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Near Wady Halfeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 1 5/8 x 3 5/16 inches (4.1 x 8.4 cm), building, lake, landscape, palm trees,

Stream and Wooden Bridge, attributed to Paul Sandby RA, 1731–1809, British, formerly Paul Sandby RA, 1731–1809, British, between 1755 and 1757, Gray wash, watercolor, and graphite on medium, cream, slightly textured laid paper,

The Dying Sailor, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 10 13/16 x 12 13/16 inches (27.5 x 32.5 cm),

London Cries: A Fishmonger, Paul Sandby RA, 1731–1809, British, ca. 1759, Watercolor and graphite on medium, cream, slightly textured laid paper, Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm) and Frame: 20 1/4 × 15 1/4 inches (51.4 × 38.7

Blundeston near Lowestoft, Sussex, John Claude Nattes, 1765–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm

Old 'Cat and Mutton' in 1780, unknown artist, ( A. B. Grimes ), 1868, Watercolor over graphite on wove paper, Sheet: 4 3/4 x 7 1/8in. (12.1 x 18.1cm

View at Mr. Sheppard's, The Ridge, Gloucestershire, John Linnell, 1792–1882, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Contemporary drawn border: 5 1/4 x 8 inches (13.3 x 20.3 cm)

Sketch to Illustrate the Passions: Suspense or Expectation, Richard Dadd, 1817–1886, British, 1855, Watercolor, gray ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/8 x 10 1/4 inches (35.9 x 26 cm),

Sacred Cave of Archidamus, William Pars, 1742–1782, British, undated, Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 11 5/8 x 18 7/16 inches (29.5 x 46.8 cm), cave,

Foxhunting at Melton Mowbray, 1835: The Cream of the Thing, Edward Hull, 1810–1877, ca. 1835, Watercolor, with pen, in brown ink, graphite, gum arabic and gouache on thick, moderately textured, cream, wove paper, Sheet: 10 1/4 × 14

The Stoning of Saint Stephen, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm),

One of Five Ceiling Designs, John Sanderson, active 1730–died 1774, British, undated, Watercolor with pen and black ink on medium, slightly textured, beige wove paper, Sheet: 4 x 6 13/16 inches (10.2 x 17.3 cm), architectural subject,

Welgelegen: Vue de la Facade de Welgelegen, Henry Phillip Hope, active 1799–1818, undated, Watercolor on textured, moderately thick, cream wove paper, Sheet: 16 1/2 × 23 1/4 inches (41.9 × 59.1 cm), architectural subject

On the Conway River, North Wales, David Cox, 1783–1859, British, undated, Watercolor, with pen in brown ink, graphite, gouache and gum arabic on medium, moderately textured, cream, wove paper mounted on, very thick, slightly textured,

Clement's Inn, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 inches (13 × 17.8 cm) and Mount: 9 × 12

Urban Scene, Harry Willson, Active 1813–1852, undated, Watercolor, graphite, and gouache with pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 7 9/16 × 5 1/16 inches (19.2 × 12.9 cm

View of the Terrace at Windsor, attributed to Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on thick, cream, rough wove paper, Sheet: 13 15/16 x 21 13/16 inches (35.4 x 55.4 cm), benches, castle, landscape, river,

Steeplechasing: Four Riders Taking a Ditch and an Oxer, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 9 15/16 × 16 3/16 inches (25.2

Mullup, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 5/8 x 12 5/8 inches (21.9 x 32.1 cm), colors, fish, teeth

Interior of a Stable, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, blued white, wove paper, Sheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5

Abu Simbel, 11-11:30 am, 8 February 1867 (374), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper, Sheet: 13 3/4 × 20 1/8 inches (34.9

Peasants of Hierro, Alfred Diston, active 1818–1829, 1825, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 8 5/8 × 6 1/8 inches (21.9 × 15.6 cm), child, cliff, coast, costume, figure

Brickfield at Pitland Street, Surrey, George Price Boyce, 1826–1897, British, 1866, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm), field, kiln,

Devereux House, the Strand, London, George Shepheard, ca. 1770–1842, British, 1811, Watercolor, graphite, and pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm),

Norwich from the gravel pits, Attributed to Robert Dixon, 1780–1815, British, undated, Watercolor on medium, moderately textured, cream wove paper, Sheet: 9 x 12 inches (22.9 x 30.5 cm), gravel, landscape, pits, river, trees, England,

Jerusalem, Plate 64, 'Of the Mundane Shell....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet:

Study of a Group of Children, circle of (?) William James Muller, 1812–1845, British, undated, Watercolor, blue wash, graphite, white gouache, and black chalk on medium, slightly textured, cream wove paper, Sheet: 6 x 8 3/16 inches

Call of The House, or, Slave Trade in a Land of Liberty, William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper, Sheet: 9 13/16 x 13 9/16in. (24.9 x 34.4cm

Shipping off the Mumbles, George Chambers, 1803–1840, British, 1838, Watercolor and graphite on medium, rough, cream wove paper, Sheet: 7 1/2 x 11 1/2 inches (19.1 x 29.2 cm), Frame: 15 1/4 x 20 1/4 x 1 inches (38.7 x 51.4 x 2.5 cm), and

Landscape near Watford, Herfordshire, Anthony Devis, 1729–1817, British, undated, Watercolor, black chalk, and pen and black ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 4 3/8 × 6 3/8 inches (11.1

Hay and Log Barges on the Conway, Richard Henry Nibbs, 1816–1893, British, undated, Watercolor, gouache, gum, and graphite with scratching out on thick, textured, cream wove paper, Sheet: 15 7/8 × 23 7/8 inches (40.3 × 60.6 cm

Morning - River Scene with Figures near a Cottage, John Laporte, 1761–1839, British, undated, Watercolor and gouache on medium, slighlty textured, cream wove paper mounted to card, Sheet: 10 5/8 × 15 inches (27 × 38.1 cm

Landscape with Trees and Figures, Joseph Mallord William Turner, 1775–1851, British, ca. 1796, Watercolor and graphite on medium, slightly textured, wove paper, Sheet: 12 3/4 x 16 5/8 inches (32.4 x 42.2 cm), clouds, figures, genre

The Kill, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray ink over graphite on medium, slightly textured, blued white wove paper, Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm), dogs (animals), fox (animal), fox

Holy Island and Castle, Northumberland, Capt. Francis Grose, 1731–1791, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm) and

Memorial to Ann Wainewright, from Chiswick Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 10 3/4 × 14 3/4 inches

A Junk, William Alexander, 1767–1816, British, undated, Watercolor, with pen in brown ink, over graphite on medium, moderately textured, beige wove paper, mounted on, moderately thick, slightly textured, white, wove paper, Mount: 14

Lynmouth Quay, Robert Marris, 1750–1827, undated, Watercolor, pen and black ink, gray ink, black chalk and scraping on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 22 1/8 inches (38.4 × 56.2 cm

Southampton Water, John Thomas Serres, 1759–1825, British, undated, Pen and gray ink and watercolor on thick, slightly textured, cream laid paper, Sheet: 6 1/4 × 14 1/2 inches (15.9 × 36.8 cm

Ehretia cymosa Thonning: finished drawing of leafy, fruiting shoot, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5

Study of an Egyptian Man on a Camel, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 1 11/16 inches (5.4 x 4.3 cm), camel (mammal), Egyptian,

Boschbeek & Gorenendaal: View from Turret towards Kamerlaan, Heernstede and Amsterdam, Gerrit Jan Schouten, Born 1815, Dutch, undated, Watercolor on textured, moderately thick, cream wove paper, Sheet: 10 1/4 × 14 7/16 inches (26 × 36.7

Haverfordwest, Pembrokeshire, Samuel Hieronymus Grimm, 1733–1794, Swiss, 1791, Watercolor with black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/2 x 13 1/2 inches (24.1 x 34.3 cm), boats, buildings,

Peshwa's Servant, Robert Mabon, died 1798, British, ca. 1792, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 3/4 × 3 5/8 inches (9.5 × 9.2 cm), figure study, Indian, servant,

The Bridge, Edward Francis Burney, 1760–1848, British, undated, Pen and black ink and watercolor on medium, slightly textured, beige wove paper, Sheet: 8 5/8 × 12 5/8 inches (21.9 × 32.1 cm), bridge (built work), horses (animals),

Two Men with Telescope Looking Across A River, Samuel Davis, 1757–1819, British, 1777, Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, blued white, laid paper, mounted on, moderately thick,

Cricket on the Goodwin Sands, Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor, gouache and white chalk on medium, slightly textured, gray wove paper, Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm), beach, cricket,

Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718), unknown artist, (English School 'S.M' x.'), between 1713 and 1718, Gouache, watercolor, graphite, and pen, in black ink on medium, moderately textured, cream, laid

Millbank, John Varley, 1778–1842, British, undated, Watercolor on moderately thick, moderately textured, beige laid paper, Sheet: 6 3/8 x 11 5/8 inches (16.2 x 29.5 cm), beach, beach, boats, buildings, dock, hill, landscape, posts,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, James Bruce, 1730–1794, British, undated, Watercolor, gouache and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2

Fishermen's Houses at Sculcoats near Hull, Yorkshire, James Duffield Harding, 1798–1863, British, 1827, Watercolor with pen and brown ink, over graphite, with gouache on moderately thick, moderately textured, cream, wove paper, Sheet: 7

Side View of Ayot House, Hertfordshire, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/4 x 15 3/8 inches (28.6 x 39.1 cm), architectural subject,

Holkham, August 1824, Anne Rushout, ca. 1768–1849, British, 1824, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm), architectural subject

Ardfert Cathedral, Kerry, Ireland, Cornelius Varley, 1781–1873, British, undated, Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 20 1/8 inches (35.6 × 51.1 cm), architectural subject,

Christ with Three Figures, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4

Dover, attributed to Thomas Girtin, 1775–1802, British, undated, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 3/16 x 11 1/4 inches (20.8 x 28.6 cm) and Mount: 9 1/4 x 12 3/8

The Balloon, Myles Birket Foster, 1825–1899, British, undated, Graphite, watercolor and gouache on medium, slighlty textured, brown wove paper, Sheet: 2 7/8 × 5 7/8 inches (7.3 × 14.9 cm), balloon, children, genre subject, launch,

Friendly Cove, Nootka Sound, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

The Boatman, Edward Francis Burney, 1760–1848, British, undated, Pen and black ink, watercolor and varnish on medium, slightly textured, cream wove paper, Sheet: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm), genre subject, landscape, man,

Portrait of a Girl Sketching, William Henry Brooke, 1772–1860, Irish, undated, Pen and brown ink, watercolor and gouache on medium, slighlty textured, beige wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm), chairs, curtains,

Magellanic Aguara Fox: Cerdocyon Magellanicus, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 3 15/16 × 6 9/16 inches (10 × 16.7

A Battle Scene, John Augustus Atkinson, 1775–1831, British, undated, Watercolor, pen and black ink, and gum arabic on thick, slightly textured, cream wove paper, Sheet: 10 × 14 1/2 inches (25.4 × 36.8 cm

View of Erthig, Denbigshire, Wales, Moses Griffith, 1747–1819, British, undated, Watercolor with pen and black ink over graphite on medium, cream, moderately textured laid paper, Sheet: 12 3/8 x 18 inches (31.4 x 45.7 cm), architectural

The Watermill Above the Bridge at Charenton, unknown artist, after Thomas Girtin, 1775–1802, British, formerly attributed to Thomas Girtin, 1775–1802, British, undated, Watercolor on moderately thick, moderately textured, cream wove

Dr. Syntax Made Free of the Cellar, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown and gray ink on medium, moderately textured, blued white, wove paper, Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm), alcohol,

The Princes in the Tower, William Marshall Craig, ca. 1788–1828, British, ca. 1820, Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper, Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm), bed (furniture),

From the Church Hill, Ambleside, John Harden, 1772–1847, British, 1816, Watercolor, gouache, and pen and black ink, with stumping on thick, rough, blue-gray wove paper, Sheet: 7 1/8 × 11 inches (18.1 × 27.9 cm), dark, hill,

Endsleigh Cottage, Devon: Ground Plan, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1810, Graphite, watercolor, pen and black ink on slightly textured, medium, cream wove paper, Sheet: 12 3/8 × 17 3/4 inches (31.4 × 45.1

Memorial to Eleanor Boucher from Paddington Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10

'Some Do and Some Don't: It is All a Notion:' Getting into a Difficulty, Henry Thomas Alken, 1785–1851, British, between 1848 and 1851, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 7 9/16 × 10 11/16 inches

Europe. A Prophecy, Plate 13 (Bentley 10), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove

Between Bir El Abt, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, blue wove paper, Sheet: 5 1/2 x 9 inches (14 x 22.9 cm), camels (mammals), camp sites (temporary

Design for an Athenian Villa, Edward Jones, active 1819–1835, 1834, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm), architectural subject

Tomb of Mrs. Elizabeth Stafford Hilliard, Elizabeth Grosier, Gregory Grosier and William Grosier, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream

Toske, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, wove paper, mounted on thick, slightly textured, cream wove paper, Sheet: 2 7/16 x 6 7/8 inches (6.2 x 17.5

Landing a Catch of Mackerel, Hastings, Joshua Cristall, 1768–1847, British, undated, Watercolor, gouache, and graphite on thick, slightly textured, cream wove paper, Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm), anchors, baskets,

Boys' Play, or, the Russian Bear Bait, William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 10 7/8 x 14 5/8in. (27.6 x 37.1cm

El Kab, Edward Lear, 1812–1888, British, 1854, Watercolor, pen and red ink on moderately thick, rough, beige wove paper, Sheet: 2 1/2 x 6 1/8 inches (6.4 x 15.6 cm), desert, hills, landscape, river, sand, Africa, Egypt, Kab, El,

Landscape with figures, William Havell, 1782–1857, British, active in India (1820–26), ca. 1804, Watercolor, scraping out and gum, over graphite on thick, smooth, cream card, Sheet: 17 1/4 × 15 7/8 inches (43.8 × 40.3 cm), children,

The St. Leger, Doncaster: The Finish, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm), building, crowd, horse

Portrait of a Young Girl, Samuel Collins, 1735–1768, British, 1757, Gouache and watercolor on incised ivory, Image: 1 3/8 x 1 1/8 inches (3.5 x 2.9 cm) and Frame: 2 x 2 3/4 x 1/2 inches (5.1 x 7 x 1.3 cm), child, children, girl, portrait

Self-Portrait, John Jackson, 1778–1831, British, ca. 1823, Watercolor and gouache on moderately thick, slightly textured, cream wove paper, Sheet: 12 x 9 1/4in. (30.5 x 23.5cm) and Sheet: 12 × 9 1/4 inches (30.5 × 23.5 cm), artist,

An Asian Openbill Stork (Anastomus oscitans), unknown artist, Undated, Watercolor, pen and black ink, gray ink, gouache and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 25 7/16 × 17 5/16 inches (64.6 × 44 cm),

The Southeast view of Rose Castle in Cumberland, Capt. John Bernard Gilpin, 1701–1776, 1765, Pen and brown ink, graphite and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 13 1/8 × 20 1/2 inches (33.3 × 52.1

A Fireman, John Augustus Atkinson, 1775–1831, British, undated, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 3 3/8 inches (12.1 × 8.6 cm), axe, buckets (vessels), figures

View of Malta, Charles Dyce, active 1848, British, 1848, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 13 7/8 inches (24.8 × 35.2 cm), boats, houses, marine art, men, ocean, ships, Europe,

Memorial to Mrs. Sarah Starkey, Hannah Lodington, John and Efrer Larchevesque, and John's second wife Martha from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on

The Military Adventures of Johnny Newcome, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, with pen, in gray ink, brown ink, and graphite on medium, slightly textured, beige, wove paper, mounted on, moderately thick,

South West View of Chatsworth House Derbyshire the Seat of His Grace the Duke of Devonshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick,

Portrait of a Woman with a Pitcher, Richard Dadd, 1817–1886, British, 1858, Watercolor over graphite on thick, moderately textured, beige laid paper, Sheet: 7 3/8 × 4 1/8 inches (18.8 × 10.5 cm), apron, genre subject, peasant,

Landscape with Figures and Distant Castle, John Varley, 1778–1842, British, 1804, Watercolor on medium, slightly textured, cream wove paper, Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm), castle, figures, landscape, mountains, sunset,

The Hon. George Pryse Cambell (1793-1858), as a Midshipman, Henry Edridge, 1769–1821, British, 1805, Watercolor, with pen, in black ink, , graphite and scratching out on medium, slightly textured, beige, wove paper, mounted on, thick,

Cobham Hall, Kent: Plan of the Ceiling of the Dairy, James Wyatt, 1746–1813, British, 1795, Graphite, pen and black and brown ink and watercolor on medium, moderately textured, beige laid paper with two fold marks, Sheet: 13 1/2 x 21 7/8

Sheikh Abadeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, gray wove paper, Sheet: 2 13/16 x 8 15/16 inches (7.1 x 22.7 cm), boat, marine art, river,

The First Book of Urizen, Plate 17, 'They call'd her Pity and fled . . . .' (Bentley 19), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly

The Tarpan. Wild Horse. Native to Russia, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and brown ink and black ink on medium, slightly textured, cream, wove paper, Sheet: 3 15/16 × 6 3/8 inches (10 ×

East Cowes, Isle of Wight, Capt. Thomas Hastings, 1778–1854, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm

Landscape With a Ploughed Field in the Foreground, David Charles Read, 1790–1851, British, undated, Watercolor on moderately thick, rough, beige, laid paper, Sheet: 4 1/8 × 7 13/16 inches (10.5 × 19.8 cm), cliffs, clouds, field,

Young's Night Thoughts, Page 87, 'Is Lost in Love! Thou Great Philanthropist', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Notre Dame, Paris, William Callow, 1812–1908, British, active in France, 1835, Watercolor on medium, moderately textured, cream wove paper, Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm), architectural subject, barge, barrels

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