Images at Librifly

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Christmas Harbour, Kerguelen's Land, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

English Officer in a Scarlet Jacket, Frederick Buck, 1771–ca. 1840, British, undated, Watercolor and gouache on ivory, Overall: 2 1/2 × 1 1/2 × 1/8 inches (6.4 × 3.8 × 0.3 cm), figure study, hair, jacket, officer (administrator),

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1834, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm) and

The Chapel of the Foundling Hospital, London, Attributed to Theodore Jacobsen, died 1772, British, undated, Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/2 x 13 1/16 inches (11.4 x

View Within the Southern Entrance of Gundecotta Pass (1 of 6), Thomas Anburey, ca. 1780–1820, British, ca. 1792, Watercolor, pen and black ink, and graphite on medium, moderately textured, beige, wove paper, mounted on, moderately

Head Portrait of Grayhound, Sawrey Gilpin, 1733–1807, British, 1760, Watercolor and graphite on moderately thick, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, brown, laid paper, Sheet: 6 1/4

Caricature of a Sailor (One of a Set of Three), John Sell Cotman, 1782–1842, British, after Robert Dighton, 1752–1814, British, ca. 1799, Watercolor and gouache on medium smooth bright white wove paper, Sheet: 9 3/4 x 7 3/4 inches (24.8

The Wrath of Elihu, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 5/8 x 4 3/4 inches (9.2 x

'Qualified Horses and Unqualified Riders:' 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...', Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, black ink, and

Natives of Cochin Playing Shuttlecock in China, William Alexander, 1767–1816, British, 1792 to 1794, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm), birds, game,

Wolf, James Bruce, 1730–1794, British, 1764, Watercolor, gouache, graphite, pen and black ink on moderately thick, moderately textured, cream, laid paper, Sheet: 9 3/8 × 7 5/8 inches (23.8 × 19.4 cm), animal art

The Exhibition Stare-Case, Somerset House, Thomas Rowlandson, 1756–1827, British, ca. 1800, Watercolor and pen and ink on medium, slightly textured, cream wove paper, Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm), cane, dog (animal),

Europe. A Prophecy, 1793 (printed 1795), William Blake, 1757–1827, British, 1793, printed 1795, 17 relief etchings printed in dark brown, with watercolor and oil paint added posthumously, on 17 leaves, Spine: 15 3/8in. (39.1cm) and Sheet:

Drawing for Cope Decoration or Painted Wall, George Edmund Street, 1824–1881, British, undated, Pen and brown ink and watercolor on smooth, thin, brown wove paper, Sheet: 20 5/16 × 19 inches (51.6 × 48.3 cm), architectural subject,

A Two-Decker and other Shipping Offshore, Nicholas Pocock, 1740–1821, British, between 1755 and 1821, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 10 inches (18.4 × 25.4

North view of Longford Castle, lately erected, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1811, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4

The Leicestershire Hunt - The Death, Possibly Henry Thomas Alken, 1785–1851, British, undated, Watercolor, graphite, and gouache, with pen, in brown ink, black ink, and gray ink on thick, moderately textured, beige, wove card paper,

The Poems of Thomas Gray, Design 85, 'The Descent of Odin.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid

Memorial to George Lord Berkeley from Cranford Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10

Coursing: The Kill, Samuel Howitt, 1756–1822, British, 1794, Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm), dogs (animals), hare, horse

America. A Prophecy, Plate 17, 'On Albions Angels....', Print made by William Blake, 1757–1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper,

Terrace at St. Germain-en-Laye, Henry Edridge, 1769–1821, British, between 1817 and 1819, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 16 3/4 inches (18.1 × 42.5 cm), figures, landscape, river,

Children Dancing, George Townly Stubbs, 1748–1815, British, after Edward Penny RA, 1714–1791, British, 1798, Watercolor, gouache and graphite on medium, slighlty textured, cream wove paper, Sheet: 17 1/2 × 14 7/8 inches (44.5 × 37.8

Landscape with a Church among Trees, Attributed to William Pearson, 1772–1849, British, Formerly attributed to Thomas Girtin, 1775–1802, British, undated, Watercolor and graphite on medium, moderately textured, cream laid paper, Sheet:

Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826, unknown artist, (Indian Company, Agra School), 1826, Watercolor, pen and black ink, and graphite on

Recto: Gentleman in a Blue Jacket, Thomas Hargreaves, 1774–1847, British, ca. 1800, Watercolor, gouache and gum arabic on ivory in rose gold locket containing a lock of hair, gathered with three pearls, Image: 2 5/8 × 2 1/8 inches (6.7 ×

Houses near Plymouth, Francis Towne, 1740–1816, British, 1810, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 x 10 inches (16.8 x 25.4 cm), fence, hills, houses, landscape, river, sky, trees

Greenwich, David Cox, 1783–1859, British, between 1820 and 1829, Watercolor with scratching out on thick, smooth, cream wove paper, Sheet: 7 5/8 x 11in. (19.4 x 27.9cm) and Sheet: 7 3/4 × 11 1/8 inches (19.7 × 28.3 cm), boats,

Design for an Egyptian Column, Thomas Grieve, 1799–1882, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 3 9/16in. (20 x 9cm) and Sheet: 7 3/4 × 3 1/2 inches (19.7 × 8.9 cm),

South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1815, Watercolor and pen and black ink on moderately thick,

The Grandmother with her Grandchildren, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on thick, slightly textured, cream card mounted on moderately

Coast Scene with Sailing Boats, James Holland, 1799–1870, British, undated, Watercolor, gouache and scraping over graphite on slightly textured, moderately thick, cream wove paper, Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm

A Shepherd with Flock Beneath a Large Tree, Arthur James Stark, 1831–1902, British, undated, Watercolor, with pen, in brown ink, graphite, and gouache on thick, slightly textured, cream, wove paper, mounted on, very thick cardboard,

Chimney piece in King James's Room, Hatfield House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 19 3/4 × 14

America. A Prophecy, Plate 14, 'So Cried He....', Print made by William Blake, 1757–1827, British, 1793, Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream wove

A Review of the Northapmton Militia at Brackley, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 7 13/16 x 10 3/8 inches (19.8 x

Leiston Abbey, Suffolk, Isaac Johnson, 1754–1835, British, undated, Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 6 11/16 x 8 11/16in. (17 x 22.1cm), Mount: 10 x 12 5/8in. (25.4 x

Reading Lesson at a Dame School, Elias Martin, (ARA), 1739–1818, Swedish, undated, Graphite, pen and ink, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 3/16 x 9 11/16in. (18.3 x 24.6cm) and Sheet: 7

A Harbour; Breakwater Left, Small Boats Moored Alongside a Quay with Figures Right, Follower of Samuel Prout, 1783–1852, British, undated, Watercolor with brown ink and gouache over graphite on moderately thick, slightly textured,

View of the Pont Neuf, The Mint & etc., Thomas Girtin, 1775–1802, British, c.1802, Soft-ground etching, drypoint with watercolor, engraver's proof, Sheet: 8 x 28in. (20.3 x 71.1cm), Bourse de Paris, Europe, France, Panthéon, Paris,

Near Dendour, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/2 x 7 5/8 inches (6.3 x

The Tiger at Bay: an illustration for Captain Thomas Williamson's 'Oriental Field Sports', Samuel Howitt, 1756–1822, British, 1807, Watercolor, with pen, in gray ink, black ink, and graphite on medium, moderately textured, cream, laid

March of Troops in India, Samuel Davis, 1757–1819, British, 1780, Watercolor, pen and black ink, gray wash and graphite on moderately thick, moderately textured, beige, laid paper, mounted on, thick, moderately textured, beige, lsid

Russian Camel, Samuel Howitt, 1756–1822, British, undated, Watercolor and graphite on medium, cream, smooth wove paper, Sheet: 9 13/16 × 7 1/2 inches (24.9 × 19.1 cm), animal art

The Drunken Nurse, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 5 11/16 x 7 9/16 inches (14.4 x 19.2 cm), bed

Jeytie Lifting Weights, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 × 7 1/4 inches (20.3 × 18.4 cm), athlete,

Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper,

Scene on Brighton Beach, Attributed to Augustine Maria Aglio, 1777–1857, Italian, active in Britain, 1847, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 5 1/8 × 8 1/2 inches (13 × 21.6 cm), beach,

Whipper-in With a Hound, the Field Ahead at Left, Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 10 1/8 × 16 1/16 inches (25.7 × 40.8 cm), dogs (animals),

Study of a Roman Banquet Scene, Robert Smirke, 1752–1845, British, and / or Mary Smirke, 1779–1853, British, undated, Watercolor, pen and black ink, over graphite on medium, moderately textured, beige, laid paper, mounted on,

Gentleman with short Brown Hair and a Blue Jacket, Peter Paillou the younger, active 1757–1831, British, ca. 1815, Watercolor on ivory, Overall: 3 1/8 × 2 5/8 × 1/4 inches (7.9 × 6.7 × 0.6 cm), jacket, man

Old Lady with Basket of flowers, Edward Edwards, 1738–1806, British, ca. 1760, Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 10 3/8 × 8 1/2 inches (26.4 × 21.6 cm), basket,

Foxhunting: Full Cry, George Alken, 1794–active 1837, British, between 1827 and 1837, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 6 9/16 × 10 3/16 inches (16.7 × 25.9 cm), dogs (animals),

Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall, Samuel Hieronymus Grimm, 1733–1794, Swiss, undated, Pen and black ink, pen and brown ink, watercolor and gouache on medium, slightly textured, cream laid paper,

Coldham Hall, with H. Priest and C. Turner Angling, 1835, Alfred Priest, 1810–1850, British, 1835, Watercolor with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm),

Distant View of Windsor Castle, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 1/8 x 19 1/8 inches (33.3 x 48.6 cm), castle, landscape, trees, view,

Jerusalem, Plate 71, 'And above Albions Land....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet:

Three Figures Standing under a Large Tree, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm

An Old Woman Carrying a Basket, John Augustus Atkinson, 1775–1831, British, undated, Watercolor with pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 4 7/8 × 3 3/8 inches (12.4 × 8.6 cm),

Bothwell Castle, Lanarkshire, Hugh William 'Grecian' Williams, 1773–1829, British, 1798, Pen and black ink, watercolor, graphite on slightly textuerd, medium, cream wove paper, Sheet: 17 × 24 3/4 inches (43.2 × 62.9 cm), architectural

Writtle Church, Essex, Thomas Girtin, 1775–1802, British, ca. 1795, Watercolor over graphite on medium, slightly textured, beige wove paper, Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm), architectural subject, church, stone, windows,

The Facade of the Royal Naval College, Greenwich, James Holland, 1799–1870, British, undated, Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 8 3/8 × 5 3/4 inches (21.3 × 14.6 cm),

Herstmonceux Castle, East Sussex: North View of the Green Court, James Lambert of Lewes, 1725–1788, British, undated, Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper,

The Prince Albert, 11 Coopers Row, Crutched Friars, and Cooper's Bonded Vaults and Tea Warehouses, Thomas Hosmer Shepherd, 1792–1864, British, ca. 1840, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 11

Composition: two travellers and a dog on a road passing cottages, with ruins on a hill, Peter La Cave, active 1769–1810, 1799, Watercolor, pen and black ink on medium, slightly textured, wove paper, Sheet: 4 1/2 × 5 7/8 inches (11.4 ×

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas, Charles Claude Pyne, 1802–1878, 1872, Watercolor, gouache, graphite, and pen, in brown ink on medium, slightly textured, blued white,

Bucks of the First Head, Thomas Rowlandson, 1756–1827, British, ca. 1785, Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, blued white, laid paper, Sheet: 7 1/8 x 8 11/16 inches (18.1 x

Suffolk Landscape, John Constable, 1776–1837, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 5 x 6 7/8 inches (12.7 x 17.5 cm), landscape, light, sheep, trees, England,

Falkland Islands Wolf, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 3/16 × 6 1/2 inches (10.6 × 16.5 cm), animal art, wolf

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm) and

Landscape with a man playing a pipe under an old tree, style of Paul Sandby RA, 1731–1809, British, undated, Watercolor, gouache, pen and black ink, graphite, black chalk on medium, slightly textured, cream wove paper, Sheet: 14 3/4 x

Flower with Three Blossoms, unknown artist, between 1826 and 1866, Watercolor, gouache, Sheet: 7 x 5 1/4in. (17.8 x 13.3cm

Sketchbook, Barbara Bodichon, 1827–1891, British, 1861, Watercolor, black chalk, and graphite on thick, moderately textured, cream wove paper, Spine: 5 1/4 inches (13.3 cm) and Sheet: 5 x 7 inches (12.7 x 17.8 cm

The Vicar of Wakefield: The Departure from Wakefield, Thomas Rowlandson, 1756–1827, British, ca. 1817, Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, blued white wove paper,

Industry, The best way to Secure Liberty and preserve Order, (?) William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper, Sheet: 8 x 11 1/8in. (20.3 x 28.3cm

Memorial to Maria Whitfield from Bedfont Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink watercolor and gouache over graphite on medium, slightly texture, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches

The First Book of Urizen, Plate 21 (Bentley 27), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x

Robert, first Baron Clive of Plassey, John Smart, 1741–1811, British, after Nathaniel Dance RA, 1735–1811, British, 1776, Gouache and watercolor on ivory, Image: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm) and Frame: 2 1/2 x 1 3/4 x 1/4 inches

Full Cry. 1821: Riders Taking a Wooden Fence, George Alken, 1794–active 1837, British, 1821, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 8 9/16 × 11 1/8 inches (21.7 × 28.3 cm), dogs (animals),

Hills and Sky, attributed to John Ruskin, 1819–1900, British, undated, Watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 4 1/4 x 9 7/8 inches (10.8 x 25.1 cm), clouds, hills, landscape, sky

Barmouth, Merionethshire, Print made by William Daniell, 1769–1837, British, Published by Longman & Co., active 1804–1914, British, and William Daniell, 1769–1837, British, 1814, Aquatint with watercolor on moderately thick,

Backswords, Charles Turner, 1774–1857, British, 1810, Watercolor over etched outline on medium, slightly textured, blued white, wove paper, Mount: 11 1/2 × 14 5/8 inches (29.2 × 37.1 cm), Contemporary drawn border: 8 3/8 × 11 1/2

Jerusalem, Plate 74, 'The Four Zoa's clouded rage....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper,

Portrait of a Lady, Ozias Humphry, 1742–1810, British, active in Italy (1773–77) and India (1785–87), undated, watercolor on ivory, Image: 1 3/8 x 1 1/2 inches (3.5 x 3.8 cm) and Frame: 2 1/8 x 1 1/2 x 1/8 inches (5.4 x 3.8 x 0.3 cm),

Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857, George Cressal Ellis, ca. 1810–1875, undated, Watercolor and gouache over graphite on thin, smooth, brown wove paper, Sheet: 8 ×

Landscape Near Newmarket, Suffolk, Possibly Anthony Vandyke Copley Fielding, 1787–1855, British, 1812, Watercolor with gold gilded border on sheet and white goache border line on mount on medium, moderately textured, blued white, laid

Hubertusburg Chateau, Charles Gore, 1729–1807, British, undated, Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper pasted on contemporary mount made of moderately thick, moderately textured,

The High-German Quack...and choice Assistant, or, a Weak Attempt to cure the French, (?) William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper

Approach to Belle Grange Park, John Warwick Smith, 1749–1831, British, 1789, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 13 1/2 x 20 1/4 inches (34.3 x 51.4 cm) and Contemporary drawn border: 18 1/8 x 24

Figure in a Landscape, Luke Clennell, 1781–1840, British, undated, Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper, Sheet: 2 3/4 × 3 5/8 inches (7 × 9.2 cm), figure study, landscape, pose,

Wollaton Park, Nottingham: South Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1801, Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 14 1/8 × 20 5/8

The Chapel of the Foundling Hospital, London, Attributed to Theodore Jacobsen, died 1772, British, undated, Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper, Sheet: 7 3/8 x 13 3/16 inches (18.7 x

Study of figures and a camel, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 1/16 x 1 1/4 inches (5.2 x 3.2 cm), camel (mammal), figure study,

At Moorshedubad Murshidabad, Samuel Davis, 1757–1819, British, undated, Watercolor and pen and black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 9 1/8 inches (19.1 × 23.2 cm), boat, cityscape,

Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), 1762, Graphite, squared with red chalk and incised for transfer on medium,

Antigonus Disposing of Perdita, Mary Hoare, 1753–1820, British, ca. 1781, Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed

Memorial to Sir Edward and Dame Frances Nevill, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10

Sky Study, No. 7, Attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 2 5/8 × 6 3/8 inches (6.7 × 16.2 cm), clouds, horizon line,

Cloud Study - Cumulus, attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 2 3/8 × 5 inches (6 × 12.7 cm), blue, clouds, horizon line, landscape,

Urban Scene with Vendors, Harry Willson, Active 1813–1852, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 15/16 × 8 9/16 inches (20.2 × 21.7 cm

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