Images at Librifly

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Amerique from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Anonymous, French, 18th century

Tree, 1935, Watercolor, tempera, and ink on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), In 1930, Dove began to work regularly in watercolor, becoming as

François de Jullienne (1722–1754) and His Wife (Marie Élisabeth de Séré de Rieux, 1724–1795), 1743, Pastel, black chalk, watercolor, and traces of black chalk underdrawing on four joined sheets of handmade blue laid paper, mounted on

Royal Tiger, 1810–75, Watercolor and gouache, Sheet: 4 11/16 x 10 7/8 in. (11.9 x 27.7cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

A Waterfall in a Forest at Langhennersdorf, 18th–early 19th century, Brush and brown ink, watercolor, gouache, over a sketch in graphite, sheet: 9 5/16 x 7 7/16 in. (23.7 x 18.9 cm), Drawings, Christoph Nathe (German, Nieder-Bielau

Dragon and Clouds, ca. 1600, Attributed to Iran, Ink and watercolor on paper, Painting: H. 7 1/2 in. (19.1 cm), Codices, Attributed to Sadiqi Beg (1533/34–1609/10), As the dragon emerges from the natural landscape, the sinuous line of its

Design for a Bed and Canopy, 1841–1917, Watercolor over graphite, sheet: 15 9/16 x 11 5/8 in. (39.6 x 29.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

'The Poor Man Apprehends the Thief', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

January, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Vilaval Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1680, India (Rajasthan, Sirohi), Ink and opaque watercolor on paper, 8 3/4 x 6 3/8 in. (22.2 x 16.2 cm), Paintings, The Vilaval ragaini is to be performed in the

Childhood of Nikita, first half 20th century, graphite, blue pastel, brush and black ink, pen and black ink, watercolor, gouache, sheet: 12 x 9 7/8 in. (30.5 x 25.1 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Woman in evening clothes and cape standing in front of mirror, 1895, Watercolor over graphite with touches of pastel, sheet: 11 1/4 x 6 3/4 in. (28.6 x 17.1 cm), Dudley Hardy (British, Sheffield, Yorkshire 1867–1922 London

Winter View of the Courtyard of a Medieval Castle in Ruins, 1832, Graphite, brush and grey ink, watercolor, sheet: 7 15/16 x 11 1/8 in. (20.1 x 28.3 cm), Drawings, Julius von Leypold (German, Dresden 1806–1874 Niederlößnitz

'Khusrau Parviz's Charge against Bahram Chubina', Folio 707v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530–35, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: H. 7 3/4 x W. 6 1/2 in. (H.

Design for Panel Decoration, 1828–40, Watercolor, pen and black ink, sheet: 4 1/2 x 10 11/16 in. (11.4 x 27.1 cm), J. Hulme (British, active 1828–40

Bison Lying Down, 1810–75, Watercolor on laid paper, Sheet: 4 5/8 x 6 13/16 in. (11.8 x 17.3cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Fall Brook Railroad, ca. 1934, Charcoal and watercolor on paperboard, 4 x 6 in. (10.2 x 15.2 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Dutch Fishing Boats, Verso: Sketches of Boats, 1870, Watercolor over black chalk on paper., 6 3/8 x 10 1/2 in. (16.2 x 26.7 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-André), This Dutch seascape was

'Kai Khusrau, Farangis and Giv Crossing the River Jihun (Oxus)', Folio from a Shahnama (Book of Kings), mid-15th century, Attributed to India, Main support: Ink, opaque watercolor, silver, and gold on paper, 7.37 in. high 7.62 in. wide (18.7

King and Coat of Arms, n.d., pen and black ink, watercolor, gouache, clear varnish over parts, heightened with white, sheet: 12 5/16 x 9 7/16 in. (31.3 x 23.9 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

'The Lion King Receives the Ox, Shanzabeh, Escorted by Dimna', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

St. Austle, Cornwall, 1780–1827, Watercolor, graphite, pen and ink, sheet: 5 7/8 x 9 7/16 in. (14.9 x 24 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Design for a single light window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and ink on paper in gold shaped mat, 29 x 6 7/8 in. (73.7 x 17.5 cm), Drawings, Possibly Tiffany Glass Company

Soldat, first half 20th century, graphite, gouache, watercolor, mounted on grey paper, sheet: 12 7/8 x 9 in. (32.7 x 22.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Hope, 1830–62, Gouache and watercolor with gold, sheet: 9 3/4 x 16 in. (24.8 x 40.6 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Riders with Sheep near an Estuary, 1830, Watercolor, sheet: 6 1/8 x 9 3/16 in. (15.5 x 23.3 cm), Drawings, David Cox (British, Birmingham 1783–1859 Harborne, West Midlands), Cox painted Riders With Sheep Near an Estuary, possibly a view of

Facade of a Commercial Building, Venetian Gothic Style, ca. 1870, Watercolor, sheet: 14 3/4 x 9 3/4 in. (37.5 x 24.8 cm), Anonymous, British, 19th century

Strolling Violinist at an Ale House Door, 1625–85, Pen and brown ink, watercolor. Pasted down., sheet: 14 3/16 x 12 3/8 in. (36 x 31.4 cm), Drawings, After Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Peasant Women from Ragusa, 1826, Graphite, pen and brown ink, and brush and watercolor, sheet: 8 11/16 x 5 5/16 in. (22 x 13.5 cm), Drawings, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London

Portrait of a Dervish, 16th century, Attributed to Present-day Uzbekistan, Bukhara, Main support: ink, opaque watercolor, and gold on paper, Page: 15 3/4 x 10 1/4 in. (40 x 26 cm), Codices, In the sixteenth century, albums with examples of

Nocturnal Landscape with Two Figures (design for an engraved book illustration), 1807–44, Watercolor over pen and brown ink and graphite, sheet: 5 1/8 x 3 3/8 in. (13 x 8.5 cm), Drawings, Henry Corbould (British, London 1787–1844

Herdsman and his Flock, second half of 12th century, Attributed to Egypt, Opaque watercolor on paper, 4.12 in. high 5.75 in. wide (10.5 cm high 14.6 cm wide), Codices, Although the five quadrupeds attended by this bearded herdsman are difficult

'A Scene of Conviviality at Court', Folio from a Divan (Collected Works) of Mir 'Ali Shir Nava'i, 1580, Attributed to Iran, Opaque watercolor, ink, silver, and gold on paper, Image 5 7/8 in x 9 in., Codices, Mir ‘Ali Shir Nava’i was a

Design, 1841–84, Graphite and watercolor, sheet: 13 1/16 x 9 15/16 in. (33.2 x 25.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

'Gushtasp Proves His Archery before Caesar, ' Folio 404r from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: H. 10 5/8 x W. 8 9/16 in. (H. 27 x

The Bay of Bull Arms, Trinity Bay, Newfoundland, Bonfires Lighted on the Hills to Notify of the Arrival of the Cable Fleet on August 5th, 1858, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 10 9/16 x 15 3/4 in. (26.9 x 40

'The Gazelle Lures the Hunter Away While the Mouse Frees the Bound Tortoise', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Design for a Small Hollow-topped Table, 19th century, Ink and watercolor over graphite, sheet: 3 7/8 x 4 5/16 in. (9.9 x 11 cm), Anonymous, British, 19th century

The Heights over Foilhummerum Bay, Valentia, the William Corey Heading Seawards, Laying the Shore-end of the Atlantic Telegraph Cable, July 7th, 1866, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 10 3/8 × 15 3/8 in.

Jacob and the Angel, late 17th–mid-18th century, Pen and brown ink and watercolor over black chalk, 8-1/8 x 11-5/8 in. (20.5 x 29.5 cm), Drawings, Johann Jacob Eybelwieser (Austrian, Vienna (?), ca. 1667–1744 Breslau

Landscape, 1780–1827, Watercolor, graphite, pen and ink, sheet: 6 3/4 x 10 9/16 in. (17.2 x 26.9 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Lion at Rest, ca. 1585, Attributed to India, Ink, opaque watercolor, silver, and gold on paper, Painting: 8 x 6in. (20.3 x 15.2cm), Codices, The Mughals had a great predilection for Indian fauna. Muraqqa (single-page) paintings with animal

Woman in Arabic costume, first half 20th century, brush and black ink, gouache, watercolor, graphite, traces of graphite framing lines, sheet: 14 13/16 x 9 11/16 in. (37.7 x 24.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946

Design for Organ Pipes Decorated with Flowers and Fleur-de-lys, 19th century, Watercolor over graphite with touches of gilt, sheet: 18 3/8 x 11 7/8 in. (46.7 x 30.2 cm), John Dibblee Crace (British, London 1838–1919 London

La Justice from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Hab.t de l'Espagne from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Landscape, 1635–91, Yellow and brown watercolor and gouache over black chalk., 7 7/16 x 12 1/8 in. (18.9 x 30.8 cm), Drawings, Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue with pencil, pen and ink, and watercolor, sheet: 13 9/16 x 19 7/16 in. (34.4 x 49.4 cm), Drawings, Compagnia di Venezia & Murano

Costume Design for Lady with a Fan, 1890–99, Watercolor and metallic paint over graphite, sheet: 10 x 6 1/2 in. (25.4 x 16.5 cm), Basil Crage (British, active 1890s

Design for window, late 19th–early 20th century, Made in New York, United States, American, Black ink, graphite, watercolor, and gouache on paper in original window mat with tracery, Overall: 24 3/8 x 16 1/8 in. (61.9 x 41 cm), Drawings,

Fragment of architectural frame, late 16th century, Watercolor, pen and black and red ink, irregular , sheet: 4 15/16 x 3 1/2 in. (12.6 x 8.9 cm), Drawings, Anonymous, Netherlandish, 16th century

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Elephant and Rider, ca. 1640, Attributed to India, Ink and watercolor on paper, H. 6 in. W. 8 in., Drawings, Attributed to Hashim (active 1620–60), A rare drawing to survive from the Mughal period, this sketch was likely made in preparation

Design for a Side Table and Mirror, 1841–84, Graphite and watercolor, sheet: 14 5/16 x 10 3/4 in. (36.3 x 27.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

The Dance of Death, 16th century, Pen and brown ink, brush and brown ink, watercolor, gouache, gold paint, 7 7/16 × 5 3/8 in. (18.9 × 13.6 cm), Drawings, Anonymous, German, 16th century

Interior with Three Men and Two Women, 19th century, Watercolor, sheet: 6 1/4 x 9 in. (15.8 x 22.8 cm), Drawings, Daughters of Bishop Parr (British, 19th century

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio,

Lea Castle, View in the Library, Looking East, ca. 1816, Watercolor, sheet: 7 1/4 x 6 3/4 in. (18.4 x 17.1 cm), Attributed to John Carter (British, London 1748–1817 London

Nude Couple Embracing, 1780–1827, Watercolor, Sheet: 9 1/16 x 7 5/16 in. (23 x 18.6 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, black ink, and graphite on paper mounted on board in original shaped matt, Overall: 23 9/16 x 9 1/2 in. (59.8 x 24.1 cm),

'Man with a Ram', Folio from the Bellini Album, ca. 1600, Attributed to Iran, Isfahan, Ink, wash, opaque watercolor, and gold on paper, H. 6 1/8 in. (15.5 cm), Codices

'Shaikh San'an and the Christian Maiden', Folio 22v from a Mantiq al-Tair (Language of the Birds), ca. 1600, Attributed to Iran, Isfahan, Opaque watercolor, silver, and gold on paper, Painting: H. 7 3/8 in. (18.7 cm), Codices, In another

A View from the Artist's Estate, Springland, or the Elysian Bower, ca. 1800, Watercolor, ink and graphite on paper, framed., 4 × 5 7/8 in. (10.2 × 14.9 cm), Drawings, William Russell Birch (American (born England), Warwick 1755–1834

Design for a Painted Ceiling, 1825–75, Watercolor, 5-1/4 x 10-1/8 in, Drawings, Anonymous, Italian, 19th century

Dr. Syntax with a Balky Horse Before an Inn, 18th–19th century, Pen and ink, with watercolor, sheet: 5 3/4 x 9 1/8 in. (14.6 x 23.2 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

A Male Teal, 1604–80, Watercolor and gouache heightened with gum Arabic, sheet: 10 1/16 x 15 7/8 in. (25.6 x 40.4 cm), Drawings, Johann Jakob Walther (German, Saxony ca. 1604–ca. 1677 Strasburg

Two Grisettes, 19th century, Pen and brown ink, watercolor, over graphite, 9 3/16 x 7 5/16 in. (23.3 x 18.5 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Lea Castle, Worcestershire, Saloon, Looking North, ca. 1816, Watercolor, sheet: 8 1/2 x 7 in. (21.6 x 17.8 cm), Attributed to John Carter (British, London 1748–1817 London

Design for Four Hanging Mirrors, 19th century, Ink, watercolor and gouache, Anonymous, British, 19th century

'A Youth Fallen From a Tree', Folio from the Shah Jahan Album, verso: ca. 1610; recto: ca. 1530, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39 cm), Codices, Painting by Aqa Riza (Iranian, born Meshhed,

Splicing the Cable (after the First Accident) on Board the Great Eastern, July 25th, 1865, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 7/8 × 10 7/16 in. (17.5 × 26.5 cm), Drawings, Robert Charles Dudley (British,

Floor Plan of the Tabernacle, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall ink and gold on vellum, 16 1/2 x 9 3/4 in. (41.9 x 24.8

Denham Bridge upon the Tavy, 1780–1830, Watercolor on paper, Sheet: 6 1/2 x 8 1/2 in. (16.5 x 21.6 cm), Drawings, William Payne (British, London 1760–1830 Middlesex), Payne worked as an engineer in Plymouth before moving to London in 1790,

European Men in an African Jungle Lodge, 1886, Watercolor, sheet: 8 7/8 x 17 in. (22.5 x 43.2 cm), Drawings, Anonymous, British, 19th century

Pier Glasses, 1850–1904, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Designs for Nave Standards, St. Jude's Southsea, ca. 1880, Pen and ink, wash and watercolor, sheet: 14 5/8 x 10 in. (37.2 x 25.4 cm), Richardson Ellson & Co. (British

Princely Couple, 1400–1405, Attributed to Iran, possibly Tabriz, Opaque watercolor and gold on paper, H. 19 1/4 in. (48.9 cm), Codices, Considering its unusually large scale, scholars have suggested that this painting of an embracing couple

Easterly Winds, ca. 1810, Pen and ink, with watercolor, sheet: 5 5/8 x 9 1/4 in. (14.3 x 23.5 cm), Drawings, Attributed to Thomas Rowlandson (British, London 1757–1827 London

Design for a Hallway with Wrought-iron Details, ca. 1925, Graphite, ink, watercolor, and metallic paint, sheet: 9 3/4 x 17 5/16 in. (24.7 x 43.9 cm), Georges de Feure (French, Paris 1868–1943 Paris), In his early career, Georges de Feure

Designs for Embroidery, 19th century, Watercolor over traces of black chalk., 7 11/16 x 9 15/16 in. (19.5 x 25.2 cm), Drawings, Anonymous, German, 19th century

Stage Design for Cleopatra, ca. 1918, Watercolor, gouache, metallic paint, and graphite on paper, 13 3/4 x 18 5/8 in. (34.9 x 47.3 cm), Drawings, Robert Delaunay (French, Paris 1885–1941 Montpellier), The Ballets Russes first performed

A Standing Woman Seen from the Back, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Watercolor, pen and black ink, and graphite, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Hab.t de la Turquie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Unused study for a plate to 'Hungarian and Highland Broadsword Exercise' Feb. 12, 1799, ca. 1799, Pen and ink, with watercolor, sheet: 10 11/16 x 8 5/16 in. (27.1 x 21.1 cm), Drawings, Attributed to Thomas Rowlandson (British, London

Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

House for Henry Whitney, New Haven, Connecticut (client's plan), 1835, Pen and ink, watercolor, graphite, Sheet: 16 3/4 × 12 in. (42.5 × 30.5 cm), Drawings

Design for a Stole or Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

'Buzurjmihr Masters the Hindu Game of Chess', Folio 639v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530–35, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: 9 5/8 x 6 7/8 in. (24.4 x 17.5 cm),

Egyptian Hall, Mansion House, London, 1795–1825, Watercolor over pen and black ink with touches of pen and yellow ink, sheet: 5 11/16 x 5 1/8 in. (14.5 x 13 cm), Attributed to Auguste Charles Pugin (British (born France), Paris

Drawing Room with Seated Woman, 1848, Watercolor, sheet: 9 5/8 x 13 5/8 in. (24.4 x 34.6 cm), Drawings, Anonymous, British, 19th century

Design for a Tribune., ca. 1866, Pen and brown ink, watercolor, over graphite with ruled and compass construction, 10 7/8 x 7 1/4 in. (27.7 x 18.4 cm), Drawings, Anonymous, Italian, 19th century

Pleasure of a Poste aux Anes, from Sentimental Travels, ca. 1821, Pen and ink, with watercolor, sheet: 4 3/8 x 7 3/4 in. (11.1 x 19.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Design for a Stage Set: Cloister at Night, 1830–40, Watercolor, 7-1/2 x 9-1/4 in, Drawings, Anonymous, Italian, 19th century

'The Elephant Clock', Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, dated A.H. 715/A.D. 1315, Made in Syria, Ink, opaque watercolor, and gold on paper, 11 13/16 x 7 3/4in. (30 x 19.7cm), Codices, This page

Arrival in Trinity Bay, Newfoundland: The Cable Passed to the Paddle-box Boat of the Terrible, etc., 1866, Watercolor over graphite with touches of gouache, Sheet: 10 5/8 × 15 3/8 in. (27 × 39 cm), Drawings, Robert Charles Dudley (British,

Liberté, Egalité, Fraternité, pen and black ink with red watercolor and gray and brown wash, 19-7/8 x 4-1/2 in. (50.5 x 11.4 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Girl in the Dunes, mid-19th–early 20th century, Watercolor and touches of black chalk on paper, Overall: 12 5/8 x 17 3/4 in. (32.1 x 45.1 cm), Drawings, Jozef Israels (Dutch, 1824–1911

Downlands, Sussex, 1780–1827, Ink and watercolor, Sheet: 6 3/4 × 10 1/4 in. (17.1 × 26 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Interior of Saint Severin Church in Erfurt, 1855, Watercolor and pencil, sheet: 11 5/16 x 15 1/2 in. (28.7 x 39.3 cm), Drawings, Carl Georg Anton Graeb (German, Berlin 1816–1884 Berlin

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