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Winter Night in a Dutch Town, 1797. Jacob Cats (Dutch, 1741-1799). Watercolor heightened with white gouache; framing lines in brown wash; sheet: 30.9 x 47.5 cm (12 3/16 x 18 11/16 in

Page from Tales of a Parrot (Tuti-nama): Forty-third night: The snake, hidden in a basket of flowers, reveals himself to the Raja who has just sent away his wife, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and

A royal ram with a gold chain, c. 1585; border added probably 1700s. India, Mughal. Opaque watercolor and gold on paper

Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934-1020), 1520-40. Attributed to Mir Musavvir (Iranian, c. 1510-1555). Opaque watercolor, ink, gold, and silver on paper; sheet: 47.5 x 32.2 cm (18 11/16 x 12 11/16 in.); text

Page from Tales of a Parrot (Tuti-nama): Fiftieth night: The merchant returns bringing a young slave who is really the son of the princess of Rum, now married to the king, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor,

Sultan Abdullah Qutb Shah (1614-74) on Horseback, c. 1635. Southern India, Golconda. Ink, watercolor, and gold on paper, mounted with gold-sprinkled borders

A princess on a terrace with attendants at night (recto); Calligraphy (verso), c. 1760. India, Farrukhabad, Mughal, 18th century. Opaque watercolor with gold on paper (recto); ink on paper, six lines of Persian poetry (verso); miniature: 25.4 x

Text page from a Materia Medica of Dioscorides, c. 1224. Abdallah ibn al-Fadl (Iraq). Ink and opaque watercolor on paper; sheet: 33.1 x 24.5 cm (13 1/16 x 9 5/8 in.); image: 24 x 19 cm (9 7/16 x 7 1/2 in

Page from Tales of a Parrot (Tuti-nama): Twentieth night: The suitors take the devotee’s daughter out of her tomb after breaking it open when the physician discovers she is still alive, c. 1560. India, Mughal, Reign of Akbar, 16th century.

Page from Tales of a Parrot (Tuti-nama): Eighth night: The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and

Prince Prabhakar Performing Austerites and Worshipping the Shiva Linga, from a Lavanyavati of Upendra Bhanja (Indian, died 1740), 1700s. Eastern India, Orissa. Opaque watercolor and charcoal on palm leaf; leaf: 5.1 x 41 cm (2 x 16 1/8 in

Bercy, 1868. Johan Barthold Jongkind (Dutch, 1819-1891). Watercolor and gouache over black chalk; sheet: 13.4 x 21 cm (5 1/4 x 8 1/4 in

Page from Tales of a Parrot (Tuti-nama): Sixth night: Seven men disputing possession of a woman bring her before the Tree of Justice into which she is absorbed, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and

Animals, Precious Stones, Coins, and Musical Instruments (recto); Illustration and Text (Persian Verses) from a Manuscript of the Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr

Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602), c. 1596-1597 or 1604. India, Mughal court, made for Emperor Akbar. Opaque

Mink Lake, Adirondacks, 1892. Winslow Homer (American, 1836-1910). Watercolor

Page from Tales of a Parrot (Tuti-nama): Twenty-third night: The merchant has the hateful skull ground and put into a box, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Four Seated Masters, c. 1450. Central Tibet, Ngor monastery, 15th century. Opaque watercolor, ink, and gold on cotton; overall: 57.7 x 52 cm (22 11/16 x 20 1/2 in

Portrait of a Woman, 1851. George Richmond (British, 1809-1896). Watercolor with gouache and graphite; sheet: 43.1 x 34.7 cm (16 15/16 x 13 11/16 in.); secondary support: 51 x 43 cm (20 1/16 x 16 15/16 in

Church by a Road, late 1700s-1800s. Jean Lubin Vauzelle (French, 1776-aft 1837). Watercolor with graphite ; sheet: 22.8 x 27.6 cm (9 x 10 7/8 in

Page from Tales of a Parrot (Tuti-nama): Twenty-sixth night: The parrot addresses Khujasta at the beginning of the twenty-sixth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Shells in Seaweed. Mary Altha Nims (American, 1817-1907). Watercolor

Iconographic Drawing:Vaishravana, Yama, Vsnisavijaya, Tara and Buddha (recto), c. 1500. Tibet, early 15th Century. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in

A blindfolded suitor is brought before a princess, 1755. Fayzullah (Indian, active c. 1730–1765). Opaque watercolor and gold on paper (recto

Valerius Maximus's Facta et dicta memorabilia: Opening Page of Book VIII of Valerius Maximus's Facta et dicta memorabilia, c. 1476. Flanders, 15th century. Pen and brown ink, watercolor, and gouache; framing lines in brown ink (around image),

Royal Feast in a Garden, recto of left folio from the double-page frontispiece of a Shahnama of Firdausi (Persian, about 934–1020), 1444. Iran, Shiraz, Timurid Period, 15th Century. Opaque watercolor, gold, and silver on paper; overall:

In the Hospital (recto) Sketch for In the Hospital (verso), fourth quarter 1800s or first third 1900s. Jean Louis Forain (French, 1852-1931). Watercolor and gouache over black crayon; sheet: 36.9 x 54.9 cm (14 1/2 x 21 5/8 in

Valley of the Stangala, near Quimper, 1896. Charles Guilloux (French, 1866-1946). Watercolor with black and white and colored crayons; sheet: 26.1 x 37.3 cm (10 1/4 x 14 11/16 in

Page from Tales of a Parrot (Tuti-nama): Fifty-second night: The bird of seven colors brings a sable to the pious man, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Athai-dvipa: The two and a half continents, the universe in the shape of a person (Cosmic Man, Lokapurusha) and the seven levels of hell, 1613. India, Gujarat. Opaque watercolor on cloth; 83.8 x 155 cm (33 x 61 in

Page from Tales of a Parrot (Tuti-nama): Thirty-fourth night: The princess discovers the dead bodies, with heads severed, of her husband and his Brahmin friend, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor and gold on

Page from Tales of a Parrot (Tuti-nama): Twentieth night: Three suitors fight amongst themselves for the hand of the devotee’s daughter, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Album with Views of Rome and Surroundings, Landscape Studies, page 54a: Roman Landscape. Franz Johann Heinrich Nadorp (German, 1794-1876). Watercolor with graphite

Page from Tales of a Parrot (Tuti-nama): Forty-first night: The gardener seizes and beats a donkey who insisted on braying, while the deer, its companion, flees to safety, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque

Page from Tales of a Parrot (Tuti-nama): Forty-seventh night: The parrot addresses Khujasta at the beginning of the forty-seventh night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of Napoleon I, Emperor of the French, 1805. Ferdinand Quaglia (Italian, 1780-1853). Watercolor on ivory in a gilt metal and enamel frame; framed: 7.5 x 5.9 cm (2 15/16 x 2 5/16 in.); unframed: 5.4 x 3.2 cm (2 1/8 x 1 1/4 in

Portrait of a Man, c. 1795-1800. N*** Freese (British). Watercolor on ivory in a gold frame with glazed hair reverse and opalescent glass over pressed foil and cut gold (or cut paper); framed: 7.6 x 6.5 cm (3 x 2 9/16 in.); unframed: 7 x 5.8 cm (2

Maid Bringing a Hookah to a Lady, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint on paper; secondary support: 48.6 x 30.1 cm (19 1/8 x 11 7/8 in.); painting only: 45.8 x 27.9 cm (18 1/16 x 11 in

Portrait of a Man, early 1790s. Jean-Baptiste Isabey (French, 1767-1855). Watercolor on ivory in a gilt metal mount; diameter: 6.7 cm (2 5/8 in.); diameter of frame: 7.8 cm (3 1/16 in

Étretat, 1854. Charles-Émile Jacque (French, 1813-1894). Brown ink, brown wash, graphite, touches of blue, red, and gray watercolor and gouache; sheet: 16 x 26.5 cm (6 5/16 x 10 7/16 in

Leaf from a Jain Manuscript: Kalpa-sutra: A Monk Preaching (recto), 1278. Western India, Gujarat, 13th century. Opaque watercolor and ink on palm leaf; Manuscript 2; overall: 5.7 x 18.4 cm (2 1/4 x 7 1/4 in

Page from Tales of a Parrot (Tuti-nama): Fifty-second night: The parrot addresses Khujasta at the beginning of the fifty-second night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Vishnu Battles Madhu and Kaitabha, from a Markandeya Purana, c. 1760. Northern India, Himachal Pradesh, Guler, 18th century. Opaque watercolor on paper; image: 16.7 x 25.8 cm (6 9/16 x 10 3/16 in.); overall: 20.2 x 29.2 cm (7 15/16 x 11 1/2 in

Illuminated Folio (verso) from a Gulistan (Rose Garden) of Sa'di (c. 1213-1291), c. 1525-30. Style of Sultan Muhammad (Iranian), style of Sultan 'Ali Mashhadi (Persian, 1430-1520). Opaque watercolor, ink, gold and silver on paper; overall: 30 x

The Ruby Range, Nevada, 1879. Thomas Moran (American, 1837-1926). Watercolor, gouache and graphite; sheet: 19.6 x 36.2 cm (7 11/16 x 14 1/4 in

Drake's Island, Plymouth. Samuel Prout (British, 1783-1852). Watercolor; sheet: 21.6 x 33.7 cm (8 1/2 x 13 1/4 in

Portrait of John Clark, 1814. William Doyle (American, 1769-1828), and Henry Williams (American, 1787-1830). Watercolor on ivory; framed: 6.8 x 5.6 cm (2 11/16 x 2 3/16 in.); unframed: 6.3 x 5 cm (2 1/2 x 1 15/16 in

Page from Tales of a Parrot (Tuti-nama): Seventh night: The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on

Teaching and Liberation of Nemi, from the Kalpa-sutra, c. 1500. Western India, Gujarat, late 15th-early 16th century. Opaque watercolor, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in

Portrait of Henri Gratien, Comte Bertrand, 1808. Jean-Baptiste Isabey (French, 1767-1855). Watercolor on ivory in a gold and enamel frame; framed: 4.3 x 3.4 cm (1 11/16 x 1 5/16 in.); unframed: 3.9 x 3 cm (1 9/16 x 1 3/16 in

Portrait of Anne Hyde, Duchess of York, c. 1662. Nicholas Dixon (British, c. 1708). Watercolor on vellum in a large wooden frame; framed: 27 x 22 cm (10 5/8 x 8 11/16 in.); unframed: 23 x 18.2 cm (9 1/16 x 7 3/16 in

A Selection of Twenty of the Most Picturesque Views in Paris: View from Palace Terrace, at St. Germain en Laye, the Aquaduct of Marli seen in the Distance, 1803, printed 1810 or after. Thomas Girtin (British, 1775-1802), Joseph Constantine

A Disconsolate Lady on a Terrace with Attendants, c. 1730. Northwestern India, Rajasthan, Rajput Kingdom of Raghogarh. Opaque watercolor, ink, silver, and gold on paper; page: 28.3 x 22.9 cm (11 1/8 x 9 in.); miniature: 23.5 x 15.2 cm (9 1/4 x

Page from Tales of a Parrot (Tuti-nama): Thirty-second night: Kaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold

The So-Called Sepulcher of the Curiatii Brothers at Albano, with the Church of the Madonna della Stella in the distance at left, c 1770. Carlo Labruzzi (Italian, 1748-1817). Pen and black ink, grey wash and watercolor; sheet: 37.8 x 54 cm (14 7/8

Page from Tales of a Parrot (Tuti-nama): second night: The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor,

Shah Tahmasp I (1514-1576) Seated in a Landscape, c. 1575. Iran, Qazvin, Safavid period (1501-1722). Opaque watercolor and gold on paper; sheet: 30 x 21.1 cm (11 13/16 x 8 5/16 in.); image: 14.3 x 8.9 cm (5 5/8 x 3 1/2 in

Portrait of a Little Girl, c. 1785. Attributed to Anne-Marie Fragonard (French, 1745-1823). Watercolor on ivory in a gilt metal frame; framed: 9.2 x 7 cm (3 5/8 x 2 3/4 in.); unframed: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in

Page from Tales of a Parrot (Tuti-nama): Twenty-fourth night: Habbaza meets Bashir under a tree, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Two Elephants Fighting in a Courtyard Before Muhammad Shah, c. 1730-40. Attributed to Nainsukh (Indian, 1710-1778). Opaque watercolor and gold on paper; overall: 62.5 x 42 cm (24 5/8 x 16 9/16 in

Picnic in the Mountains; Single Page Illustration, c. 1550-1600. Style of Muhammadi (Iranian). Ink and opaque watercolor on paper; overall: 28.6 x 19 cm (11 1/4 x 7 1/2 in

Portrait of a Man, c. 1815. Nathaniel Rogers (American, 1788-1844). Watercolor on ivory; framed: 7.8 x 6.6 cm (3 1/16 x 2 5/8 in.); sight: 7.3 x 6 cm (2 7/8 x 2 3/8 in

Spearing Eels, ? late 1800s. Winslow Homer (American, 1836-1910). Watercolor over graphite; sheet: 38.5 x 55.3 cm (15 3/16 x 21 3/4 in

Hampstead Heath, 1800s. Imitator of John Constable (British, 1776-1837). Watercolor; sheet: 36.9 x 43.2 cm (14 1/2 x 17 in

Lovers Embracing, c. 1630. India, Popular Mughal School, probably done at Bikaner, Mughal Dynasty (1526-1756). Opaque watercolor and gold on paper; image: 14.9 x 10.1 cm (5 7/8 x 4 in.); overall: 24 x 16.8 cm (9 7/16 x 6 5/8 in.); with mat: 35.5

Page from Tales of a Parrot (Tuti-nama): Eighth night: The unfaithful wife explaining away the presence of the dough elephant, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20 x 14.4 cm

Battle between Manuchihr and Tur, from a Shah-nama (Book of Kings) of Firdausi (Persian, c. 934–1020), c. 1610. India, Mughal, 17th century. Opaque watercolor, ink and gold on paper; image: 12.4 x 11 cm (4 7/8 x 4 5/16 in.); overall: 34.6 x

Leaf from a Jain Manuscript: The Story of Kalakacharya: Colophon Page, Text (recto), 1279. Western India, Gujarat. Opaque watercolor and ink on palm leaf; overall: 5.6 x 33 cm (2 3/16 x 13 in

A charioteer riding through a rocky landscape with an entourage of footmen and musicians, page from a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan

English Babu (Native Indian Clerk) Holding a Hookah, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 48 x 29.5 cm (18 7/8 x 11 5/8 in.);

Polyanthus or Cluster Narcissus (Botanical: Narcissus tazetta), 1836. Pancrace Bessa (French, 1772-1846). Pencil and watercolor

Page from Tales of a Parrot (Tuti-nama): Forty-second night: The marriage of ‘Ubaid, son of a merchant of Tirmiz, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Folio from an Arabic translation of the Materia Medica of Dioscorides, 1224. Abdallah ibn al-Fadl (Iraq). Ink, opaque watercolor, and gold on paper; sheet: 33.1 x 24.5 cm (13 1/16 x 9 5/8 in

The Adoration of the Shepherds, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, and gold on paper; sheet: 26.2 x 15.6 cm (10 5/16

Page from Tales of a Parrot (Tuti-nama): Fourth night: The two erring cooks, dressed as maidservants, fall at the prince’s feet and beg forgiveness, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, gold and ink on

Cross Section of the Hôtel de Ville Seen in Perspective Showing the Decoration and Illumination of the Courtyard and Rooms Created on the Occasion of the Ball Given the Night of August 30 and 31, 1739, 1739-1740. Jacques-François Blondel (French,

Study of a Plant, Possibly Thistle, 1862. Léon Bonvin (French, 1834-1866). Watercolor and pen and brown ink with white heightening; sheet: 25.3 x 29.5 cm (9 15/16 x 11 5/8 in.); secondary support: 25.3 x 29.5 cm (9 15/16 x 11 5/8 in

Nur Jahan, holding a portrait of Emperor Jahangir, c. 1627. Northern India, Mughal court, 17th century. Opaque watercolor and gold on paper; page: 30 x 22.1 cm (11 13/16 x 8 11/16 in

Page from Tales of a Parrot (Tuti-nama): Thirteenth night: The infant son of the king of Isfahan responds to music, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Coastal View. Thomas Churchyard (British, 1798-1865). Watercolor; sheet: 19.1 x 28.5 cm (7 1/2 x 11 1/4 in

Bahram Visits the White Domed Pavilion (Recto); part of Khamsa of Nizami, Haft Paykar [Seven Portraits] Manuscript, c. 1560-1580. Iran, Shiraz, Safavid period, 16th century. Opaque watercolor, ink and gold on paper; image: 26.8 x 17.5 cm (10

Page from Tales of a Parrot (Tuti-nama): Seventh night: The vizier dissuades the king of Bahilistan from executing the darwish who asks for his daughter’s hand in marriage, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque

Qualities of Ringdoves (recto); On the Benefits of Quails (verso), from a Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu' (d. 1058), c. 1300. Iran, probably Maragah, Ilkhanid period (1256-1353). Opaque watercolor, ink, and

The Annunciation, from a Mir’at al-quds of Father Jerome Xavier (Spanish, 1549–1617), 1602-1604. Northern India, Uttar Pradesh, Allahabad, early 17th century. Opaque watercolor and gold on paper; page: 26.2 x 15.4 cm (10 5/16 x 6 1/16 in

A blindfolded suitor is brought before a princess; verso: scrolling floral vines, 1755. Fayzullah (Indian, active c. 1730–1765). Opaque watercolor with gold on paper (recto); opaque watercolor with gold on paper (verso

Kalpa-sutra Manuscript with 24 Miniatures: Mahavira's Tonsure, c. 1475-1500. Western India, Gujarat, last quarter of the 15th century. Opaque watercolor, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in

Page from Tales of a Parrot (Tuti-nama): Twenty-fifth night: The destitute Mukhtar meets his wife Maimuna at a holy shrine, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of a Woman with a Hat, c. 1780. Jeremias Majer (German, 1735-1789). Watercolor on ivory in a later gilt metal frame; framed: 9.2 x 7.3 cm (3 5/8 x 2 7/8 in.); sight: 8.8 x 7.1 cm (3 7/16 x 2 13/16 in

Page from Tales of a Parrot (Tuti-nama): Forty-second night: The parrot addresses Khujasta at the beginning of the forty-second night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Flüelen, from the Lake of Lucerne, 1845. Joseph Mallord William Turner (British, 1775-1851). Watercolor with gouache and scratch-away; sheet: 29.2 x 47.9 cm (11 1/2 x 18 7/8 in

The Patio, 1908. John Singer Sargent (American, 1856-1925). Watercolor with traces of gouache over graphite; sheet: 53.2 x 34.6 cm (20 15/16 x 13 5/8 in

Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), c. 1590-1600. Iran, Shiraz, Safavid Period, 16th century. Opaque watercolor, ink, and gold on paper; image: 25.4 x 15.7 cm (10 x

View of Arnheim, 1864. Johan Barthold Jongkind (Dutch, 1819-1891). Black chalk, watercolor, and gouache; sheet: 31.1 x 47.8 cm (12 1/4 x 18 13/16 in

Mary ascends the stairs to the temple, from a Mir’at al-quds (Mirror of Holiness) of Father Jerome Xavier (Spanish, 1549–1617), 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, color and gold on

Portrait of a Woman, 1810s. Louis-Marie Autissier (French, 1772-1830). Watercolor on ivory in a gold frame; framed: 5.8 x 4.6 cm (2 5/16 x 1 13/16 in.); overall: 5.8 cm (2 5/16 in

Hampstead Heath, 1800s. Imitator of John Constable (British, 1776-1837). Watercolor; sheet: 22.1 x 24.5 cm (8 11/16 x 9 5/8 in

Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), c. 1590-1600. Iran, Shiraz, Safavid Period, 16th century. Opaque watercolor, ink, and gold on paper; image: 25.4 x 15.7 cm (10 x 6 3/16 in.); overall: 31 x 20.1 cm

"Benefits of the Parts of Vultures" (From the Manafi' al-Haywan of Abu Sai'd Ubayd-Allay Ibn Bakhtishu) (recto), late 1200s. Iran, Marageh, Mongol Period (Ikhanid), late 13th Century. Opaque watercolor, ink and gold on paper; overall: 25.7 x

Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru, c. 1425. Iran, Herat, Timurid Period, early 15th century. Ink and opaque watercolor on paper; overall: 42 x 32 cm (16 9/16 x 12 5/8 in.);

Page from Tales of a Parrot (Tuti-nama): Twenty-third night: The parrot addresses Khujasta at the beginning of the twenty-third night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

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