Images at Librifly

search results: Watercolor clear search

Design for Church Lamp Stand, 1889, Pen and brown ink, watercolor over graphite with touches of white gouache, sheet: 16 x 7 3/16 in. (40.7 x 18.3 cm), B. Mansfield (British, active 1880s

Europe from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Anonymous, French, 18th century

'Portrait of Muhammad Ali Baig', Folio from the Shah Jahan Album, recto and verso: early 19th century, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices

Classicizing Frieze with Three Putti holding up a Garland, 1800–1900, Pen and brown ink, brush and brown wash, blue and green watercolor, over traces of black chalk, 2-1/8 x 9-3/4 in, Anonymous, Italian, 19th century

Allegory of Victory of Russians over Napoleon's Army, from a poem by Cremes, ca. 1814, Watercolor and gouache. Pen and black ink framing lines added when mounted., image: 10 15/16 x 8 1/2 in. (27.8 x 21.6 cm), Drawings, Franz von Hauslab the

Design for Sanctuary Walls, 1900, Watercolor, pen and black ink over graphite, sheet: 14 3/4 x 8 1/16 in. (37.5 x 20.5 cm), Ernest Geldart (British, London 1848–1929

The Valley of Lauterbrunnen, Switzerland, ca. 1866, Watercolor, gouache, and brown ink over graphite, sheet: 7 5/8 x 10 in. (19.4 x 25.4 cm), Drawings, John Ruskin (British, London 1819–1900 Brantwood, Cumbria), When the celebrated

Design for Chairs, Louis Quinze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

View of the Dessau Castle from the East, 1820, Watercolor, heightened with white bodycolor. Framing line in gold., sheet: 4 5/16 x 6 7/16 in. (11 x 16.4 cm), Drawings, Heinrich Olivier (German, Dessau 1783–1848 Berlin

Design for lunette for Palm Room, Hotel Jefferson, Peoria, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and black inks, and graphite on artist board with original window mat, 12 3/16 x 21 7/8

Design for Banknote, 1830–1904, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Design for Sideboard, Louis Quatorze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Brick House, Southern Elevation, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 9 13/16 x 14 1/2 in. (25 x 36.8 cm), Ernest Geldart (British, London 1848–1929

West Front and Principal Floor Plan of John Munn House, Utica, New York, 1854, Ink and watercolor, Sheet: 14 5/16 x 10 in. (36.3 x 25.4 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Rock Tombs at Telmissus, 19th century, Ink and watercolor, sheet: 10 3/8 x 7 in. (26.4 x 17.8 cm), Anonymous, British, 19th century

Folios from a Non-Illustrated Manuscript, 16th–17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices

Gateway of the Kitai Gorod, Moscow, 19th century, Watercolor, 3 3/8 x 4 3/4 in. (8.6 x 12.1 cm), Drawings, Anonymous, Russian, 19th century

Man wearing a brown overcoat, cane and pince-nez, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite, graphite framing lines, sheet: 16 11/16 x 8 in. (42.4 x 20.3 cm), Drawings, Sergey Sudeykin (Russian,

Design for Panel Decoration Centered on a Passion Flower, 1828–40, Watercolor, pen and black ink, sheet: 12 x 6 5/8 in. (30.5 x 16.9 cm), J. Hulme (British, active 1828–40

Design for interior, ca. 1830, Watercolor, sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm), Drawings, Charles de Brocktorff (Danish, active 1830

'Kalila and Dimna Discussing Dimna's Plans to Become a Confidante of the Lion', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm

'The Gazelle Becomes Friends with the Crow, the Mouse, and the Tortoise', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

'Kai Kavus Attempts to Fly to Heaven', Folio from a Shahnama (Book of Kings), mid-15th century, Attributed to India, Image: Ink, opaque watercolor, and gold on paper, 6.5 in. high 7.50 in. wide (16.5 cm high 19.1 cm wide), Codices, This

A Bachelor in His Study (The Sportsman's Breakfast), late 19th century, Watercolor, sheet: 9 3/4 x 12 3/16 in. (24.8 x 30.9 cm), Drawings, J. Buttfield (British, active late 19th century), A gentleman dressed in a suit and slippers, relaxes

View of a Canal with Three Windmills, late 18th–early 19th century, Pen and brown ink, watercolor, over a sketch in black chalk. Framing line in pen and brown ink, sheet: 8 1/8 x 13 1/8 in. (20.7 x 33.4 cm), Drawings, Jan Hulswit (Dutch,

Design for double panel, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper, 6 7/16 x 7 7/8 in. (16.4 x 20 cm), Drawings, Possibly Tiffany Glass Company (1885–92), Possibly Tiffany

Folio from a Qur'an Manuscript, 14th century, Attributed to India or Iran, Ink, opaque watercolor, and gold on paper, 19 1/2 x 14 in. (49.5 x 35.5 cm), Codices, This Qur’an which probably belongs to fourteenth century Iran is written in

Cabinet Design, 19th century, Graphite and watercolor, sheet: 5 1/16 x 5 13/16 in. (12.8 x 14.8 cm), Anonymous, British, 19th century

Design for a Ceiling with an Oval Trompe L'Oeil Painting, 17th century, Pen and brown ink, brush and brown wash, and watercolor, over traces of graphite underdrawing and ruled construction, sheet: 7 13/16 x 3 15/16 in. (19.8 x 10 cm),

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

Twin Stars, 1851–96, Brush and watercolor on off-white paper, 16-1/2 x 8-1/2 in. (41.9 x 21.6 cm), Drawings, Luis Falero (Spanish, Granada 1851–1896 London

Standing Nude Man Supporting Fainting Female (Ludovisi Gaul in the Uffizi), 1780–1827, Watercolor, Sheet: 8 11/16 x 6 15/16 in. (22.1 x 17.6 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Folio from a Qur'an Manuscript, ca. 1180, Attributed to Eastern Iran or present-day Afghanistan, Ink, opaque watercolor, and gold on paper, 11.75 in. high 8.75 in. wide (29.8 cm high 22.2 cm wide), Codices, Written in Eastern or new style

The Bagpipe Player, Black chalk and watercolor, Sheet: 11 9/16 x 11 1/8 in. (29.3 x 28.3cm), Drawings, Guillaume Bodinier (French, 1795–1872

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and inks, and graphite on artist board, Overall: 22 1/4 x 17 1/16 in. (56.5 x 43.3 cm), Drawings, Possibly Tiffany Glass Company

A House at Sorrento, mid-19th century, Watercolor over graphite with touches of gouache, sheet: 9 11/16 x 4 11/16 in. (24.6 x 11.9 cm), Drawings, Thomas Hartley Cromek (British, London 1809–1873 Wakefield

The Cable Passed From the Works into the Hulk (the Old Frigate Iris) Lying in the Thames at Greenwich, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 7/16 × 10 1/16 in. (16.4 × 25.5 cm), Drawings, Robert Charles Dudley

Design for [Gas?] Lights for a Church, ca. 1880, Pen and ink, wash and watercolor on tracing paper, sheet: 7 1/16 x 4 1/8 in. (18 x 10.5 cm), Richardson Ellson & Co. (British

'The Husband Beats his Wife's Lover', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Lea Castle, Worcestershire, Ante-saloon, Looking North, ca. 1816, Watercolor, sheet: 8 3/8 x 7 in. (21.2 x 17.8 cm), John Carter (British, London 1748–1817 London

Illuminated Frontipiece of a Manuscript of the Mantiq al-tair (Language of the Birds), text: dated A.H. 892/ A.D. 1487; illumination: ca. 1600, Made in present-day Afghanistan, Herat. Made in Iran, Isfahan, Ink, opaque watercolor, silver, and

Vulture, 1810–75, Watercolor on laid paper, Sheet: 2 15/16 x 4 3/8 in. (7.4 x 11.1cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Bungalow drawing -- Southern Elevation, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 x 11 15/16 in. (20.3 x 30.4 cm), Ernest Geldart (British, London 1848–1929

On the Beach, 1865, Graphite and watercolor, Overall: 5 11/16 x 10 11/16 in. (14.4 x 27.1 cm), Drawings, Eugène Boudin (French, Honfleur 1824–1898 Deauville

'Kalila Upbraiding Dimna', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

'The Hare, the Lion, and the Well', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

The Sailor's Return from Active Service, 1780–1827, Watercolor, Sheet: 6 11/16 x 5 1/4 in. (17 x 13.4 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Monk Seated Before a Ruined Gateway, n.d., Pen and brown ink, watercolor, 6 5/16 x 4 7/16 in. (16 x 11.2 cm), Drawings, François Marius Granet (French, Aix-en-Provence 1775–1849 Aix-en-Provence

Entrance, Farwell Building, late 19th–early 20th century, Made in New York, United States, American, Black ink and graphite with watercolor and compass construction on wove paper, mounted on illustration board, Overall: 38 3/8 x 25 1/2 in.

Woman in a black dress and blue boa holding a dog, first half 20th century, traces of graphite, brush and black ink, gouache, watercolor, sheet: 16 7/16 x 8 3/16 in. (41.7 x 20.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946

Gothic Style Chair with Dark Wood Frame and Maroon Upholstery, 19th century, Watercolor, sheet: 9 1/2 x 5 1/2 in. (24.1 x 14 cm), Anonymous, British, 19th century

Design for a Stole or Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

Design for Arched Stained Glass Windows (recto); Design for an Architectural Element (verso), ca. 1898, Graphite, pen and ink and watercolor, sheet: 13 3/16 x 9 7/8 in. (33.5 x 25.1 cm), John Dibblee Crace (British, London 1838–1919 London

'Drawing Room of the Plas. Spa', 1838, Watercolor over graphite, sheet: 5 3/16 x 7 5/16 in. (13.2 x 18.5 cm), Drawings, Julien Muère (British (?), active 1838

The Circumcision, 1611–74, Point of brush, watercolor and gray wash, over slight indications in black chalk., 11 15/16 x 14 3/16 in. (30.3 x 36.1 cm), Drawings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft

Hab.t d'Ardra from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

Design for a single lancet window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, graphite, black wash, and black pen on paper, Overall: 25 3/4 x 12 5/16 in. (65.4 x 31.3 cm), Drawings, Possibly

Drawing Room at Mar Lodge, Parish of Craithe and Braemar, Aberdeenshire, ca. 1860, Watercolor, sheet: 13 7/8 x 19 1/4 in. (35.2 x 48.9 cm), Drawings, Anonymous, British, 19th century

Cattle and Sheep at Resting at the Edge of a Forest, 1790–1842, Watercolor and gouache over graphite, with gum arabic and scratching out, sheet: 15 13/16 x 13 1/16 in. (40.2 x 33.2 cm), Drawings, George Barret, the younger (British, London

Design for Ecclesiastical Embroidery -- Veil and Bun, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 9 3/4 x 9 3/4 in. (24.8 x 24.8 cm), Ernest Geldart (British, London 1848–1929

'The Lion and the Elephant Fighting', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Design for the Frontspiece of The British Sportsman, ca. 1812, Brush and watercolor, sheet: 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm), Drawings, William-Samuel Howitt (British, ca. 1756/57–1822/23 London

Firman of Muhammad Shah Qajar, dated A.H. 1250/A.D. 1835, Made in Iran, Ink, opaque watercolor, and gold on paper, H. 16 1/2 in. (41.9 cm), Codices, In addition to being a historic document with an important message, firmans or royal edicts

Woman and Child Sitting next to a Road, 1760–1818, Pencil and watercolor, sheet: 13 7/8 x 10 7/16 in. (35.2 x 26.5 cm), Drawings, Egbert van Drielst (Dutch, Groningen 1746–1818 Amsterdam

The Great Eastern Weighing Anchor Off the Maplin Sands at the Nore, July 15, 1865, 1865–66, Watercolor over graphite with touches of gouache, Image: 8 3/4 × 6 3/16 in. (22.3 × 15.7 cm), Drawings, Robert Charles Dudley (British,

Buffaloes in Combat, late 16th century, Attributed to India, Ink, watercolor, and gold on paper, 6 7/8 x 9 1/2in. (17.5 x 24.1cm), Codices, Attributed to Miskin (active ca. 1570–1604), Animal combats were a favorite form of entertainment

Two Carved-Wood Armchairs, 19th century, Pen and ink, wash and watercolor, with traces of graphite on laid paper, sheet: 8 1/4 x 10 3/4 in. (21 x 27.3 cm), Drawings, Anonymous, French, 19th century

Portrait of Sultan Mustafa I (r. 1617–18; 1622–23), late 17th–early 18th century, Attributed to Turkey, Opaque watercolor on paper, H. 6 1/2 in. (16.5 cm), Codices, There are no known pictures of Mustafa painted during his lifetime and

Design for a Decorated Ceiling, 19th century, Pen and watercolor, 9-3/8 x 15-1/4 in, Anonymous, Italian, 19th century

The Thieves on the Roof Awaken the Merchant', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Vaulted Side Aisle of a Church, with Figures, 19th century, Pen and brush, gray and brown ink and watercolor., 11 1/2 x 9 5/8 in. (29.2 x 24.4 cm), Drawings, Johannes Bosboom (Dutch, The Hague 1817–1891 The Hague

Design for a Smithy and Two Cottages, late 19th–early 20th century, Pen and ink, over graphite, with watercolor, sheet: 18 1/4 x 11 1/2 in. (46.4 x 29.2 cm), Charles Edward Mallows (British, 1864–1915

Abolition Meeting Held at Willis's Rooms in Honor of Harriet Beecher Stowe, 1853, Watercolor, sheet: 8 11/16 x 14 11/16 in. (22 x 37.3 cm), Drawings, William Henry Fisk (British, London 1827–1884 London), After Harriet Beecher Stowe's 'Uncle

'Six Devotional Subjects', Folio from the Bellini Album, ca. 1600, Attributed to Italy or the Netherlands, Ink, opaque watercolor, and gold on paper, H. 9 in. (22.8 cm), Codices

A Man Resting Under a Tree, n.d., Black chalk and watercolor, sheet: 13 7/8 x 10 7/16 in. (35.2 x 26.5 cm), Drawings, Egbert van Drielst (Dutch, Groningen 1746–1818 Amsterdam

Louvain Church Grille, second half 19th century, Ink and watercolor, sheet: 9 3/4 x 4 7/16 in. (24.7 x 11.2 cm), Anonymous, British, 19th century

Trade card for Samuel P. Avery, New York, ca. 1873, Watercolor and graphite, sheet: 2 3/8 x 3 7/8 in. (6 x 9.8 cm), George Cruikshank (British, London 1792–1878 London

Masnavi of Jalal-al Din Rumi, dated A.H. 894/A.D. 1488–89, Attributed to Iran, Ink, opaque watercolor, and gold on paper; leather binding, 11 1/8 x 7 1/4in. (28.3 x 18.4cm), Codices, The frontispiece of this six book manuscript depicts a

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, brown, and black ink, and graphite on paper mounted on board., Overall: 14 15/16 x 11 3/4 in. (37.9 x 29.8 cm), Drawings, Possibly

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 10 1/16 x 14 1/4 in. (25.6 x 36.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Frieze with Medici Coat of Arms and Putti (Embroidery Design?), 16th century, Pen and brown ink, watercolor, on vellum, sheet: 1 15/16 x 11 1/4 in. (5 x 28.5 cm), Anonymous, Italian, 16th century

Elevation towards Chancel, Organ, Coggeshall Church, Essex (Church of St. Peter-ad-Vincula), ca. 1895, Pen and ink, over graphite, with watercolor, sheet: 20 x 13 1/2 in. (50.8 x 34.3 cm), Ernest Geldart (British, London 1848–1929

'Dervish Leading a Bear', Folio from the Shah Jahan Album, recto: ca. 1630–40; verso: ca. 1530–40, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Govardhan (active ca.

Old Woman in a purple dress, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 3/4 x 10 1/16 in. (40 x 25.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

'Portrait of Qilich Khan Turani', Folio from the Shah Jahan Album, recto: ca. 1640; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, Painting by La'lchand, The sitter of

San Giorgio Maggiore, Venice, 1840–1906, Watercolor and gouache over graphite, Sheet: 5 1/4 × 8 3/4 in. (13.3 × 22.2 cm), Drawings, Hercules Brabazon Brabazon (British, Paris 1821–1906 Oaklands, London

Mr. Green in the Albion Balloon, Having Ascended from Vauxhall Gardens, August 12, 1842, ca. 1842, Watercolor, Sheet: 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm), Drawings, Anonymous, British, 19th century, This drawing shows a balloon flight made

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 5/8 x 7 5/16 in. (29.5 x 18.5 cm), Drawings, Charles Edmund Brock (British, London 1870–1938

Dogwood, 1931, Watercolor and charcoal on paper, 4 7/8 x 6 7/8 in. (12.4 x 17.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Perennial Pea, 1749–1805, Pencil and watercolor, sheet: 15 9/16 x 9 7/8 in. (39.6 x 25.1 cm), Drawings, Jan Jansz. van der Vinne (Dutch, Haarlem 1734–1805 Haarlem

'The Merchant and his Accomplice Carry Away Goods', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Grotesque Ornament Drawing, 17th century, Pen and brown ink, brush with brown wash and green watercolor, over black chalk underdrawing and ruled construction, sheet: 10 1/4 x 15 15/16 in. (26 x 40.5 cm), Drawings, Anonymous, Italian, 17th

Landscape, n.d., watercolor over graphite, Sheet: 11 1/8 x 16 3/8 in. (28.3 x 41.6cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

Charity, 1830–62, Gouache and watercolor, sheet: 9 1/8 x 15 3/4 in. (23.2 x 40 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

A Stapelia Variegata, 17th century, Watercolor and gouache on vellum, border lines in gold, sheet: 11 1/8 x 9 5/8 in. (28.2 x 24.4 cm), Drawings, Nicolas Robert (French, Langres 1614–1685 Paris

Deck of Great Eastern, Aft: the Paying-out Machinery, 1866, Watercolor over graphite with touches of gouache, Sheet: 9 13/16 x 14 3/16 in. (25 x 36 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th century's great

Dead Horses, 1810–75, Watercolor on wove paper, Sheet: 9 13/16 x 13 5/16 in. (24.9 x 33.8cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Large Chandelier at Carlton House, Pall Mall, 19th century, Ink, wash and watercolor, sheet: 12 x 8 in. (30.5 x 20.3 cm), Edmund Thomas Parris (British, Middlesex 1793–1873 London

Self Portrait, ca. 1800–1805, Watercolor on ivory, 3 1/4 × 3 1/4 in. (8.3 × 8.3 cm), Paintings, Unknown Artist

search results: Watercolor clear search