cm), landscape, palm trees, sky, Africa, As Salihiyah,

Groom with a Rearing Horse, Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 10 11/16 × 14 7/16 inches (27.1 × 36.7 cm), animal art, groom (caretaker of horses),

O'Hara's Tower, Gibraltar, George Lothian Hall, 1825–1888, British, 1843, Watercolor and graphite on thick, moderately textured, cream card, Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm), architectural subject, ocean, ruins, tower

?Chloris (Rhodes Grass): finished drawing of flowering grass, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Arches in the City Wall, Canterbury, Capt. Francis Grose, 1731–1791, British, before 1769, Watercolor with pen and gray ink over graphite on medium, slightly textured, cream laid paper mounted on contemporary heavy textured laid paper

Design for Kelham Hall, Nottinghamshire: Entrance Elevation, Anthony Salvin, 1799–1881, British, undated, Watercolor with pen and brown ink over graphite on slightly textured, thick, cream wove paper, Sheet: 20 1/8 × 27 1/4 inches (51.1

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Death Turned Pilot, Thomas Rowlandson, 1756–1827, British, between 1815 and 1816, Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper, Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm), allegory, boats,

Old Sarum in a Storm, unknown artist, nineteenth century, formerly John Constable, 1776–1837, British, 1828, Watercolor over graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 5 7/8 x 7 1/2 inches (14.9 x

Songs of Innocence and of Experience, Plate 23, 'Infant Joy' (Bentley 25), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

La Mancha, Sir David Wilkie, 1785–1841, British, 1828, Watercolor and gouache over graphite and black chalk on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card, Sheet: 7 3/16 x 6 11/16 inches

Boston Church, Lincolnshire, J. Harrison, active 1821, British, 1821, Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted to thick, rough cream wove paper, Sheet: 8 1/2 × 7 inches (21.6 ×

Leeds, Joseph Mallord William Turner, 1775–1851, British, 1816, Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm), cityscape, dogs (animals), genre

A Lion, James Sowerby, 1756–1822, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 3 3/4 × 4 3/4 inches (9.5 × 12.1 cm), animal art, lion, lions

Greenwich, London in the Distance, F. Norice, 19th century, British, undated, Graphite, watercolor, white gouache on medium, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 3/4 inches (15.9 × 27.3 cm), buildings, churches,

Portrait of a Gentleman, John Bogle, 1746–1804, British, undated, Watercolor on ivory, Image: 1 5/8 x 1 1/4 inches (4.1 x 3.2 cm) and Frame: 2 1/2 x 1 1/2 x 1/8 inches (6.4 x 3.8 x 0.3 cm), man, oval, portrait

Isola Bella, Lago Maggiore, John Skinner Prout, 1806–1876, British, undated, Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 13 1/8 × 9 3/4 inches (33.3 × 24.8

Lincoln Cathedral, Thomas Girtin, 1775–1802, British, ca. 1795, Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper, Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm) and

Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq., John Hassell, 1767–1825, British, ca. 1812, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 × 7 5/8 inches (13.7 × 19.4 cm), architectural

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1837, Pen and brown ink, watercolor, graphite, Sheet: 17 1/4 × 13 5/8 inches (43.8 × 34.6 cm) and Image: 11 3/8 × 8 3/8 inches (28.9 × 21.3 cm),

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Memorial to Mr. Charles and Mrs. Anne Yarwood from Hayes Church, Attributed to Daniel Lysons, 1762–1834, British, beteween 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet:

Lincoln's Inn Hall and Chapel, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)

Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field, Thomas Hosmer Shepherd, 1792–1864, British, 1818, Watercolor and graphite on thick, slightly textured, cream wove paper, Sheet: 8 1/2 × 12 1/8 inches (21.6

Vauxhall Gardens, Thomas Rowlandson, 1756–1827, British, ca. 1784, Watercolor, pen and black ink, pen and gray ink, and graphite on medium, sligtly textured, cream laid paper, Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm) and Sheet:

Old Mill at Battersea, formerly John Varley, 1778–1842, British, unknown artist, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 13 1/2 inches (24.4 × 34.3 cm), architectural subject,

Interior of Salters Hall Meeting, Thomas Hosmer Shepherd, 1792–1864, British, 1821, Watercolor

Portunua pelagicus (Blue Crab), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8

Lincoln Cathedral From Brayford Pool, David Cox, 1783–1859, British, ca. 1808, Watercolor, graphite and gouache on medium, slightly textured, cream laid paper mounted on, very thick, smooth, white, wove card, Mount: 8 3/8 x 11 inches

Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium,

Memorial to Lady Katherine, Viscountess Conway, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8

Young's Night Thoughts, Page 26, 'Measuring His Motions by Revolving Spheres', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

In Rokeby Park, John Sell Cotman, 1782–1842, British, 1800 to 1810, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 13 × 9 inches (33 × 22.9 cm), landscape, parks (grounds), trees, Rokeby, United

Standing Indian Man, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 6 3/8 inches (16.5 × 16.2 cm

The Sporting Parson: 'D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' ', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and gouache on moderately thick, slightly textured, gray,

Near Edfu or Kilh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, cochineal, pen and brown ink on medium, slightly textured, wove paper, mounted on thick, slightly textured, cream wove paper, Sheet: 3 9/16 x 7 1/8 inches

A Dutch Packet in a Rising Breeze, Thomas Rowlandson, 1756–1827, British, 1791, Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5

Distant View of Roeun, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 20 inches (17.1 × 50.8 cm) and Image: 6 3/4 × 16 inches (17.1 ×

View near Tassisudon Tashicho Dzong in Bhutan, Samuel Davis, 1757–1819, British, 1783, Watercolor, pen and black ink, and graphite on medium, moderately textured, bege, laid paper, mounted on, thick, moderately textured, beige, laid

A Cornfield, Paul Sandby Munn, 1773–1845, British, 1823, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 × 9 1/4 inches (17.8 × 23.5 cm), agriculture, building, corn, cornfield, cottage, farm, farm

Gentleman in a Fawn Colored Coat, unknown artist, undated, Watercolor on ivory, Frame: 2 1/2 x 1 5/8 x 1/4 inches (6.4 x 4.1 x 0.6 cm) and Image: 2 x 1 5/8 inches (5.1 x 4.1 cm), coat, cravat, gentleman, man, nobility, portrait, ruffle

Coursing, Thomas Weaver, 1774–1843, British, 1800, Watercolor, graphite, and white gouache on medium, smooth, beige, wove paper, Sheet: 9 7/16 × 12 5/16 inches (24 × 31.3 cm), dogs (animals), forest, horse (animal), horseback

South West View of Eastbury House, Essex, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1823, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 13 3/8 × 19 3/4 inches

Grove Cottage, Wanstead, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor on moderately thick, slightly textured, cream wove paper, architectural subject

search results: Watercolor clear search