Images at Librifly

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'The Traveller Rescues the Goldsmith from the Pit Against the Advice of the Animals', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm

Genzano and Lake Nemi, early 19th century, Watercolor over graphite., 13 7/8 x 19 3/4 in. (35.3 x 50.2 cm), Drawings, Josephus Augustus Knip (Dutch, Tilburg 1777–1847 Berlicum

Design for Easy Chair, François Premier Style, 1835–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

The Reels of Gutta-percha Covered Conducting Wire Conveyed into Tanks at the Works of the Telegraph Construction and Maintenance Company, at Greenwich, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 7/16 × 9 9/16 in. (16.3

Idyllic Landscape with Temple, 1770, Pen and gray ink and watercolor; framing lines in black ink, sheet: 8 15/16 x 11 5/16 in. (22.7 x 28.8 cm), Drawings, Johann Heinrich Müntz (Swiss, Mulhouse 1727–1798 Kassel

Insects, Butterflies, and a Dragonfly, 17th century, Black chalk, watercolor and gouache on parchment, sheet: 4 1/4 x 9 1/2 in. (10.8 x 24.1 cm), Drawings, Jan van Kessel (Flemish, 1626–1679

The Connoisseur, 1780–1800, Ink washed with watercolor, Sheet: 9 x 11 3/8 in. (22.9 x 28.9 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Insects, Butterflies, and a Grasshopper, 17th century, Black chalk, watercolor and gouache on parchment, sheet: 4 1/4 x 9 1/2 in. (10.8 x 24.1 cm), Drawings, Jan van Kessel (Flemish, 1626–1679

Study of a tree, mid-16th–early 17th century, Brush and black ink, gray wash, green, yellow, and brown watercolor, white, and green gouache. Traces of framing lines in pen and black ink, sheet: 8 7/8 x 6 1/8 in. (22.5 x 15.6 cm),

Design for a Ceiling in Pompeian Style, 18th century, Pen and red ink, brush and yellow, green, blue, red, and gray watercolor, over lead or graphite, on cream laid paper, 9 5/16 x 12 1/16 in. (23.6 x 30.7 cm), Anonymous, Italian, first

Design for a Painted Ceiling, 1825–75, Watercolor, 6-5/8 x 11-3/4 in, Drawings, Anonymous, Italian, 19th century

Costumes for 'New Faces' (?), Radio City, Female Dominoes, 1938 (?), Watercolor and pencil, sheet: 9 7/8 x 8 in. (25.1 x 20.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

View of Interior for Paris Exhibition 1925, Bookcase Wall Elevation, 1924, Pen and black ink, brush and watercolor and gouache, laid down on board., Image: 2 3/8 x 3 3/4 in. (6.1 x 9.6 cm), Drawings, Erik Gunnar Asplund (Swedish, Stockholm

Design for an Interior with a Window into a Garden, 1800–1850, Watercolor, 9-1/4 x 7-3/8 in, Drawings, Anonymous, Italian, early 19th century

A Mill Near Colchester, 1833, Watercolor over traces of graphite, with scratching out and a touch of pen and brown ink on the horizon, evidence of squaring for transfer in graphite, with a color wash test verso, sheet: 5 3/4 x 7 3/4 in. (14.6 x

'Bizhan Forces Farud to Retreat into his Fort', Folio from a Shahnama (Book of Kings), ca. 1430–40, Attributed to India, Ink, opaque watercolor, and gold on paper, 7.87 in. high 7.37 in. wide (20 cm high 18.7 cm wide), Codices, This

Snow Falling on a Dutch Town, n.d., Gouache and watercolor; framing lines in pen and black ink and in gilt., 8 7/16 x 13 1/8 in. (21.5 x 33.4 cm), Drawings, Abraham Rademaker (Dutch, Lisse, near Haarlem 1675–1735 Haarlem

Bathers (recto) ; Still Life (verso), n.d., Watercolor over graphite (recto); watercolor (verso), Sheet: 8 5/16 x 10 11/16 in. (21.1 x 27.2cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence

Figures on a Beach, Northern France, 1830, Watercolor and gouache over graphite with stopping out, sheet: 5 1/2 x 8 15/16 in. (13.9 x 22.7 cm), Drawings, Thomas Shotter Boys (British, Pentonville 1803–1874 London), Dark rain clouds move

Design for Side Ottoman, Later Arabesque or Morisco Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Design for the Frontspiece of The British Sportsman, late 18th–early 19th century, Watercolor, sheet: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm), Drawings, William-Samuel Howitt (British, ca. 1756/57–1822/23 London

Male Nude Lying on a Table, 1567 (?), Brush and black wash, watercolor, gouache, sheet: 13 7/16 x 10 5/8 in. (34.1 x 27 cm), Drawings, Monogrammist AW (German, active ca. 1567

'The Tortoise', Folio from an `Aja'ib al-Makhluqat (Wonders of Creation) of Qazwini, second half 16th century, Attributed to Iran, Khurasan, Opaque watercolor and gold on paper, Page:H. 5 3/4 in. (14.6 cm), Codices

Book of Prayers, dated A.H. 1109/ A.D. 1697, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 7 3/4 x 5 in. (19.7 x 12.7 cm), Codices, This prayer book with gold writing on dark blue paper was copied by Muhammad Hussain Kaziruni

Four Panels with Rinceau Motif, 17th century, Pen and brown ink, blue and gold watercolor, white lead highlighting (now oxidized), sheet: 10 5/16 x 6 7/8 in. (26.2 x 17.5 cm), Drawings, Anonymous, Italian, 17th century

'The Birds and the Monkeys with the Glow Worm', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Man wearing a purple and red vest, with a pince-nez and bowler, first half 20th century, brush and black ink, gouache, watercolor, sheet: 16 x 8 7/16 in. (40.6 x 21.4 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

A Nobleman Reading, ca. 1750–75, Country of Origin India, Opaque watercolor on paper, H. 6 3/4 in. x H. 6 1/2 in., Codices, This unfinished painting depicts a seated figure who appears to be floating in space, as his chair has not yet been

Gold and amber fibula (safety pin), Archaic, 7th–6th century B.C., Italic, Gold, amber, Other: 2 11/16 in. (6.8 cm), Gold and Silver, Eight amber fragments form the fibula's bow.642d9843d4364_AM170720_055662.jpg | Initial 'V' from the

Initial 'V' from the commentary of Nehemiah, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall…

F.e de la B. des Manilles from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Italian Farmhouse, 1871–3, Watercolor with touches of gouache, sheet: 10 9/16 x 14 1/2 in. (26.8 x 36.8 cm), Drawings, Walter Crane (British, Liverpool 1845–1915 Horsham

Venus and Cupid in a Landscape, after Annibale Carracci (recto); A Warrior Holding a Shield and Sword, Seen from the Back (verso), 1816–17, (r.) Pen and brown ink, wash, watercolor, and white gouache over graphite and traces of red chalk;

Man in a black suit, smoking, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 164 3/16 x 8 1/8 in. (417 x 20.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

A Standing Woman, Seen from the Back, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Black Stork in a Landscape, ca. 1780, Made in India, probably Lucknow, Opaque watercolor on European paper, Painting: H. 21 1/2 in. (54.6 cm), Codices, The distinctive white neck feathers, purple-streaked wings, and red-tinged beak identify

Sun Through Tree I, 1934, Watercolor on paper, with selective varnish, 4 5/8 x 5 3/4 in. (11.7 x 14.6 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

The Lovers, dated A.H. 1039/ A.D. 1630, Attributed to Iran, Isfahan, Opaque watercolor, ink, and gold on paper, Painting: H. 6 7/8 in. (17.5 cm), Codices, Painting by Riza-yi `Abbasi (Persian, ca. 1565–1635), The artist Riza yi 'Abbasi

Design for the Corner of a Cove, 1700–1780, Pen and light brown ink, brush and gray, light brown wash and watercolor, over lead point, with ruled and compass construction, 10 x 6 3/4 in. (25.4 x 17.2 cm) ; cropped at left corner., Drawings,

Design for segmental window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache on paper mounted on board, Overall: 8 1/2 x 13 7/8 in. (21.6 x 35.2 cm), Drawings, Possibly Tiffany Glass Company

Lion Resting, 1810–75, Watercolor on wove paper, lined, Sheet: 5 3/4 x 9 3/16 in. (14.6 x 23.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Design for the Decoration of the Corner of a Ceiling, 17th century, Pen and brown ink, brush and gray wash and watercolor, over traces of graphite underdrawing and ruled construction, sheet: 5 1/4 x 4 5/8 in. (13.4 x 11.8 cm), Anonymous,

Scalinata della Trinità dei Monti, ca. 1756–58, Pen and black ink, brush and gray wash, watercolor, over graphite, 13-11/16 x 11-9/16 in. (34.8 x 29.3 cm), Drawings, Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome), This

Memento Portrait of a Young Midship-Man, late 18th–early 19th century, Watercolor, colored chalk, and graphite, sheet: 9 7/8 x 8 1/2 in. (25.1 x 21.6 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales

Landscape, 1776–1808, Pen and ink, watercolor, sheet: 2 5/8 x 4 1/4 in. (6.7 x 10.8 cm), Drawings, Samuel Shelley (British, London 1756–1808 London

'The Lioness Advises her Son', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

F.e de l'Isle du P. Guillaume from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and graphite on paper mounted on board in original matt, Overall: 20 3/16 x 9 1/2 in. (51.3 x 24.1 cm), Drawings, Possibly

Design (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's Forge, 1646–1722, Pen and brown ink, brush and brown wash, yellow and blue watercolor over black chalk. Framing lines in pen and brown

Leopard Lying Down, 1810–75, Watercolor on wove paper, Sheet: 6 7/16 x 8 15/16 in. (16.3 x 22.7cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

View of London from Greenwich, 1825, Watercolor and ink and traces of graphite, sheet: 8 3/8 x 11 in. (21.3 x 28 cm), Drawings, Joseph Mallord William Turner (British, London 1775–1851 London), Turner here offers a panorama of greater London

Interior showing Staircase and Skylight, 19th century, Watercolor over graphite with touches of gilt, image: 13 1/16 x 9 3/16 in. (33.1 x 23.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John Dibblee Crace

'Yusuf is Drawn Up from the Well', Folio from a Yusuf and Zulaikha of Jami, second half 16th century, Attributed to Iran, Shiraz, Opaque watercolor, and gold on paper, Painting: Ht. 8 in. (20.3 cm), Codices

Design for a Suburban Villa (Perspective), after 1862, Watercolor and graphite, sheet: 11 x 7 in. (27.9 x 17.8 cm), Attributed to William Richardson (British, active 1842–77

Design for a fireplace, mid-18th–late 18th century, Ink, watercolor, sheet: 10 3/4 x 17 3/8 in. (27.3 x 44.1 cm), Drawings, Attributed to Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Leopard and Serpent, 1810–75, Watercolor on laid paper, Sheet: 6 5/8 x 9 7/8 in. (16.8 x 25.1cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Interior of a Morning Room with Wainscoting, Striped Curtains, and Painted Walls, 19th century, Watercolor over graphite, sheet: 12 9/16 x 10 1/8 in. (31.9 x 25.7 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John

Design for Wall including Chimney and Red Banquette, 19th century, Ink and watercolor, Anonymous, British, 19th century

'The Old Snake Tells the Tale of Biting the Ascetic's Son by Mistake', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Design for Library or Dining Room Ceiling, Coffered and Painted Rust and Olive Green, 1888, Graphite, watercolor and gilt, sheet: 13 3/8 x 19 3/4 in. (34 x 50.2 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John

Design for a Ceiling with Apollo on his Wagon in the Central Compartment, 18th century, Pen, wash, and watercolor, 6-5/8 x 12-7/16 in, Anonymous, Italian, 18th century

Elevator Screen, Farwell Building, late 19th–early 20th century, Made in New York, United States, American, Black ink and graphite with watercolor and compass construction on wove paper, mounted on illustration board, Overall: 25 1/2 x 38

Ceiling Design for the Boudoir, Ardgowan, ca. 1868, Watercolor over graphite, sheet: 13 1/2 x 16 1/2 in. (34.3 x 41.9 cm), Attributed to J. S. Pearse (British, active 1854–68

Oak Carving from Fireplace in the Jerusalem Chamber, Westminster, 1820–71, Watercolor, sheet: 10 5/8 x 7 1/2 in. (27 x 19.1 cm), Charles James Richardson (British, London 1806–1871 London

Design for Decorative Panels with Hunting Scenes Inset, 1854, Watercolor, sheet: 10 x 13 1/4 in. (25.4 x 33.7 cm), J. S. Pearse (British, active 1854–68

Studies of male heads and a standing male figure, Brush and gray wash, watercolor on laid paper, 8-1/2 x 13-7/8 in. (21.6 x 35.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Comic Sketch, 1837–64, Watercolor, pen and brown ink over graphite, Sheet: 6 5/16 x 4 7/8 in. (16 x 12.4 cm), Drawings, John Leech (British, London 1817–1864 London

Quatrefoil Ornament with Yellow Flowers and Green Leaves, 19th century, Watercolor and graphite, sheet: 13 1/16 x 10 1/2 in. (33.2 x 26.7 cm), John Dibblee Crace (British, London 1838–1919 London

'Mercury', Folio from the Bellini Album, ca. 1600, Attributed to The Netherlands, Ink, opaque watercolor, and gold on paper, H. 8 5/16 in. (21.1 cm), Codices

View of a Mosque and Gateway at Motijhil, ca. 1814–23, Made in India, Bengal, Opaque watercolor on paper, Painting: H. 13 in. (33 cm), Codices, Attributed to Sita Ram (active 1814–23), Sitaram, the painter of this enchanting scene, was

View of Issy (A Street in Issy-les-Moulineaux, Seine), 1820–74, Brush and watercolor over graphite, sheet: 12 15/16 x 8 3/4 in. (32.8 x 22.3 cm), Drawings, Thomas Shotter Boys (British, Pentonville 1803–1874 London

Landscape with Tobias and the Angel, 17th–early 18th century, Watercolor, sheet: 3 1/2 x 5 3/16 in. (8.9 x 13.2 cm), Drawings, Attributed to Felix Meyer (Swiss, Winterthur 1653–1713 Wyden

Design for a Round or Oval Table with a Green Top and Black and Gold Sides and Legs, 19th century, Ink and watercolor, sheet: 4 3/4 x 5 5/8 in. (12.1 x 14.3 cm), Anonymous, British, 19th century

Study of an Orchid, 'Vanda Roxburgia', before 1822, Watercolor and gouache over graphite on white parchment paper, Sheet: 16 1/2 x 13 1/4 in. (41.9 x 33.6 cm), Drawings, James Sowerby (British, London 1757–1822 London), The Sowerbys were an

The Great Eastern Under Weigh, July 23rd, 1865: Escort and other Ships, H.M.S. Terrible, H.M.S. Sphinx, The Hawk and Revised: The Caroline, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 7 1/4 × 12 1/2 in. (18.4 × 31.7

Room of Archduke Ludwig Victor in the Hofburg, Vienna, 1861, Watercolor, 14.5 x 18.25 in. (36.8 x 46.4 cm), Drawings, Franz Alt (Austrian, Vienna 1821–1914 Vienna

'The Ascetic Strikes a Jar of Honey and Oil with his Staff While Daydreaming', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

September, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Design for Ceiling Decoration, 1850–70, Watercolor, 6-1/8 x 6-1/8 in, Drawings, Anonymous, Italian, 19th century

Design for a Mirror over a Mantel, 1840–99, Ink, watercolor and gouache, Anonymous, British, 19th century

'Design for the Water Clock of the Peacocks', from the Kitab fi ma'rifat al-hiyal al-handasiyya (Book of the Knowledge of Ingenious Mechanical Devices) by Badi' al-Zaman b. al Razzaz al-Jazari, dated A.H. 715/A.D. 1315, Attributed to Syria or

'Leopard Bearing Lion's Order to Fellow Judges', Folio 51 recto from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 9 15/16 x 14 3/16 in. (25.2 x 36.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Two Views (Side and Front) of a Hat on a Stand, 1866, Pen and ink, brush and watercolor on wove paper, sheet: 4 13/16 x 3 7/8 in. (12.3 x 9.8 cm), Drawings, Auguste Félix (French, active 1860s

Hab.t de l'Isle de Paques from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

' A Lion', Folio from a Dispersed Nuzhatnama-i ‘Ala’i of Shahmardan ibn Abi’l Khayr, early 17th century, Attributed to Iran, possibly Qazvin, Ink, opaque watercolor, and gold on paper, Page: 3 in. (7.6 cm), Codices, The encyclopaedic

Woman Dressed in Blue, 19th century, Watercolor and gouache over graphite, 11 9/16 x 7 3/16 in. (29.3 x 18.3 cm), Drawings, John-Lewis Brown (French, Bordeaux 1829–1890 Paris

Carved and Painted Ceiling with Six Figural Medallions, for Cleish Castle, 19th century, Graphite, blue and red watercolor, brown wash and gilt, sheet: 18 1/16 x 13 7/8 in. (45.8 x 35.3 cm), John Gregory Crace (British, London 1809–1889

Designs for Church Wall Standards, ca. 1880, Pen and ink, wash and watercolor, sheet: 9 13/16 x 9 13/16 in. (25 x 25 cm), Richardson Ellson & Co. (British

Qur'an Manuscript with Lacquer Binding, early 19th century, Attributed to Iran, Manuscript: Ink, opaque watercolor, and gold on paper, 3 15/16 x 2 1/2 in. (10 x 6.4 cm), Codices, Notes in the front of this tiny Qur'an, copied in 'ghubar'

Mountainous Landscape with Approaching Thunderstorm, 19th century, Watercolor, sheet: 8 1/16 x 12 3/16 in. (20.5 x 31 cm), Drawings, Anonymous, German, 19th century

First Telegraph House at Heart's Content, Newfoundland, 1866, 1866, Watercolor over graphite with touches of gouache, Sheet: 9 5/16 x 13 9/16 in. (23.6 x 34.5 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

Decorated Border, 1830–62, Gouache and watercolor, sheet: 6 x 5 1/8 in. (15.2 x 13 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London, ca. 1766–74, Pen and watercolor, sheet: 13 7/16 x 10 in. (34.2 x 25.4 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London), John Yenn

The Rainbow, 1794, Watercolor over graphite, sheet: 7 5/16 x 10 5/8 in. (18.5 x 27 cm), Drawings, John Glover (British, Houghton-on-the-Hill, Leicester 1767–1849 Launceston, Tasmania), Glover recorded the effects of a passing evening storm

Design for mausoleum window, late 19th–early 20th century, Made in New York, United States, American, Watercolor on paper, 5 5/8 x 4 3/4 in. (14.3 x 12.1 cm), Drawings, Tiffany Studios (1902–32), While many of Tiffany Studios’

Section from a Qur'an Manuscript, late 14th–early 15th century (before 1405), Attributed to present-day Uzbekistan, Samarqand, Ink, opaque watercolor, and gold on paper, H. 28 7/8 in. (73.3 cm), Codices, This fragment of a page comes from

Huntsmen and Company Observing Dogs Retrieving Ducks in a Pond (The Month of April), ca. 1610–20, Pen and brown and black ink, brown wash, watercolor and gouache, over black chalk, sheet: 8 3/4 x 12 3/8 in. (22.2 x 31.5 cm), Drawings,

Wine Drinking in a Spring Garden, ca. 1430, Attributed to Iran, possibly Tabriz, Opaque watercolor and gold on undyed silk, 8.5 in. high 30.20 in. wide (21.6 cm high 11.87 cm wide), Codices, The youth offering a cup of wine to a maiden

Interior with Three Women Seated, 19th century, Watercolor, sheet: 5 3/8 x 8 7/16 in. (13.7 x 21.4 cm), Drawings, Daughters of Bishop Parr (British, 19th century

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