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Krishna and Balarama Touching the Feet of Vasudeva and Devaki, 1730-40. Northern India, Himachal Pradesh, Pahari Kingdom, probably Chamba or Mankot. Opaque watercolor and gold on paper; page: 28.6 x 21.6 cm (11 1/4 x 8 1/2 in

Choir Stalls in a Spanish Cathedral, c. 1868. Henri Regnault (French, 1843-1871). Watercolor and gouache with traces of graphite on cream wove paper ; sheet: 27.9 x 36.3 cm (11 x 14 5/16 in

Maharaja Abhai Singh, Equestrian, Watching Girls Swinging at the Teej Festival, c. 1740. Northwestern India, Rajasthan, Marwar, Rajput Kingdom of Jodhpur. Opaque watercolor, ink, tin, and gold on paper; miniature: 29.9 x 19.4 cm (11 3/4 x 7

View of Arnheim (recto) Studies of a Bull (verso), 1864. Johan Barthold Jongkind (Dutch, 1819-1891). Black chalk, watercolor, and gouache; sheet: 31.1 x 47.8 cm (12 1/4 x 18 13/16 in

A Portrait of Welby Sherman Asleep in a Chair, 1828. George Richmond (British, 1809-1896). Graphite with touches of watercolor on vellum; sheet: 16 x 13.2 cm (6 5/16 x 5 3/16 in

The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318), c. 1596. Basavana (Indian, active c. 1560–1600), Sur Das

Persian Verses, c. 1450-1500. Iran, Qazvin or Isfahan, Safavid Period, 16th Century. Ink, opaque watercolor and gold on paper; overall: 37.1 x 24.8 cm (14 5/8 x 9 3/4 in.); text area: 11.8 x 5.3 cm (4 5/8 x 2 1/16 in

Floral Designs and Floral Bands, 1784. Giacomo Cavenezia (Italian). Pen and brown ink, brush and brown and black wash, watercolor and gouache; sheet: 31.7 x 22.8 cm (12 1/2 x 9 in

Page from Tales of a Parrot (Tuti-nama): Twentieth night: The parrot addresses Khujasta at the beginning of the twentieth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of Thomas Hobbes, c. 1660. Samuel Cooper (British, 1608/09-1672). Watercolor on vellum in a gilt metal frame; framed: 7.3 x 6.3 cm (2 7/8 x 2 1/2 in.); sight: 6.7 x 5.8 cm (2 5/8 x 2 5/16 in

Bahram Gur Arrives at the House of a Merchant, text page (recto), from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), known as the Great Mongol Shahnama, 1330-35. Iran, Tabriz, Ilkhanid period (1256-1353). Opaque watercolor, ink,

The Reflection, c. 1900-10. Hand B, style of Auguste Rodin (French, 1840-1917). Graphite and watercolor; sheet: 32 x 49.3 cm (12 5/8 x 19 7/16 in

Recumbent Stag, second half 19th century. Rosa Bonheur (French, 1822-1899). Watercolor and gouache over graphite; sheet: 28 x 38.1 cm (11 x 15 in

Krishna Ferrying Radha Across the Yamuna River, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 48.5 x 29.3 cm (19 1/8 x 11 9/16 in.);

Floral Designs with Two Birds, 1774. Giacomo Cavenezia (Italian). Pen and brown ink, brush and brown wash, gouache and watercolor, over traces of black chalk; sheet: 31.7 x 22.8 cm (12 1/2 x 9 in

Portrait of Mademoiselle Marie-Anne Adelaide Le Normand, c. 1793. François Dumont (French, 1751-1831). Watercolor on ivory in a silver gilt mount; framed: 8.4 x 6.9 cm (3 5/16 x 2 11/16 in.); unframed: 7.3 x 5.8 cm (2 7/8 x 2 5/16 in

A House Burgled at Night, c. 1700. India, Mughal, early 18th century. Opaque watercolor with gold on paper; page: 38.7 x 28.7 cm (15 1/4 x 11 5/16 in

Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), c. 1610. India, Bijapur, Deccan, 17th century. Opaque watercolor, gold, and ink on paper; page: 20.3 x 12 cm (8 x 4 3/4 in

Self-Portrait, 1802. John I Smart (British, 1741-1811). Watercolor on ivory in a gold frame; framed: 7 x 5.7 cm (2 3/4 x 2 1/4 in.); unframed: 6.9 x 5.4 cm (2 11/16 x 2 1/8 in

Portrait of a Lady in a White Dress Seated in a Landscape, 1803. Pierre Louis Bouvier (Swiss, 1765-1836). Watercolor on ivory on poude d'écaille presentation box lined in tortoise-shell and secured with gilt metal rings; diameter: 7.8 cm (3 1/16

Page from Tales of a Parrot (Tuti-nama): Forty-eighth night: The young man of Baghdad reunited with his slave girl, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Lovers parting, page from a book of fables, c. 1590-95. Northern India, Mughal court, 16th century. Opaque watercolor with gold on paper, mounted on an album leaf with inner borders of gold-sprinkled blue paper and outer plain cream borders

Page from Tales of a Parrot (Tuti-nama): Twenty-fourth night: The parrot addresses Khujasta at the beginning of the twenty-fourth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Boy's School, 19th Century. Emile Aubert Lessoire (French, 1805-1876). Watercolor with gouache over graphite, with traces of gold paint; sheet: 35.8 x 24.6 cm (14 1/8 x 9 11/16 in.); secondary support: 40 x 32.9 cm (15 3/4 x 12 15/16 in

Christ on the Cross, 1400s. Germany, 15th century. Woodcut with watercolor added by hand

Tiger Hunt of Raja Ram Singh II, c. 1830-1840. Northern India, Rajasthan, Kotah, 19th century. Opaque watercolor, silver and gold on paper; framed: 92.7 x 76.8 cm (36 1/2 x 30 1/4 in.); unframed: 64.8 x 48.9 cm (25 1/2 x 19 1/4 in

King Luhrasp Ascends the Throne: A Processon Arrives at Court (Recto); Left folio of a Double Page Illustrated and Illuminated Bi-folio with Text (Persian Verses) in the manuscript of Shahnama of Firdawsi, c. 1560s-80s. Iran, Shiraz, Safavid

Portrait of a Man, c. 1625. John Hoskins (British, c. 1590-1665). Watercolor on vellum with gold border; framed: 5.2 x 4.2 cm (2 1/16 x 1 5/8 in.); sight: 5 x 3.9 cm (1 15/16 x 1 9/16 in

A princess reclining on a terrace with attendants, c. 1730-1740. India, Mughal, 18th century. Opaque watercolor and gold on paper; page: 20.6 x 30.6 cm (8 1/8 x 12 1/16 in

Scrolling Floral Vines, 1755. Fayzullah (Indian, active c. 1730–1765). Opaque watercolor with gold on paper (verso

The Temple of Flora; or Garden of Nature: The Queen Flower, 1812. Philip Reinagle (British, 1749-1833), Dr. Thornton Jany. 1, 1812. Etching and aquatint hand-colored with watercolor; plate: 45.1 x 34.3 cm (17 3/4 x 13 1/2 in

Nitai and Gaur, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 50 x 29.6 cm (19 11/16 x 11 5/8 in.); painting only: 45.4 x 27.8 cm (17 7/8

Landscape, 1870-1884. François-Auguste Ravier (French, 1814-1895). Watercolor and gouache with graphite and traces of black chalk; sheet: 27.7 x 35.9 cm (10 7/8 x 14 1/8 in

Portrait of Raja Jagat Singh of Nurpur (reigned 1618-46), probably 1619. Attributed to Bichitr (Indian, active c. 1615–50). Opaque watercolor and gold on paper; page: 41 x 32.7 cm (16 1/8 x 12 7/8 in

Page from Tales of a Parrot (Tuti-nama): Thirty-ninth night: The queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque

Leaf from a Jain Manuscript: Shalibhadra: Jain Monk Teaching with a Manuscript Page a Disciple and Two Laywomen and Two Laymen Below (recto), 1279. Pradyumnasuri (Indian). Opaque watercolor and ink on palm leaf; overall: 6.7 x 32.4 cm (2 5/8 x 12

Fashion Study (designed for Worth), 1870. France, 19th century. Brush gray ink and watercolor heightened with white paint; sheet: 28.8 x 22.5 cm (11 5/16 x 8 7/8 in

Leaf from a Jain Manuscript of the Kalpa-sutra: The Story of Kalakacharya: Text (recto); Leaf from a Jain Manuscript: The Story of Kalakacharya: Nuns Teaching Women (verso), 1278. Western India, Gujarat, 13th century. Opaque watercolor and ink on

Annapurna and Shiva, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 50.3 x 30.7 cm (19 13/16 x 12 1/16 in.); painting only: 45.5 x 27.6 cm

Chinese Flower. Mary Altha Nims (American, 1817-1907). Watercolor

Garuda Carrying Balarama and Krishna, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 47.9 x 29.3 cm (18 7/8 x 11 9/16 in.); painting only:

The Pipes of Pan, 1865. Mariano Fortuny y Carbó (Spanish, 1838-1874). Watercolor with traces of pen and black ink; border in graphite

Page from Tales of a Parrot (Tuti-nama): Eighth night: The parrot addresses Khujasta at the beginning of the eighth night, 1558-1560. India, Mughal, reign of Akbar (1556-1605), 16th century. Opaque watercolor, ink, and gold on paper

Scene Outside an Inn. Henry William Bunbury (British, 1750-1811). Etching, hand colored with watercolor

Posthumous portrait of Emperor Jahangir under a canopy, c. 1650. India, Mughal, 17th century. Opaque watercolor and gold on paper, borders with floral motifs in colors and gold; page: 35.2 x 22.1 cm (13 7/8 x 8 11/16 in

Fighting Horses, c. 1820. Théodore Géricault (French, 1791-1824). Watercolor over graphite; sheet: 21.7 x 29.4 cm (8 9/16 x 11 9/16 in

Portrait of Frederick V, Elector Palatine, King of Bohemia, 1630s. John Hoskins (British, c. 1590-1665). Watercolor on vellum in a silver gilt frame; sight: 5.3 x 3.7 cm (2 1/16 x 1 7/16 in

Sunset Over the Hill, last half 1800s. Alphonse Legros (French, 1837-1911). Watercolor and gouache; sheet: 44 x 36.4 cm (17 5/16 x 14 5/16 in.); secondary support: 44 x 36.4 cm (17 5/16 x 14 5/16 in

Portrait of a Man, c. 1655. Samuel Cooper (British, 1608/09-1672). Watercolor on vellum; framed: 8.4 x 6.5 cm (3 5/16 x 2 9/16 in.); sight: 8 x 6.3 cm (3 1/8 x 2 1/2 in

Page from Tales of a Parrot (Tuti-nama): Thirty-fourth night: The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor

Royal Feast in a Garden, verso of right folio from the double-page frontispiece of a Shah-nama of Firdausi (Persian, about 934–1020), c. 1440. Opaque watercolor, gold, and silver on paper; image: 26.3 x 20.7 cm (10 3/8 x 8 1/8 in.); overall:

Portrait of a Noblewoman, c. 1795. Russia, late 18th century. Watercolor on ivory in a gilt metal mount and stained wood frame; framed: 12.7 x 11.3 cm (5 x 4 7/16 in.); unframed: 7.9 x 6.1 cm (3 1/8 x 2 3/8 in

Husain Ali Khan Entertaining His Brothers (The Sayyid Brothers), c. 1712-19. India, Mughal Dynasty (1526-1756). Opaque watercolor and gold on paper; page: 30.8 x 30.5 cm (12 1/8 x 12 in

Doctor, late 1800s or early 1900s. Imitator of Thomas Rowlandson (British, 1756-1827). Pen and brown ink with watercolor wash

Ut Pictura Poesis, 1745-1746. Charles-François Hutin (French, 1715-1776). Gray wash, watercolor, graphite, black chalk, and red chalk on cream laid paper; sheet: 53.2 x 38 cm (20 15/16 x 14 15/16 in

Landscape with Travelers, 1605. Jan Brueghel (Flemish, 1568-1625). Pen and brown ink and brush and brown wash and blue watercolor over stylus; sheet: 19.9 x 31 cm (7 13/16 x 12 3/16 in

Sketch of a Young Man, single page; Illustration and Text (Persian verses), 1630-1650. Iran, Isfahan, Safavid Period, 17th century. Opaque watercolor, ink and gold on paper; sheet: 34.6 x 22.5 cm (13 5/8 x 8 7/8 in.); image: 21.2 x 12.5 cm (8

Portrait of Mary Frances (Fanny) Swinburne, c. 1786. Richard Cosway (British, 1742-1821). Watercolor on ivory in a gold, enamel, and split pearl frame; framed: 7 x 5.8 cm (2 3/4 x 2 5/16 in.); sight: 6.8 x 5.7 cm (2 11/16 x 2 1/4 in

The parrot addresses Khujasta at the beginning of the twenty-seventh night, recto of folio 185 from Akbar’s Tuti-nama (Tales of a Parrot), c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, gold and ink on paper;

Page from Tales of a Parrot (Tuti-nama): Fifty-first night: Khulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

The Tale of the Twelve Faces. "Bizhan Addresses the Army": Illustration from the Firdausi Shahnama (recto); The Tale of the Twelve Faces. "The Warriors Engage in Combat": Illustration from the Firdausi Shahnama (verso), 1341. Iran, Shiraz, Inju

Page from Tales of a Parrot (Tuti-nama): Twenty-second night: As punishment, the jester’s wife and the Zangi are thrown into fire and the amir’s wife and the mahout are trampled by an elephant, c. 1560. India, Mughal, Reign of Akbar, 16th

Marie à Bellevue, 1858. Louis-Joseph Gallait (Belgian, 1810-1887). Watercolor and graphite; sheet: 35.4 x 25.3 cm (13 15/16 x 9 15/16 in

Hulagu Khan giving a feast and dispensing favor upon the amirs and princes, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles), c. 1596-1600. Lal (Indian, active c. 1555–1600), Dharam Das (Indian,

Les Lavandières (Washerwomen), 1870-1880. Eugène Cicéri (French, 1813-1890). Watercolor with gouache and gum arabic ; sheet: 45.1 x 62.2 cm (17 3/4 x 24 1/2 in

Royal Reception in a Landscape, right folio from a double-page frontispiece of a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), 1444. Iran, Shiraz, Timurid period (1370-1501). Opaque watercolor, gold, and silver on paper; overall:

Floral Designs with Birds and Griffon, 1784. Giacomo Cavenezia (Italian). Pen and brown ink, brush and brown amd gray wash, watercolor and gouache; sheet: 31.9 x 22.7 cm (12 9/16 x 8 15/16 in

Portrait of Elizabeth Stuart, Electress Palatine and Queen of Bohemia, 1630s. Alexander Cooper (British, 1609-c. 1658). Watercolor on ivory with enamel backing; framed: 3.2 x 2.8 cm (1 1/4 x 1 1/8 in

Isfandiyar slays Arjasp, the king of Turan, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), 1600-1605. Haidar Kashmiri (Indian, active late 1500s-early 1600s). Opaque watercolor, gold, and ink on paper, text on

Folios A and B from the "Five Treasures" (Panj Ganj) of Jami, 1520-1607. Mushfiq (Indian), and others (Indian). Ink, opaque watercolor and gold on paper, both folios double-sided with text on verso; page: 30.2 x 18.1 cm (11 7/8 x 7 1/8 in

Page from Tales of a Parrot (Tuti-nama): Fortieth night: The parrot addresses Khujasta at the beginning of the fortieth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Four Girls Studying a Drawing, 1876 . Théodule Ribot (French, 1823-1891). Watercolor and possibly ink; sheet: 28.8 x 41.1 cm (11 5/16 x 16 3/16 in

Text Page, Persian Prose (recto) from a Manuscript of the Majma' al-Tavarikh (A Compendium of Histories) by Hafiz-i Abru:, c. 1425. Iran, Herat, Timurid Period, early 15th century. Ink and opaque watercolor on paper; overall: 42 x 32 cm (16 9/16

Woman with a Tambourine, in Neoclassical Costume, mid to late 19th century. England, 19th century. Watercolor on ivory in a gold frame with blue glazed reverse and reserve with plaited hair and initials in gold; framed: 15.3 x 13 cm (6 x 5 1/8

Mountain View, 1862. Robert J. Pattison (American, 1838-1903). Watercolor with graphite and touches of gouache and scraping on paper; sheet: 52.8 x 75.8 cm (20 13/16 x 29 13/16 in

Seated Italian Woman, 1800s. Dominque Louis Papety (French, 1815-1849). Watercolor with gold paint with traces of graphite underdrawing ; sheet: 29.7 x 21 cm (11 11/16 x 8 1/4 in

Page from Tales of a Parrot (Tuti-nama): Twenty-fifth night: The parrot addresses Khujasta at the beginning of the twenty-fifth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Court lady singing and playing the vina, c. 1760. Attributed to Muhammad Rizavi Hindi (Indian, active mid-1700s). Opaque watercolor, ink, and gold on paper; page: 31.1 x 26.2 cm (12 1/4 x 10 5/16 in

Timur distributes gifts from his grandson, the Prince of Multan, from a Zafar-nama (Book of Victories), 1598-1600. Shravana (Indian). Opaque watercolor, ink, and gold on paper; sheet: 28.2 x 20.2 cm (11 1/8 x 7 15/16 in.); image: 14.7 x 9.8 cm

Jain Monk Holding a Flower Venerated by a Royal Follower, colophon page from a Story of the Religious Teacher Kalaka (Kalakacharya-katha, verso), 1279. Western India, Gujarat. Opaque watercolor and ink on palm leaf; overall: 5.6 x 33 cm (2 3/16 x

The Story of Adam, peace upon him, his Sons and Progeny, from a Jami al-tavarikh (Compendium of Chronicles) of Rashid al-din, c. 1425. Timurid Iran. Opaque watercolor and ink on paper; image: 14.7 x 22.7 cm (5 13/16 x 8 15/16 in.); overall: 42 x

Leaf from a Jain Manuscript: The Story of Kalakacharya of Devachandra: Text (recto); Leaf from a Jain Manuscript: The Story of Kalakacharya of Devachandra: Brahmanshanti Yaksha (verso), 1279. Devachandra (Indian). Opaque watercolor and ink on palm

Page from Tales of a Parrot (Tuti-nama): Nineteenth night: The parrot addresses Khujasta at the beginning of the nineteenth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso), c. 1650. India, Mughal, 17th century. Opaque watercolor and gold on paper, borders with floral motifs in colors and gold (recto); black ink on marbled paper, a

Page from Tales of a Parrot (Tuti-nama): Thirty-sixth night: The parrot addresses Khujasta at the beginning of the thirty-sixth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

The Turnpike Gate, 1700s. Anonymous. Pen and ink and watercolor wash

Royal Feast in a Garden, left folio from the double-page frontispiece of a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), c. 1440. Iran, Shiraz, Timurid period (1370-1501). Opaque watercolor, ink, gold and silver on paper; recto

Leaf from a Jain Manuscript: The Story of Kalakacharya of Devachandra: Brahmanshanti Yaksha (verso), 1279. Devachandra (Indian). Opaque watercolor and ink on palm leaf; Manuscript 4; overall: 5.1 x 34.8 cm (2 x 13 11/16 in

A Night Scene of Shiva Puja, c. 1760-1770. Attributed to Muhammad Rizavi Hindi (Indian, active mid-1700s). Opaque watercolor with gold on paper, wide borders of pink paper (recto); page: 28.2 x 24.1 cm (11 1/8 x 9 1/2 in

Waterfall between Chiavenna and Mount Splügen, 1784. Francis Towne (British, 1739/40-1816). Watercolor with graphite, point of brushwork, and selective glazing

Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]), c. 1595. India, Mughal, 16th century, made for Akbar (reigned 1556–1605). Opaque watercolor, gold and ink on paper; overall: 41 x 22.6 cm (16 1/8 x 8 7/8 in

Master and Disciple in a Garden Pavillion; Single Page Illustration, c. 1570-1590s. Iran, Qazvin, Safavid Period, late 16th Century. Ink and watercolor on paper; image: 19.8 x 13.3 cm (7 13/16 x 5 1/4 in.); overall: 21.2 x 13.3 cm (8 3/8 x 5 1/4

Page from the Late Shah Jahan Album: Calligraphy Framed by an Ornamental Border with Poppies and Pairs of Birds, c. 1653. India, Mughal court, reign of Shah Jahan (1628-1658), Mughal Dynasty (1526-1756), 17th Century. Opaque watercolor, gold,

Page from Tales of a Parrot (Tuti-nama): Seventh night: The king of Bahilistan offers his daughter to the King of Kings, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

View of Venice: The Dome of Santa Maria della Salute Seen from the Rear of the Da Mula Palace, looking Eastward, 1853. Frank Dillon (British, 1823-1909). Watercolor; sheet: 47.2 x 65.7 cm (18 9/16 x 25 7/8 in

Fan, c. 1890. Henri Charles Guérard (French, 1846-1897). Black ink, watercolor, and tinted metal leaf on patterned fabric ; overall: 19 x 60.3 cm (7 1/2 x 23 3/4 in

Page from Tales of a Parrot (Tuti-nama): Thirty-fourth night: The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining

Published in le Charivari (18 May 1837): Caricaturana (Plate 48): A Candidate, 1837. Honoré Daumier (French, 1808-1879). Lithograph with watercolor; sheet: 33.2 x 26.1 cm (13 1/16 x 10 1/4 in.); image: 24.3 x 22.3 cm (9 9/16 x 8 3/4 in

Portrait of a Man Holding a Glass, c. 1780s. Joseph Daniel (British, c. 1760-1803). Watercolor on ivory; image: 12.7 x 10.1 cm (5 x 4 in.); framed: 18.4 x 15.8 cm (7 1/4 x 6 1/4 in

Portrait of Hortense de Perregaux, Duchess of Ragusa, 1818. Jean-Baptiste Isabey (French, 1767-1855). Watercolor on card on a gilt metal mount in a pale wood frame; framed: 21.5 x 15.5 cm (8 7/16 x 6 1/8 in.); unframed: 12.9 x 9 cm (5 1/16 x 3

search results: Watercolor clear search