Images at Librifly

search results: Watercolor clear search

Caesar's Tower, Warwick Castle, ca. 1850, Watercolor and touches of gouache over graphite, sheet: 14 1/4 x 10 1/4 in. (36.2 x 26 cm), Drawings, William Callow (British, Greenwich 1812–1908 Great Missenden, Buckinghamshire

Costume Design for 'Andrey' [a]; Descriptive sheet of Accessories [b], 1889, Pen and black ink, watercolor, 12 3/8 x 9 7/16 in. (31.5 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Design for Console Table, 1850–1904, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Design for Ceiling: Apollo and the Hours, 1760–1807, Pen and black ink, brush and gray ink, brown wash, watercolor, over black chalk, Image (diameter): 11 5/16 in. (28.8cm), Drawings, Angelica Kauffmann (Swiss, Chur 1741–1807 Rome

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 10 1/16 x 14 9/16 in. (25.5 x 37 cm), Charles Hindley and Sons (British, London 1841–1917 London

Seated Woman, ca. 1908, Watercolor on paper, H. 7-7/8, W. 10 inches, Drawings, Gaston Lachaise (American (born France) 1882–1935

Pear, 18th century, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso), 11-1/8 x 8-1/16 in. (28.2 x 20.5 cm), Drawings, Anonymous, Italian, Venetian, 18th

Quentin Durward and the Disguised Louis XI (recto); Study of male figure (verso), 1825 or 1826, Watercolor over graphite, sheet: 5 3/4 x 4 1/4 in. (14.6 x 10.8 cm), Drawings, Richard Parkes Bonington (British, Arnold, Nottinghamshire

Illuminated Frontispiece of a Bustan of Sa`di, dated A.H. 920/ A.D. 1514, Made in present-day Afghanistan, Herat. Attributed to present-day Uzbekistan, probably Bukhara, Folio: Ink, opaque watercolor, and gold on paper, Manuscript: H. 11 in.

Old Woman in a Brown Coat, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 11/16 x 10 1/16 in. (39.9 x 25.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Cottage at Littleton for B.M. Chamber Esq., 1911, Pen and ink, over graphite, with watercolor, sheet: 10 1/2 x 9 in. (26.7 x 22.9 cm), Charles Edward Mallows (British, 1864–1915

Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith), ca. 1500, Made in Turkey, probably Istanbul, Main support: ink, watercolor, and gold on paper, Ht. 12 5/8 in. (32.1 cm), Codices, This album contains samples written

Design for the Right Pauldron of a Parade Armor, ca. 1555, Paris, French, Paris, Pen and ink with watercolor wash on paper, 10 x 6 9/16 in. (25.4 x 16.6 cm), Works on Paper-Drawings, Attributed to Étienne Delaune (French, Orléans

Solomon and the Queen of Sheba, early 19th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Overall:, Codices, This illustrated folio was probably cut from its original illustrated manuscript as a line of text appears

Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind), ca. 1635–45, watercolor on vellum, sheet (c.): 13 3/8 x 17 11/16 in. (34 x 44.9 cm), Drawings, Jacob Marrel

Qur'an of Ibrahim Sultan, dated A.H. 830/A.D. 1427, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 8 in. (20.3), Codices, Ibrahim Sultan (1394–1435), grandson of Timur and governor of Shiraz, was a patron of the book

Drawings and Prints, Albums Drawings Ephemera, Tattoo Design with a Naval Theme, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

Forward Deck of the Great Eastern Cleared for the First Attempt to Grapple for the Lost Cable, August 11th, 1865, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 15/16 × 10 3/8 in. (17.6 × 26.3 cm), Drawings, Robert

'The Annunciation', Folio from the Bellini Album, ca. 1600, Attributed to The Netherlands, Ink, opaque watercolor, and gold on paper, H. 7 7/8 in. (20 cm), Codices, This album incorporates numerous Western prints as well as examples of

Interior, Leningrad?, ca. 1825, Watercolor, sheet: 13 1/16 x 16 15/16 in. (33.2 x 43 cm), Drawings, Charles de Brocktorff (Danish, active 1830

Design for a Coat of Arms, 1858, Watercolor over graphite

Double Page in Nasta'liq Script from a Yusuf and Zulaikha of Jami, second half 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Entire Book:, Codices

Cabinet Design, 19th century, Ink and watercolor over graphite, sheet: 5 3/8 x 7 7/16 in. (13.7 x 18.9 cm), Anonymous, British, 19th century

Floral Border Design, 1830–62, Watercolor over pen and brown ink with touches of gold and gouache, sheet: 14 1/2 x 9 3/16 in. (36.8 x 23.4 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Mrs. Morgan and her Child, 1785, Watercolor, colored chalk, charcoal over graphite, sheet: 16 1/2 x 12 3/8 in. (41.9 x 31.4 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales

Design for a Pillar and a Sounding Board, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 14 x 8 1/2 in. (35.6 x 21.6 cm), Ernest Geldart (British, London 1848–1929

Folio from a Qur'an Manuscript, 14th century, Attributed to India or Iran, Ink, opaque watercolor, and gold on paper, 19.5 in. high 14.00 in. wide (49.5 cm high 35.6 cm wide), Codices, This Qur’an which probably belongs to fourteenth

Design for a Cabinet with Glass Doors and a Porcelain Plaque, 19th century, Graphite, watercolor and scratching on green ground, sheet: 5 1/16 x 6 7/8 in. (12.8 x 17.4 cm), Anonymous, British, 19th century

Wind Mill at Antwerp, 1866, Watercolor over black chalk., 9 1/16 x 13 13/16 in. (23 x 35.1 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-Andr

Design for a Ceiling, 18th century, Brush and yellow, red, blue, green and brown watercolor, and dark blue gouache, over graphite or lead, on cream paper, 10-3/16 x 13-15/16 in. (25.8 x 35.4 cm), Drawings, Anonymous, Italian, first half

View of the Groote Kerk in Dordrecht from the River Maas, ca. 1647–48, Black chalk and moistened black chalk, gray wash (mainly in the clouds, water and sails), greenish yellow and grayish green wash (in the trees and under the houses at the

Orange Brick, Half-timbered house, late 19th–early 20th century, Pen and ink, over graphite, with watercolor, sheet: 15 x 18 in. (38.1 x 45.7 cm), Ernest Geldart (British, London 1848–1929

Riverside with Three Bathing Boys, 19th century, Watercolor and bodycolor, sheet: 13 7/16 x 11 7/16 in. (34.2 x 29 cm), Drawings, Christian Friedrich Gille (German, Ballenstedt 1805–1899 Dresden

Illuminated Initial 'N', 1830–62, Watercolor, pen and red ink over graphite with touches of gold, sheet: 14 9/16 x 9 3/16 in. (37 x 23.3 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

'The Monkey Tells the Story of the Fox Luring the Ass to its Death by the Lion', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm

Designs for Two Chairs, 1884–92, Watercolor over graphite, sheet: 8 9/16 x 12 1/2 in. (21.8 x 31.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

The Settlement and Church of Heart's Content, Newfoundland, 1866, Watercolor over graphite with touches of gouache, Sheet: 9 3/16 x 15 1/16 in. (23.4 x 38.3 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

View of Edinburgh Castle, 1885–1945, Pen and black ink, brush and watercolor over graphite, sheet: 11 5/16 x 10 1/4 in. (28.8 x 26 cm), Drawings, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland

'Jahangir and his Father, Akbar', Folio from the Shah Jahan Album, verso: ca. 1630; recto: ca0–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39 cm), Codices, Painting by Balachand (active 1595–ca.

Portrait of a Lady Holding a Flower, 1565–75, Attributed to present-day Afghanistan, Herat, Opaque watercolor, ink, and gold on paper, H. 4 5/8 in. (11.7 cm), Codices, Painted by Muhammadi of Herat (active Qazvin, ca. 1570–78; Herat,

Design for a Room Decorated as an Aviary, 1850–1919, Watercolor, pen and ink, graphite, gouache, and gilt, sheet: 13 7/8 x 19 15/16 in. (35.2 x 50.7 cm), John Dibblee Crace (British, London 1838–1919 London

Dwelling house at Esher for Mrs Wethered: Elevation and Section, 1907, Pen and ink, over graphite, with watercolor, sheet: 12 x 20 3/4 in. (30.5 x 52.7 cm), Ernest Geldart (British, London 1848–1929

'The Sixth Joust of the Rooks: Bizhan Versus Ruyyin', Folio 343r from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting (recto): H. 6 1/16 x W. 6

Whitley Abbey, interior, ca. 1888, Graphite and watercolor, sheet: 13 5/8 x 19 1/2 in. (34.6 x 49.6 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John Dibblee Crace (British, London 1838–1919 London

The Picking-up Machinery in the Bows of the Great Eastern, 1865–66, Watercolor with touches of gouache, Sheet: 6 × 9 in. (15.3 × 22.8 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th century's great

A Lady in a Bonnet and Coat, 19th century, Pen and brown ink, brown wash, with touches of pale blue and rose watercolor over traces of graphite, 15 11/16 x 10 7/16 in. (39.8 x 26.5 cm), Drawings, Constantin Guys (French, Flushing 1802–1892

Mountain View at Oisans (Isère), 1858, Watercolor, 6 7/8 x 10 1/8 in. (17.5 x 25.7 cm), Drawings, Paul Huet (French, Paris 1803–1869 Paris

'The Falcon Plucks out the Eyes of the Falconer for Bearing False Witness Against the Nobleman's Wife', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide

Design for a Cabinet with Glass Side Doors and a Porcelain Plaque, 19th century, Graphite, watercolor and scratching on grey ground, sheet: 5 1/4 x 7 3/8 in. (13.4 x 18.8 cm), Anonymous, British, 19th century

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 5/8 x 7 1/4 in. (29.5 x 18.4 cm), Drawings, Charles Edmund Brock (British, London 1870–1938

Costume Design for 'Orlando', 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 7/16 in. (31.5 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Hab.t de Nootka from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

'Fairies Descend to the Chamber of Prince Manohar', Folio from a Gulshan-i 'Ishq (Rose Garden of Love), ca. 1700, Attributed to India, Deccan, Ink, opaque watercolor, gold, and silver on paper, Miniature: H. 8 3/4 in. (22.3 cm); W. 5 5/8 in.

Adoration of the Magi, ca. 1915–16, Made in New York, United States, American, Watercolor, gouache, pen and ink, and graphite on pebble finish matt board in original decorated matt with shaped tracery window openings, Overall: 21 3/8 x 30

View of St. Charles Church and the Polytechnic Institute in Vienna, 1831, Graphite, watercolor, gouache, gum arabic. Black framing line in watercolor, sheet: 9 13/16 x 13 3/4 in. (25 x 35 cm), Drawings, Rudolf von Alt (Austrian, Vienna

Four Captive Demons, 1470–1500, Attributed to Iran or Central Asia, Watercolor and gold on silk, H. 13 3/8 in. (34 cm), Codices, This exceptional painting on silk portrays four demonlike figures rendered in exacting, fantastic detail. A

Section from a Qur'an Manuscript, ca. 1320, Attributed to Egypt, probably Cairo, Main support: Ink, opaque watercolor, and gold on paper, 10 7/16 x 7 1/2 in. (26.5 x 19 cm), Codices, This section of a Qur‘an manuscript written on parchment

The Old Frigate Iris with Her Freight of Cable Alongside the Great Eastern at Sheerness: The Cable Passed from the Hulk to the Great Eastern, 1865, Watercolor over graphite with touches of gouache, Sheet: 6 7/16 × 9 11/16 in. (16.3 × 24.6 cm),

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and gouache on paper mounted on board in original matt, Overall: 11 7/8 x 6 3/8 in. (30.2 x 16.2 cm), Drawings, Tiffany Studios

Heather, Sweet Peas and Butterfly, 19th century, Gouache and watercolor on grey prepared ground, Sheet: 13 11/16 × 9 3/4 in. (34.7 × 24.8 cm), Drawings, Anonymous, British, 19th century

Valentia in 1857-1858 at the Time of the Laying of the Former Cable, 1865, Watercolor over graphite with touches of gouache, Sheet: 6 3/4 x 10 1/16 in. (17.2 x 25.5 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

Two Russian Men, 1904, Pencil and watercolor., 14 3/4 x 10 9/16 in. (37.5 x 26.8 cm), Drawings, Klavdy Vasilyevich Lebedev (Russian, born 1852

Lea Castle, Worcestershire, View in Ante-room, Looking North, ca. 1816, Watercolor, sheet: 7 3/4 x 6 3/4 in. (19.7 x 17.1 cm), Drawings, Attributed to John Carter (British, London 1748–1817 London

Woodland Scene with a Peasant, a Horse, and a Cart, ca. 1760, Watercolor, gouache, gray wash and black chalk, on off-white laid paper, Sheet: 9 1/2 x 12 11/16 in. (24.1 x 32.2 cm), Drawings, Thomas Gainsborough (British, Sudbury

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Design for Twin Beds with a Canopy, 1841–84, Graphite and watercolor, sheet: 14 7/16 x 10 3/8 in. (36.6 x 26.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Pocket Qur'an, dated A.H. 1200/ A.D. 1785, Country of Origin Iran, Manuscript: Ink, opaque watercolor, and gold on paper, H. 4 5/16 in. (11 cm) , Codices, The small size of this finely illuminated Qur’an manuscript renders it a portable,

Hab.t de la Savoie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Crypt with a Kneeling Mourner, 1830–40, Watercolor, 7-1/2 x 9-1/4 in, Drawings, Anonymous, Italian, 19th century

Anthology of Persian Poetry (Safina), A.H. 1092 and 1096/ A.D 1681 and 1685, Attributed to Iran, Main support: Ink and watercolor on paper, 7 1/2 x 3 1/8 in. (19.1 x 7.9 cm), Codices, Long, narrow books bound on the short edge are known as

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

The Proposal (recto); Unfinished drawing of a horse and rider (verso), after 1820, Brush and watercolor over graphite (recto); graphite (verso), sheet: 6 7/8 x 5 3/16 in. (17.5 x 13.2 cm), Drawings, Attributed to Richard Parkes Bonington

Rosette Bearing the Name and Title of Emperor Aurangzeb (Recto), from the Shah Jahan Album, recto: ca. 1658; verso: ca. 1630–40, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/16 in. (38.6 cm), Codices

Decorated Border, 1830–62, Gouache and watercolor, sheet: 5 1/4 x 4 7/8 in. (13.3 x 12.4 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Tree Branches, 1852–1908, Watercolor over graphite, sheet: 9 1/2 x 13 in. (24.1 x 33 cm), Drawings, Charles Reginald Aston (British, Birmingham 1832–1908 Birmingham), Aston came from Birmingham and trained as an architect before turning to

Design for a Glass Fronted Cabinet with Red Interior, 19th century, Ink and watercolor, sheet: 6 7/16 x 8 7/8 in. (16.4 x 22.5 cm), Anonymous, British, 19th century

Finished Design for a Stage Set with Ruling and Notes, 1854, Pen and black ink, brush and wash, and watercolor., sheet: 14 7/16 x 20 1/4 in. (36.7 x 51.5 cm), Drawings, Anonymous, Portuguese, 19th century

Design for a Desk with Mirror, 1841–84, Watercolor over graphite with touches of white gouache, sheet: 10 1/4 x 12 5/16 in. (26 x 31.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

A Scholar's Study at Oxford or Cambridge, with Framed Prints, ca. 1900, Watercolor and gouache over graphite, Sheet: 9 13/16 × 14 3/4 in. (25 × 37.5 cm), Drawings, Anonymous, British, late 19th to early 20th century

Road in Etten, 1881, Chalk, pencil, pastel, watercolor. Underdrawing in pen and brown ink., 15 1/2 x 22 3/4 in. (39.4 x 57.8 cm), Drawings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise), In 1881 van Gogh briefly resided in

Dwelling house at Esher for Mrs. Wethered: Three Elevations, and a Partial Section, 1907, Pen and ink, over graphite, with watercolor, sheet: 12 x 20 3/4 in. (30.5 x 52.7 cm), Ernest Geldart (British, London 1848–1929

Costume Study for a Robed, Bearded Boyar with Staff, early 20th century, Watercolor, gouache, gold paint, over graphite., sheet: 16 5/8 x 12 3/16 in. (42.3 x 31 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940 Zagreb

Red Cabbages, Rhubarb and Orange, 1929, Watercolor and graphite on paper, 13 7/8 x 19 7/8 in. (35.2 x 50.5 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Between 1924 and 1929, Demuth

The Presentation in the Temple, with a Design for a Sculpted Frame, ca. 1630–1635, Brush and brown ink, watercolor, gouache, heightened with white and yellow gouache, 8 13/16 × 6 5/16 in. (22.4 × 16 cm), Drawings, Jacob Jordaens

Courtyard, Blois, ca. 1885–1945, Watercolor over graphite, Sheet: 11 3/4 × 9 5/8 in. (29.8 × 24.5 cm), Drawings, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland

'Rustam Battles Sava', Folio from a Shahnama (Book of Kings), 15th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, silver, and gold on paper, 11.37 in. high 19.20 in. wide (28.9 cm high 7.56 cm wide), Codices

Interior of One of the Tanks on Board the Great Eastern: The Cable Passing Out, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 7/16 × 8 15/16 in. (16.3 × 22.7 cm), Drawings, Robert Charles Dudley (British, 1826–1909),

View of a Churchyard, Southborough, Kent, 1837, Watercolor over graphite, with touches of gouache, on paper., 10 x 14 in. (25.4 x 35.6 cm), Drawings, Anonymous, 19th century

Design for a Stole or Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

Room Design in the Renaissance style, mid-19th–early 20th century, Watercolor, pen and ink, graphite and gilt, sheet: 14 3/16 x 20 5/8 in. (36 x 52.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich

The Conversion of St. Paul, 16th century, Pen and brown ink, brush and blue watercolor, sheet: 9 1/16 x 13 in. (23 x 33 cm), Drawings, Melchior Bocksberger (Austrian, Salzburg ca. 1530–1587 Regensburg

The Squire's Kitchen, late 18th–early 19th century, Pen, brown ink, brown wash, watercolor, image: 11 x 16 7/8 in. (27.9 x 42.9 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Afrique from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Anonymous, French, 18th century

Bacchant, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 9/16 x 7 13/16 in. (39.6 x 19.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

View of Rouen from St. Catherine’s Hill, 1821–22, Brush and watercolor and pen and brown ink over graphite, sheet: 5 13/16 x 9 1/16 in. (14.8 x 23 cm), Drawings, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828

'Shaikh San'an beneath the Window of the Christian Maiden', Folio18r from a Mantiq al-tair (Language of the Birds), ca. 1600, Made in Iran, Isfahan, Opaque watercolor, silver, and gold on paper, Painting: H. 2 7/8 in. (7.4 cm), Codices,

West Elevation of an Unidentified Church, 19th century, Brush and watercolor, pen and black ink over graphite, sheet: 14 1/2 x 13 3/8 in. (36.8 x 33.9 cm), William Butterfield (British, London 1814–1900 London

A Hat on a Stand, Viewed from the Back, ca. 1865, Pen and ink, brush and watercolor on wove paper, sheet: 4 13/16 x 3 7/8 in. (12.3 x 9.8 cm), Drawings, Auguste Félix (French, active 1860s

Design for double window, ca. 1908, Made in New York, United States, American, Watercolor and gouache on paper mounted on original matt board, Overall: 10 1/4 x 12 1/4 in. (26 x 31.1 cm), Drawings, Tiffany Studios (1902–32

search results: Watercolor clear search