Images at Librifly

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Garden of the Painter at Saint Clair, 1908, Watercolor over graphite, 6 3/4 x 9 1/2 in. (17.1 x 24.1 cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

October, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Folio from a Qur'an Manuscript, probably 15th century, Attributed to India, Ink, opaque watercolor, and gold on paper, 20 9/16 x 12 3/8in. (52.2 x 31.4cm), Codices, A unique cursive script was used for Indian Qur'ans between the late

Ships and Sailors, late 18th–early 19th century, Watercolor, image: 5 1/16 x 8 9/16 in. (12.9 x 21.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Design for Cabinet Pianoforte, Louis Quinze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

'The Assassination of Khusrau Parviz', Folio 742v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1535, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: Ht. 11 3/16 in. (28.4 cm), Codices, Painting

Vaulted Interior with Catalfalque, Coffin and Attendants, 1822, Brush and gray and black ink with watercolor, sheet: 12 5/8 x 15 3/8 in. (32.1 x 39.1 cm), Robert Mackreth (British, 1766–1860

The Morning, 1732–67, Gouache and watercolor, sheet: 6 1/2 x 8 7/16 in. (16.5 x 21.5 cm), Drawings, Johann Georg Wagner (German, Meissen 1732–1767 Meissen

Table Design, 19th century, Ink and watercolor, sheet: 4 5/16 x 5 3/8 in. (11 x 13.6 cm), Anonymous, British, 19th century

Bear Killing a Bull, 1810–75, Watercolor on wove paper, Sheet: 8 3/8 x 13 3/8 in. (21.3 x 34cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Design for Te Deum window, 1914, Made in New York, United States, American, Watercolor, gouache, graphite, photograph, and collage on artist board with original mat, Overall: 18 7/8 x 15 11/16 in. (48 x 39.8 cm), Drawings, Tiffany Studios

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor on paper, 29 15/16 × 21 3/4 in. (76 × 55.3 cm), Drawings, Possibly Tiffany Glass Company (1885–92), Possibly Tiffany Glass and

Design for Console Table, 1850–1904, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Design for a Wall with a Flower Vase, Birds, Two Gold Fish and Globe Fountains, 19th century, Ink and watercolor, Anonymous, British, 19th century

Female dancer in cubist costume holding a knife, n.d., graphite, watercolor., sheet: 13 1/16 x 9 1/2 in. (33.1 x 24.1 cm), Drawings, Sergey Chekhonin (Russian, 1878–1936

Woman and Child, 1883, Graphite with touches of watercolor, Overall: 4 1/8 x 3 7/8 in. (10.4 x 9.8 cm), Drawings, Kate Greenaway (British, London 1846–1901 London

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

'Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait', Folio from the Shah Jahan Album, recto: 1627–28; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices,

Camels Reposing, Tangiers, 1838–74, Brush and watercolor over black graphite underdrawing. On off-white paper, 8-1/4 x 14-3/4 in. (21.0 x 37.5 cm), Drawings, Mariano Fortuny Marsal (Spanish, Reus 1838–1874 Rome

H.M.S. Agamemnon Laying the Atlantic Telegraph Cable in 1858: a Whale Crosses the Line, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 15/16 × 9 13/16 in. (17.7 × 25 cm), Drawings, Robert Charles Dudley (British,

Dwelling house at Esher for Mrs. Wethered: Two plans, 1907, Pen and ink, over graphite, with watercolor, sheet: 12 1/4 x 20 3/4 in. (31.1 x 52.7 cm), Ernest Geldart (British, London 1848–1929

Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin, ca. 1370, Pen and brown ink, yellow watercolor in the backgrounds of the

Ruined Castle, 1802–42, Watercolor over graphite, on off-white wove paper, Sheet: 8 1/16 × 10 11/16 in. (20.5 × 27.1 cm), Drawings, Attributed to John Sell Cotman (British, Norwich 1782–1842 London

Cabinet Design, 19th century, Ink and watercolor, sheet: 5 13/16 x 4 5/8 in. (14.7 x 11.7 cm), Anonymous, British, 19th century

A Duck, 1725–92, Watercolor and gouache, sheet: 14 x 10 1/2 in. (35.6 x 26.7 cm), Drawings, Aert Schouman (Dutch, Dordrecht 1710–1792 The Hague

Young Couple Seen From Behind, mid-19th century, Watercolor over graphite, 8 5/8 x 6 1/8 in. (21.9 x 15.5 cm), Drawings, Hippolyte-Omer Ballue (French, Paris 1820–1867 Paris

Design for Cabinet Pianoforte, Louis Quatorze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Mother and Daughter in Prayer, ca. 1811–17, Pen and black ink, brush and watercolor. Framing lines in pen and black ink and brown watercolor., sheet: 5 5/8 x 7 13/16 in. (14.3 x 19.8 cm), Drawings, Julius Schnorr von Carolsfeld (German,

After Sir Christopher Wren, 1920, Watercolor, gouache, and graphite on cardboard, 24 x 20 in. (61 x 50.8 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Scofield Thayer, the donor of

A Caterpillar and Two Moths on a Branch and Two Butterflies, early 18th–mid 18th century, Pen and black ink and watercolor over touches of graphite, sheet: 9 7/16 x 7 15/16 in. (23.9 x 20.2 cm), Drawings, Nicolaas Struyk (Amsterdam 1686–1769

Village Fair, 16th century, Brush and gray ink and watercolor, sheet: 7 1/2 x 11 1/4 in. (19.1 x 28.6 cm), Drawings, Master of the Hermitage Sketchbook (Netherlandish, 16th century

View of town on a river (Carwitham Castle), 1775–1827, Pen and ink, with watercolor, sheet: 5 5/8 x 17 in. (14.3 x 43.2 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Scene with Family and Guest in Seventeenth-century Interior, 1825–78, Watercolor over graphite, sheet: 7 5/8 x 9 7/8 in. (19.4 x 25.1 cm), Drawings, Attributed to Joseph Nash (British, Buckinghamshire 1809–1878 Kensington

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper, Overall: 16 1/2 x 12 5/16 in. (41.9 x 31.3 cm), Drawings, Tiffany Studios (1902–32

Bungalow drawing -- Floor Plan, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.4 x 30.4 cm), Ernest Geldart (British, London 1848–1929

Joan of Arc; costume design for Jeanne d'Arc by the Paris Opera Company, 1897, 1897, Pen and black ink, watercolor, sheet: 12 5/16 x 9 7/16 in. (31.2 x 23.9 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Design for Floral Brackets for a Church, ca. 1880, Pen and ink, wash and watercolor, sheet: 7 7/8 x 5 in. (20 x 12.7 cm), Attributed to Richardson Ellson & Co. (British

Telegraph House, Trinity Bay, Newfoundland: Interior View of the Mess Room, 1858, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 1/2 × 9 7/16 in. (16.5 × 24 cm), Drawings, Robert Charles Dudley (British,

Gentleman's formal attire, first half 20th century, Graphite, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 15/16 x 8 9/16 in. (43 x 21.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946

Lion and Dragon in Combat, second half 18th century, Made in Iran, Ink and watercolor on paper, H. 5 1/2 in. (14 cm), Codices, Painting by Muhammad Baqir (Iranian, active 1735–90), A significant number of works by Muhammad Baqir survive,

Design for Two Mirrors over Mantels, 1840–99, Ink, watercolor and gouache, Anonymous, British, 19th century

Mr. Blanchard as Pantaloon, 19th century, Watercolor, pen and black ink, sheet: 9 1/2 x 7 5/16 in. (24.1 x 18.5 cm), Drawings, Anonymous, British, 19th century

Paradise, 1565–77, Pen and brown ink, brush and brown wash, watercolor, gouache, highlighted with white gouache, left and central sections squared in red chalk, on three sheets of brown paper, joined vertically. A piece of brown paper with

Hab.t de Loango from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Mr. T. P. Cooke as Newton Foster, 19th century, Watercolor, pen and black ink, over graphite, sheet: 9 5/16 x 7 5/8 in. (23.6 x 19.3 cm), Drawings, Anonymous, British, 19th century

'Portrait of Maharaja Bhim Kanwar', Folio from the Shah Jahan Album, verso: ca. 1615–29; recto: ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, Painting by Nanha, Maharaja Bhim

Pines on the Coastline, n.d., watercolor over black chalk, Sheet: 6 13/16 x 9 3/4 in. (17.3 x 24.7cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

Designs for windows, late 19th–early 20th century, Made in New York, United States, American, Watercolor on paper mounted on board, Overall: 12 3/4 x 19 1/4 in. (32.4 x 48.9 cm), Drawings, Tiffany Studios (1902–32

Cloisters in a Nunnery, ca. 1835, Watercolor, Drawings, Simon Quaglio (German, Munich 1795–1878 Munich

L'Amour from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Miss Mary Cruikshank, only sister of James Cruikshank, 1781, Watercolor, charcoal, colored chalks over graphite, sheet: 9 x 7 1/2 in. (22.9 x 19 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), This image

Fraktur Motifs, ca. 1780, Made in Pennsylvania, United States, American, Watercolor and pen and iron-gall ink on off-white laid paper, 8 1/4 x 13 1/8 in. (21 x 33.3 cm), Drawings, Attributed to Johann Heinrich Otto (ca. 1733–ca. 1800

View of a Park, late 1770s, Black chalk with gray wash and touches of green and pink watercolor over pencil underdrawing; verso: black chalk., 13 15/16 x 16 15/16 in. (35.4 x 43 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806

The Inn at the Ford, 1775–1827, Watercolor, sheet: 11 1/2 x 17 3/4 in. (29.2 x 45.1 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Design for a chancel rail, late 19th–early 20th century, Made in New York, United States, American, Watercolor, metallic ink, and graphite on tracing paper on buff paper board, Overall: 9 1/2 x 14 3/4 in. (24.1 x 37.5 cm), Drawings,

Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

The Annunciation, “Suggestion for Window”, circa 1920, Made in New York, United States, American, Watercolor, gouache, graphite, and ink on artist board in original shaped black window matt, Overall: 24 1/4 x 12 13/16 in. (61.6 x 32.5

Cabinet Design, 19th century, Ink and watercolor, sheet: 4 3/4 x 3 13/16 in. (12 x 9.7 cm), Anonymous, British, 19th century

Chatel Argent and the Val d'Aosta from above Villeneuve, 1836, Watercolor and gouache over graphite, sheet: 10 1/8 x 12 in. (25.7 x 30.5 cm), Drawings, Joseph Mallord William Turner (British, London 1775–1851 London

Fishey Flies and Fly Fishes (recto); Typeface Designs (verso), 1837–99, Watercolor, pen and brown ink over graphite, Sheet: 5 5/16 x 6 5/16 in. (13.5 x 16 cm), Drawings, John Leech (British, London 1817–1864 London

June, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

'The Crow Spy Talks to the King of the Owls and His Ministers', Folio from a Kalila wa Dimna Manuscript, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Design for Ecclesiastical Embroidery, 1888, Graphite, pen and ink with watercolor, sheet: 10 1/4 x 15 1/2 in. (26 x 39.4 cm), Ernest Geldart (British, London 1848–1929

Fisherfolk Hauling their Boat onto the Shore, n.d., Black chalk, pen and brown ink, watercolor, sheet: 6 3/4 x 10 11/16 in. (17.1 x 27.1 cm), Drawings, Adam Willaerts (Netherlandish, London 1577–1664 Utrecht

View of the Old Church of Amsterdam, n.d., Pen and brown ink and watercolor, sheet: 8 3/4 x 7 1/4 in. (22.2 x 18.4 cm), Drawings, Hermanus Petrus Schouten (Dutch, 1747–1822

Design for a Stage Set: Crypt Scene, 1830–40, Watercolor, 7-1/2 x 9-1/4 in, Drawings, Anonymous, Italian, 19th century

Telegraph Cable Fleet at Sea, 1865, 1865–66, Watercolor with touches of gouache, Sheet: 5 3/4 x 9 3/16 in. (14.6 x 23.4 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th century's great technological achievements

Drawings and Prints, Albums Drawings Ephemera, Tattoo Design of an Army Nurse, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

Design for Bishopsgate Lodge, at Windsor Castle, Berkshire, ca. 1820–30, Pen and watercolor over graphite, sheet: 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm), Sir Jeffery Wyatville (British, Burton-on-Trent 1766–1840 London

Butterfly Badge, mid-19th–early 20th century, Pen, ink, watercolor, Drawings, Pickford Robert Waller (British, London 1849–1930 Bournemouth

A Theater Audience, 19th century, Pen and black ink, gouache, and watercolor over black chalk, Sheet: 13 9/16 x 11 11/16 in. (34.4 x 29.7cm), Drawings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Design for a Church with a Central Octagonal Plan, 1570–1620, Pen and light brown ink, brush with brown and pink watercolor, some brown wash (later retouching), on parchment; framing lines in pen and brown ink, 17 1/16 x 11 1/8 in. (43.3 x

Cabinet Design, 19th century, Ink and watercolor over graphite, sheet: 5 3/16 x 6 7/8 in. (13.2 x 17.5 cm), Anonymous, British, 19th century

A poet in a blue blazer, first half 20th century, brush and black ink, gouache, watercolor, sheet: 16 x 8 1/2 in. (40.7 x 21.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Architectural Rendering of a Gothic Revival Church, 1850–70, Watercolor, sheet, oval at top: 13 1/8 x 8 1/2 in. (33.3 x 21.6 cm), Anonymous, British, 19th century

Kitchen Staff (recto); Mountainous Landscape with Hiker (verso), 1837–64, Recto: watercolor, pen and brown ink over graphite; Verso: watercolor over graphite, Sheet: 5 1/8 x 6 3/8 in. (13 x 16.2 cm), Drawings, John Leech (British, London

Interior of a Chapel with Altar, 19th century, Watercolor over graphite, sheet: 12 7/16 x 15 1/8 in. (31.6 x 38.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John Dibblee Crace (British, London 1838–1919 London

Design for a Window with Yellow Drapery, 18th century, Ink and wash and watercolor, sheet: 8 5/16 x 4 1/8 in. (21.1 x 10.4 cm), Drawings, Attributed to Anonymous, German, 18th century

Design for a Coffered, Painted Ceiling with Floral Decoration and Colored Border, ca. 1888, Watercolor and graphite with touches of gouache and gold, sheet: 13 9/16 x 18 1/4 in. (34.5 x 46.4 cm), John Dibblee Crace (British, London 1838–1919

Sleeping Elephant, 1810–75, Watercolor on wove paper, Sheet: 9 13/16 x 11 3/4 in. (24.9 x 29.9cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Design for a fireplace, 1827, Watercolor, pen and black ink, sheet: 10 1/4 x 15 7/8 in. (26 x 40.3 cm), Thomas Heiton (British, active 1827

Cabinet Design, 19th century, Ink and watercolor over graphite, sheet: 5 1/4 x 6 9/16 in. (13.4 x 16.6 cm), Anonymous, British, 19th century

Street Cart, 1914, Watercolor, gouache, and graphite on paper, 12 3/8 x 18 7/8 in. (31.4 x 47.9 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Curtain of the Tabernacle, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall ink and gold on vellum, 16 1/2 x 9 3/4 in. (41.9 x 24.8 cm),

Design for a Stained Glass Window, mid-19th–early 20th century, Pen and black ink, watercolor over graphite with touches of gilt, sheet: 12 7/8 x 11 5/16 in. (32.7 x 28.7 cm), Attributed to John Dibblee Crace (British, London 1838–1919

Study of a Hanekam (Celosia argentea), n.d., Graphite and watercolor, sheet: 14 1/2 x 9 1/2 in. (36.9 x 24.1 cm), Drawings, Alida Withoos (Dutch, Amersfoot ca. 1662–1730 Hoorn

The Ferryboat, 1585–1634, Pen and brown ink, watercolor, over graphite. Framing line in pen and brown ink. Laid down., sheet: 2 1/2 x 5 7/8 in. (6.4 x 15 cm), Drawings, Hendrick Avercamp (Dutch, Amsterdam 1585–1634 Kampen

Peasants Drinking, 1610–85, Pen and brown ink, watercolor. Framing line in black ink & chalk, sheet: 5 13/16 x 7 1/2 in. (14.7 x 19.1 cm), Drawings, Attributed to Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Various Insects by a Fungus, 1681, Watercolor and gouache over traces of black chalk. A ruled line in brown ink along the lower edge. , sheet: 7 15/16 x 11 3/4 in. (20.1 x 29.9 cm), Drawings, Rochus van Veen (Dutch, ca. 1640–1693 Beverwijk

Rocky Landscape with Sleeping Shepherd, 1817, Watercolor. Framing line in pen and ink, sheet: 5 11/16 x 8 3/16 in. (14.5 x 20.8 cm), Drawings, Philip Heinrich Dunker (German, Bern 1780–1836 Nuremberg

Cabinet Design with a Mirrored Front and Red Shelves, 19th century, Ink and watercolor over graphite, sheet: 5 5/16 x 7 11/16 in. (13.5 x 19.5 cm), Anonymous, British, 19th century

Ceiling Design, Half of a Circle, 19th century, Watercolor with gold, Anonymous, British, 19th century

Seascape with Six Figures in the Foreground, 18th century, Brush and grey wash, watercolor. Some remains of black chalk, 2 11/16 x 3 3/4 in. (6.9 x 9.5 cm), Drawings, Nicolaas Aartman (Dutch, Amsterdam 1713–1793 Amsterdam

Ceiling Design with Three Panels Divided by Beams, 19th century, Watercolor, sheet: 7 x 9 7/8 in. (17.8 x 25.1 cm), Anonymous, British, 19th century

Panel of Floral and Foliate Ornament, second half 19th century, Ink, wash and watercolor over graphite, sheet: 6 1/4 x 8 3/4 in. (15.9 x 22.3 cm), Anonymous, British, 19th century

Winter Landscape with Skaters on a Frozen Canal, n.d., Watercolor over black chalk, sheet: 8 3/4 x 11 13/16 in. (22.3 x 30 cm), Drawings, Vincent Jansz. van der Vinne (Dutch, 1736–1811

Quarter Plan for a Coved Ceiling, ca. 1561, Pen and brown ink, with two shades of brown wash, gay wash, and turquoise and green watercolor, over traces of red chalk, sheet: 10 7/8 x 6 15/16 in. (27.7 x 17.7 cm), Drawings, Antenore Ridolfi

View of the Portal and Principal Entrance of the Cathedral of Palermo during the Festival of Sta. Rosalia, n.d., Pen and black ink, gray wash and watercolor, over traces of graphite. Framing lines in pen and brown ink., 13 7/16 x 8 1/4 in. (34.2

Mantel Design, ca. 1775, Ink and watercolor, 7-15/16 x 9-5/8 in, Anonymous, Italian, 18th century

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