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Roman Ruins, Villa Pamfili, 1774. Hubert Robert (French, 1733-1808). Pen and black ink and watercolor with black chalk underdrawing and heightened with white gouache on cream laid paper

Siyavush on his Horse Hitting a Rolling Target (recto)from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), late 1400s. Iran, Shiraz, Timurid period (1370-1501). Opaque watercolor, ink, and gold on paper; image: 8.6 x 16.1 cm (3 3/8 x

Tales of a Parrot (Tuti-nama): The Twelfth Night: King Bhojaraja tries in vain to ascertain the whereabouts of the pearl from the four traveling companions, c. 1560. India, Mughal court, reign of Akbar (1556-1605), 16th century. Opaque

Kartikeya, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 47.8 x 29.1 cm (18 13/16 x 11 7/16 in.); painting only: 45.8 x 28.2 cm (18 1/16 x

Serpents Protect Parshva from the Flood, from the Kalpa-sutra, c. 1500. Western India, Gujarat, late 15th-early 16th century. Opaque watercolor, ink and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in

Interior of the Pantheon in Paris. Fredrick Nash (British, 1782-1856). Watercolor over graphite; sheet: 20 x 17.9 cm (7 7/8 x 7 1/16 in

Mountain Landscape with Figures, first half 1600s. Anton Mirou (Flemish, bef 1586-aft 1661). Pen and brown ink and brush and gray wash with blue and green watercolor, over traces of black chalk, with white paint; image: 20.8 x 32.2 cm (8 3/16 x

Portrait of Sir Anthony Mildmay, Knight of Apethorpe, Northants, c. 1590-1593. Nicholas Hilliard (British, c. 1547-1619). Watercolor on vellum mounted on card, mounted on wood; unframed: 23.3 x 17.4 cm (9 3/16 x 6 7/8 in

Peacock-shaped Hand Washing Device (recto); Text Page, Arabic Prose (verso), 1315. Syria, Damascus, Mamluk Period, 14th Century. Opaque watercolor and gold on paper; overall: 31.3 x 21.5 cm (12 5/16 x 8 7/16 in

Portrait of a Man, c. 1790. Richard Cosway (British, 1742-1821). Watercolor on ivory in a gold frame with blue and white enamel; framed: 5.9 x 5 cm (2 5/16 x 1 15/16 in.); unframed: 5 x 4 cm (1 15/16 x 1 9/16 in

Pasture Rose (Rosa Carolina Corymbosa), 1817-1824. Henry Joseph Redouté (French, 1766-1853). Watercolor

A Rishi Stirring Up a Storm, 1897. John La Farge (American, 1835-1910). Watercolor and gouache over graphite; sheet: 27.3 x 38.9 cm (10 3/4 x 15 5/16 in.); image: 25 x 33.7 cm (9 13/16 x 13 1/4 in.); secondary support: 28 x 40.8 cm (11 x 16 1/16

Brier Bush Rose or Dog Rose (Rosa Sepium Rosea), 1817-1824. Henry Joseph Redouté (French, 1766-1853). Watercolor

Leaf from a Jain Manuscript: The Story of Kalakacharya of Devachandra: Text (recto), 1279. Devachandra (Indian). Opaque watercolor and ink on palm leaf; Manuscript 4; overall: 5.1 x 34.8 cm (2 x 13 11/16 in

Page from Tales of a Parrot (Tuti-nama): Fourth night: The two cooks, who attempt to seduce the warrior’s loyal wife are trapped by her in a cellar, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, gold and ink on

Leaf from a Jain Manuscript: Kalpa-sutra: A Monk Preaching (recto); Leaf from a Jain Manuscript: Kalpa-sutra: text (verso), 1278. Western India, Gujarat, 13th century. Opaque watercolor and ink on palm leaf; Manuscript 2; overall: 5.7 x 18.4 cm (2

Pair of Miniatures: Portrait of a Man and Portrait of a Woman Wearing a Miniature, c. 1780. Thomas Hazlehurst (British, c. 1740-c. 1821). Watercolor on ivory; overall: 7 x 5.8 cm (2 3/4 x 2 5/16 in

A dancing dervish and three musicians, from a Divan (Collected Poems) of Urfi (Persian, 1555–1591), 1637. India, Muhammadpur, Bijapur, Deccan, 17th century. Opaque watercolor with gold on paper, mounted with plain paper borders; page: 14.8

The Buccaneers, 1885. Winslow Homer (American, 1836-1910). Watercolor; sheet: 46.9 x 36.2 cm (18 7/16 x 14 1/4 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: The prince’s ordeal continues, he is ordered away to be executed for the fifth time, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor and gold on paper; overall: 20

Leaf from a Jain Manuscript: Kalpa-sutra: text describing descent of Mahavira into the womb of the Brahman woman Devananda (verso), 1279. Western India, Gujarat, 13th century. Opaque watercolor and ink on palm leaf; Manuscript 1; overall: 5.3 x

Jesus being awakened during a tempest on the Sea of Galilee, from a Mir’at al-quds of Father Jerome Xavier (Spanish, 1549–1617), 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, color and gold on

From the Farhang-i Jahangiri (Persian-language Dictionary) compiled by Mir Jamal al-Din Husayn Inju of Shiraz (Persian, d. 1626), 1607-1608. India, Mughal court, made for Jahangir. Ink, opaque watercolor and gold on paper, double-sided: one

Page from Tales of a Parrot (Tuti-nama): Third night: The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, gold and ink on paper;

Royal Couple Distributing Meals, 1700s. India, Pahari, Guler, 18th century. Opaque watercolor on paper; image: 30.4 x 21.9 cm (11 15/16 x 8 5/8 in

Seven Heroes or Warriors Killing Abhimanya, Son of Arjuna, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 49.9 x 30 cm (19 5/8 x 11 13/16

Landscape with Farmhouse, 1892. Henri Joseph Harpignies (French, 1819-1916). Watercolor with graphite underdrawing; sheet: 12 x 16.9 cm (4 3/4 x 6 5/8 in

"Nushirwan Sends Mihran Sitad to Fetch the Daughter of the King of China" in the manuscript of Shahnama of Firdawsi Illustration and Text (Persian Verses) (Recto), c. 1482. Iran, Shiraz, Timurid period (1370-1501). Opaque watercolor, ink and gold

Page from Tales of a Parrot (Tuti-nama): Twenty-third night: The merchant’s daughter gives birth to a son as a result of eating out of the box. The clever child recognizes the false gems from the true, c. 1560. India, Mughal, Reign of Akbar,

Landscape with a Windmill near a Farmstead, 1642-1644. Aelbert Cuyp (Dutch, 1620-1691). Black chalk and brush and gray wash and yellow watercolor; sheet: 20.8 x 30.8 cm (8 3/16 x 12 1/8 in

Page from Tales of a Parrot (Tuti-nama): Twenty-first night: The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and

Rao Shiv Singh Chandrawat, c. 1720. Northwestern India, Rajasthan, Marwar. Opaque watercolor and gold on paper; miniature: 31.8 x 22.2 cm (12 1/2 x 8 3/4 in

Page from Tales of a Parrot (Tuti-nama): Seventeenth night: The merchant Mansur departs on a sea-voyage leaving his wife behind, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Arab on Horseback, 1800s. Horace Vernet (French, 1789-1863). Pen and brown ink and watercolor heightened with white gouache; sheet: 39.1 x 31.9 cm (15 3/8 x 12 9/16 in

Page from Tales of a Parrot (Tuti-nama): Thirty-sixth night: Mahrusa kills herself at the tomb of the king of Babylon, and her husband does likewise, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on

Page from Tales of a Parrot (Tuti-nama): Sixteenth night: The daughter-in-law returns from her misadventure, feigning insanity, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Fifty-second night: The pious man’s son, now a king, reveals himself to his father.His nurse upbraids his unfaithful mother, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor,

Valerius Maximus's Facta et dicta memorabilia: Opening Page of Book IX of Valerius Maximus's Facta et dicta memorabilia, c. 1476. Flanders, 15th century. Pen and brown ink, watercolor, and gouache; framing lines in brown ink [around image]; with

Study of a Tree Trunk. Georges Michel (French, 1763-1843). Graphite and watercolor; sheet: 23.2 x 16.7 cm (9 1/8 x 6 9/16 in

Circumcision ceremony for Akbar’s sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602), c. 1602-3. Attributed to Dharam Das (Indian, active c. 1580–1605). Opaque watercolor, ink and gold on paper;

Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934-1020). Attributed to Mir Musavvir (Iranian, c. 1510-1555). Opaque watercolor, ink, gold, and silver on paper

Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavi, c. 1590–1600. Attributed to Sanwalah (Indian, active c. 1580–1600). Opaque watercolor, ink and gold on paper; page: 24.9 x 16.8 cm (9 13/16 x 6

Comparative Anatomy Study, c. 1810-1820. Thomas Rowlandson (British, 1756-1827). Watercolor and brown ink with graphite on wove paper; sheet: 27.8 x 21.9 cm (10 15/16 x 8 5/8 in.); secondary support: 33.4 x 26.7 cm (13 1/8 x 10 1/2 in

Leaf from a Jain Manuscript: Kalpa-sutra: text (verso), 1278. Western India, Gujarat, 13th century. Opaque watercolor and ink on palm leaf; Manuscript 2; overall: 5.7 x 18.4 cm (2 1/4 x 7 1/4 in

Portrait of a Woman, c. 1805. Italy, Northern Italian School, 19th century. Watercolor on ivory in a gilt metal frame; diameter: 6.2 cm (2 7/16 in.); diameter of frame: 8.5 cm (3 3/8 in

Costumed Dancers Performing in a Garden Tavern, 1756. Augustin de Saint-Aubin (French, 1736-1807). Brush and brown and gray wash, with gouache, watercolor, and traces of graphite; sheet: 19.8 x 31.3 cm (7 13/16 x 12 5/16 in.); secondary support:

Landscape (recto); Studies of Animals (verso). Antoine-Louis Barye (French, 1796-1875). Watercolor with gouache, and graphite; sheet: 15.5 x 23.1 cm (6 1/8 x 9 1/8 in

Yaja and Upayaja perform a sacrifice for the emergence of Dhrishtadyumna from the fire, from Adi-parva (volume one) of the Razm-nama (Book of Wars) adapted and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian,

Folio B: Folio from the "Five Treasures" (Panj Ganj) of Jami (recto), 1520-1607. Mushfiq (Indian), and others (Indian). Ink, opaque watercolor and gold on paper, double-sided with text on verso; page: 30.2 x 18.1 cm (11 7/8 x 7 1/8 in

Page from Tales of a Parrot (Tuti-nama): Fifty-second night: The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, c. 1560. India, Mughal, Reign of Akbar, 16th

Theater Scene, c. 1775-1776. Giovanni David (Italian, 1743-1790). Watercolor and extensive point of brush work with graphite and white gouache; sheet: 47.7 x 56 cm (18 3/4 x 22 1/16 in

Page from Tales of a Parrot (Tuti-nama): Forty-fourth night: The parrot addresses Khujasta at the beginning of the forty-fourth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Twenty-fourth night: Habbaza’s sister, who is sent to console her, discovers the disguised Arab in her place, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on

Portrait of a Man, 1789. John I Smart (British, 1741-1811). Watercolor on ivory in a gold and seed pearl frame; framed: 7.1 x 5.5 cm (2 13/16 x 2 3/16 in.); unframed: 6.2 x 4.5 cm (2 7/16 x 1 3/4 in

Page from the Late Shah Jahan Album: Portrait of Asaf Khan, c. 1653. India, Mughal court, reign of Shah Jahan (1628-1658), Mughal Dynasty (1526-1756). Opaque watercolor and goldon paper; image: 19 x 11.9 cm (7 1/2 x 4 11/16 in.); overall: 38 x

The Conversion of Saul with Horseman and Banner, c. 1645-1647. Jacob Jordaens (Flemish, 1593-1678). Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache, framing lines

Oval portrait of a woman in a Chaghtai hat, c. 1740-50. India, Mughal, 18th century. Opaque watercolor and gold on paper; overall: 9.5 x 7.4 cm (3 3/4 x 2 15/16 in

Snuff Box (Tabatière) with Portrait of Marie Antoinette, 1768. Manufactured by Pierre-François-Mathis de Beaulieu (French), miniatures by François Dumont (French, 1751-1831). Watercolor on ivory in a gold and enamel box; image: 3.4 x 2.9 cm (1

Page from Tales of a Parrot (Tuti-nama): Forty-third night: The parrot addresses Khujasta at the beginning of the forty-third night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of the Aged Akbar, c. 1640-1650. Attributed to Govardhan (Indian, active c.1596-1645). Opaque watercolor and gold on paper; image: 25.2 x 16.8 cm (9 15/16 x 6 5/8 in.); overall: 27.5 x 18.8 cm (10 13/16 x 7 3/8 in

Flowering Marigold, c. 1765. Style of Hunhar II (Indian, active mid-1700s). Opaque watercolor with gold on paper, narrow border of gold foliate meander (verso); page: 33.1 x 24.9 cm (13 1/16 x 9 13/16 in

Portrait of Aristride Maillol, c. 1890. József Rippl-Ronai (Hungarian, 1861-1927). Brown ink highlighted with transparent watercolor and gouache; sheet: 32.2 x 18.8 cm (12 11/16 x 7 3/8 in

Page from Tales of a Parrot (Tuti-nama): Twenty-sixth night: The dethroned frog Shapur seeks the help of the serpent, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of a Man in a Landscape, c. 1795. Marie Gabrielle Capet (French, 1761-1818). Watercolor on ivory in a gold engraved frame (probably converted from a snuffbox) with a blue corded silk back; diameter: 6.7 cm (2 5/8 in.); diameter of frame:

Portrait of a Woman with a Guitar, called Louise D'Aumont, Mazarin, Duchesse d'Aumont, late 18th century. Antoine Vestier (French, 1740-1824). Watercolor on ivory in gold mount; framed: 8.7 x 7.3 cm (3 7/16 x 2 7/8 in.); unframed: 7.5 x 6.1 cm

Page from Tales of a Parrot (Tuti-nama): Eighth night: The deceitful wife ejects the procuress after blackening her face, 1558-1560. Shravana (Indian). Opaque watercolor, ink, and gold on paper

Susanne (The Artist's Daughter at the Age of Twenty-One), 1782. Daniel Chodowiecki (German, 1726-1801). Pen and black ink, watercolor and gouache over graphite; sheet: 11 x 18.4 cm (4 5/16 x 7 1/4 in

Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behind, c. 1602-1604. India, Mughal, early 17th century. Opaque watercolor with gold on paper, gold foliate borders; page: 35.8 x 23.4 cm (14 1/8 x 9 3/16 in

On the Benefits of Quails (verso) from a Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu' (d. 1058), c. 1300. Iran, probably Maragah, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; image: 10.7 x 6 cm

Page from Tales of a Parrot (Tuti-nama): Eighteenth night: The prince and Nikfal are joined by Khalis and Mukhlis who are the grateful snake and frog in human form, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and

Portrait of a Man, c. 1810 . Jean-Urbain Guérin (French, 1760-1836). Watercolor on card in a beaded and fretted wood frame; framed: 24.6 x 21.7 cm (9 11/16 x 8 9/16 in.); sight: 19.7 x 16.6 cm (7 3/4 x 6 9/16 in

Illuminated Folio from a Gulistan (Rose Garden) of Sa'di (c. 1213-1291), c. 1525-30. Attributed to Sultan Muhammad (Iranian), style of Sultan Ali Mashhadi (Iranian, c. 1440–1520). Opaque watercolor, ink, gold and silver on paper

Page from Tales of a Parrot (Tuti-nama): Fifteenth night: The lion disturbed by mice who eat the food trapped in his aging teeth, 1558-1560. India, Mughal court, 16th century. Opaque watercolor, ink, and gold on paper

The Passion:The Raising of Lazarus, before 1508. Urs I Graf (Swiss, c. 1485-1527/29). Woodcut handcolored with watercolor

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso), c. 1710-1720. India, Mughal, 18th century. Opaque watercolor with gold on paper, blue and buff borders (recto); ink on paper, script from

Portrait of Sardar Singh (Son of Savant Singh, 1730–68), c. 1760. Northwestern India, Rajasthan, Kishangarh. Opaque watercolor and gold on paper; image: 27.9 x 21.9 cm (11 x 8 5/8 in.); overall: 34.6 x 26.6 cm (13 5/8 x 10 1/2 in

A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c taken from Pont Notre Dame, 1803. Thomas Girtin (British, 1775-1802). Softground etching and aquatint

Album with Views of Rome and Surroundings, Landscape Studies, page 17a: Roman Fountian. Franz Johann Heinrich Nadorp (German, 1794-1876). Watercolor on white paper laid down on blue paper

Page from Tales of a Parrot (Tuti-nama): Seventeenth night: The parrot addresses Khujasta at the beginning of the seventeenth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Bray Church Yard, 1807. John Varley (British, 1778-1842). Watercolor and graphite; sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in

Enthroned Rama and Sita receive homage from their monkey and bear allies, c. 1765. Northern India, Himachal Pradesh, Pahari Kingdom of Nurpur. Opaque watercolor and gold on paper; page: 40 x 28.6 cm (15 3/4 x 11 1/4 in.); miniature: 23.7 x 15 cm

Vesuvius and the Bay of Naples from a Cave, 1820. Adolf von Heydeck (German, 1787-1856). Watercolor with graphite; framing lines in black ink; sheet: 26.9 x 37.9 cm (10 9/16 x 14 15/16 in.); secondary support: 27.5 x 37.9 cm (10 13/16 x 14 15/16

Leaf from a Jain Manuscript: Yoga-shastra: Text (recto), 1279. Hemachandra (Indian). Opaque watercolor and ink on palm leaf; overall: 5.3 x 30.2 cm (2 1/16 x 11 7/8 in

Page from Tales of a Parrot (Tuti-nama): Twenty-second night: The court jester meets a Zangi dancing with joy, and learns from him that the cause of his happiness is his assignation with a woman who is the jester’s own wife, c. 1560. India,

Kabir and Two Followers on a Terrace (recto); Calligraphy (verso), c. 1610-1620. India, Mughal, 17th century. Ink drawing with use of colors on paper, borders of gold-flecked cream paper (recto); ink, gold and opaque watercolor on paper, four

Page from Tales of a Parrot (Tuti-nama): Fifty-first night: Khusrau, the King of Kings, pays homage to the pious daughter of Khassa, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of Louis-Philippe, Duke of Orléans, later King of the French, 1804. Richard Cosway (British, 1742-1821). Watercolor on ivory in a gold locket frame; framed: 7.5 x 6.6 cm (2 15/16 x 2 5/8 in.); unframed: 6.3 x 5.4 cm (2 1/2 x 2 1/8 in

Rao Ram Singh’s Elephant Gone Amok, c. 1700. Northwestern India, Rajasthan, Rajput Kingdom of Kota. Opaque watercolor, ink, and gold on paper; page: 20 x 41.6 cm (7 7/8 x 16 3/8 in

Cloud Study, 1800s. Anonymous. Watercolor

Sheet of Studies and Sketches, 1858. Edgar Degas (French, 1834-1917). Graphite (central head study), pen and brown ink, brush and brown wash, and watercolor; sheet: 30.3 x 23.5 cm (11 15/16 x 9 1/4 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: Landscape with a lotus pool, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, gold and ink on paper; overall: 20 x 13.8 cm (7 7/8 x 5 7/16 in

Vajrapani, 700s. India, Kashmir, 8th century. Bronze with silver overlay and opaque watercolor; overall: 22 cm (8 11/16 in.); base: 12.8 cm (5 1/16 in

The Germans Have Gone Away, fourth quarter 1800s or first third 1900s. Jean Louis Forain (French, 1852-1931). Gouache, watercolor, and gray wash over black crayon; sheet: 32.6 x 49.9 cm (12 13/16 x 19 5/8 in

Page from Tales of a Parrot (Tuti-nama): Seventeenth night: The young man changes himself to look like Mansur, and thus inveigles himself into the bed of Mansur’s wife, but is put off by her, c. 1560. India, Mughal, Reign of Akbar, 16th

Sketch of Interior Design. August Frederick Biehle (American, 1854-1918). Watercolor; image: 71.1 x 40.7 cm (28 x 16 in

Sunday in New England, c. 1876. Albert Fitch Bellows (American, 1829-1883). Watercolor; sheet: 63.6 x 91.8 cm (25 1/16 x 36 1/8 in

Page from Tales of a Parrot (Tuti-nama): Eighteenth night: The prince meets a carefree dancing darwish whose good fortune he purchases for his ring, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Court lady singing and playing the vina, c. 1760. India, Lucknow, Mughal, 18th century. Opaque watercolor, ink, and gold on paper (recto); miniature: 21.6 x 16.8 cm (8 1/2 x 6 5/8 in

Page from Tales of a Parrot (Tuti-nama): Fortieth night: Shahr-Arai’s husband bends to kiss his wife who feigns sleep, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

The Blue Gown (Portrait of Ethel Coe), 1899. Martha S. Baker (American, 1871-1911). Watercolor on ivory; diameter: 10 cm (3 15/16 in.); diameter of frame: 10.8 cm (4 1/4 in

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