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A Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, &c Taken from Pont de la Concorde, 1803, printed 1810 or after. Thomas Girtin (British, 1775-1802), Frederick Christian Lewis (British, 1779-1856).

Krishna Celebrates Holi, c. 1770. Northern India, Himachal Pradesh, Pahari Kingdom of Guler. Opaque watercolor and gold on paper; page: 21 x 29.2 cm (8 1/4 x 11 1/2 in.); miniature: 15.6 x 24 cm (6 1/8 x 9 7/16 in

The dream of Zulaykha, from the Amber Album, c. 1670. India, Mughal, 17th century. Opaque watercolor with gold on paper, pink and blue borders decorated with gold foliate motifs, text on verso; page: 32 x 24.4 cm (12 5/8 x 9 5/8 in

A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris, c. 1850. William Turner (British, 1789-1862). Watercolor with scratch-away, heightened with white

Devangandhari Ragini of Hindola, c. 1700. India, Baghal (Arki). Opaque watercolor on paper; miniature: 21 x 18.4 cm (8 1/4 x 7 1/4 in

Page from Tales of a Parrot (Tuti-nama): Seventh night: The darwish brings in as dowry an elephant laden with gold, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

The Dream of Zuleykha, c. 1770. India, Lucknow, Mughal, 18th century. Opaque watercolor with gold on paper, illuminated borders band; page: 32.9 x 22.1 cm (12 15/16 x 8 11/16 in

Portrait of Ivan Grigorevich, Count Chernyshev, c. 1785. Heinrich Friedrich Füger (German, 1751-1818). Watercolor on ivory in a later gilt metal and enamel frame; diameter: 10.6 cm (4 3/16 in.); diameter of frame: 13.1 cm (5 3/16 in

Portrait of a Woman in a White Dress, 1813. Jean-Baptiste Isabey (French, 1767-1855). Watercolor on card in an ormolu frame; framed: 27 x 19.1 cm (10 5/8 x 7 1/2 in.); unframed: 12.4 x 9.2 cm (4 7/8 x 3 5/8 in

Page from Tales of a Parrot (Tuti-nama): Fifty-first night: King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, c. 1560. India, Mughal, Reign

Rama’s Brothers Bharata and Shatrughna set out from Ayodhya to find Rama and Lakshmana in the forest to inform them of the death of their father Dasharatha, 1775-80. Northern India, Himachal Pradesh, Pahari Kingdom of Kangra. Opaque watercolor

Carriage in the Bois de Boulogne, 1800s. Constantin Guys (French, 1805-1892). Watercolor; sheet: 14.8 x 27.5 cm (5 13/16 x 10 13/16 in.); secondary support: 14.8 x 27.5 cm (5 13/16 x 10 13/16 in

Kalpa-sutra Manuscript with 24 Miniatures, c. 1475-1500. Western India, Gujarat, last quarter of the 15th century. Opaque watercolor, ink, and gold on paper; overall: 12.5 x 25.7 cm (4 15/16 x 10 1/8 in

Bahram Gur Visits the Princess of India in the Black Pavilion, Illustration and Text, Persian Verses(recto); Bahram Gur Visits the Princess of India, Text Page, Persian Verses (verso), c. 1400-1410. Iran, possibly Tabriz or Shiraz, Timurid

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I, c. 1710. India, Mughal, early 18th century. Opaque watercolor with gold on paper (recto); page: 43 x 28.9 cm (16 15/16 x 11 3/8 in

Preface, verso of the left folio from a double-page frontispiece of a Shahnama of Firdausi (940-1019 or 1025), c. 1444. Iran, Shiraz, Timurid period (1370-1501). Opaque watercolor, ink, and gold on paper; overall: 32.7 x 22 cm (12 7/8 x 8 11/16

Album with Views of Rome and Surroundings, Landscape Studies, page 22a: "Terme di Diocleziano, Rome". Franz Johann Heinrich Nadorp (German, 1794-1876). Watercolor with graphite on white paper laid down on brown paper

The Tale of the Twelve Faces. "Bizhan Addresses the Army": Illustration from the Firdausi Shahnama (recto), 1341. Iran, Shiraz, Inju (Il-Khanid), 14th Century. Opaque watercolor and ink on paper; image: 28.6 x 24.5 cm (11 1/4 x 9 5/8 in.);

Hindu God Krishna Being Dressed in Women's Clothes for Spring Festival Holi, c. 1790. Northern India, Himachal Pradesh, Kangra, 18th century. Drawing with patches of opaque watercolor; overall: 19 x 27.4 cm (7 1/2 x 10 13/16 in

Upper Lock at Steenbergen, 1800s. Willem C Rik (Dutch). Watercolor and gouache; sheet: 41.3 x 56.5 cm (16 1/4 x 22 1/4 in

Page from Tales of a Parrot (Tuti-nama): Twenty-third night: The forty wives and their secret paramours being punished by stoning to death, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of Miss Mary Tadman, 1809. John I Smart (British, 1741-1811). Watercolor and graphite, heightened with traces of white gouache on paper; sheet: 15.4 x 13.4 cm (6 1/16 x 5 1/4 in.); image: 14.2 x 12.2 cm (5 9/16 x 4 13/16 in

Barnaby Rudge Helping Lead the Gordon Riots, 1884. Charles Green (British, 1840-1898). Watercolor with traces of graphite on off-white wove paper; sheet: 25.4 x 17.6 cm (10 x 6 15/16 in

A prince riding a composite elephant, c. 1590. India, Golconda, Deccan, 16th century. Ink, opaque watercolor and gold on paper; page: 28.8 x 18.6 cm (11 5/16 x 7 5/16 in.); painting: 14.5 x 11 cm (5 11/16 x 4 5/16 in

Jesus in the Tun Mountains near Nazareth where he Chooses Twelve of his Followers and Calls them Apostles, from a Mirror of Holiness (Mir'at al-quds) of Father Jerome Xavier, 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period.

Page from Tales of a Parrot (Tuti-nama): Seventeenth night: The young man takes leave of the monk who teaches him a magic formula, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

A Family of Tartars, c. 1885. India, Punjab, probably Lahore, Company School, 19th century. Ink, watercolor and gold on paper; overall: 25.3 x 33.8 cm (9 15/16 x 13 5/16 in

Portrait of Constantine Phipps, 1770. John I Smart (British, 1741-1811). Watercolor on ivory in a later gold and woven hair bracelet; framed: 4.6 x 4.1 cm (1 13/16 x 1 5/8 in.); unframed: 3.8 x 3.2 cm (1 1/2 x 1 1/4 in

Lobster, 1600s. Anonymous. Brush and black, gray and brown wash, and red watercolor, heightened with white gouache; sheet: 12.5 x 30.1 cm (4 15/16 x 11 7/8 in

Untitled, 1828-1835. Pancrace Bessa (French, 1772-1846). Pencil and watercolor

Faunesse, c. 1905. Auguste Rodin (French, 1840-1917). Watercolor over graphite; sheet: 32.7 x 24.8 cm (12 7/8 x 9 3/4 in

Jesus Raises Jairus's Daughter from the Dead, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, color and gold on paper; sheet:

Portable Field Altar for Charles X, 1824-1830. Alexandre Denis Abel de Pujol (French, 1787-1861). Watercolor with graphite; sheet: 44.9 x 39.1 cm (17 11/16 x 15 3/8 in

The Virgin and St. Francis with Christ Child, c. 1660. Spain, 17th century. Watercolor on vellum; framed: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in.); pendant: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: The prince sent back to the place of execution for the sixth time, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20 x 14.3 cm (7

Portrait of Madame Thomas (née Camille Boucher). Eugène Isabey (French, 1803-1886). Watercolor with graphite; sheet: 54.5 x 34.6 cm (21 7/16 x 13 5/8 in

Page from Tales of a Parrot (Tuti-nama): Forty-second night: Repenting his conduct, ‘Ubaid falls at the feet of his parents, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Forty-eighth night: The young man of Baghdad reveals his true identity to the Hashimi, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Storm on the Island of Yeu, 1916. Auguste Louis Lepère (French, 1849-1918). Watercolor and gouache over black crayon; sheet: 30.3 x 37.8 cm (11 15/16 x 14 7/8 in

Persian Couplets (recto), Calligraphy, Persian Verses; Single Page Manuscript, late 1500s-early 1600s. Iran. Isfahan, Safavid Period, late 16th-early 17th Century. Ink, gold and opaque watercolor on paper; overall: 31.6 x 20.4 cm (12 7/16 x 8

Landscape with Wooded Stream and Boulder, c. 1880s. William Allen Wall (American, 1801-1885). Watercolor and gouache with traces of graphite

Page from Tales of a Parrot (Tuti-nama): Eighteenth night: The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink

An African Lyre Player, c. 1640-1660. India, Deccan, 17th century. Ink, opaque watercolor, and gold on paper, recto; page: 40.5 x 28.9 cm (15 15/16 x 11 3/8 in

London Bridge. James Holland (British, 1800-1870). Watercolor; sheet: 26.1 x 45.8 cm (10 1/4 x 18 1/16 in

Camel and Groom; Single Page Illustration, c. 1545-1576. Style of Shaykh Muhammad (Iranian). Ink, gold, and opaque watercolor on paper; image: 21.4 x 28.4 cm (8 7/16 x 11 3/16 in.); overall: 28.6 x 40.8 cm (11 1/4 x 16 1/16 in

Iconographic Drawing:Vaishravana, Yama, Vsnisavijaya, Tara and Buddha (recto); Iconographic Drawing of Tantric Enlightened Beings (verso), c. 1500. Tibet, early 15th Century. Ink and watercolor on cotton; overall: 20.3 x 12.7 cm (8 x 5 in

Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), , c. 1610. India, Bijapur, Deccan, 17th century. Opaque watercolor, gold, and ink on paper; page: 20.3 x 12 cm (8 x 4 3/4 in

Canterbury Cathedral (recto), 1889. Childe Hassam (American, 1859-1935). Watercolor with gouache and graphite; sheet: 18.7 x 13.9 cm (7 3/8 x 5 1/2 in

Yusuf and Zulaykha (Recto); Text Page, Persian Verses (Verso), c. 1556-65. Iran, Shiraz or Mashhad, Safavid Period, 16th Century. Opaque watercolor and ink on paper; sheet: 29.8 x 17.3 cm (11 3/4 x 6 13/16 in.); image: 21.3 x 15.3 cm (8 3/8 x 6

A prince celebrating Holi with palace women on a terrace at night, c. 1760. India, Farrukhabad, Mughal, 18th century. Opaque watercolor and gold on paper (recto); page: 27.7 x 19.6 cm (10 7/8 x 7 11/16 in.); page: 28.2 x 20.2 cm (11 1/8 x 7 15/16

Shamsa, recto of the right folio from a double-page frontispiece of a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), c. 1444. Iran, Shiraz, Timurid Period, 15th century. Opaque watercolor and gold on paper; image: 27.7 x 10.3 cm (10

Page from Tales of a Parrot (Tuti-nama): Thirty-sixth night: The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, c. 1560. India, Mughal, Reign of Akbar, 16th

Mother with Two Children, 1788. Henri Chevaux (French, 1723-1789). Watercolor with black ink underdrawing; sheet: 24.5 x 17.9 cm (9 5/8 x 7 1/16 in

Page from the Late Shah Jahan Album: Harem Night-Bathing Scene, c. 1653. India, Mughal court, reign of Shah Jahan (1628-1658), Mughal Dynasty (1526-1756), 17th Century. Opaque watercolor, gold, and ink on paper; overall: 37.8 x 27.3 cm (14 7/8

Page from Tales of a Parrot (Tuti-nama): Thirty-eight night: The parrot addresses Khujasta at the beginning of the thirty-eighth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

The Virgin (recto), c. 1660. Spain, 17th century. Watercolor on vellum; framed: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in.); pendant: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in

Rooster, c. 1620. India, Mughal, 17th century. Opaque watercolor and gold on paper; image: 18.3 x 12.1 cm (7 3/16 x 4 3/4 in.); overall: 37.3 x 25.4 cm (14 11/16 x 10 in

Christ on the Cross between the Virgin and Saint John, 1503. Lucas Cranach (German, 1472-1553). Woodcut on vellum, hand colored with watercolor ; image: 22.7 x 16.2 cm (8 15/16 x 6 3/8 in

Page from Tales of a Parrot (Tuti-nama): Fourteenth night: The invention of musical instruments from the intestines of a monkey, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

(Botanical: Maurándia semperflorens), 1836. Pancrace Bessa (French, 1772-1846). Pencil and watercolor

Leaf from a Jain Manuscript: The Story of Kalakacharya: Text (recto), 1278. Western India, Gujarat, 13th century. Opaque watercolor and ink on palm leaf; Manuscript 2; overall: 5.4 x 32.1 cm (2 1/8 x 12 5/8 in

Persian Quatrains (Rubayi) and Calligraphic Exercises (recto); Persian Verse (khamriyya) (verso), c. 1509-59. Afghanistan, Herat, Safavid period (1501-1722). Ink, gold, and opaque watercolor on paper

The Flagellation, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, color and gold on paper; sheet: 26.2 x 15.3 cm (10 5/16 x 6

A European Couple, c. 1610-1627. Attributed to Ali Riza, the "Bodleian Painter" (Indian). Drawing with opaque watercolor and gold on paper, gold-flecked blue borders

A Selection of Twenty of the Most Picturesque Views in Paris: View of the Gate of St. Denis taken from the Suburbs, 1803. Thomas Girtin (British, 1775-1802), Frederick Christian Lewis (British, 1779-1856). Softground etching and aquatint,

Court lady pouring wine, c. 1760. India, Mughal, 18th century. Opaque watercolor with gold on paper (recto); miniature: 20.6 x 14.6 cm (8 1/8 x 5 3/4 in

Page from Tales of a Parrot (Tuti-nama): Ninth night: The old man eats of the fruit of the Tree of Life, but drops dead, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20.1 x 14.3 cm (7

Portrait of a Woman, c. 1810. John Wesley Jarvis (American, 1781-1840). Watercolor on ivory; framed: 7.6 x 6.4 cm (3 x 2 1/2 in.); unframed: 7 x 5.7 cm (2 3/4 x 2 1/4 in

Mrs. Samuel Howitt, 1700s. George Murgatroyd Woodward (British, 1760-1809). Watercolor

Wild Rose. Mary Altha Nims (American, 1817-1907). Watercolor

A raven brings food to Elijah, from a Mir’at al-quds of Father Jerome Xavier (Spanish, 1549–1617), 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, color and gold on paper; page: 26.2 x 15.7 cm

Page from Tales of a Parrot (Tuti-nama): Twenty-first night: The Brahman comes upon a lion who has a deer and a gazelle as his viziers, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Leaf from a Jain Manuscript: Yoga-shastra: Text (recto); Leaf from a Jain Manuscript: Yoga-shastra: Jain monk with Disciple and Two Laymen, Two Nuns and a Laywoman below (verso), 1279. Hemachandra (Indian). Opaque watercolor and ink on palm leaf;

Bahram Gur meets Arzu, the Daughter of Mahiyar (verso); Illustration and Text, Persian Verses, from the Shahnama of Firdawsi, c. 1350. Iran, Shiraz, Inju Period, 14th Century. Opaque watercolor and ink on paper; image: 5.4 x 15.3 cm (2 1/8 x 6

Cherry Blossom Festival at the Temple on Mt. Suribachi. Ando Hiroshige (Japanese, 1797-1858). Watercolor on paper; overall: 14.9 x 18.8 cm (5 7/8 x 7 3/8 in

In the Alps. Hercules Brabazon (British, 1821-1906). Watercolor

Persian Verse (khamriyya), c. 1509-59. Afghanistan, Herat, Safavid period (1501-1722). Ink, gold, and opaque watercolor on paper; sheet: 27.4 x 20 cm (10 13/16 x 7 7/8 in.); text area: 18.2 x 10.3 cm (7 3/16 x 4 1/16 in

Basin of San Marco, 1897. Thomas Moran (American, 1837-1926). Watercolor over graphite; sheet: 30.3 x 48.1 cm (11 15/16 x 18 15/16 in

Page from Tales of a Parrot (Tuti-nama): Tenth night: The parrot addresses Khujasta at the beginning of the tenth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Old Maids at a Sale of Curiosities. Thomas Rowlandson (British, 1756-1827). Pen and brown and gray ink and watercolor wash

Text Page, Persian Prose (Recto); Khar (Ass) (Verso), 1400s. Iran, Timurid Period, 15th century. Ink and opaque watercolor on paper; overall: 24.8 x 15.8 cm (9 3/4 x 6 1/4 in.); text area: 18.7 x 11 cm (7 3/8 x 4 5/16 in

In the Park of Saint Cloud, 1800s. Constant Troyon (French, 1810-1865). Watercolor and gouache; sheet: 26.7 x 36.6 cm (10 1/2 x 14 7/16 in.); secondary support: 35.5 x 45.2 cm (14 x 17 13/16 in

The Conversion of Saul with Christ and the Cross, c. 1645-1647. Jacob Jordaens (Flemish, 1593-1678). Brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite; sheet: 33 x

Phytographia Curiosa:Cistus Minor Rosmarini-Folius. Abraham Munting (Dutch, 1626-1683). Etching, hand colored with watercolor; overall: 32.4 cm (12 3/4 in

Madame Millin du Perreux and Her Son, with a Painted Portrait of Monsieur Jérôme-Robert Millin du Perreux, c. 1760. Louis Carmontelle (French, 1717-1806). Red chalk, black chalk, and watercolor, heightened with white chalk or paint?; sheet:

Page from Tales of a Parrot (Tuti-nama): Fiftieth night: The king places the talisman on his sleeping wife, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Rue Damiette, Rouen, c. 1884. Camille Pissarro (French, 1830-1903). Black crayon and watercolor, with color crayon; sheet: 29.2 x 22.7 cm (11 1/2 x 8 15/16 in

Sagittarius, c. 1810. Sanju (Indian). Opaque watercolor and gold on paper; sheet: 20.3 x 26 cm (8 x 10 1/4 in

Lady Caroline Wrottesley, 1792. John Downman (British, 1750-1824). Brush and black chalk wash and watercolor with blue pastel; sheet: 21.9 x 18.3 cm (8 5/8 x 7 3/16 in.); secondary support: 24.6 x 20.6 cm (9 11/16 x 8 1/8 in.); tertiary support:

Return from Russia, c. 1818. Théodore Géricault (French, 1791-1824). Lithograph printed in black and ochre with watercolor added by hand; border: 44.4 x 36.4 cm (17 1/2 x 14 5/16 in

Portrait of a Man, 1836. William Lockwood (American, 1834-1847). Watercolor on ivory; framed: 7.2 x 6.1 cm (2 13/16 x 2 3/8 in.); unframed: 6.7 x 5.4 cm (2 5/8 x 2 1/8 in

Landscape (Hastings-on-Hudson), 1888. Jasper F. Cropsey (American, 1823-1900). Watercolor over graphite; sheet: 39.5 x 57 cm (15 9/16 x 22 7/16 in.); image: 30.6 x 53.3 cm (12 1/16 x 21 in

Girls Spraying Each Other at Holi, c. 1640-1650. Northwestern India, Rajasthan, Bikaner, 17th century. Opaque watercolor, gold and ink on paper; overall: 19 x 12.5 cm (7 1/2 x 4 15/16 in

Boat on a Beach, Le Tréport, 1854. François Bonvin (French, 1817-1887). Watercolor and gouache over traces of graphite; sheet: 21.8 x 31.9 cm (8 9/16 x 12 9/16 in

Portrait of Alamgir (r. 1658-1707), c. 1700. India, Mughal. Opaque watercolor and gold on paper; sheet: 7.9 x 5.3 cm (3 1/8 x 2 1/16 in

Trees, 1700s(?). Jean Baptiste Pillement (French, 1728-1808). Watercolor over graphite; sheet: 30.3 x 21.3 cm (11 15/16 x 8 3/8 in

Collection of Flowers and Fruits Painted after Nature:Bouquet of Foxglove, Clematis, Pansy, Peony, Poppy, and Yellow Day Lily, 1805. Louis Charles Ruotte (French, 1754-1806), after Jean Louis Prévost, published by Jean Louis Prévost. Color

Text Page, Persian Prose (recto) from Nuzhat Nama-yi Ala'i (Excellent Book of Counsel) of Shah Mardan Ibn Abi al-Khayr, 1400s. Iran, Timurid Period, 15th century. Ink and opaque watercolor on paper; overall: 24.8 x 15.8 cm (9 3/4 x 6 1/4 in.);

Page from Tales of a Parrot (Tuti-nama): Thirty-ninth night: The painting made by the vizier of the emperor of China for the queen of Rum, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Untitled, 1828-1835. Pancrace Bessa (French, 1772-1846). Pencil and watercolor

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