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Landscape Near Paris, c. 1860. Léon Bonvin (French, 1834-1866). Watercolor and gouache over black chalk; sheet: 9.3 x 25 cm (3 11/16 x 9 13/16 in

James Alexander Ross Cuthbert, 1799. Edward Greene Malbone (American, 1777-1807). Watercolor on ivory; framed: 7.7 x 6.5 cm (3 1/16 x 2 9/16 in.); unframed: 7.3 x 5.9 cm (2 7/8 x 2 5/16 in

Page from Tales of a Parrot (Tuti-nama): Seventh night: The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque

Cwm Trifaen, c. 1857. Alfred William Hunt (British, 1830-1896). Watercolor with gouache and scratching out; sheet: 25 x 35 cm (9 13/16 x 13 3/4 in

Page from Tales of a Parrot (Tuti-nama): Eighteenth Night: Nikfal, the fortune of the prince in the form of a woman, offers to accompany him, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Goddesses Lakshmi and Sarasvati, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint on paper; secondary support: 40.5 x 30 cm (15 15/16 x 11 13/16 in.); painting only: 45.3 x 28.4 cm (17 13/16 x 11

Fruit Arrangement: Peaches and Plumbs on a Slab of Marble, 1742. Georg Dionysius Ehret (German, 1708-1770). Watercolor; sheet: 27.5 x 39.5 cm (10 13/16 x 15 9/16 in

Moses praying to end the serpents’ attack on the Israelites, from a Mir’at al-quds (Mirror of Holiness) of Father Jerome Xavier (Spanish, 1549–1617), 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor,

Page from Tales of a Parrot (Tuti-nama): Forty-sixth night: The Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possessions, c. 1560. India, Mughal, Reign of Akbar,

Court lady pouring wine, c. 1760; borders c. 1830s. Attributed to Muhammad Rizavi Hindi (Indian, active mid-1700s). Opaque watercolor, ink, and gold on paper; page: 30.6 x 25 cm (12 1/16 x 9 13/16 in

Strawberry Spinach and Nightingale. Tsubaki Chinzan (Japanese, 1801-1854). Watercolor on paper; sheet: 28 x 34.4 cm (11 x 13 9/16 in

Reconquered Territory, c. 1919. Jean Louis Forain (French, 1852-1931). Black wash and watercolor over black crayon; sheet: 37 x 53.1 cm (14 9/16 x 20 7/8 in

Portrait of Catherine Clemens and Her Son, John Marcus Clemens, c. 1800. Richard Cosway (British, 1742-1821). Watercolor on ivory in a gold and split pearl frame; framed: 9 x 7.3 cm (3 9/16 x 2 7/8 in.); sight: 8 x 6.1 cm (3 1/8 x 2 3/8 in

A mendicant bowing before a holy man, from the Prince Salim Album, c. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900s. Basavana (Indian, active c. 1560–1600). Opaque watercolor, ink, and gold on paper; page:

Page from Tales of a Parrot (Tuti-nama): Thirty-second night: Khurshid reunited with her husband Utarid, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Tree Study. Rosa Bonheur (French, 1822-1899). Watercolor; sheet: 23.6 x 18.1 cm (9 5/16 x 7 1/8 in

Phytographia Curiosa:Spiraea Theophrasti. Abraham Munting (Dutch, 1626-1683). Etching, hand colored with watercolor; overall: 31.5 cm (12 3/8 in

Maharana Jagat Singh Attending the Raslila, 1736. Attributed to Jai Ram (Indian), and/or Jiva (Indian). Opaque watercolor, gold, and silver on paper; sheet: 67.5 x 49 cm (26 9/16 x 19 5/16 in

Bahram Chubineh captured by Khusrau Parviz (verso), from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), c. 1299. Iraq, Baghdad, Ilkhanid period (1256-1353). Ink and opaque watercolor on paper; overall: 25 x 18.8 cm (9 13/16 x 7 3/8

Portrait of a Man , 1794-1795. François Dumont (French, 1751-1831). Watercolor on ivory in a 19th-century gilt metal and enamel frame; diameter: 6.6 cm (2 5/8 in.); diameter of frame: 9.4 cm (3 11/16 in

Christ at Emmaus. Attributed to Benjamin West (American, 1738-1820), after Rembrandt van Rijn (Dutch, 1606-1669). Watercolor

Page from Tales of a Parrot (Tuti-nama): Forty-eighth night: The young man of Baghdad solicits advice from a friend at the behest of his slave-girl who is adept at music, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor,

Peasant Girl on a Stony Road, 1800s. R. Gigli (Italian). Watercolor over traces of black chalk(?); sheet: 63.4 x 43.5 cm (24 15/16 x 17 1/8 in

View of Elephanta, 1894. Watercolor

Portrait of a Man, c. 1795. Heinrich Friedrich Füger (German, 1751-1818). Watercolor on ivory in a gilt metal frame; framed: 8.2 x 7.7 cm (3 1/4 x 3 1/16 in.); unframed: 7.2 x 7 cm (2 13/16 x 2 3/4 in

The Reign of Nushirwan, The Combat between the Khan of Chin and the Haitalians (recto) from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), c.1299. Iraq, Baghdad, Ilkhanid period (1256-1353). Ink and opaque watercolor on paper;

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso), c. 1710. India, Mughal, early 18th century. Opaque watercolor with gold on paper (recto); ink

Page from Tales of a Parrot (Tuti-nama): Thirty-third night: The parrot addresses Khujasta at the beginning of the thirty-third night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

The Gout, 1799. James Gillray (British, 1757-1815), Hannah Humphrey. Etching hand-colored with watercolor ; sheet: 32.3 x 46.5 cm (12 11/16 x 18 5/16 in.); platemark: 26 x 36.5 cm (10 1/4 x 14 3/8 in

Design for Stained Glass. John La Farge (American, 1835-1910). Watercolor

Page from Tales of a Parrot (Tuti-nama): Thirty-seventh night: The parrot addresses Khujasta at the beginning of the thirty-seventh night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

On the Harlem River, 1855. William Rickarby Miller (American, 1818-1893). Watercolor with gouache, over graphite, framing lines in graphite; sheet: 37.8 x 51.4 cm (14 7/8 x 20 1/4 in

The Distribution of Rosaries, 1793. Jean-Baptiste Mallet (French, 1759-1835). Watercolor and gouache with graphite underdrawing; sheet: 23.6 x 33.5 cm (9 5/16 x 13 3/16 in

Interior of San Giovanni in Laterano, Rome, c. 1896. Martino del Don (Italian). Watercolor, brush and brown, gray, and black wash, and gouache with lead white, over graphite (ruled); sheet: 34 x 49 cm (13 3/8 x 19 5/16 in

Un Borreau (An Executioner), c. 1848. Auguste Raffet (French, 1804-1860). Watercolor, gouache and black chalk ; sheet: 32.8 x 25 cm (12 15/16 x 9 13/16 in

Rosa Collina Monsoniana, 1817-1824. Henry Joseph Redouté (French, 1766-1853). Watercolor

Moslems at Prayer, late 1800s-early 1900s. P. Pavesi (Italian). Watercolor on heavy board; unframed: 46.7 x 36.9 cm (18 3/8 x 14 1/2 in

Youth Holding a Pomegranate; Illustration from a Single Page Manuscript, c.1600-1650. Style of Riza-yi Abbasi (Iranian). Opaque watercolor and gold on paper; image: 15.3 x 8 cm (6 x 3 1/8 in.); overall: 27.7 x 16.4 cm (10 7/8 x 6 7/16 in

Lady Longing for her Lover, Varari Ragini of Dipak, from a Ragamala, 1650-60. Northwestern India, Rajasthan, Rajput Kingdom of Kota. Opaque watercolor, ink, silver, and gold on paper; page: 30.2 x 24.2 cm (11 7/8 x 9 1/2 in.); miniature: 21 x

Text Page, Persian Verses (Recto); The Fortieth Year of King Kisra Nushirwan's Reign. The Story of Buzrgmihr. "Kisra Nushirwan questions Buzurghmihr" in the manuscript of Shahnama of Firdawsi., 1330-1335. Iran, Tabriz, Mongol Period (Ilkhanid),

Map of the Battle of Sinope, 1853. Charles Meryon (French, 1821-1868). Etching, hand colored with watercolor

Page from Tales of a Parrot (Tuti-nama): Fifteenth night: The wolf advises the lion to consult the cat, 1558-1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink, and gold on paper

Portrait of Raja Ram Singh of Amber (r. 1667-1688) with a Deccan Sword, c. 1680-1685. India, Mughal, 17th century. Opaque watercolor on paper (recto); page: 30.4 x 18.5 cm (11 15/16 x 7 5/16 in

Persian verses (recto) from a Haft Awrang (Seven Thrones) of Jami (d. 1492), mid 1500s. Iran, probably Shiraz, Safavid period (1501-1722). Opaque watercolor, ink, and gold on paper; sheet: 29.6 x 16.2 cm (11 5/8 x 6 3/8 in.); image: 21 x 13 cm

Text of Rustam and Suhrab, from the Shah-nama of Firdausi (Persian, c. 934–1020) (recto), c. 1610. India, Bijapur, Deccan, 17th century. Opaque watercolor, gold, and ink on paper; page: 20.5 x 12.4 cm (8 1/16 x 4 7/8 in.); text field: 13.3

Barber Cleaning a Woman’s Ear, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint on paper; secondary support: 47.8 x 29.7 cm (18 13/16 x 11 11/16 in.); painting only: 45.3 x 28.4 cm (17 13/16 x 11

An African Lyre Player (recto); Calligraphy (verso), c. 1640-1660. India, Deccan, 17th century. Ink, opaque watercolor, and gold on paper (recto); ink on paper, six lines of Persian poetry (verso

The Tale of the Twelve Faces. "The Warriors Engage in Combat": Illustration from the Firdausi Shahnama (verso), 1341. Iran, Shiraz, Inju Period (Il-Khanid), 14th Century. Opaque watercolor and ink on paper; sheet: 36.3 x 30 cm (14 5/16 x 11 13/16

Persian ruba‘i (quatrain) by Maulana Muḥammad Murshidi Zawara’i (Persian, late 1500s–early 1600s), c. 1610-1620. India, Mughal, 17th century. Ink, gold and opaque watercolor on paper, four lines of calligraphy with illuminated panels

A princess with attendants on a terrace, c. 1720-1730. India, Hyderabad, Deccan, 18th century. Opaque watercolor with gold on paper; painting: 31.3 x 19.7 cm (12 5/16 x 7 3/4 in

Brier Bush Rose or Dog Rose (Rosa Leucantha), 1817-1824. Henry Joseph Redouté (French, 1766-1853). Watercolor

Page from Tales of a Parrot (Tuti-nama): Forty-eighth night: The young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold

Leaf from a Jain Manuscript: Yoga-shastra: Seated Yellow Jina Shantinatha Enshrined, 1279. Hemachandra (Indian). Opaque watercolor and ink on palm leaf; verso is blank; overall: 7.5 x 31.1 cm (2 15/16 x 12 1/4 in

Study for the Decoration for the Salle des Fêtes for La Mairie du 11e arrondissement de Paris, 1897. Victor Emile Prouvé (French, 1858-1943). Watercolor on beige wove paper; framing lines in black chalk at left and right edges (cropped) ; sheet:

Page from Tales of a Parrot (Tuti-nama): Fifth night: The parrot mother cautions her young on the danger of playing with foxes, c. 1560. Daswanth (Indian). Opaque watercolor, gold and ink on paper

Shiva Bearing Aloft the Body of His Sati, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 48 x 29.1 cm (18 7/8 x 11 7/16 in.); painting

Durga Killing the Demon Mahisha, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint on paper; secondary support: 50.5 x 32 cm (19 7/8 x 12 5/8 in.); painting only: 45.8 x 28.3 cm (18 1/16 x 11 1/8 in

The Story of Hushang (recto), Illustration and text (Persian Prose) from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru; Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru, early

Leaf from a Jain Manuscript: Colophon page, Kalpa-sutra and The Story of Kalakacharya of Devachandra: Monk Teaching Lay Disciple (recto), late 1200s. Devachandra (Indian). Opaque watercolor and ink on palm leaf; Manuscript 3; overall: 4.7 x 35.6 cm

Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature, c. 1735. Chitarman II (Indian, c. 1680–с. 1750). Opaque watercolor with gold on paper; painting: 41.2 x 29.6 cm (16 1/4 x 11 5/8 in

Page from a Koran, Sura al-Nisa 4, Verses 157–158, 1100s. Seljuk Iran. Opaque watercolor, ink, and gold on paper; overall: 32 x 21.3 cm (12 5/8 x 8 3/8 in.); text area: 23 x 16 cm (9 1/16 x 6 5/16 in

Page from Tales of a Parrot (Tuti-nama): Third night: The goldsmith and the carpenter inform the king of a dream in which the golden images plan to desert the city for lack of worshippers, c. 1560. India, Mughal, Reign of Akbar, 16th century.

Canterbury Cathedral (recto); Hands Holding a Book (verso), 1889. Childe Hassam (American, 1859-1935). Watercolor with gouache and graphite; sheet: 18.7 x 13.9 cm (7 3/8 x 5 1/2 in

June Roses. Mary Altha Nims (American, 1817-1907). Watercolor

Text Page, Persian Verses (Verso) in an Anthology with some verses from Haft Awrang (Seven Thrones) of Jami; The Fifth Throne Yusuf and Zulaykha, mid-1500s. Iran, Shiraz or Mashhad, Safavid Period, 16th Century. Opaque watercolor and ink on

Page from Tales of a Parrot (Tuti-nama): Fifty-second night: The king asks the pious man’s son for the whereabouts of the dragon, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Bahram Gur Arrives at the House of a Merchant, text page (recto); Bahram Gur Slays a Dragon (verso), from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), known as the Great Mongol Shahnama, 1330-35. Iran, Tabriz, Ilkhanid period

Portrait of a Man with an Earring, c. 1800. Anonymous Graff (1800). Watercolor on ivory in a gilt metal and enamel frame; unframed: 7.2 cm (2 13/16 in.); diameter of frame: 9.4 cm (3 11/16 in

Cloud Study, 1800s. Anonymous. Watercolor

Phytographia Curiosa:Lapathum Longifolium Crispum. Abraham Munting (Dutch, 1626-1683). Etching, hand colored with watercolor; overall: 31.5 cm (12 3/8 in

Green Tara, c. 1260s. Tibet, 13th century. Thangka, opaque watercolor and ink on cotton; overall: 52.4 x 43.2 cm (20 5/8 x 17 in

The Wood Gatherers, 1869. John William North (British, 1842-1924). Watercolor and gouache with scratch-away and touches of shell gold on off-white wove paper; sheet: 40.5 x 56.3 cm (15 15/16 x 22 3/16 in

Illuminated Folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213-1291), c. 1475–1500, borders added c. 1550. Calligraphy by Sultan Ali Mashhadi (Iranian, 1520). Opaque watercolor, ink, gold, and silver on paper; overall: 30 x 19 cm

Prince Suraj Singh Rathor of Bikaner, 1611-13. Northwestern India, Rajasthan, Rajput Kingdom of Bikaner. Opaque watercolor and gold on paper; page: 20.5 x 13.4 cm (8 1/16 x 5 1/4 in.); miniature: 11.2 x 6.4 cm (4 7/16 x 2 1/2 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: The prince being taken away for execution on the false complaint of the handmaiden, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall:

Soldier with Dog, 1853. Joseph-Louis-Hippolyte Bellangé (French, 1800-1866). Black chalk and watercolor heightened with white gouache; sheet: 39.3 x 26.6 cm (15 1/2 x 10 1/2 in.); secondary support: 45.6 x 32.3 cm (17 15/16 x 12 11/16 in

The Resurrection of Christ, c. 1902. John La Farge (American, 1835-1910). Watercolor and gouache; partial framing lines in graphite; sheet: 44.9 x 31.4 cm (17 11/16 x 12 3/8 in.); secondary support: 45.6 x 31.4 cm (17 15/16 x 12 3/8 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: Landscape with a lotus, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20 x 13.6 cm (7 7/8 x 5 3/8 in

Costume Study for Opera Singer, 1781. Jean Michel Moreau le Jeune (French, 1741-1814). Watercolor and point of brush on cream laid paper; sheet: 26.1 x 17.8 cm (10 1/4 x 7 in

A Nun Seated at a Table Knitting, 1862. François Bonvin (French, 1817-1887). Gouache and watercolor; sheet: 21.3 x 17.2 cm (8 3/8 x 6 3/4 in

The Adoration of the Magi, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, and gold on paper; sheet: 26.3 x 15.6 cm (10 3/8 x 6

Jain Monk Holding a Flower Venerated by a Royal Follower, colophon page from a Story of the Religious Teacher Kalaka (Kalakacharya-katha, verso), 1279. Western India, Gujarat. Opaque watercolor and ink on palm leaf; overall: 5.6 x 33 cm (2 3/16 x

View of the Institut de France from the Foot of the Pont Royal, 1870. Henri Joseph Harpignies (French, 1819-1916). Watercolor; sheet: 23.9 x 19 cm (9 7/16 x 7 1/2 in

The Falconer. Eugène Fromentin (French, 1820-1876). Watercolor

Page from Tales of a Parrot (Tuti-nama): Eighteenth night: The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, c. 1560. India, Mughal, Reign of Akbar, 16th century.

Young Lady with a White Bow on Her Head, 1795. John Downman (British, 1750-1824). Brush and black chalk wash and watercolor, heightened with white gouache; sheet: 22.7 x 18.9 cm (8 15/16 x 7 7/16 in.); secondary support: 30.2 x 24.8 cm (11 7/8 x 9

Hunting with falcons in a landscape; Verso: Calligraphy of Chaghatai Turkish poems in praise of wine, Sultan Muhammad Nur (Persian, c. 1472–1536) and Mirza Muhammad (probably Persian, active c. 1520s), c. 1558–60; borders added probably

Manjushri, c. 1500-1550. China, Ming dynasty (1368-1644). Tangka mounted as a hanging scroll, opaque watercolor and gold on cotton; image: 124 x 107.3 cm (48 13/16 x 42 1/4 in.); overall: 208.8 x 120.6 cm (82 3/16 x 47 1/2 in

Page from Tales of a Parrot (Tuti-nama): Thirty-first night: The donkey, in a tiger’s skin, reveals his identity by braying aloud, 1558-1560. Attributed to Basavana (Indian, active c. 1560–1600). Opaque watercolor, ink, and gold on paper

Design for a Book Illustration, Standing Male Figure, after 1901. George Dupuis (French, 1875-1932). Charcoal with transparent watercolor and gouache and border in pen and black ink; sheet: 43.8 x 19.7 cm (17 1/4 x 7 3/4 in

The Suburbs: Stock Raiser and Captain, probably 1859-1860. Paul Gavarni (French, 1804-1866). Watercolor (mixed with white gouache in places) and brown ink over graphite, heightened with white gouache; sheet: 29.4 x 21 cm (11 9/16 x 8 1/4 in.);

Women bathing before an architectural panorama, c. 1765. Fayzullah (Indian, active c. 1730–1765). Opaque watercolor and gold on paper

Girl on a Donkey. Isidore Pils (French, 1813/15-1875). Watercolor and graphite ; sheet: 15.5 x 9.2 cm (6 1/8 x 3 5/8 in

The Pleasures of Hunting. Hablot Knight Browne (British, 1815-1882). Black chalk and watercolor

Castel Sant' Angelo. Thomas Ender (Austrian, 1793-1875). Pencil and watercolor

The Marriage at Cana, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, color and gold on paper; sheet: 26.3 x 15.7 cm (10 3/8 x 6

A Mughal Prince, Perhaps Danyal, Holding a Sprig of Flowers, c. 1580-1590. India, Mughal, 16th century. Opaque watercolor with gold on paper; miniature: 14.6 x 8.7 cm (5 3/4 x 3 7/16 in

Copy after Raphael's Sistine Madonna, 19th century. Rudolph Geudtner (German, 1811-1892). Watercolor and gouache; sheet: 26 x 20 cm (10 1/4 x 7 7/8 in.); secondary support: 26.8 x 22.7 cm (10 9/16 x 8 15/16 in

Phytographia Curiosa:Acetosa Vulgaris sive Rumex Canpferinus. Abraham Munting (Dutch, 1626-1683). Etching, hand colored with watercolor; overall: 31.5 cm (12 3/8 in

Trees and Undergrowth, 1885. Garden William Fraser (British, 1856-1921). Watercolor with gouache; sheet: 19 x 26.8 cm (7 1/2 x 10 9/16 in

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