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Charles Demuth: At Marshall's, Charles Demuth, 1917, Watercolor and graphite on laid paper, Overall: 13 x 8 in. (33 x 20.3 cm

Jules Pascin: Group of Men, New York, Jules Pascin, 1918, Charcoal and watercolor on wove paper, Overall: 7 3/4 x 6 15/16 in. (19.7 x 17.6 cm

Paul Signac: La Rochelle, Paul Signac, c. 1911, Watercolor and charcoal on laid paperImage: 11 1/4 x 16 in. (28.6 x 40.6 cm

Jules Pascin: Three Women and Two Children, Havana, Jules Pascin, c. 1915, Pen and ink and watercolor on wove paper, Overall: 10 1/8 x 8 3/8 in. (25.7 x 21.3 cm

Charles Demuth: Count Muffat Discovers Nana with the Marquis de Chouard, Charles Demuth, 1915, Watercolor, graphite, and pen and ink on thin wove paper, Overall: 8 1/2 x 10 15/16 in. (21.6 x 27.8 cm

Lenna Glackens: Two Figures–Sphinx, Lenna Glackens, 1922, Graphite and watercolor on two leaves of wove paper, Overall: 7 x 4 in. (17.8 x 10.2 cm

Charles Demuth: Scene after Georges Stabs Himself with the Scissors, Charles Demuth, 1916, Watercolor and graphite on wove paper, Overall: 8 1/8 x 10 11/16 in. (20.6 x 27.1 cm

Charles Demuth: Scene after Georges Stabs Himself with the Scissors, Charles Demuth, 1916, Watercolor and graphite on wove paper, Overall: 8 1/8 x 10 11/16 in. (20.6 x 27.1 cm

Jules Pascin: Figure Group, Man with Green Plaid Trousers, Jules Pascin, 1915, Watercolor, pen and ink, and crayon on thin paper, Overall: 7 1/8 x 6 7/8 in. (18.1 x 17.5 cm

Mary Cassatt: Woman with Nude Boy at Her Left, Mary Cassatt, c. 1911–1913, Watercolor on thick wove paper, Overall: 20 7/8 x 13 7/8 in. (53 x 35.2 cm

Jules Pascin: Southern Figures and Goat, Jules Pascin, c. 1918, Watercolor, pen and ink, and crayon with graphite on wove paper, Overall: 6 7/8 x 12 1/2 in. (17.5 x 31.8 cm

Charles Demuth: Two Acrobats in Red Tights, Charles Demuth, 1917, Watercolor and graphite on laid paper, Overall: 13 x 8 in. (33 x 20.3 cm

Shen Shichong: Fan–Mountain Landscape, Shen Shichong, 1631, Ink, watercolor, red ink stamp, and gold on Japanese paper, Overall: 9 5/8 x 21 3/8 in. (24.4 x 54.3 cm

Jules Pascin: Harvesters, Jules Pascin, 1917, Watercolor and pen and ink with graphite on wove paper, Overall: 8 3/4 x 11 3/4 in. (22.2 x 29.8 cm

Jules Pascin: Figures and Cat in Park, Jules Pascin, 1916, Watercolor and pen and ink on wove paper, Overall: 4 7/8 x 6 7/8 in. (12.4 x 17.4 cm

Melanie Marc: Field Flowers, Melanie Marc, 1842, Watercolor with graphite underdrawing on parchment, Overall: 11 11/16 x 9 3/16 in. (29.7 x 23.3 cm

Jules Pascin: Landscape with Figures, Miami, Jules Pascin, 1916, Watercolor and graphite on thin wove paper, Overall: 9 1/4 x 7 3/4 in. (23.5 x 19.7 cm

Jules Pascin: Reclining Nude, Jules Pascin, 1920, Watercolor and pen and ink with graphite on wove paper, Overall: 12 1/8 x 16 3/4 in. (30.8 x 42.5 cm

Jules Pascin: Negroes and Two Carts, Jules Pascin, c. 1918, Pen and ink with watercolor on laid paper, Overall: 5 1/2 x 10 1/2 in. (14 x 26.7 cm

Charles Demuth: Nana and Count Muffat, Charles Demuth, 1916, Watercolor and graphite on thin wove paper, Overall: 8 x 10 3/4 in. (20.3 x 27.3 cm

Jules Pascin: Siesta, Jules Pascin, 1915, Pen and ink with watercolor on wove paper, Overall: 7 7/8 x 12 in. (20 x 30.5 cm

Paul Signac: La Rochelle, Paul Signac, c. 1911, Watercolor and charcoal on laid paperImage: 11 1/4 x 16 in. (28.6 x 40.6 cm

French: Flowers with Daisies, Unidentified artist, French, c. 1840, Watercolor with graphite underdrawing on parchment, Overall: 10 3/4 x 8 1/2 in. (27.3 x 21.6 cm

Charles Demuth: Bermuda Landscape No. 2, Charles Demuth, 1917, Watercolor and graphite on wove paper, Overall: 10 x 14 in. (25.4 x 35.6 cm

Paul Signac: Antibes, Paul Signac, 1918, Watercolor and charcoal on laid paper, Overall (primary support): 11 7/8 x 16 7/8 in. (30.2 x 42.9 cm

Charles Demuth: Bermuda: Houses Seen Through Trees, Charles Demuth, 1918, Watercolor and graphite on wove paper, Overall: 14 1/4 x 10 in. (36.2 x 25.4 cm

Charles Demuth: In Vaudeville: Acrobatic Male Dancer with Top Hat, Charles Demuth, 1920, Watercolor, graphite, and charcoal on wove paper, Overall: 13 x 8 in. (33 x 20.3 cm

Dutch stream landscape with two sailors and a steamship, 1930, watercolor, mounted, leaf: 30.9 x 42.6 cm, U. r., signed and dated in chalk: M Birrer 1930, Max Birrer, Basel 1905–1937 Collioure/Pyrénées-Orientales

Steinenberg and Birsig in Basel, pen in blue, watercolor and cover color on paper, Rectangle border in black, leaf: 21.7 x 56.2 cm, Johann Jakob Schneider, Diegten/Baselland 1822–1889 Basel

Blossom of a horse-chestnut and moth, watercolor and opaque colors, glued to light brown tinted margin, leaf: 37.7 x 25.7 cm, Maria Sibylla Merian, Frankfurt a. M. 1647–1717 Amsterdam

Design for a table fountain, around 1555/60, pen, watercolor and gouache on paper, pasted on parchment, the outlines cut out, leaf: 154 x 62 cm |, Picture: 135.7 x 60 cm, Wenzel Jamnitzer, (oder Werkstatt / or workshop), Wien 1508–1585

Garden tulip (white-violet flamed) with ladybug and flowering geranium with cabbage white, watercolor, mounted on green toned edge, leaf: 36.2 x 23.4 cm, Maria Sibylla Merian, Frankfurt a. M. 1647–1717 Amsterdam

Promontorio Ph., 1933, 323 (B 3), watercolor on paste zinc-white primer on plywood, 27.5 x 39.5 cm, signed lower left: Klee, inscribed on the reverse: 1933 B 3 Promontorio Ph. Klee, Paul Klee, Münchenbuchsee/Bern 1879–1940 Muralto b.

Franz August Schubert, German, 1806-1893, The Archangel Michael, 1836, watercolor over graphite pencil on cream wove paper, Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm

Marino, watercolor over pencil, heightened in white, on light brown paper, sheet: 28.3 x 18.1 cm, U. r., Monogrammed, dated and inscribed in brown with brown dots: TP [ligated] 85, Marino, Theophil Preiswerk, Basel 1846–1919 Basel

Under black star, 1918, 116, watercolor on plaster base on gauze, top and bottom paper strips attached, on cardboard, 20.5 x 15.5 cm |, 20.9, 19.8 x 14.9 cm, 15.8 cm, inscribed on cardboard lower left: Under black star 1918 116, Paul Klee,

View from the Blumenrain to the St. Johanns Schwibbogen in Basel, pen in gray, brown and black, watercolor and cover color on paper, Rectangle border in black, leaf: 40.2 x 31.8 cm (largest mass), Anton Winterlin, Degerfelden/Baden 1805–1894

Jules Lessore, French, 1892-1892, New York Harbor, 19th century, watercolor, Image: 42 × 39 inches (106.7 × 99.1 cm

Chief of the united chaste combat troops, 1925, watercolor and ink, sheet: 30.6 x 25.2 cm, U. l., denoted by feather: chief of the united chaste combat troops, u, ., r., monogrammed and dated: F.B., 25, Fritz Baumann, Basel 1886–1942

Two students in the large cloister of the Balser Münster, on the southwest corner, watercolor, two-part rectangle edging and gray-tinted border, sheet: 26.3 x 22.7 cm, U. l., Signed with brush: J.J.N. f., Johann Jakob Neustück, Basel

Madonna and angels in landscape, c. 1500, pen and brush in black and brown, gray wash, blue, green and violet watercolor, page: 31.3 x 21.7 cm, not marked, Hans Holbein d. Ä., (Werkstatt / workshop), Augsburg um 1460/65–1524

Landscape with children and goats, 1913, watercolor, gouache and chalk on detail paper, sheet: 31.4 x 40.2 cm, U. r., dated in pencil: 1913, August Macke, Meschede/Nordrhein-Westfalen 1887–1914 gefallen bei Perthes-les-Hurlus/Champagne

Breast portrait of an old Bernese peasant woman in a traditional bonnet, charcoal and watercolor, quadrature net, mounted, diameter: 27 cm |, Leaf: 32.5 x 27.5 cm, Not specified, Albert Anker, Ins/Bern 1831–1910 Ins/Bern

Church in Geronde, 1899, pencil, watercolor, sheet: 15.7 x 23.2 cm, U. r., inscribed and dated in pencil: Wallis, Geronde 19.4.99., Paul Franz Otto, 1839–1927

The big bear hell at the Welschen Rohr., Canton Solothurn, 1790, quill, watercolor, sheet: 16 x 22.7 cm |, Picture: 15.1 x 22.7 cm, L. under the inscription with spring inscribed: The big bear Höle at the tube., Canton of Solothurn, r.,

Monk with glasses from behind, pencil, watercolor, sheet: 11.1 x 9.9 cm, Unmarked, Paul Franz Otto, 1839–1927

Rain clouds over the midland (evening seascape), 1810, pencil, watercolor, sheet: 31.2 x 40.4 cm, Samuel Birmann, Basel 1793–1847 Basel

Waterfall in the high mountains, between two glacier masses, 1829, pencil, quill, watercolor and opaque white, sheet: 53.7 x 43.5 cm, U. r., Signed and dated by pen .: BIRMANN., 1829, Samuel Birmann, Basel 1793–1847 Basel

The Death Ship, watercolor, sheet: 15.8 x 26.2 cm, unmarked, Odilon Redon, Bordeaux 1840–1916 Paris

Kitchen with maid, chalk in black, watercolor, mounted, leaf: 19.9 x 29.4 cm, not marked, Benjamin Vautier d. Ä., Morges/Waadt 1829–1898 Düsseldorf

Woman with Hat from the Front, 1899, Pencil, Feather in Black, Watercolor, Sheet: 21.8 x 17 cm, U. r., inscribed and dated in pencil: Sierre, 5.IV.99., Paul Franz Otto, 1839–1927

Grasshopper, running leaf and beetle, watercolor, on parchment, folia: 12.3 x 22.9 cm, Maria Sibylla Merian, Frankfurt a. M. 1647–1717 Amsterdam

Les Bretonneries, 1889, zincography in black on wove paper, revised with watercolor and gouache, sheet, image: 31.3 x 24.5 cm (largest mass), inscribed and signed in the middle of the plate: Bretonneries, Par, E. Bernard, l, ., u, ., in

The Bläsitor seen in Kleinbasel from the Bläsistrasse (today: Klybeckstrasse), 1865, pen in gray, pencil watercolor and cover color on paper, Rectangular border in black, leaf: 37.2 x 29 cm (largest mass), U.r., monogrammed and dated with

Six washerwomen on the river, one man, watercolor and cover color, sheet: 12.4 x 18.8 cm, U. l., monogrammed with feather: AT, Wolfgang Adam Töpffer, Genf 1766–1847 Morillon bei Genf

Pflanzen-Analytisches, 1932, 229 (V 9), Watercolor on plaster base on canvas on cardboard, 53.5 x 19 cm, Signed top left: Klee, dated and originally inscribed on the cardboard with marginal ridges: 1932 V. 9. Plant-Analytical [preserved in

Tree Study (In Flesch), Sept. 20, 1824, pencil, quill, watercolor, cover color, leaf: 59.1 x 44.7 cm, R. u., Signed with pen: S. Birmann ad., nat.f., -, dated below: In Flesch., Sept. 20, 1824, Samuel Birmann, Basel 1793–1847 Basel

Praying Franciscan, 1855, watercolor over pencil, sheet: 18.5 x 12.9 cm, U. l., Signed and dated with brush: A. van Muyden., 1855th, Jacques Alfred van Muyden, Lausanne 1818–1898 Champel/Genf

Rosenlaui Glacier, June 1828, quill, watercolor and opaque colors, on brownish gray paper, sheet: 45 x 92.2 cm (three composite leaves), Samuel Birmann, Basel 1793–1847 Basel

Gartentor K, 1932, 75 (M 15), casein color and watercolor on gauze on paper on cardboard, 31 x 33 cm, signed lower left: Klee, Originally inscribed on the box with skirting boards: 1932 M 15 garden gate K, [The name was cut out and mounted on

Muttenzer quarry, 1824, pencil, quill, watercolor and cover color, sheet: 32.7 x 46.5 cm (largest mass, glued together from two sheets), U. l., Signed with pen: S. Birmann., f ., u, ., M. inscribed and dated: Muttenzer quarry., 1824th,

Weir on a creek, watercolor, sheet: 19.9 x 28.6 cm, U. r., Signed with pen: ACalame, Alexandre Calame, Vevey 1810–1864 Menton

The Port of St. Malo, 1928, Black chalk, watercolor and opaque white on paper, mounted on paper, mounted on thicker paper, sheet: 25.60 x 41.40 cm, U. l., Signed, inscribed and dated in chalk: P. Signac, St Malo 28, Paul Signac, Paris

Disc rupture with the story of Marcus Manlius, below blank escutcheon, in the upper picture Fortuna and Malicia, around 1530, feather in black, gray washed, in places red chalk and with brownish yellow watercolor, laminated, sheet: 43.6 x

Felix Cavalli, Italian, Fantastic Landscape with Peddlars, 1793, gouache and watercolor with pen and black and brown ink over a preliminary drawing in graphite, with a decorative border of pen and black ink, on buff antique laid paper, Sheet:

Courtyard of the Maria Magdalenenkloster (Reverends) in the Steinen in Basel, 1870, pen in black, watercolor and cover color on paper, Rectangle border in black, leaf: 29.5 x 57 cm, U.l., Signed and dated in black with pen: fecit J. J.

Mountain landscape with Zäsenberg and Schreckhorn, 1829, pencil, quill, watercolor and cover color on light gray primed paper, laminated, folio: 59.4 x 48.7 cm, unmarked, Samuel Birmann, Basel 1793–1847 Basel

Unknown (English), Morning (A Wooded River Landscape), 19th century, watercolor, Sheet: 13 × 16 inches (33 × 40.6 cm

View over the Totentanz on the Seidenhof, the St. Johanns Schwibbogen and the Erimanshof in Basel, feather in gray brown and black, watercolor, body color and some gum arabic on paper, Rectangle border in black, leaf: 40.2 x 32.3 cm (largest

Frontal Female Nude, Pencil and Watercolor, Sheet: 32.3 x 22.7 cm, U. r., signed in pencil: ARodin, Auguste Rodin, Paris 1840–1917 Meudon

Ticino Houses, 1922, watercolor, leaf: 24.6 x 27.8 cm, R.u., Signed and dated in brown with pen: Albert Müller 22, Albert Müller, Basel 1897–1926 Obino/Tessin

Jurassic rock at Arlesheim, watercolor over pencil, sheet: 24.5 x 34.5 cm, U. l., monogrammed in gray with a brush: TP [ligated], Theophil Preiswerk, Basel 1846–1919 Basel

Rose with white and red speckled petals, 1673, watercolor, leaf: 23.6 x 15.8 cm, U. r., inscribed with pen in brown: floruit the 2 Juny 1673, Maria Sibylla Merian, Frankfurt a. M. 1647–1717 Amsterdam

Vue d'Interlachen et de la Joungfrau, Canton de Berne, watercolor, single-line rectangle edging, mounted on gray tinted cardboard, sheet: 20.6 x 29.4 cm, U. M. inscribed on backing paper with pen in black: Vue d'Interlachen et de la Joungfrau,

High loaded wagon on mountain path, pencil, watercolor, mounted, leaf: 19.1 x 25.4 cm, U. r., monogrammed with a brush: FD [ligated], on the base sheet u., l, ., signed with pen: F. Diday, inscribed in pencil on the back: hem, François

Unknown (Italian), after Raphael, Italian, 1483-1520, Marriage of St. Catherine, 18th century, red chalk, with border of black watercolor, Sheet: 8 9/16 × 11 1/2 inches (21.7 × 29.2 cm

Barks with sails and nets on the beach at Porto d'Anzio, pencil and watercolor on light green paper, sheet: 22.2 x 29.8 cm, U. l., Monogrammed with pen: T.P., Theophil Preiswerk, Basel 1846–1919 Basel

Cow herd at the Klausen, 1922, watercolor over pencil on thin brown paper, rectangle edging, foliate: 42.7 x 53.5 cm, U. l., inscribed in pencil: herd of cows, u, ., r., signed and dated: Babberger 22, August Babberger, Hausen im

View from Monte Gentile, July 1816, pencil, quill, watercolor, sheet: 38.3 x 49.4 cm, inscribed with feather (light brown) l., u .: Drawn on Monte Gentile at Riccia., July., 1816, on the back l., u .: Monte Circello with the islands Ponza,

George Catlin, American, 1796-1872, Chief Black Rock with His Wife and Daughter, 1865, watercolor, Image: 14 1/2 × 19 1/2 inches (36.8 × 49.5 cm

Sunset, 1895, watercolor, sheet: 26.3 x 35.5 cm, U. r., Brush signed in red: H. Sandreuter 95, Hans Sandreuter, Basel 1850–1901 Riehen

Vue de la Jungfrau, Canton de Berne, watercolor, single-line rectangle edging, mounted on gray-tinted cardboard, sheet: 21.2 x 30.6 cm, U. M. inscribed on backing paper with pen in black: Vue de la Jungfrau, Canton de Berne, Dessiné pr.,

Rocky top and slopes near Positano, watercolor over pencil, folia: 24.1 x 31.7 cm, U. r., monogrammed with a brush: TP [ligated], Theophil Preiswerk, Basel 1846–1919 Basel

Disc break with guild meal (feast meal?), Around 1555, feather in dark gray, colored in watercolor, remains of a preliminary drawing with black pencil, lead lines, sheet: 31.2 x 41.3 cm, unsigned, David Joris (Jorisz.), Brügge (?) oder Gent

Bottom arm of the Bernina Glacier, 1814, pencil, pen and watercolor, Frame, leaf: 19 x 24.6 cm, in the representation r.u., signed and dated: J.C., Bischoff ad., nat., fecit, ., [...] 1814, Jakob Christoph Bischoff, Bern 1793–1825

Interior of Fingal's Cave on Staffa Island, after 1844, watercolor, feather in gray and black, Edging line with feather in dark gray, Watermark: lion with sword and arrow bundle on pedestal: PRO PATRIA (?), below: IH, Carl Gustav Carus,

Trees on the Elbe, 1905, watercolor over pencil, sheet: 35 x 45 cm, U. l., Signed and dated in pencil: E L Kirchner 05, Ernst Ludwig Kirchner, Aschaffenburg 1880–1938 Davos Frauenkirch

Landscape at the Bosphorus., On a hill in the foreground, 17 Turks are encamped by five trees., View of river and sea, watercolor over pencil, single-line rectangle edging, sheet: 24.3 x 33.9 cm, U. r., Signed and inscribed with pen: J J

Female, lying nude, watercolor and pencil, leaf: 34.7 x 27.9 cm, U. r., monogrammed in pencil: AR, Auguste Rodin, Paris 1840–1917 Meudon

Rider with three saddled horses, watercolor, verso: pencil, leaf: 8.5 x 14 cm, U. r., Signed in brown with pen: C. Vogel, Carl Christian Vogel von Vogelstein, Wildenfels 1788–1868 München

Landscape with poplars, 1929, 226 (W 6), watercolor on white ground on paper on cardboard, 27 x 21.5 cm, signed lower left: [K] lee, Paul Klee, Münchenbuchsee/Bern 1879–1940 Muralto b. Locarno/Tessin

Choi Sokhwan, Korean, 1782 - ca.1850, Grapevine, 1821, Ink and watercolor on paper, Image: 31 3/4 × 117 5/8 inches (80.6 × 298.8 cm

Weidling on the bank of a calm water, the green pastures and umhagtes meadow long skirt, watercolor on pencil, sheet: 23.7 x 31.7 cm, U. r., monogrammed with a brush: TP [ligated], Theophil Preiswerk, Basel 1846–1919 Basel

Portrait of a peasant man, c. 1525, watercolor, occasionally heightened in white, beard quill, sheet: 19.3 x 15.7 cm, not marked, Lucas Cranach d. Ä., Kronach 1472–1553 Weimar

Two carnations, one speckled white-red, the other bright red, 1673, watercolor, folia: 27.3 x 17.8 cm /18.3 cm, inscribed in pencil: 1673, the 27th July, jubilation by Harlem, Zwey ..., [hard to read], Maria Sibylla Merian, Frankfurt a.

Scrubber by the sea near Cogoleto, 1887, pencil, watercolor, lacquer (?), Sheet: 26 x 38.5 cm, U. l., monogrammed with pen in brown, inscribed and dated: TP., [ligated] Cogoleto., 87th, Theophil Preiswerk, Basel 1846–1919 Basel

Small Schillerfalter (Apatura ilia), watercolor and opaque colors on paper, sheet: 8.9 x 14.6 cm, Maria Sibylla Merian, Frankfurt a. M. 1647–1717 Amsterdam

Unknown (Italian), Head of a Man Wearing a Cap, ca. 1650, gouache and watercolor with pen and black and brown ink over a preliminary drawing in graphite, with a decorative border of pen and black ink, on buff antique laid paper, Sheet: 9 3/16

View from the Elisabethenschanze to the Rundbastion, to the Steinentor and the Steinenschanze in Basel, 1866, feather in gray, watercolor and cover color on paper, some gum arabic, mounted on paper, Rectangle border in black, leaf, image: 47

Haymaking, around 1920, chalk and watercolor over pencil, verso: pencil, leaf: 37.5 x 56 cm (largest mass), U. r., signed in red pencil: E L Kirchner, inscribed in pencil on the back: 71 hay harvest, Ernst Ludwig Kirchner, Aschaffenburg

search results: Watercolor clear search