Images at Librifly

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A Clam-Bake, 1873. Winslow Homer (American, 1836-1910). Watercolor, gouache, and graphite; sheet: 19.7 x 34.6 cm (7 3/4 x 13 5/8 in

Portrait of Lieutenant General Daniel Burr, 1799. John I Smart (British, 1741-1811). Watercolor on ivory in a gold frame with glazed hair reverse; framed: 8.8 x 7.2 cm (3 7/16 x 2 13/16 in.); sight: 8.4 x 6.8 cm (3 5/16 x 2 11/16 in

A Selection of Twenty of the Most Picturesque Views in Paris: The Water Works at Marli, and St. Germain en Laye seen in the distance, 1803. Thomas Girtin (British, 1775-1802), J.B. Harraden (British). Softground etching and aquatint printed in

Page from Tales of a Parrot (Tuti-nama): Tenth night: The vizier’s son receives the magic wooden parrot from the wife of the merchant’s son, who is drunk, and has a replica made by a carpenter, c. 1560. India, Mughal, Reign of Akbar, 16th

A Lady with Attendant and a Pair of Deer, from a Ragamala, 1710-20. Northern India, Himachal Pradesh, Pahari Kingdom, probably Chamba. Opaque watercolor on paper; page: 21.7 x 15.4 cm (8 9/16 x 6 1/16 in.); miniature: 16.5 x 15.4 cm (6 1/2 x 6

Page from Tales of a Parrot (Tuti-nama): Thirty-first night: The parrot addresses Khujasta at the beginning of the thirty-first night, 1558-1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of a Man, c. 1795. Nathaniel Plimer (British, 1757-1822). Watercolor on ivory in a period gold and hair frame; framed: 9.2 x 7.7 cm (3 5/8 x 3 1/16 in.); sight: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in

Portrait of a Man, 1590s. Nicholas Hilliard (British, c. 1547-1619). Watercolor on vellum in a later gilt metal frame; framed: 5.5 x 4.6 cm (2 3/16 x 1 13/16 in.); unframed: 3.5 x 2.3 cm (1 3/8 x 7/8 in

An Illuminated Folio from the Royal Manuscript of the Farhang-i Jahangiri (verso), 1607-1608. India, Mughal, early 17th century. Ink, opaque watercolor and gold on paper (red border); page: 33.7 x 21.9 cm (13 1/4 x 8 5/8 in.); text field: 21.2 x

Sketch for "Christmas on the River". William Leroy Jacobs (American, 1869-1917). Watercolor

Album with Views of Rome and Surroundings, Landscape Studies, page 41a: "St. Pietro, Toscanella". Franz Johann Heinrich Nadorp (German, 1794-1876). Graphite with watercolor

A Mughal courtier, c. 1575; border added probably 1700s. India, Mughal, 16th century. Opaque watercolor with gold on paper, mounted with gold-sprinkled borders

Page from Tales of a Parrot (Tuti-nama): Fiftieth night: The guard restores the son who falls at his mother’s feet, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Phytographia Curiosa:Apocynum Virginianum. Abraham Munting (Dutch, 1626-1683). Etching, hand colored with watercolor; overall: 31.9 cm (12 9/16 in

The Mausoleum of Akbar at Secundrabad, early 19th century. India, Company School, early 19th century. Watercolor on paper; overall: 45.7 x 60.3 cm (18 x 23 3/4 in

Portrait of a Man with a White Ruff, c. 1790. Heinrich Friedrich Füger (German, 1751-1818). Watercolor on ivory in a later gilt metal and enamel frame; diameter: 8.6 cm (3 3/8 in.); diameter of frame: 11.1 cm (4 3/8 in

The Arch of Titus and the Coliseum, Rome, 1846. Thomas Hartley Cromek (British, 1809-1873). Watercolor with black ink and graphite underdrawing; sheet: 52.4 x 36 cm (20 5/8 x 14 3/16 in

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719-1748) holding a falcon (recto); Calligraphy (verso), 1764. Muhammad Rizavi Hindi (Indian, active mid-1700s), Mahmud ibn Ishaq al-Shahabi (Persian, active mid- to late 1500s).

Florilegium: (page 15 recto) maze garden, 1608. France, 17th century. Bound manuscript of 48 leaves, 77 drawings; watercolor, ink, silver and gold over occasional traces of pencil, on vellum; sheet: 31.1 x 20.2 cm (12 1/4 x 7 15/16 in

Portrait of Maria Wilhelmine, Countess Thun-Hohenstein, c. 1790. Heinrich Friedrich Füger (German, 1751-1818). Watercolor on ivory in an ormolu frame; framed: 22.4 x 17.5 cm (8 13/16 x 6 7/8 in.); unframed: 17.5 x 12.7 cm (6 7/8 x 5 in

Page from Tales of a Parrot (Tuti-nama): Eighteenth night: Khalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque

An Insect Ball, 1835. Jean-Jacques Grandville (French, 1803-1847). Pen and black ink with watercolor; sheet: 12.5 x 21.3 cm (4 15/16 x 8 3/8 in

Page from Tales of a Parrot (Tuti-nama): Fifteenth night: The parrot addresses Khujasta at the beginning of the fifteenth night, 1558-1560. India, Mughal court, 16th century. Opaque watercolor, ink and gold on paper

A Selection of Twenty of the Most Picturesque Views in Paris: The Water Mill above the Bridge at Charenton, 1803, printed 1810 or after. Thomas Girtin (British, 1775-1802), Frederick Christian Lewis (British, 1779-1856). Softground etching and

Portrait of John Francis Miller Erskine, Earl of Mar and Earl of Kellie, 1825. Kenneth Macleay (Scottish, 1802-1878). Watercolor on ivory; framed: 14.8 x 12.8 cm (5 13/16 x 5 1/16 in.); overall: 10 x 8 cm (3 15/16 x 3 1/8 in

Page from Tales of a Parrot (Tuti-nama): Tenth night: The magic parrot of the merchant’s son talk to the vizier’s son, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20 x 13.2 cm (7

Page from Tales of a Parrot (Tuti-nama): Thirty-second night: Latif, who has murdered his brother, falsely accuses Khurshid of the deed, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Thirty-second night: Kaiwan, Latif, and Sharif, accompanied by Utarid, at the place of Khurshid who has taken to the life of a devotee, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque

Pair of Two-Sided Leaves from a Jain Manuscript, 1279. Hemachandra (Indian). Opaque watercolor and ink on palm leaf; overall: 5.3 x 30.2 cm (2 1/16 x 11 7/8 in

The Suicide, fourth quarter 1800s or first third 1900s. Jean Louis Forain (French, 1852-1931). Watercolor and gouache over black crayon; framing lines in black crayon; sheet: 37.3 x 45.4 cm (14 11/16 x 17 7/8 in

Interior View, c. 1805-1810. Anonymous. Watercolor and pen and black ink heightened with white, shell gold, and touches of other opaque colors and with traces of graphite; sheet: 30.4 x 42.6 cm (11 15/16 x 16 3/4 in.); mounted: 40.4 x 49.9 cm (15

Page from Tales of a Parrot (Tuti-nama): Fifth night: The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, c. 1560. Attributed to Basavana (Indian, active c. 1560–1600). Opaque watercolor, ink and gold on

Krishna as Kali Worshipped by Radha, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor with graphite underdrawing

Princess with Wine Bottle and Cup (recto); Persian Verses (verso), c. 1550-1600 (recto); c. 1450-1500 (verso). Iran, Qazvin or Isfahan, Safavid period (1501-1722) (recto); Iran, possibly Timurid period (1370-1501) (verso). Opaque watercolor,

Yusuf and Zulaykha meeting, c. 1764. India, Provincial Mughal, Lucknow, 18th century. Opaque watercolor, gold and ink on paper; overall: 40.5 x 28 cm (15 15/16 x 11 in.); average: 21.5 x 15 cm (8 7/16 x 5 7/8 in

Page from Tales of a Parrot (Tuti-nama): Fifty-second night: The king gives his daughter in marriage to the pious man’s son, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Persian Couplets (Verso); Single Page with Calligraphy and Illumination (Persian Verses), c. 1580. Iran, Herat, Timurid Period, late 15th century. Opaque watercolor, ink, gold and silver on paper; sheet: 31.1 x 15 cm (12 1/4 x 5 7/8 in.);

Page from Tales of a Parrot (Tuti-nama): Fiftieth night: The king’s emissary being provided with gifts for his mission to Rum in order to seek the hand of the emperor’s daughter in marriage, c. 1560. India, Mughal, Reign of Akbar, 16th

Page from Tales of a Parrot (Tuti-nama): Thirty-sixth night: Mahrusa’s marriage to the prefect of the city, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Rama and Sita Enthroned with Lakshmana and Hanuman Attending, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor with graphite underdrawing

Text Page, Arabic Prose (verso) Text from The Book of Knowledge of Ingenious Mechanical Devices (Automata) of Inb al-Razza al-Jazari, 1315. Syria, Damascus, Mamluk Period, 14th Century. Ink and opaque watercolor on paper; overall: 31.3 x 21.5 cm

John the Baptist recognizes Christ by the appearance of a dove, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Mughal India, Allahabad, made for Prince Salim (1569–1627). Opaque watercolor, ink, color and

Le Sommeil du Grand Condé, c. 1817. Jacque-Noël-Marie Frémy (French, 1782-1867). Ink and watercolor; sheet: 13.6 x 10 cm (5 3/8 x 3 15/16 in.); secondary support: 15.9 x 12.5 cm (6 1/4 x 4 15/16 in

The Birth of Krishna, from a Sursagar of Surdas, c. 1700. Northwestern India, Rajasthan, Mewar school, early 18th Century. Opaque watercolor and gold on paper; image: 33.6 x 22.2 cm (13 1/4 x 8 3/4 in.); overall: 37 x 25.4 cm (14 9/16 x 10 in.);

Page from Tales of a Parrot (Tuti-nama): Eighteenth night: The parrot addresses Khujasta at the beginning of the eighteenth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

The Temple of Flora, or Garden of Nature:A Group of Auriculas, 1803. Robert John Thornton (British, 1768-1837). Aquatint, stipple, and etching with watercolor added by hand

Farmhouse behind Trees, c. 1790. Christoph Nathe (German, 1753-1806). Watercolor and graphite on antique laid paper; sheet: 24.2 x 32.3 cm (9 1/2 x 12 11/16 in

Ganesha, 1800s. India, Calcutta, Kalighat painting, 19th century. Watercolor, black ink, with graphite underdrawing

Page from Tales of a Parrot (Tuti-nama): Forty-second night: The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque

Reconquered Territory (recto) Two Figures on a Road (verso), c. 1919. Jean Louis Forain (French, 1852-1931). Black wash and watercolor over black crayon; sheet: 37 x 53.1 cm (14 9/16 x 20 7/8 in

Page from Tales of a Parrot (Tuti-nama): Twenty-third night: Kamjuy, the wife of the Raja, averts her face from the fishes, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Carcasses, 1840-1860. Alexandre-Gabriel Decamps (French, 1803-1860). Watercolor and gouache; sheet: 24.6 x 17.9 cm (9 11/16 x 7 1/16 in

Tughra:Shah Muhammad bin Ibrahim Khan, al-muzaffar daima (Sultan Mehmed, son of Ibrahim Khan, the eternally victorious; Calligraphy (Ottoman Turkish Signature), Single Page Manuscript, 1648-1687. Turkey, Ottoman Period, reign of Sultan Mehmed

Musicians and Servants Outside a Royal Encampment, c. 1485. Style of Bihzad (Iranian, active 1470–1506). Opaque watercolor and gold on paper; image: 24.4 x 14.1 cm (9 5/8 x 5 9/16 in.); overall: 27 x 17.2 cm (10 5/8 x 6 3/4 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: The deceitful wife assaults her erring husband, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in

Portrait of a Woman, c. 1795. Nathaniel Plimer (British, 1757-1822). Watercolor on ivory in a period gold and hair frame; framed: 8.5 x 7 cm (3 3/8 x 2 3/4 in.); sight: 7.1 x 5.5 cm (2 13/16 x 2 3/16 in

Portrait of a Man, c. 1780. Thomas Hazlehurst (British, c. 1740-c. 1821). Watercolor on ivory; overall: 7 x 5.8 cm (2 3/4 x 2 5/16 in

Moroccans in the Countryside, 1832. Eugène Delacroix (French, 1798-1863). Watercolor over graphite; sheet: 18.7 x 27.2 cm (7 3/8 x 10 11/16 in

The Reign of Nushirwan, the Combat between the Khan of Chin and the Haitalians (verso) from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), c.1299. Iraq, Baghdad, Ilkhanid period (1256-1353). Ink and opaque watercolor on paper;

Portrait of General Keith MacAlister, c. 1800-1810. John I Smart (British, 1741-1811). Watercolor and graphite, heightened with traces of white gouache, on paper; sheet: 17.4 x 14 cm (6 7/8 x 5 1/2 in.); image: 13.2 x 11.4 cm (5 3/16 x 4 1/2 in

Radha and Krishna, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 47.7 x 29.7 cm (18 3/4 x 11 11/16 in.); painting only: 45.6 x 27.7 cm (17

Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), c. 1590-1600. Iran, Shiraz, Safavid Period, 16th century. Opaque watercolor and gold on paper; overall: 31 x 20.1 cm (12 3/16 x 7

Portrait of Antoine Roy, 1820. Jean-Baptiste Jacques Augustin (French, 1759-1832). Watercolor on ivory on a stamped gilt metal mount; framed: 10.3 x 8.9 cm (4 1/16 x 3 1/2 in.); unframed: 8.9 x 7.6 cm (3 1/2 x 3 in

Portrait of Susan Corens Towers, 1796. James Peale (American, 1749-1831). Watercolor on ivory; framed: 8 x 6.6 cm (3 1/8 x 2 5/8 in.); unframed: 7.1 x 5.6 cm (2 13/16 x 2 3/16 in

Rose Bush and Butterfly. Mary Altha Nims (American, 1817-1907). Watercolor; sheet: 23.6 x 21 cm (9 5/16 x 8 1/4 in

Portrait of a Woman in Blue, c. 1700. Peter Cross (British, c. 1645-1724). Watercolor on vellum in original ivory frame; framed: 9.2 x 7.3 cm (3 5/8 x 2 7/8 in.); sight: 8.2 x 6.4 cm (3 1/4 x 2 1/2 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: The prince rejects the amorous advances of the king’s handmaiden, 1558-1560. India, Mughal, Reign of Akbar (1556-1605), 16th century. Opaque watercolor, ink, and gold on paper

An Art Student of Paris, 1899. Martha S. Baker (American, 1871-1911). Watercolor on ivory; framed: 5.2 x 4.6 cm (2 1/16 x 1 13/16 in.); unframed: 4.9 x 4.1 cm (1 15/16 x 1 5/8 in

Beach Scene at Sunset, c. 1865-1870. James Hamilton (American, 1819-1878). Watercolor and gouache ; sheet: 32 x 52 cm (12 5/8 x 20 1/2 in

Page from Tales of a Parrot (Tuti-nama): Fourth night: The mendicant’s wife deceives him with a soldier, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, gold and ink on paper; overall: 20 x 13.5 cm (7 7/8 x 5 5/16 in

Demon in chains, c. 1453. Style of Muhammad Siya Qalam (Iranian). Opaque watercolor and gold on paper; image: 25.7 x 34.4 cm (10 1/8 x 13 9/16 in.); overall: 27 x 35.2 cm (10 5/8 x 13 7/8 in

The Morning Toilette, c. 1810-25. Northern India, Himachal Pradesh, Pahari Kingdom, probably Chamba. Opaque watercolor and gold on paper; page: 26.7 x 18.9 cm (10 1/2 x 7 7/16 in.); miniature: 21.9 x 13.6 cm (8 5/8 x 5 3/8 in

Interior of an Inn, 1800s. Anonymous. Watercolor and graphite

Qualities of Ringdoves (recto) from a Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu' (d. 1058), c. 1300. Iran, probably Maragah, Ilkhanid period (1256-1353). Opaque watercolor, ink, and gold on paper; image: 10.2 x 9 cm (4 x

Page from Tales of a Parrot (Tuti-nama): Thirty-fifth night: The magician, disguised as a Brahman, visits the king of Babylon, c. 1560. Mughal India, reign of Akbar (1556–1605). Opaque watercolor, ink, and gold on paper

Page from Tales of a Parrot (Tuti-nama): Ninth night: The king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall:

Leaf from a Jain Manuscript: Kalpa-sutra: Monk Holding a Flower (recto); Leaf from a Jain Manuscript: Kalpa-sutra: text describing descent of Mahavira into the womb of the Brahman woman Devananda (verso), 1279. Western India, Gujarat, 13th

Lovers Parting, Page from a Book of Fables, c. 1590–95. Northern India, Mughal court, 16th century. Opaque watercolor with gold on paper, mounted on an album leaf with inner borders of gold-sprinkled blue paper and outer plain cream borders

Page from Tales of a Parrot (Tuti-nama): Forty-second night: The merchant of Tirmiz takes the wise parrot and myna to ‘Ubaid, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Landscape, Italy, 1872. William Leighton Leitch (British, 1804-1883). Watercolor

Portrait of a Woman Near a Balustrade, 1804. Jean-Baptiste Jacques Augustin (French, 1759-1832). Watercolor on ivory on a gilt metal mount in an ebonized frame; framed: 14.2 x 13.8 cm (5 9/16 x 5 7/16 in.); unframed: 8.8 x 8.5 cm (3 7/16 x 3 3/8

Portrait of a Woman, probably Princess Cecilie of Baden, Grand Duchess Olga Feodorovna, c. 1860. Alois Gustav Rockstuhl (Russian, 1798-1877). Watercolor on ivory in a gilt metal mount; framed: 5.5 x 4.8 cm (2 3/16 x 1 7/8 in.); unframed: 5.1 x

Baby Krishna Asking for Butter from Yashoda, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 48 x 30 cm (18 7/8 x 11 13/16 in.); painting

Page from Tales of a Parrot (Tuti-nama): Twentieth night: The third suitor strikes the devotee’s daughter and thus restores her to life, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Eighth night: The husband berates his wife for purchasing gravel instead of sugar, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20 x 14.4 cm (7

Scene in a Park, c. 1760. Jean-Honoré Fragonard (French, 1732-1806). Pen and brown and gray ink, brush and brown and gray wash, and traces of yellow watercolor over black chalk; framing lines in black ink; sheet: 19.2 x 25 cm (7 9/16 x 9 13/16

Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934-1020), 1522-1537. Attributed to Abd al-Vahhab (Persian, active about 1516), attributed to Mir Musavvir (Iranian, c.

Page from Tales of a Parrot (Tuti-nama): Eleventh night: The Brahman is asked by the Raja to bring the king of the Ocean to his nuptial feast on pain of death. The Brahman’s predicament is conveyed by the wind to the fish who carries the news to

Jesus Heals the Nobleman's Son in Capernaum, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, color and gold on paper; sheet: 26.2

Page from Tales of a Parrot (Tuti-nama): Forty-ninth night: The parrot addresses Khujasta at the beginning of the forty-ninth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Eleventh night: The Brahman, unable to select from the four gifts of the king of the Ocean seeks the Raja’s advice, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold

Page from Tales of a Parrot (Tuti-nama): Thirteenth night: The parrot addresses Khujasta at the beginning of the thirteenth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Thirty-third night: Preparation for the marriage of Mahmuda, daughter of the grand vizier, and Ayaz, son of the second vizier, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor and

Phytographia Curiosa:Britannica Antiquorum Vera. Abraham Munting (Dutch, 1626-1683). Etching, hand colored with watercolor; overall: 32 cm (12 5/8 in

A prince conversing with a woman while taking refreshments on a terrace, c. 1710-1720. India, Mughal, 18th century. Opaque watercolor with gold on paper, blue and buff borders (recto); page: 30.5 x 24.1 cm (12 x 9 1/2 in

Persian Couplets (recto); Sleeping Youth (verso), late 1500s-early 1600s. Style of Riza-yi Abbasi (Iranian). Ink, gold and opaque watercolor on paper; image: 21 x 12.4 cm (8 1/4 x 4 7/8 in.); overall: 31.6 x 20.4 cm (12 7/16 x 8 1/16 in.); text

Vighada Raga of Sri, c. 1700. India, Baghal (Arki). Opaque watercolor on paper; miniature: 21 x 17.8 cm (8 1/4 x 7 in

Page from Tales of a Parrot (Tuti-nama): Twenty-fifth night: The lover of Hamnaz, who has been hanged from the gallows, bites off her nose when she kisses him, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and

Leaf from a Jain Manuscript: Kalpa-sutra: Enthroned Monk (recto); Leaf from a Jain Manuscript: Kalpa-sutra: Text (verso), 1279. Devachandra (Indian). Opaque watercolor and ink on color palm leaf; Manuscript 3; overall: 4.4 x 35.2 cm (1 3/4 x 13 7/8

St. Francis with Christ Child (verso), c. 1660. Spain, 17th century. Watercolor on vellum; framed: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in.); pendant: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in

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