Images at Librifly

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The Four Castles of Neckarsteinach, 1800–1818, Pen and brown ink, brush and brown wash and watercolor, framing line in black ink, sheet: 7 1/2 x 10 1/4 in. (19 x 26 cm), Drawings, Carl Philipp Fohr (German, Heidelberg 1795–1818 Rome

Boughs from an Apple Tree with Spiders' Webs, n.d., Watercolor, 12 1/8 x 7 1/8 in. (30.8 x 18.1 cm), Drawings, Jules-August Habert-Dys (French, Fresnes 1850–1930

Rahm Bux's Petition, Mhow, Central India, June, 1889, 1889, Watercolor, Image: 7 13/16 × 9 13/16 in. (19.8 × 24.9 cm), Drawings, R. H. Tickell (British, active India 1889

Design of a Room of the Infante Don Carlo, King of Naples, 1737, Pen and watercolor, 9-5/8 x 12-3/4 in, Drawings, Anonymous, Italian, 18th century

Design for an Octagonal Cabinet with Shelves and a Pink Interior, 19th century, Ink and watercolor, sheet: 7 x 5 3/8 in. (17.8 x 13.7 cm), Anonymous, British, 19th century

Nan va Halva (Breads and Sweets), ca. 1690, Made in India, Deccan, Aurangabad, Ink, opaque watercolor, and gold on paper, H. 9 1/4 in. (23.5 cm), Codices, The text of this book is a series of moralizing poems on the merits of the ascetic

Marriage at Cana, 1619, Graphite, pen and black ink, brush and gray wash, and watercolor, 7 3/16 x 11 1/8 in. (18.2 x 28.2 cm), Drawings, Andreas Goeding (German, Dresden ca. 1570–ca. 1625 Dresden

Illuminated Initial from Hymnal, 1830–62, Watercolor, pen and black and red ink over graphite with touches of gold and gouache, sheet: 14 1/2 x 9 1/8 in. (36.8 x 23.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Pier Glasses, 1850–1904, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

November, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Design for a Wall Decoration, 18th century, Ink, wash, and watercolor, 11 x 16-1/2 in, Drawings, Anonymous, Italian, 18th century

Allegory of Geometry, late 16th– early 17th century, Pen and black ink and brush and gray ink, yellow watercolor, sheet: 5 3/8 x 7 11/16 in. (13.7 x 19.5 cm), Hans Krumpper (German, Weilheim ca. 1570–1643 Munich

Designs for Two Sets of Curtains, 1841–84, Graphite and watercolor, sheet: 10 1/4 x 12 3/8 in. (26 x 31.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

'Prince Killing a Lion', Folio from the Davis Album, 17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Page: H. 13 1/8 in. (33.3 cm), Codices, This dramatic scene depicts a prince stabbing a wounded lion as his

Pages of Calligraphy from a Sharafnama (Book of Honour) of Nizami, ca. 1620–30, Attributed to India, Deccan, Golconda, Ink, opaque watercolor, and gold on paper, H. 12 1/16 in. (30.6 cm), Codices

Design for a Fanciful Organ, late 18th–early 19th century, Pen and black and brown ink, and watercolor, sheet: 7 1/16 x 4 5/16 in. (17.9 x 11 cm), Drawings, Joseph Ignaz Gurk (Austrian, active ca. 1795–ca. 1826

Khusrau and Shirin, dated A.H. 904/A.D. 1498–99, Attributed to Turkey, probably Istanbul or Amasya, Main support: ink, opaque watercolor, and gold on paper; binding: leather, Entire sheet:, Codices, Calligraphy and paintings by Suzi, This

Launching the Buoy from the Bow of the Great Eastern on August 8th, 1865, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 9 7/16 × 13 3/4 in. (23.9 × 35 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of

Scene on the Grand Canal, Venice, 19th century, Watercolor and gouache over graphite, Sheet: 4 1/4 × 7 1/4 in. (10.8 × 18.4 cm), Drawings, Hercules Brabazon Brabazon (British, Paris 1821–1906 Oaklands, London

A Woman Reading, after Pieter Janssens Elinga, 1846–47, Watercolor and gouache, Sheet: 5 7/8 x 4 1/2 in. (14.9 x 11.5cm), Drawings, François Bonvin (French, Paris 1817–1888 Saint-Germain-en-Laye), Pieter Janssens Elinga

'The Monkey Tries Carpentry', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Beauty and the Beast, 18th–19th century, Watercolor, sheet: 5 1/8 x 9 in. (13 x 22.9 cm), Drawings, Attributed to Thomas Rowlandson (British, London 1757–1827 London

News Received Through the Atlantic Cable From All Parts of the World, etc., 1866, Watercolor over graphite with touches of gouache, Sheet: 9 5/16 × 12 5/8 in. (23.7 × 32 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of

Old Tombstones, 1935, Watercolor, gouache, and ink on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

'Virgin and Child', Folio from the Bellini Album, ca. 1600, Attributed to The Netherlands, Ink, opaque watercolor, and gold on paper, Dimensions of entire page: H. 17 7/8 in. (45.4 cm), Codices

December, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Triclinium, Excavated in the House of Actaeon, Pompeii, ca. 1824, Pen and black ink; watercolor, Sheet: 5 9/16 x 5 7/16 in. (14.2 x 13.8cm), Drawings, Chalres Frédéric Chassériau (French, Port-au-Prince, Haiti (Saint-Dominigue)

Angel of the Revelation (Book of Revelation, chapter 10), ca. 1803–5, Watercolor, pen and black ink, over traces of graphite, Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm), Drawings, William Blake (British, London 1757–1827 London), This

Sheets of Verses: Priamel vom Schuldenbot, late 18th–early 19th century, Pen and brown ink, brush and watercolor. Framing lines in pen and brown., 13 9/16 x 8 15/16 in. (34.5 x 22.7 cm), Drawings, Johann Martin Usteri (Swiss, Zurich

Cabinet Design with Doors Adorned with Porcelain Plaques, 19th century, Ink and watercolor, sheet: 4 15/16 x 6 15/16 in. (12.5 x 17.6 cm), Anonymous, British, 19th century

Costume Design for a Cavalier (?) in Blue and Burgundy with Feathered Cap and Sword, n.d., Pen and black ink, watercolor, and blue pencil, 12 5/16 x 9 7/16 in. (31.3 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Mirror Case, A.H. 1206/ A.D. 1844–45, Attributed to Iran, Exterior: pasteboard, papier-maché; opaque watercolor, gilded and lacquered, Ht. 9 1/4 in.(23.5 cm), Lacquer, Painting by Zain al-'Abidin, During the 18th and 19th centuries Iran

Costume for Sir Olivier McText [a]; Descriptive Sheet of Accessories [b], 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 5/16 in. (31.4 x 23.6 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Tughra (Official Signature) of Sultan Süleiman the Magnificent (r. 1520–66), ca. 1555–60, From Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, H. 20 1/2 in. (52.1 cm), Codices, The Ottoman tughra is a calligraphic emblem of

Female dancer in fairy costume, ca. 1920, Graphite, gouache, watercolor., sheet: 12 11/16 x 9 5/8 in. (32.2 x 24.5 cm), Drawings, Sergey Chekhonin (Russian, 1878–1936

Study for 'The Ferry', after 1829, Watercolor and graphite, sheet: 3 3/4 x 5 in. (9.5 x 12.7 cm), Drawings, Peter De Wint (British, Hanley, Stoke-on-Trent 1784–1849 London), This small work shimmers with intensity. Bold, fluid strokes of

'The Deposed Monkey King Drops Figs for the Tortoise and the Two Become Friends', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm

Bungalow drawing -- Eastern elevation and interior, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.4 x 30.3 cm), Ernest Geldart (British, London 1848–1929

Drawings for scenes from Vanity Fair: 'Jos and Becky', 1800–1819, Watercolor over graphite, sheet: 7 x 5 in. (17.8 x 12.7 cm), Drawings, James Barret (British, London, active 1785–1819 London

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 3/4 x 7 5/16 in. (29.8 x 18.5 cm), Drawings, Charles Edmund Brock (British, London 1870–1938

Design for an Ecclesiastical Veil, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 8 7/8 x 8 7/8 in. (22.5 x 22.5 cm), Ernest Geldart (British, London 1848–1929

Qur'an Manuscript, 13th century, Attributed to Egypt or Syria, Ink, opaque watercolor, and gold on paper, H. 20 in. (50.8 cm), Codices

Costume for a Youth in Yellow and Blue, n.d., Pen and black ink with watercolor, 12 3/8 x 9 7/16 in. (31.4 x 23.9 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

'The Queen Ilar (Irakht) Before the King Warning him About the Brahmins (?)', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Peasants Loading Hay, ca. 1620s, Pen and brown and black inks, watercolor, over black chalk; framing line in pen and brown ink., Overall: 3 x 5 11/16 in. (7.6 x 14.5 cm), Drawings, Hendrick Avercamp (Dutch, Amsterdam 1585–1634 Kampen

Design for wall fixture, ca. 1905–20, Made in New York, United States, American, Graphite and colored pencil heightened with blue and gold watercolor, Overall: 15 7/8 x 11 13/16 in. (40.3 x 30 cm), Drawings, Possibly Tiffany Glass Company

Fonduco, the Seat of Captain Thomas James Maling, 19th century, Ink and watercolor, sheet: 5 1/8 x 11 1/4 in. (13 x 28.6 cm), Anonymous, British, 19th century

Mrs. Palmer, 1785, Watercolor, colored chalk over graphite, sheet: 8 1/8 x 7 3/8 in. (20.6 x 18.7 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales

Tiger, 1810–75, Watercolor, Sheet: 4 11/16 x 6 15/16 in. (11.9 x 17.6cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Studies for European-Style Portrait Miniatures and a Damsel Arranging Flowers, ca. 1870, Made in India, probably Rajasthan, Ink and watercolor on paper, Page: 12 x 10 1/8 in. (30.5 x 25.7 cm), Codices, This page comprises a series of

'Asvatthama Fires the Narayana Weapon (Cosmic Fire) at the Pandavas', Folio from a Razmnama, ca. 1616–17, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: 15 1/16 x 9 7/16 in. (38.2 x 24 cm), Codices

Venus, Anchises and Cupid, 1780–1827, Watercolor, Sheet: 8 13/16 x 6 9/16 in. (22.4 x 16.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Woman wearing a yellow bonnet and polka-dot dress, n.d., Graphite, brush and watercolor and bodycolor, sheet: 17 5/8 x 10 3/8 in. (44.7 x 26.4 cm), Drawings, Léon Bakst (Russian, Grodno 1866–1924 Paris

'The Crow King Consults his Ministers', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: 'And She Shall be Called Woman) (recto); Sketch for the same (verso), ca. 1803, Watercolor, pen and black ink over graphite, Sheet: 16 3/8 × 13 1/16 in. (41.6 × 33.2 cm),

Folio from the Bellini Album, ca. 1600, Attributed to Turkey, Ink, opaque watercolor, and gold on paper, 7.87 in. high 5.25 in. wide (20.5 cm high 13.3 cm wide), Codices

'The Man who Discovers the Treasure has it Carried Away by Hired Workmen', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

The Parable of the Wise and Foolish Virgins, ca. 1799–1800, Watercolor, pen and black ink over graphite, Sheet: 14 3/16 × 13 1/16 in. (36 × 33.2 cm), Drawings, William Blake (British, London 1757–1827 London), Blake painted four

Arcadian Landscape with several Figures and a Statue of Diana, 18th century, Watercolor and gouache, sheet: 8 15/16 x 13 13/16 in. (22.7 x 35.1 cm), Drawings, Gerard Melder (Dutch, Amsterdam 1693–1754 Utrecht

Design for Piccolo Pianoforte, Louis Quatorze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Design for Armchair, François Premier Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Design for Thatched Cottages for Mrs. Kingsley, 1910, Pen and ink, over graphite, with watercolor, sheet: 21 1/4 x 14 1/2 in. (54 x 36.8 cm), Charles Edward Mallows (British, 1864–1915

The Artist in His Studio, 1636, Pen and black ink, gray and brown wash, watercolor, sheet: 4 x 5 15/16 in. (10.2 x 15.1 cm), Drawings, Ruprecht Bartz (German, active ca. 1636

Design for a Cottage Ornée in the Tudoresque Style, late 18th–early 19th century, Watercolor over pen and black ink, sheet: 3 x 8 3/8 in. (7.6 x 21.3 cm), Humphry Repton (British, Bury St. Edmonds, Suffolk 1752–1818 Romford, Essex

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

'Great Hornbill', Folio from the Shah Jahan Album, recto: ca. 1540; verso: ca. 1615–20, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, Painting by Mansur (active ca. 1589–1626), The

Design for Section of a Rococo Room, with a Coved Ceiling and Ornamented Corinthian Doorway, ca. 1750, Graphite, pen and ink, wash and yellow watercolor, sheet: 10 3/4 x 14 1/2 in. (27.3 x 36.8 cm), Attributed to Thomas Lightoler (British,

Qur'an of Ibrahim Sultan, dated A.H. 830/A.D. 1427, Attributed to Iran, probably Shiraz, Ink, opaque watercolor, and gold on paper; leather binding, H. 8 1/8 in. (20.6 cm) , Codices, Ibrahim Sultan (1394–1435), grandson of Timur and

Harlech Castle across the Traeth Mawr, 1800–1842, Watercolor over graphite, heightened with scratching out, sheet: 5 1/2 x 9 1/4 in. (14 x 23.5 cm), Drawings, John Varley (British, London 1778–1842 London), As a founding member of the

Woman Seated on a Sofa, 1865–1915, Watercolor over graphite, with touches of gouache, sheet: 4 7/8 x 6 7/8 in. (12.4 x 17.5 cm), Drawings, Walter Crane (British, Liverpool 1845–1915 Horsham

The Duke of Queensbury's House, Piccadilly, 19th century, Watercolor and ink, sheet: 12 1/4 x 8 1/4 in. (31.1 x 21 cm), Drawings, Anonymous, British, 19th century

Herons in Landscape, 1810–75, Watercolor on wove paper, 6 5/8 x 8 3/4 in. (16.8 x 22.3cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Landscape, 1900, Watercolor, graphite, Overall: 11 1/16 x 7 13/16in. (28.1 x 19.8cm), Drawings, Henri-Joseph Harpignies (French, Valenciennes 1819–1916 Saint-Priv

The Comforts of Bath and Public Breakfast, 1780–1827, Watercolor, graphite, pen and ink, sheet: 4 7/8 x 11 5/16 in. (12.4 x 28.8 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Elevation of a Wall with Two Windows and Five Wall Lights, 19th century, Ink and watercolor, sheet: 5 1/8 x 10 11/16 in. (13 x 27.1 cm), Anonymous, British, 19th century

Designs for a Church Wall Lantern, ca. 1880, Graphite, pen and ink, wash and watercolor, sheet: 9 5/16 x 15 1/2 in. (23.6 x 39.3 cm), Attributed to Richardson Ellson & Co. (British

South Elevation and East or Entrance Elevation of a House, 1909, Pen and ink, over graphite, with watercolor, sheet: 8 x 12 3/4 in. (20.3 x 32.4 cm), Charles Edward Mallows (British, 1864–1915

Pan, first half 20th century, brush and black ink, gouache, watercolor, sheet: 14 7/8 x 7 15/16 in. (37.8 x 20.2 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Cabinet Design, 19th century, Ink, watercolor and scratching on grey ground, sheet: 5 7/16 x 7 1/16 in. (13.8 x 18 cm), Anonymous, British, 19th century

Ascension of Christ (Acts I, 1–9): Study for stained-glass window, ca. 1875–84, Watercolor and gouache, gold paint, and graphite, sheet: 13 1/8 x 6 1/8 in. (33.3 x 15.5 cm), Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham

''Umar Walks around Fulad Castle, Meets a Foot Soldier and Kicks Him to the Ground', Folio from a Hamzanama (The Adventures of Hamza), ca. 1570, Attributed to India, Ink, opaque watercolor, and gold on cloth; mounted on paper, H. 28 3/4 in.

A Hungarian Horseman, late 16th–mid 17th century, Black chalk, watercolor, sheet: 6 5/8 x 5 in. (16.9 x 12.7 cm), Drawings, Roelandt Savery (Flemish, Kortrijk 1576–1639 Utrecht

Folio from the 'Qur'an of `Umar Aqta', late 14th–early 15th century (before 1405), Attributed to present-day Uzbekistan, Samarqand, Ink, opaque watercolor, and gold on paper, H. 9 1/2 in. (49.5 cm), Codices, This fragment of a page comes

Theater costume design for warrior with a dagger and gun, 1926, Graphite, watercolor, brush and black ink, bronze and silver paint, sheet: 14 3/4 x 11 1/8 in. (37.5 x 28.3 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940

Project for a Monumental Tomb, 16th century, Pen and brown ink, brush and blue wash or watercolor, sheet: 13 7/8 x 9 9/16 in. (35.3 x 24.3 cm), Drawings, Anonymous, Italian, 16th century

Standing Woman in Moroccan Costume, ca. 1834, Graphite and watercolor on wove paper, 12-13/16 x 8-3/16 in. (32.5 x 20.8 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Design for a Side Table and Mirror, 1841–84, Graphite and watercolor, sheet: 13 1/4 x 8 7/8 in. (33.6 x 22.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for a Wall with Three Windows, 1841–84, Graphite and watercolor, sheet: 10 9/16 x 14 7/8 in. (26.8 x 37.8 cm), Charles Hindley and Sons (British, London 1841–1917 London

La Victoire from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Interior of a Small Salon, mid-19th century, Pen and grey ink, watercolor, over graphite, 11 7/16 x 15 5/8 in. (29.0 x 39.7 cm), Simon-Claude Constant-Dufeux (French, 1801–1871

Design for Wall Elevation with Diapered Wainscoting and a Coffered Ceiling, 19th century, Watercolor over graphite with touches of gilt, sheet: 13 1/8 x 8 1/8 in. (33.3 x 20.6 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and

A Standing Cavalier, late 16th–early 17th century, Watercolor, gouache, and gold paint with traces of graphite, sheet: 2 13/16 x 1 13/16 in. (7.1 x 4.6 cm), Drawings, Anonymous, Swiss, late 16th to early 17th century

Design for Frame, 1830–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Two Sides of a Bengal River Fish, ca. 1804, Made in India, Calcutta, Pencil, opaque watercolor, and gold on paper, Painting: H. 15 1/16 (38.3 cm), Codices, This painting most likely illustrates a Bengal tongue sole fish (Cynoglossus

'Have You Been to the Pump, Simpson?', 1837–64, Watercolor, pen and brown ink over graphite, Sheet: 6 x 3 13/16 in. (15.2 x 9.7 cm), Drawings, John Leech (British, London 1817–1864 London

Mountainous Landscape with Ruins of a Castle and Three Men in a Cave, Seen through a Stone Gate, late 18th–early 19th century, Pen and black ink, brush and gray watercolor over graphite. Double framing line in ink., sheet: 9 13/16 x 11 1/4 in.

View of a Colliery at the Edge of a Town, 1840–49, Watercolor over graphite on card, sheet: 11 15/16 x 10 3/16 in. (30.4 x 25.8 cm), Drawings, John Ruskin (British, London 1819–1900 Brantwood, Cumbria), Ruskin became one of the most

View of the Roman Forum, unexcavated, 1840, Watercolor over graphite, sheet: 13 1/4 x 11 in. (33.7 x 27.9 cm), Drawings, Attributed to Sir Charles Barry (British, London 1795–1860 London

Landscape with Trees, 1635–91, Watercolor over black chalk., 7 3/8 x 12 1/8 in. (18.7 x 30.8 cm), Drawings, Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht), Cuyp's looped and choppy lines, plumped up with touches of color, bring us

'The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)', Folio from a Siyer-i Nebi (the Life of the Prophet), ca. 1595, Made in Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, H. 14.56 in. (37 cm), Codices, Painting by Mustafa

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