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Sri Raga: An Illustration from a Ragamala Series, c. 1740. India, Mughal, 18th century. Opaque watercolor with gold on paper; page: 33.2 x 23 cm (13 1/16 x 9 1/16 in

Portrait of Sir Captain West of the Dutton Indiaman, 1785. John I Smart (British, 1741-1811). Watercolor over traces of black chalk, with metallic gold paint on laid paper; sheet: 16.3 x 15.3 cm (6 7/16 x 6 in.); unframed: 19.6 x 15.3 cm (7 11/16

Leaf from a Koran, 1100s. Seljuk Iran. Opaque watercolor, ink, and gold on paper; sheet: 32 x 21.3 cm (12 5/8 x 8 3/8 in

Phytographia Curiosa:Sumach Arbor. Abraham Munting (Dutch, 1626-1683). Etching, hand colored with watercolor; overall: 31.4 cm (12 3/8 in

Page from Tales of a Parrot (Tuti-nama): Thirty-seventh night: The prince, a son of the ruler of Sistan, enters the service of a snake, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Balarama and Krishna, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor with graphite underdrawing

Page from Tales of a Parrot (Tuti-nama): Forty-eighth night: The bag of gold which he received for the slave-girl being stolen in a mosque, the young man of Baghdad tears his cloths and is about to fling himself into the Tigris, c. 1560. India,

Page from Tales of a Parrot (Tuti-nama): Eighth night: The prince, once reprieved, is returned to the palace of execution a second time on the plea of the king’s handmaiden, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque

The Temple of Edfu: The Door of the Pylon, 1850. John Frederick Lewis (British, 1805-1876). Watercolor (wash and point of brush work) and gouache and graphite

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, c. 1605-1610. Attributed to Govardhan (Indian, active c.1596-1645). Opaque watercolor and gold on paper, text on verso; page: 17.8 x 12.5 cm (7 x 4 15/16 in

Page from Tales of a Parrot (Tuti-nama): Sixteenth night: The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink

Tortoise, 18th century. Japan, Edo period (1615-1868). Watercolor on paper; framed: 114.4 x 75.5 cm (45 1/16 x 29 3/4 in.); painting only: 119.7 x 70.5 cm (47 1/8 x 27 3/4 in

Le Havre, 1862. Johan Barthold Jongkind (Dutch, 1819-1891). Watercolor, gouache and black chalk; framing lines in black chalk; sheet: 30.5 x 48.8 cm (12 x 19 3/16 in

Portrait of a Man, c. 1800. George Engleheart (British, 1752-1829). Watercolor on ivory, in a later gold, enamel, and diamond frame; framed: 8.7 x 7.4 cm (3 7/16 x 2 15/16 in.); unframed: 7.7 x 6.2 cm (3 1/16 x 2 7/16 in

Page from Tales of a Parrot (Tuti-nama): Thirty-fifth night: The son of the king of Babylon sees the Brahman transformed into a woman bathing and falls in love with her, c. 1560. Mughal India, reign of Akbar (1556–1605). Opaque watercolor, ink,

Page from Tales of a Parrot (Tuti-nama): Twenty-fifth night: In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, c. 1560. India, Mughal, Reign of Akbar, 16th

Leaf from a Jain Manuscript: Shalibhadra: Text (verso), 1279. Pradyumnasuri (Indian). Opaque watercolor and ink on palm leaf; text; overall: 6.7 x 32.4 cm (2 5/8 x 12 3/4 in

Portrait of a Woman, c. 1775. The Artist "V" (British). Watercolor on ivory on a gold locket; image: 4.1 x 3.5 cm (1 5/8 x 1 3/8 in.); framed: 4.3 x 3.7 cm (1 11/16 x 1 7/16 in

Portrait of a Woman, 1820. Anna Claypoole Peale (American, 1791-1878). Watercolor on ivory on a gilt metal locket with red leather case; framed: 7.1 x 6 cm (2 13/16 x 2 3/8 in

The Emperor Alamgir (reigned 1658–1707) on Horseback, c. 1690-1710. India, Mughal Dynasty (1526-1756). Opaque watercolor, gold, and silver on paper; overall: 30.5 x 22.3 cm (12 x 8 3/4 in

Taking of the Toll, Dana-lila, c. 1760. Northern India, Himachal Pradesh, Pahari Kingdom, probably Chamba. Opaque watercolor and gold on paper; page: 26 x 20 cm (10 1/4 x 7 7/8 in

Leaf from a Jain Manuscript: Kalpa-sutra: Text (verso), 1279. Devachandra (Indian). Opaque watercolor and ink on color palm leaf; overall: 4.4 x 35.2 cm (1 3/4 x 13 7/8 in

Page from Tales of a Parrot (Tuti-nama): Twentieth night: The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold

Paysage de la Grande Chartreuse, late 1700s-1800s. Attributed to Jean Lubin Vauzelle (French, 1776-aft 1837). Watercolor with graphite ; sheet: 34.7 x 49.9 cm (13 11/16 x 19 5/8 in

Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto); Architectural Drawing of Columns (verso), c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x

Lake Memphremagog, c. 1880s. Harry Fenn (American, 1838/45-1911). Watercolor and gouache over graphite; sheet: 34.3 x 47.4 cm (13 1/2 x 18 11/16 in

Needle-Tailed Swift (Hirundapus caudaculus), 1800s. Paul Hüet (French, 1803-1869). Watercolor and gouache; framing lines in graphite; sheet: 48.5 x 34.6 cm (19 1/8 x 13 5/8 in.); image: 22.5 x 22.8 cm (8 7/8 x 9 in

Jesus writes on the ground, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opaque watercolor, ink, color and gold on paper; sheet: 26.3 x 15.5 cm (10

Study for Mehmet Ali Pasha, c. 1844. John Frederick Lewis (British, 1805-1876). Watercolor, gouache, black chalk, and graphite; sheet: 36.2 x 24.6 cm (14 1/4 x 9 11/16 in.); secondary support: 44.3 x 33 cm (17 7/16 x 13 in

Ganesha, 1800s. India, Calcutta, Kalighat painting, 19th century. Watercolor, black ink, and tin paint on paper

Landscape with Shepherds, c. 1869. Jules Joseph Augustin Laurens (French, 1825-1901). Watercolor with gouache, black chalk, and graphite ; sheet: 45.4 x 64.1 cm (17 7/8 x 25 1/4 in

The Mutiny of the Heroine Rani Lakshmi Bai of Jhansi, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 48.5 x 29.6 cm (19 1/8 x 11 5/8 in.);

Page from Tales of a Parrot (Tuti-nama): Eighth night: A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, c. 1560. India, Mughal, Reign of Akbar, 16th century.

Page from Tales of a Parrot (Tuti-nama): Thirty-sixth night: The king of Babylon sees Mahrusa from his palace balcony, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Phytographia Curiosa:Horminum Indicum Majus. Abraham Munting (Dutch, 1626-1683). Etching, hand colored with watercolor; overall: 32 cm (12 5/8 in

Page from Tales of a Parrot (Tuti-nama): Thirtieth night: The parrot addresses Khujasta at the beginning of the thirtieth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Banqueting Scene with Khusrau and Shirin, from a Khamsa (Quintet) of Nizami (1141-1209), 1540-70. Iran, Shiraz (?), Safavid Period (1501-1736). Opaque watercolor, ink, gold, and silver on paper; sheet: 29.6 x 16.2 cm (11 5/8 x 6 3/8 in.);

Dahlia. Mary Altha Nims (American, 1817-1907). Watercolor

Page from Tales of a Parrot (Tuti-nama): Twenty-fourth night: Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor and gold on paper

Page from Tales of a Parrot (Tuti-nama): Fortieth night: Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Fifth night: The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Tales of a Parrot (Tuti-nama): The Twelfth Night: the parrot addresses Khujasta at the beginning of the twelfth night, c. 1560. India, Mughal court, reign of Akbar (1556-1605), 16th century. Opaque watercolor, gold, and ink on paper

Ravana’s sister complains that her nose was cut off by Lakshmana as the demons prepare to depart to capture Sita, from the “Shangri” Ramayana, 1690-1710. Northern India, Himachal Pradesh, Pahari Kingdom. Opaque watercolor, ink, and gold

Devastated Land (recto), c. 1919. Jean Louis Forain (French, 1852-1931). Gray wash, watercolor, and gouache; sheet: 37.6 x 53.1 cm (14 13/16 x 20 7/8 in

The Temple of Vesta and the Falls at Tivoli, 1859. William Callow (British, 1812-1908). Watercolor with gouache and graphite underdrawing; sheet: 75.1 x 57.8 cm (29 9/16 x 22 3/4 in

Portrait of Noël-François Charles Caille des Fontaines, 1795. Lié Louis Périn (French, 1753-1817). Watercolor on ivory in a later gilt metal frame; framed: 10.5 x 9 cm (4 1/8 x 3 9/16 in.); diameter: 6.2 cm (2 7/16 in

Apocalypse: page from the Apocalypse (The Locusts with the Angel of the Abyss and The Sixth Trumpet), 1400s. Anonymous. Woodcut (blockbook), hand colored with watercolor; mat size: 48.8 x 36.3 cm (19 3/16 x 14 5/16 in.); sheet: 26.5 x 19.3 cm (10

Portrait of a Man, 1786. John I Smart (British, 1741-1811). Watercolor on ivory in a gold frame; framed: 5.5 x 4.2 cm (2 3/16 x 1 5/8 in.); unframed: 4.9 x 3.7 cm (1 15/16 x 1 7/16 in

King Luhrasp Ascends the Throne: A Processon Arrives at Court (Recto); The Story of King Luhrasp (Verso), c. 1560s-80s. Iran, Shiraz, Safavid Period, 16th century. Opaque watercolor, ink and gold on paper; sheet: 47 x 29.7 cm (18 1/2 x 11 11/16

Militaires sous un arbre (Soldiers under a Tree). Isidore Pils (French, 1813/15-1875). Watercolor and graphite; overall: 25 x 32.6 cm (9 13/16 x 12 13/16 in

Magnolia. Mary Altha Nims (American, 1817-1907). Watercolor

Page from Tales of a Parrot (Tuti-nama): Eighth night: The young prince is presented to the king, his father, by his teacher, but refuses to speak, 1558-1560. India, Mughal, Reign of Akbar (1556-1605), 16th century. Opaque watercolor, ink,

Tantric Buddha Vairochana, c. 1150-1200. Central Tibet, last half 12th Century. Opaque watercolor, gold, and ink on cloth; overall: 111 x 73 cm (43 11/16 x 28 3/4 in

The White Horse. Imitator of John Constable (British, 1776-1837). Watercolor; sheet: 26.2 x 36.1 cm (10 5/16 x 14 3/16 in

Todi Ragini, from a Ragamala Series, c. 1750-1775. Northwestern India, Rajasthan, Bundi or Uniara, 18th century. Opaque watercolor with gold on paper; image: 21.4 x 13 cm (8 7/16 x 5 1/8 in.); border: 28.7 x 22.3 cm (11 5/16 x 8 3/4 in

A Selection of Twenty of the Most Picturesque Views in Paris: View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf, 1802. Thomas Girtin (British, 1775-1802), J.B. Harraden (British). Softground etching and aquatint printed in brown,

Persian Quatrains (Rubayi) and Calligraphic Exercises, c. 1509-59. Afghanistan, Herat, Safavid period (1501-1722). Ink, gold, and opaque watercolor on paper; sheet: 27.4 x 20 cm (10 13/16 x 7 7/8 in.); text area: 18.7 x 10.9 cm (7 3/8 x 4 5/16

Home on a Furlough, fourth quarter 1800s or first third 1900s. Jean Louis Forain (French, 1852-1931). Black crayon and watercolor; sheet: 32.7 x 50.1 cm (12 7/8 x 19 3/4 in

Portrait of Mademoiselle Colombi, 1788. Jacques Delusee (French, 1757-1833). Watercolor on ivory in a gold bezel mount; framed: 13.2 x 11 cm (5 3/16 x 4 5/16 in.); diameter: 7 cm (2 3/4 in

Portrait of a Man, possibly Alexander I, Emperor of Russia, 1814. Jean-Baptiste Isabey (French, 1767-1855). Watercolor on paper in a gilt metal mount and burr wood frame; framed: 23 x 17.7 cm (9 1/16 x 6 15/16 in.); unframed: 13.8 x 10.3 cm (5

Vishnu on Ananta, the Endless Serpent, c. 1700. Northern India, Himachal Pradesh, Pahari Kingdom of Chamba. Opaque watercolor on paper; page: 17.8 x 17.1 cm (7 x 6 3/4 in

Text Page, Persian Prose (recto); The Story of Adam peace upon him, his Sons and Progeny (verso), c. 1425. Iran, Herat, Timurid Period, early 15th century. Ink and opaque watercolor on paper; overall: 42 x 32 cm (16 9/16 x 12 5/8 in.); text

Angels bring food to Jesus in the wilderness, from a Mir’at al-quds of Father Jerome Xavier (Spanish, 1549–1617), 1602-1604. Northern India, Uttar Pradesh, Allahabad, Mughal period. Opague watercolor, ink, color and gold on paper; sheet:

A View of Spa, c. 1619. Jan Brueghel (Flemish, 1568-1625). Pen and brown ink and brush and brown and gray wash, with blue and green watercolor andred chalk wash; framing lines in brown ink; sheet: 20.5 x 14.8 cm (8 1/16 x 5 13/16 in

Portrait of a Man, c. 1810. John Wesley Jarvis (American, 1781-1840). Watercolor on ivory; framed: 7.3 x 6.3 cm (2 7/8 x 2 1/2 in.); unframed: 7.3 x 5.7 cm (2 7/8 x 2 1/4 in

Hunting with Falcons in a Landscape, c. 1558-1560; borders added probably 1700s. Attributed to Abd al-Samad (Persian, c. 1510–1600). Opaque watercolor on paper (recto); page: 35.7 x 24.3 cm (14 1/16 x 9 9/16 in

Yusuf and Zulaykha (Recto); Illustration and Text (Persian Verses) in an Anthology with some verses from Haft Awrang (Seven Thrones) of Jami; The Fifth Throne, c. 1556-65. Iran, Shiraz or Mashhad, Safavid Period, 16th Century. Opaque watercolor

Portrait of a Man and Portrait of a Woman (pair), c. 1795. Nathaniel Plimer (British, 1757-1822). Watercolor on ivory in a period gold and hair frame; framed: 9.2 x 7.7 cm (3 5/8 x 3 1/16 in.); sight: 6.7 x 5.3 cm (2 5/8 x 2 1/16 in

Portrait of a Woman, c. 1593. Nicholas Hilliard (British, c. 1547-1619). Watercolor on vellum in a gold and enamel locket frame; image: 3.9 x 3.3 cm (1 9/16 x 1 5/16 in.); framed: 4.4 x 3.6 cm (1 3/4 x 1 7/16 in.); case: 5.8 x 3.8 x 0.6 cm (2 5/16

"Benefits of the Parts of Vultures" (From the Manafi' al-Haywan of Abu Sai'd Ubayd-Allay Ibn Bakhtishu) (verso), late 1200s. Iran, Marageh, Mongol Period (Ilkhanid), late 13th Century. Opaque watercolor, ink and gold on paper; image: 10.3 x 16.5

Raja Bikram Singh of Guler (reigned 1661-85) Smoking, about 1680. Northern India, Himachal Pradesh, Pahari Kingdom, probably Chamba. Opaque watercolor and gold on paper; page: 21.9 x 28.9 cm (8 5/8 x 11 3/8 in.); miniature: 17.2 x 24.1 cm (6 3/4

Page from Tales of a Parrot (Tuti-nama): Eleventh night: The king of the Ocean assuming human form betakes himself to the Brahman’s house to be taken to the Raja, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and

Ascetic Princess with Snakes in a Wilderness: Asavari Ragini, from a Ragamala, c. 1650. Northwestern India, Rajasthan, Rajput Kingdom of Bikaner. Opaque watercolor and gold on paper; page: 25.8 x 18.2 cm (10 3/16 x 7 3/16 in.); miniature: 19.7 x

Lobster (recto) Sketch of an Armoured Male Figure (verso) , 1600s. Anonymous. Brush and black, gray and brown wash, and red watercolor, heightened with white gouache; sheet: 12.5 x 30.1 cm (4 15/16 x 11 7/8 in

Lady Holding a Flower, c. 1670s–80s. Northwestern India, Rajasthan, Rajput Kingdom of Bikaner. Opaque watercolor and gold on paper; miniature: 19.7 x 10 cm (7 3/4 x 3 15/16 in

A Lady Plucking Flowers with Peacocks, Gunakali Ragini of Malkos, from the “Chawand Ragamala”, 1605. Northwestern India, Rajasthan, Rajput Kingdom of Mewar, Chawand. Opaque watercolor, ink, and gold on paper; 20.6 x 18.1 cm (8 1/8 x 7 1/8

Portrait of Nushirwan the Just (verso) from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025), 1330-1335. Iran, Tabriz, Mongol (Ilkhanid) period, 14th Century. Opaque watercolor and gold on paper; sheet: 59.3 x 40.2 cm (23 3/8 x 15

Leaf from a Jain Manuscript: Colophon page, Kalpa-sutra and The Story of Kalakacharya of Devachandra: Monk Teaching Lay Disciple, late 1200s. Devachandra (Indian). Opaque watercolor and ink on palm leaf; Manuscript 3; overall: 4.7 x 35.6 cm (1 7/8

Lot's Wife. Alfred George Stevens (British, 1817-1875). Watercolor

Black and White Bird Perched on a Shrub, 1651-1652. Shafi' Abbasi (Iranian). Opaque watercolor, ink, and gold on paper; sheet: 16.1 x 25 cm (6 5/16 x 9 13/16 in.); image: 7.7 x 13.4 cm (3 1/16 x 5 1/4 in

Family of Satyrs with Dancing Cherubs, c. 1775-1776. Giovanni David (Italian, 1743-1790). Watercolor and extensive point of brush work with graphite and white gouache on laid paper; sheet: 48.3 x 55.8 cm (19 x 21 15/16 in

Peacock-shaped Hand Washing Device: Illustration from The Book of Knowledge of Ingenious Mechanical Devices (Automata) of Inb al-Razza al-Jazari, 1315. Syria, Damascus, Mamluk Period, 14th Century. Opaque watercolor and gold on paper; overall:

Hindola Raga, c. 1790-1800. Northern India, Himachal Pradesh, Kangra, late 18th century. Opaque watercolor, gold, and ink on paper; image: 20.5 x 15.3 cm (8 1/16 x 6 in.); with mat: 35.5 x 25.4 cm (14 x 10 in

Shri Raga, c. 1695. India, Rajasthan, Mewar, 17th century. Opaque watercolor and gold on paper; image: 34.4 x 22.5 cm (13 9/16 x 8 7/8 in.); overall: 38 x 25 cm (14 15/16 x 9 13/16 in

Devastated Land (recto); Figures in a Landscape (verso), c. 1919. Jean Louis Forain (French, 1852-1931). Gray wash, watercolor, and gouache; sheet: 37.6 x 53.1 cm (14 13/16 x 20 7/8 in

Portrait of Charles Howard, 2nd Baron Howard of Effingham, later 1st Earl of Nottingham, 1576. Nicholas Hilliard (British, c. 1547-1619). Watercolor on vellum in a gilt metal frame; framed: 5.2 x 4.8 cm (2 1/16 x 1 7/8 in.); unframed: 4.9 x 4.4

Woman with a Dog, 1710-1720. Rosalba Carriera (Italian, 1675-1757). Watercolor on ivory in a gilt metal mount with a saw-tooth enclosure at the back; framed: 7.5 x 5.5 cm (2 15/16 x 2 3/16 in

Portrait of a Man, 1800. Jean-Urbain Guérin (French, 1760-1836). Watercolor on ivory in a silver gilt mount and wooden frame; framed: 13.7 x 12.5 cm (5 3/8 x 4 15/16 in.); unframed: 7.6 x 6.5 cm (3 x 2 9/16 in

A pair of Brahminy ducks, c. 1595; borders added probably 1800s. India, Mughal, 16th century. Opaque watercolor on paper, mounted with later pink and blue borders; page: 28.3 x 19.8 cm (11 1/8 x 7 13/16 in.); painting: 8.6 x 4.5 cm (3 3/8 x 1 3/4

Siberian Apple. Mary Altha Nims (American, 1817-1907). Watercolor

Dead Blue Roller, 1583. Hans Hoffmann (German, 1545/50-1591/92). Watercolor and gouache with touches of gold; sheet: 29.2 x 16.9 cm (11 1/2 x 6 5/8 in.); secondary support: 29.2 x 16.9 cm (11 1/2 x 6 5/8 in

Three physicians preparing medicine, from an Arabic translation of the Materia Medica of Dioscorides, 1224. Abdallah ibn al-Fadl (Iraq). Ink, opaque watercolor, and gold on paper; sheet: 33.1 x 24.5 cm (13 1/16 x 9 5/8 in.); image: 24 x 19 cm (9

Raja Dalip Singh of Guler on a Dias, c. 1720. India, Himachal Pradesh, Bilaspur. Opaque watercolor and gold on paper; image: 22.7 x 15.3 cm (8 15/16 x 6 in.); overall: 27.1 x 19.8 cm (10 11/16 x 7 13/16 in

Leaf from a Jain Manuscript: Kalpa-sutra: The Monk Gautama, Enthroned (recto), 1279. Devachandra (Indian). Opaque watercolor and ink on palm leaf; Manuscript 3; overall: 4.4 x 35.2 cm (1 3/4 x 13 7/8 in

A feast in a pavilion setting, c. 1620. Attributed to Muhammad Ali (Persian, active 1590-1620). Opaque watercolor and gold on paper; overall: 23.4 x 14.6 cm (9 3/16 x 5 3/4 in

Cloud Study, 1800s. Anonymous. Watercolor

Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto), c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite under drawing; sheet: 49.2 x 34.3 cm (19 3/8 x 13 1/2 in

Page from Tales of a Parrot (Tuti-nama): Fiftieth night: The parrot addresses Khujasta at the beginning of the fiftieth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Seventeenth night: The old procuress conveys the young man’s message of love to Mansur’s wife, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of Arthur Wellesley, later 1st Duke of Wellington, c. 1806-1807. Attributed to John Wright (British, 1745-1820).watercolor on ivory in a gilt wood frame; framed: 22 x 18.2 cm (8 11/16 x 7 3/16 in.); unframed: 18.7 x 14 cm (7 3/8 x 5 1/2

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