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The Entry into Jerusalem, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, color and gold on paper; sheet: 26.2 x 15.6 cm (10 5/16

Portrait of a Woman, called Mrs. Close, 1786. Horace Hone (British, 1756-1825). Watercolor on ivory in an ormolu frame; framed: 8.9 x 7.5 cm (3 1/2 x 2 15/16 in.); sight: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in

Page from Tales of a Parrot (Tuti-nama): Thirty-fifth night: The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, c. 1560. Mughal India, reign of Akbar (1556–1605). Opaque

Shamsa (sunburst) with portrait of Aurangzeb (1618-1707), from the Emperor's Album (the Kevorkian Album), illumination 1640–55; original portrait c. 1640–50; altered after 1658. Probably by Bichitr (Indian, active c. 1615–50). Opaque

Leaf from a Jain Manuscript: Yoga-shastra: Jain monk with Disciple and Two Laymen, Two Nuns and a Laywoman below (verso), 1279. Hemachandra (Indian). Opaque watercolor and ink on palm leaf; overall: 5.3 x 30.2 cm (2 1/16 x 11 7/8 in

Albano, Italy, c. 1872. George Inness (American, 1825-1894). Watercolor with gouache over graphite; sheet: 32.6 x 24.2 cm (12 13/16 x 9 1/2 in

Portrait of a Man, mid 1800s. Switzerland, Neufchatel, mid-19th century. Watercolor on ivory; overall: 2.6 x 6.7 x 8.6 cm (1 x 2 5/8 x 3 3/8 in

Victorious Army Entering City After Siege, 1700s-1800s(?). Pakistan (?), 20th century. Opaque watercolor on paper; sheet: 48.1 x 32.8 cm (18 15/16 x 12 15/16 in.); image: 41.5 x 27.4 cm (16 5/16 x 10 13/16 in

Page from Tales of a Parrot (Tuti-nama): Thirty-third night: The two couples reach a foreign city where they make their home, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Krishna Steals the Clothes of the Cowgirls (Gopis), 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 48.5 x 29.9 cm (19 1/8 x 11 3/4 in.);

Page from Tales of a Parrot (Tuti-nama): Thirty-third night: Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, c. 1560. India, Mughal, Reign of

Two Women Reading in a Field, 1888. Arthur B. Davies (American, 1862-1928). Watercolor and gouache over graphite (the figures); sheet: 26.7 x 48.2 cm (10 1/2 x 19 in

Bahram Gur and Azada, from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), 1500s. Iran, Tabriz or Qazvin, Safavid period (1501-1722). Opaque watercolor and gold on paper; sheet: 32.5 x 21.5 cm (12 13/16 x 8 7/16 in.); image: 17.4 x 11

Cormorant Cliff, Jamestown, Rhode Island, 1877. William Trost Richards (American, 1833-1905). Watercolor and gouache; sheet: 58.4 x 94.1 cm (23 x 37 1/16 in

Portrait of the Artist's Children Emma and Paul (box), c. 1795. Jean-Antoine Laurent (French, 1763-1832). Watercolor on ivory, gold mount, set in the cover of a composition bonbonniere; diameter: 6.3 cm (2 1/2 in

Portrait of the Artist's Children Emma and Paul, c. 1795. Jean-Antoine Laurent (French, 1763-1832). Watercolor on ivory, gold mount, set in the cover of a composition bonbonniere; diameter: 6.3 cm (2 1/2 in.); diameter of frame: 8 cm (3 1/8 in

Leaf from a Jain Manuscript: Kalpa-sutra: Monk Holding a Flower (recto), 1279. Western India, Gujarat, 13th century. Opaque watercolor and ink on palm leaf; Manuscript 1; overall: 5.3 x 17.1 cm (2 1/16 x 6 3/4 in

Princess and attendant in trompe l’oeil window, c. 1765. Aqil Khan (Indian, active mid-1700s). Opaque watercolor and gold on paper; image: 12.5 x 7.8 cm (4 15/16 x 3 1/16 in.); overall: 44 x 31.6 cm (17 5/16 x 12 7/16 in

Green Parrot, c. 1820. India, East India Company School, 19th century. Opaque watercolor on paper; overall: 38.5 x 28.6 cm (15 3/16 x 11 1/4 in

Pastoral Landscape with Village, 1799. Jacob Cats (Dutch, 1741-1799). Watercolor, point of brush and watercolor, and pen and brown ink over black chalk; framing lines in brown ink; sheet: 18.1 x 25.7 cm (7 1/8 x 10 1/8 in.); secondary support:

The Story of Hushang, from a Majma al-tavarikh (A Compendium of Histories) of Hafiz-i Abru, 1425 - 1450. Afghanistan, Herat, Timurid Iran. Opaque watercolor and ink on paper; image: 11 x 25.7 cm (4 5/16 x 10 1/8 in.); overall: 42 x 32 cm (16 9/16

At Versailles, July 1919, 1919. Jean Louis Forain (French, 1852-1931). Black crayon, watercolor, and gouache, over graphite; sheet: 38 x 51.4 cm (14 15/16 x 20 1/4 in

Women enjoying the river at the forest’s edge, c. 1765. Style of Hunhar II (Indian, active mid-1700s). Opaque watercolor with gold on paper, narrow border of gold foliate meander (recto and verso); page: 33.1 x 24.9 cm (13 1/16 x 9 13/16 in

Jailer Receiving the Mahant of Tarakeshwar in Prison, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; painting only: 45 x 28 cm (17 11/16 x 11 in

Text Page, Persian Verses (verso) Bahram Gur Visits the Princess of India:from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits], c. 1400-1410. Iran, possibly Tabriz or Shiraz, Timurid Period, early 15th century. Ink and

A prince visiting a holy man in a rocky landscape, c. 1590. India, Mughal court, 16th century. Opaque watercolor on paper; page: 34 x 20.7 cm (13 3/8 x 8 1/8 in.); painting: 18.4 x 10.1 cm (7 1/4 x 4 in

Two Trees, first half 1800s. Johann Jacob Dorner (German, 1775-1852). Brush and black and gray wash, gouache, and watercolor, with stylus; sheet: 31.6 x 33 cm (12 7/16 x 13 in.); secondary support: 40.1 x 41 cm (15 13/16 x 16 1/8 in

Opening Pages from Valerius Maximus's Facta et dicta memorabilia, c. 1476. Flanders, 15th century. Pen and brown ink, watercolor, and gouache; framing lines in brown ink (around image), with letterpress text; sheet: 38.4 x 28.2 cm (15 1/8 x 11

"Bahram Visits the White Domed Pavilion on Friday"Illustrated with text in Khamsa of Nizami, Haft Paykar [Seven Portraits] (Verso), c. 1560-1580. Iran, Shiraz, Safavid period, 16th century. Opaque watercolor, ink and gold on paper; overall:

Text Page, Persian Verses (recto); Bahram Gur meets Arzu, the Daughter of Mahiyar (verso) , c. 1350. Iran, Shiraz, Inju Period, 14th Century. Ink and opaque watercolor on paper; overall: 29 x 20.7 cm (11 7/16 x 8 1/8 in.); text area: 22.5 x

Portrait of a kneeling holy man, from the Prince Salim Album, c. 1556–60; border c. 1602. Attributed to Mir Sayyid Ali (Persian, active in India, 1555–1580). Opaque watercolor with gold on paper, laid down on an album page with cream borders

Mary and Joseph travel to Bethlehem, from a Mir’at al-quds of Father Jerome Xavier (Spanish, 1549–1617), 1602-1604. Northern India, Uttar Pradesh, Allahabad, 17th century. Opaque watercolor, ink, and gold on paper; page: 26.3 x 15.6 cm

Mahant of Tarakeshwar Rides on an Elephant, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 60.8 x 42.3 cm (23 15/16 x 16 5/8 in.); painting

Smelting Works at Denver, 1892. Thomas Moran (American, 1837-1926). Watercolor and gouache; sheet: 24 x 31.8 cm (9 7/16 x 12 1/2 in

Jahangir, early 1600s. India, Mughal, early 17th century. Opaque watercolor and gold on paper; image: 4.8 x 3.2 cm (1 7/8 x 1 1/4 in

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (verso); Stenciled Scenes of Lion and Gazelle (verso), c. 1710. India, Mughal, early 18th century. Opaque

Scène de Carnaval. Philibert Louis Debucourt (French, 1755-1832). Pen and black ink and watercolor; sheet: 30.6 x 44.5 cm (12 1/16 x 17 1/2 in

Escape of French Prisoners. Thomas Rowlandson (British, 1756-1827). Pen and Ink and watercolor wash

Page from Tales of a Parrot (Tuti-nama): Eighth night: The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, c. 1560. Tara Chand (Indian). Opaque watercolor and gold on paper; overall: 20 x 14.4 cm (7

Demon in chains, c. 1453. Style of Muhammad Siya Qalam (Iranian). Opaque watercolor and gold on paper; image: 25.7 x 34.4 cm (10 1/8 x 13 9/16 in.); overall: 27 x 35.2 cm (10 5/8 x 13 7/8 in

Page from Tales of a Parrot (Tuti-nama): Thirty-second night: The parrot addresses Khujasta at the beginning of the thirty-second night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Album with Views of Rome and Surroundings, Landscape Studies, page 41a: "St. Pietro, Toscanella". Franz Johann Heinrich Nadorp (German, 1794-1876). Graphite with watercolor

Leaf from a Jain Manuscript: Kalpa-sutra, 1279. Western India, Gujarat, 13th century. Opaque watercolor and ink on palm leaf; script on recto and verso; Manuscript 2; Leaf from a Jain Manuscript: Kalpa-sutra: A Monk Preaching (recto); Leaf from a

View of Castel Gandolfo, c. 1870s. Myles Birket Foster (British, 1825-1899). Watercolor; sheet: 16.5 x 23.8 cm (6 1/2 x 9 3/8 in

A Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1803. Thomas Girtin (British, 1775-1802), Frederick Christian Lewis (British, 1779-1856). Softground etching and aquatint printed in brown,

Page from Tales of a Parrot (Tuti-nama): Eighth night: The deceitful wife persuades her husband to sleep in the same place where she had previously slept with her lover, 1558-1560. India, Mughal, Reign of Akbar (1556-1605), 16th century. Opaque

The State Watchman. Robert Dighton (British, 1752-1814). Etching with watercolor added by hand

The Forum of Nerva, Rome. Samuel Prout (British, 1783-1852). Watercolor

Dog with pups, c. 1780. India, Rajasthan, Ajmer, probably Sawar school, 18th century. Ink and opaque watercolor on paper; image: 22 x 16.5 cm (8 11/16 x 6 1/2 in.); overall: 18.7 x 25 cm (7 3/8 x 9 13/16 in

Paysage Italien: L'Abbaye et Les Religieux, late 1800s-1900s. Jean-Victor Bertin (French, 1767-1842). Watercolor with graphite and heightened with gouache; sheet: 35.5 x 46.3 cm (14 x 18 1/4 in

Diana or Artemis, Goddess of the Hunt, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 48.4 x 27.6 cm (19 1/16 x 10 7/8 in.); painting

Backstage of the Ballet, c. 1900. Sem (Georges Gourçat) (French, 1863-1934). Lithograph hand-colored with watercolor; sheet: 49.8 x 67.5 cm (19 5/8 x 26 9/16 in.); image: 42.3 x 54.1 cm (16 5/8 x 21 5/16 in

Seated Lady Smoking a Hookah, c. 1780. Northern India, Himachal Pradesh, Pahari Kingdom of Guler. Opaque watercolor and gold on paper; page: 32.3 x 25.4 cm (12 11/16 x 10 in.); miniature: 27.7 x 20.7 cm (10 7/8 x 8 1/8 in

Sketches of Figures, 1869. Alphonse Marie Adolphe de Neuville (French, 1835-1885). Graphite, pen and brown ink, and watercolor; sheet: 27 x 38.7 cm (10 5/8 x 15 1/4 in

Descent of the Ganges, c. 1700-10. Northern India, Himachal Pradesh, Pahari Kingdom of Chamba. Opaque watercolor, ink, and gold on paper; page: 21 x 29.8 cm (8 1/4 x 11 3/4 in.); miniature: 17.8 x 26.7 cm (7 x 10 1/2 in

Two Trees (recto) Tree Studies (verso), first half 1800s. Johann Jacob Dorner (German, 1775-1852). Brush and black and gray wash, gouache, and watercolor, with stylus; sheet: 31.6 x 33 cm (12 7/16 x 13 in.); secondary support: 40.1 x 41 cm (15

Page from Tales of a Parrot (Tuti-nama): Thirty-third night: Salim and Salima return to Ayaz and Mahmuda in the sanctuary, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Pietà, c. 1460. Southern Germany, Swabia, 15th century. Woodcut, hand colored with watercolor; sheet: 38.7 x 28.8 cm (15 1/4 x 11 5/16 in

Chapel Window. John La Farge (American, 1835-1910). Watercolor with gouache over graphite; framing lines in black ink; sheet: 71.9 x 44.1 cm (28 5/16 x 17 3/8 in.); image: 63.5 x 35.5 cm (25 x 14 in

Krishna Returns with the Cowherds to Braj, from a Bhagavata Purana, c. 1830. Northern India, Uttarakhand, probably Garhwal. Opaque watercolor on paper; overall: 22 x 33 cm (8 11/16 x 13 in

Khusrau Parviz Fleeing Bahram Chubineh and Being Saved by Angel Sarush (recto) from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), c. 1299. Iraq, Baghdad, Ilkhanid period (1256-1353). Opaque watercolor and ink on paper; image: 5 x

There is corn in the sea!, fourth quarter 1800s or first third 1900s. Jean Louis Forain (French, 1852-1931). Brush and black ink and watercolor over black crayon; sheet: 37 x 53.1 cm (14 9/16 x 20 7/8 in

Portrait of Philippe de Croy, Duke of Aerschot, 1800s. Belgium, Flemish School, 19th century. Watercolor on vellum in a later gilt-wood frame; framed: 24.5 x 20.9 cm (9 5/8 x 8 1/4 in.); unframed: 16 x 12.1 cm (6 5/16 x 4 3/4 in

Portrait of a Woman, 1590s. Studio of Nicholas Hilliard (British, c. 1547-1619). Watercolor on vellum in original turned ivory case; diameter of frame: 6.9 cm (2 11/16 in.); sight: 6.4 x 5.1 cm (2 1/2 x 2 in

Page from Tales of a Parrot (Tuti-nama): Seventeenth night: The false Mansur punished before the judge and expelled from the city, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

The Valley of the Tyne, My Native Country near Henshaw, 1842. John Martin (British, 1789-1854). Watercolor, gouache and gum arabic with graphite underdrawing, sanding, and scraping; sheet: 26.6 x 67.5 cm (10 1/2 x 26 9/16 in

Persian verses (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), late 1400s. Iran, Shiraz, Timurid period (1370-1501). Opaque watercolor, ink, and gold on paper; overall: 32.4 x 21.6 cm (12 3/4 x 8 1/2 in.); text area: 22.6

Traunstein River on the Road to Empfig, Bavaria, about 1893-96. William Stanley Haseltine (American, 1835-1900). Watercolor and gouache on blue paper; sheet: 38.3 x 56.5 cm (15 1/16 x 22 1/4 in.); mounted, primary: 38.3 x 56.5 x 0.2 cm (15 1/16 x

Portrait of Anna Walmesley, 1795. Andrew Plimer (British, 1763-1837). Watercolor on ivory in a gold frame with hair reverse; image: 6.4 x 5.6 cm (2 1/2 x 2 3/16 in.); framed: 7.5 x 6 cm (2 15/16 x 2 3/8 in.); sight: 6.7 x 5.4 cm (2 5/8 x 2 1/8 in

Page from Tales of a Parrot (Tuti-nama): The Raja’s daughter and her lover stoned to death for adultery, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Cathédrale Sainte-André de Bordeaux, 1832. Adrien Dauzats (French, 1804-1868). Watercolor with gum arabic and touches of gouache; sheet: 43.6 x 30.8 cm (17 3/16 x 12 1/8 in

Princely ascetic in the forest visited by ladies, c. 1760. Opaque watercolor and gold on paper; overall: 32.7 x 26.5 cm (12 7/8 x 10 7/16 in

Vaishnava Devotee with Two Women, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; painting only: 45.4 x 27.8 cm (17 7/8 x 10 15/16 in

Twenty-three Deity Nairatma Mandala, c. 1375. Central Tibet, Sakya-affiliated monastery, 14th century. Opaque watercolor, gold, and ink on cloth; overall: 82.5 x 72.4 cm (32 1/2 x 28 1/2 in

Still Life with Wild Flowers, 1864. Léon Bonvin (French, 1834-1866). Watercolor and gouache; sheet: 18.5 x 24.3 cm (7 5/16 x 9 9/16 in

Page from Tales of a Parrot (Tuti-nama): First night: The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque

Page from Tales of a Parrot (Tuti-nama): Thirty-fourth night: The Raja’s son vows to sever his head, and offer it to the image if he is united with the princess he has seen in the temple, c. 1560. India, Mughal, Reign of Akbar, 16th century.

Scène de Carnaval. Philibert Louis Debucourt (French, 1755-1832). Pen and black ink and watercolor; sheet: 30.6 x 44.5 cm (12 1/16 x 17 1/2 in

Animals, Birds, and Plants (verso); Illustration and Text (Persian Verses) from a Manuscript of the Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi, 1341. Iran,

Portrait of a Man, 1780s. Hornong (French). Watercolor on ivory in a gold and hair frame; framed: 7 x 6.4 cm (2 3/4 x 2 1/2 in.); unframed: 4.5 x 1 cm (1 3/4 x 3/8 in

Portrait of a Woman, c. 1780. Maximilien Villers (French, c. 1836). Watercolor on ivory in a gilt metal frame; diameter: 6.9 cm (2 11/16 in.); diameter of frame: 9.3 cm (3 11/16 in

Rana Sangram Singh Worshipping a Linga under a Banyan Tree, c. 1712-15. Northwestern India, Rajasthan, Rajput Kingdom of Mewar. Opaque watercolor, ink, and gold on paper; page: 24.8 x 18.1 cm (9 3/4 x 7 1/8 in.); miniature: 23.2 x 16.8 cm (9 1/8

A floral fantasy of animals and birds (Waq-waq), early 1600s. India, Mughal. Opaque watercolor and gold on paper; page: 37.6 x 26.6 cm (14 13/16 x 10 1/2 in

The game of wolf-running in Tabriz, from an Akbar-nama (Book of Akbar), c. 1595-1600. Banwari (Indian, active c. 1558–1600). Opaque watercolor and gold on paper; page: 35.2 x 23.8 cm (13 7/8 x 9 3/8 in

Portrait of Napoleon I, Emperor of the French, 1810. Jean-Baptiste Isabey (French, 1767-1855). Watercolor on ivory in a Swiss gold box with diamonds; image: 6.1 x 4.2 cm (2 3/8 x 1 5/8 in.); box: 8.6 x 5.9 x 2.1 cm (3 3/8 x 2 5/16 x 13/16 in

Birth of Parshva to Queen Vama, from the Kalpa-sutra, c. 1500. Western India, Gujarat, late 15th-early 16th century. Opaque watercolor, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in

Portrait of Louis XVIII, c. 1822. Jean-Baptiste Jacques Augustin (French, 1759-1832). Watercolor on ivory in a gilt metal and enamel frame; framed: 5.8 x 5.2 cm (2 5/16 x 2 1/16 in.); unframed: 3.9 x 3.3 cm (1 9/16 x 1 5/16 in

The Magi Follow the Star, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Attributed to Payag (Indian). Opaque watercolor, ink, and gold on paper; sheet: 26.2 x 15.7 cm (10 5/16 x 6 3/16 in.); image: 20.6 x 10.9

Self-Portrait, c. 1805. Jean-Baptiste Jacques Augustin (French, 1759-1832). Watercolor on ivory in a gilt metal frame; framed: 13 x 9.8 cm (5 1/8 x 3 7/8 in.); sight: 5.7 x 4.4 cm (2 1/4 x 1 3/4 in

Phytographia Curiosa:Lapathum Sativum Antiquorum. Abraham Munting (Dutch, 1626-1683). Etching, hand colored with watercolor; overall: 31.9 cm (12 9/16 in

Landscape, 1885. Thomas Francis Wainwright (British, 1899). Watercolor

Portrait of a Woman in a Brown Dress, 1795. François Dumont (French, 1751-1831). Watercolor on ivory in a later ormolu/gilt metal frame; diameter: 7.4 cm (2 15/16 in.); diameter of frame: 9.3 cm (3 11/16 in

A Concert:Laura Devéria Singing, 1831. Eugène François Marie Joseph Devéria (French, 1805-1865). Watercolor with black and brown ink, some pastel and lead white on off-white heavy-weight wove paper mounted to heavy white cream wove paper;

A Woman Putting Flowers in Her Hair, c. 1710. Rosalba Carriera (Italian, 1675-1757). Watercolor on ivory in a tortoiseshell pique-point frame; framed: 10.6 x 12.7 cm (4 3/16 x 5 in.); unframed: 8.6 x 10.5 cm (3 3/8 x 4 1/8 in

Portrait of a Woman, 1790s. Andrew Plimer (British, 1763-1837). Watercolor on ivory in a period gold frame; framed: 8.4 x 6.8 cm (3 5/16 x 2 11/16 in.); sight: 7.1 x 6 cm (2 13/16 x 2 3/8 in

Near Newport. Homer Dodge Martin (American, 1836-1897). Watercolor; overall: 25.4 x 35.6 cm (10 x 14 in

Calligraphy, Persian Verses, 1400s. Iran, Timurid period (1370-1501). Opaque watercolor, ink, and gold on paper

Princess with Wine Bottle and Cup, c. 1550-1600. Iran, Qazvin or Isfahan, Safavid period (1501-1722). Opaque watercolor and gold on paper; image: 12.2 x 5.7 cm (4 13/16 x 2 1/4 in.); overall: 37.1 x 24.8 cm (14 5/8 x 9 3/4 in

Album with Views of Rome and Surroundings, Landscape Studies, page 22a: "Terme di Diocleziano, Rome". Franz Johann Heinrich Nadorp (German, 1794-1876). Watercolor with graphite on white paper laid down on brown paper

Page from the Late Shah Jahan Album: Prince and Ascetics, c. 1630. Attributed to Govardhan (Indian, active c.1596-1645). Opaque watercolor, gold, and ink on paper; image: 20.3 x 14.3 cm (8 x 5 5/8 in.); sheet with border: 37.5 x 25.2 cm (14 3/4 x

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