Images at Librifly

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Design for a Fresco of the Tomb of Vincenzo Martinelli (1737-1807) in the Certosa of Bologna, c. 1810-1820. Pietro Fancelli (Italian, 1764-1850). Pen and brown ink and watercolor with graphite underdrawing; sheet: 47.2 x 29.8 cm (18 9/16 x 11 3/4

Portrait of a Young Man, c. 1805. Andrew Plimer (British, 1763-1837). Watercolor on ivory in original gold frame; framed: 8.3 x 7 cm (3 1/4 x 2 3/4 in.); unframed: 7.9 x 6.5 cm (3 1/8 x 2 9/16 in

Vertical Decorative Floral Band, 1773. Giacomo Cavenezia (Italian). Pen and brown ink, brush and brown wash, gouache and watercolor; sheet: 32 x 22.9 cm (12 5/8 x 9 in

Sleeping Youth (verso), Illustration from a Single Page Manuscript, early 1600s. Style of Riza-yi Abbasi (Iranian). Opaque watercolor and gold on paper; image: 21 x 12.4 cm (8 1/4 x 4 7/8 in.); overall: 31.6 x 20.4 cm (12 7/16 x 8 1/16 in

View of St. Geertruidenberg, 1600s. Netherlands, 17th century. Graphite, watercolor and gouache; sheet: 16.8 x 31.9 cm (6 5/8 x 12 9/16 in

Page from Tales of a Parrot (Tuti-nama): Twenty-second night: The parrot addresses Khujasta at the beginning of the twenty-second night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Eighth night: The young prince is crowned and the wicked handmaiden is executed, 1558-1560. Suraju (Indian). Opaque watercolor, ink, and gold on paper

Welsh Landscape with Cattle. Peter De Wint (British, 1784-1849). Watercolor; sheet: 32.7 x 28.6 cm (12 7/8 x 11 1/4 in

Nushirwan Listens to the Owls (recto): The Story of Nushirwan and his Minister "The Third Discourse on Diverse Events and Disorder in Life" (verso), 1555-1565. Iran, Qazvin, Safavid Period, 16th Century. Opaque watercolor, ink and gold on paper;

Marine. Anthony Vandyke Copley Fielding (British, 1787-1855). Watercolor; sheet: 24.2 x 30.5 cm (9 1/2 x 12 in

Holy Trinity, c. 1647. Theodor van Thulden (Flemish, 1606-1669). Watercolor and gouache over red chalk; sheet: 27.3 x 20.2 cm (10 3/4 x 7 15/16 in

Raja Sansar Chand Attacking Kangra Fort, 1782. Northern India, Himachal Pradesh, Pahari Kingdom of Kangra. Opaque watercolor and gold on cotton cloth; painting: 81.3 x 264 cm (32 x 103 15/16 in

Page from Tales of a Parrot (Tuti-nama): Fourteenth night: The origin of music from a fabulous bird of India which had seven holes in its beak, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

The Slavery in the North, fourth quarter 1800s or first third 1900s. Jean Louis Forain (French, 1852-1931). Black crayon, gouache, and watercolor; sheet: 37.3 x 52.9 cm (14 11/16 x 20 13/16 in

Souvenir of Seville, 1905. Charles Conder (British, 1868-1909). Watercolor, gouache, and shell gold with graphite on silk; fabric: 20.3 x 39.7 cm (8 x 15 5/8 in

The Temple of Flora; or Garden of Nature: White Lily with Variegated Leaves, published August 1, 1800. Joseph Constantine Stadler (German), Robert John Thornton (British, 1768-1837). Color etching and aquatint hand-colored with watercolor; plate:

Self-Portrait in the Role of M. Prud'homme , 1873. Henry Bonaventure Monnier (French, 1805-1877). Watercolor and gouache with pen and ink on laid paper; sheet: 22 x 14.1 cm (8 11/16 x 5 9/16 in

Damask Rose. Mary Altha Nims (American, 1817-1907). Watercolor

Scene on a Canal, first half 1800s. Hippolyte Jean Baptiste Garnerey (French, 1787-1858). Watercolor heightened with white gouache; framing lines in black [ink?]; sheet: 18.1 x 14.4 cm (7 1/8 x 5 11/16 in

Generalife, Granada. Hercules Brabazon (British, 1821-1906). Watercolor

Portrait of Anne Law (née Towry), 1st Lady Ellenborough, c. 1821. John Linnell (British, 1792-1882). Watercolor on ivory heightened with gum arabic; framed: 23.4 x 20.7 cm (9 3/16 x 8 1/8 in.); unframed: 11.3 x 8.5 cm (4 7/16 x 3 3/8 in

Page from Tales of a Parrot (Tuti-nama): Forty-sixth night: The court of the Raja of Ujjain, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Bijan killing the wild boars of Irman, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), c. 1610. India, Bijapur, Deccan, 17th century. Opaque watercolor, ink and gold on paper; page: 20.3 x 12 cm (8 x 4 3/4 in.); page:

Cliffs by the Sea at Cézembre, Brittany, c. 1830. Eugène Isabey (French, 1803-1886). Watercolor and gouache with black chalk; sheet: 25.8 x 35 cm (10 3/16 x 13 3/4 in

Page from Tales of a Parrot (Tuti-nama): Tenth night: The monk returns the magic parrot to its rightful owner, the merchant’s son, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20 x

Page from Tales of a Parrot (Tuti-nama): Eighth night: The king’s handmaiden takes the prince away to the harem, 1558-1560. India, Mughal, Reign of Akbar (1556-1605), 16th century. Opaque watercolor, ink, and gold on paper

Page from Tales of a Parrot (Tuti-nama): Twelfth night: The merchant’s daughter meets the gardener, c. 1560. India, Mughal court, 16th century. Opaque watercolor, gold, and ink on paper

Page from Tales of a Parrot (Tuti-nama): Seventh night: the darwish brings the King of Kings before the king of Bahilistan, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Loquat Tree of Japan. Tsubaki Chinzan (Japanese, 1801-1854). Watercolor on paper; sheet: 28 x 34.4 cm (11 x 13 9/16 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: The handmaiden again pleads for the death of the prince, 1558-1560. Lalu. Opaque watercolor, ink, and gold on paper

Krishna Stroking Radha's Feet, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor with graphite underdrawing

Madhu Madhavi Ragini, c. 1630-1640. Central India, Malwa. Opaque watercolor, ink, and gold on paper; overall: 19.1 x 14.6 cm (7 1/2 x 5 3/4 in

Man with a Large Hat. Paul Gavarni (French, 1804-1866). Pencil with watercolor on paper; image: 17.2 x 12.4 cm (6 3/4 x 4 7/8 in.); mounted: 28.6 x 21.3 cm (11 1/4 x 8 3/8 in.); paper: 19.4 x 12.4 cm (7 5/8 x 4 7/8 in

Page from Tales of a Parrot (Tuti-nama): Fifth night: The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper;

Alamshah cleaving asunder the chain of the wheel, from volume 11 of a Hamza-nama (Adventures of Hamza), c. 1560s - 1570s. India, Mughal, 16th century, made for Akbar (reigned 1556–1605). Opaque watercolor, gold, and ink on cotton and paper;

Landscape. John Constable (British, 1776-1837). Watercolor; sheet: 12.8 x 29.9 cm (5 1/16 x 11 3/4 in

Page from Tales of a Parrot (Tuti-nama): Nineteenth night: The Brahman’s wife who killed a peacock and ate its gall bladder on the physician’s advice, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on

Page from Tales of a Parrot (Tuti-nama): Ninth night: The parrot brings a fruit from the Tree of Life to the king of Syria, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper; overall: 20 x 14.4 cm (7

Jesus among the doctors in the Temple, c. 1760. Mir Kalan Khan (Indian, c. 1730–1775). Opaque watercolor with gold on paper, floral borders in colors on gold ground; page: 35.5 x 25.3 cm (14 x 9 15/16 in

La Saltarelle, 1800s. Dominque Louis Papety (French, 1815-1849). Watercolor and gouache with selective gum glazing over a faint graphite underdrawing ; sheet: 25.4 x 35.7 cm (10 x 14 1/16 in

Portrait of Ganadhar Prasad, 1881. Northwestern India, Rajasthan, Rajput Kingdom of Alwar. Opaque watercolor and gold on cotton cloth; 47.6 x 37.5 cm (18 3/4 x 14 3/4 in

Page from Tales of a Parrot (Tuti-nama): Thirtieth night: The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink

A View of Spa, c. 1619. Jan Brueghel (Flemish, 1568-1625). Pen and brown ink and brush and brown and gray wash, with blue and green watercolor andred chalk wash; framing lines in brown ink; sheet: 20.5 x 14.8 cm (8 1/16 x 5 13/16 in

Portrait of a Man, c. 1795. Austria, Viennese School, late 18th century. Watercolor on ivory in a gilt metal mount; framed: 7.2 x 6 cm (2 13/16 x 2 3/8 in.); unframed: 6.7 x 5.6 cm (2 5/8 x 2 3/16 in

Gypsy Camp, Holland, 1800s. George Bryant Campion (British, 1795-1870). Watercolor

The Roses: China or Bengal Rose, 1817-1824. Henry Joseph Redouté (French, 1766-1853), after Bessin (French), Pierre-Joseph Redouté. Color stipple with watercolor added by hand; sheet: 36.5 x 27.3 cm (14 3/8 x 10 3/4 in.); platemark: 35.3 x 26.1

Leaf from a Jain Manuscript: page from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra, with commentary by Abhayatilaka: Text (recto), after 1255. Abhayatilakagani (Indian). Opaque watercolor and ink on palm leaf; overall: 5.7 x 45.7

On the Thames, c. 1827-1829. David Cox (British, 1783-1859). Watercolor with graphite and scraping; overall: 19.8 x 27.1 cm (7 13/16 x 10 11/16 in

View of the Cloister of San Giovanni in Laterano, Rome, 1836. Jakob Alt (Austrian, 1789-1872). Pen and black ink and watercolor over black chalk; image: 18.3 x 25.1 cm (7 3/16 x 9 7/8 in

Portrait of Elizabeth Morrison, Lady Capell of Hadham, c. 1650. Richard Gibson (British, c. 1615-1690). Watercolor on vellum in a silver gilt frame; framed: 8.5 x 6.7 cm (3 3/8 x 2 5/8 in.); unframed: 8 x 6.3 cm (3 1/8 x 2 1/2 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, 1558-1560. India, Mughal, Reign of Akbar (1556-1605), 16th

Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan

Page from Tales of a Parrot (Tuti-nama): Thirtieth night: A woman with two children, having abandoned her home, goes into the forest where she encounters a leopard, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor and

Page from Tales of a Parrot (Tuti-nama): Forty-sixth night: The parrot laughs on hearing the Raja of Ujjain’s wife admire her beauty in a mirror, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album, c. 1650. India, Mughal, 17th century. Opaque watercolor and gold on paper; page: 36.7 x 25.4 cm (14 7/16 x 10 in

A Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement: A Page from a Manuscript of Religious History, c. 1600. India, Mughal, early 17th century. Opaque watercolor with gold on paper, text on verso; page: 31.6 x 20.4 cm

Portrait of Sir John Macpherson, 1st Baronet, Governor-General of India, 1787. John I Smart (British, 1741-1811). Watercolor and gouache heightened with white gouache on paper; sheet: 9.1 x 7.9 cm (3 9/16 x 3 1/8 in.); image: 8.8 x 7.6 cm (3 7/16

Plate 36 from 'Caricaturana' (Les Robert Macaire). Published in le Charivari, March 19, 1837: Caricaturana (plate 36): From What! From What! Your Dowry?..., 1837. Honoré Daumier (French, 1808-1879), published in Charivari (issue of 19/3/1837),

Page from Tales of a Parrot (Tuti-nama): Thirty-fourth night: The parrot addresses Khujasta at the beginning of the thirty-fourth night, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Page from Tales of a Parrot (Tuti-nama): Forty-seventh night: The fourth man digs at the spot where he dropped the shell, expecting jewels, but discovering mere iron, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink

Khar (Ass), from a Nuzhat-nama-yi ala'i (Excellent Book of Counsel) of Shahmardan ibn Abi al-khayrr, 1400s. Timurid Iran. Ink and opaque watercolor on paper; overall: 24.8 x 15.8 cm (9 3/4 x 6 1/4 in.); text area: 18.7 x 11 cm (7 3/8 x 4 5/16 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: The young prince recounts his experiences to his father, the king, 1558-1560. India, Mughal, Reign of Akbar (1556-1605), 16th century. Opaque watercolor, ink, and gold on paper

Italian Landscape, c. 1790-1792. John Robert Cozens (British, 1752-1797). Watercolor over graphite; sheet: 48.7 x 66.9 cm (19 3/16 x 26 5/16 in

Florilegium: (page 14 verso) blue and white iris, 1608. France, 17th century. Bound manuscript of 48 leaves, 77 drawings; watercolor, ink, silver and gold over occasional traces of pencil, on vellum; sheet: 31.1 x 20.2 cm (12 1/4 x 7 15/16 in

Page from Tales of a Parrot (Tuti-nama): Eighth night: The farmer, father of the son with the deceitful wife, steals away with her anklet while she is in bed with her lover, 1558-1560. India, Mughal, Reign of Akbar (1556-1605), 16th century.

View near Bedford. Bradford Rudge (British, 1805-1885). Watercolor

John Poines, 1792. Conrad Martin Metz (German, 1749-1827), after Hans Holbein (German, c. 1465-1524). Stipple hand-colored with watercolor; sheet: 54.4 x 40.7 cm (21 7/16 x 16 in.); platemark: 33 x 25.3 cm (13 x 9 15/16 in

Portrait of a Woman, c. 1820. France, 19th century. Watercolor on ivory; framed: 13.2 x 11.2 cm (5 3/16 x 4 7/16 in.); unframed: 7.7 x 6.5 cm (3 1/16 x 2 9/16 in

The Triumph of Neptune, 1766 or later. Charles Joseph Natoire (French, 1700-1777). Watercolor and black chalk on two sheets of cream laid paper; image: 23.8 x 34.1 cm (9 3/8 x 13 7/16 in.); mounted: 34 x 44 cm (13 3/8 x 17 5/16 in

Recumbent Stag, second half 19th century. Rosa Bonheur (French, 1822-1899). Watercolor and gouache over graphite; sheet: 28 x 38.1 cm (11 x 15 in

Dawn--Hunter with Dog, 1882. Henri Joseph Harpignies (French, 1819-1916). Watercolor; sheet: 37.6 x 53.5 cm (14 13/16 x 21 1/16 in

Illuminated Folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213-1291), c. 1525-30. Style of Sultan Muhammad (Iranian), style of Sultan 'Ali Mashhadi (Persian, 1430-1520). Opaque watercolor, ink, gold and silver on paper; overall: 30 x

Pastoral Landscape with a Ruin, 1799. Jacob Cats (Dutch, 1741-1799). Watercolor, point of brush and watercolor, and pen and brown ink over black chalk; framing lines in brown ink and brown wash; sheet: 25.8 x 18 cm (10 3/16 x 7 1/16 in.);

Design for a Ceiling: Mars and Aries, 1700s. Italy, 18th century. Pen and brown ink and brush and brown wash and watercolor, with gouache, over traces of graphite; framing lines in brown ink; sheet: 24.9 x 24.7 cm (9 13/16 x 9 3/4 in.); secondary

A Rajput Warrior with Camel, Possibly Maru Ragini from a Ragamala, 1650-80. Northwestern India, Rajasthan, Rajput Kingdom of Amber or Southwestern India, Deccan. Opaque watercolor, ink, and gold on paper; miniature: 26 x 17.6 cm (10 1/4 x 6

Shah Jahan, c. 1630. Hashim (Indian, active 1598-c.1650). Opaque watercolor, ink and gold on paper; overall: 5.4 x 3.7 cm (2 1/8 x 1 7/16 in

Page from Tales of a Parrot (Tuti-nama): Fifth night: The hunter offers the mother parrot to the king of Kamarupa, c. 1560. Basavana (Indian, active c. 1560–1600). Opaque watercolor, ink and and gold on paper; page: 20 x 14.3 cm (7 7/8 x 5 5/8

Page from Tales of a Parrot (Tuti-nama): Thirty-second night: The tale of the three men trapped in a cave by a rolling boulder, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

A Palace with an Arched Bridge (A Roman Villa), 1760. Hubert Robert (French, 1733-1808). Pen and brown and gray ink, graphite, and watercolor; sheet: 30.9 x 27.8 cm (12 3/16 x 10 15/16 in

Page from Tales of a Parrot (Tuti-nama): Thirty-fifth night: The magician disguised as a Brahman returns to claim his “daughter-in-law”, c. 1560. Mughal India, reign of Akbar (1556–1605). Opaque watercolor, ink, and gold on paper; overall:

Small Pratincole (Glareola lactea), 1800s. Attributed to Paul Hüet (French, 1803-1869). Watercolor and gouache; framing lines in graphite; sheet: 48.8 x 34.7 cm (19 3/16 x 13 11/16 in.); image: 22.4 x 18.3 cm (8 13/16 x 7 3/16 in

Page from Tales of a Parrot (Tuti-nama): Twenty-sixth night: The snake enters into an argument with the frog, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper

Portrait of Anne Vallayer-Coster, 1804. François Dumont (French, 1751-1831). Watercolor on ivory in a gilt metal and enamel frame; diameter: 7.6 cm (3 in.); diameter of frame: 10.2 cm (4 in

Bridgenorth, Shropshire, c. 1790. Anonymous. Watercolor over graphite; sheet: 35.5 x 51.7 cm (14 x 20 3/8 in.); secondary support: 43 x 57.2 cm (16 15/16 x 22 1/2 in

Illuminated Folio (verso) from a Gulistan (Rose Garden) of Sa'di (c. 1213-1291), c. 1525-30. Style of Sultan Muhammad (Iranian), style of Sultan 'Ali Mashhadi (Persian, 1430-1520). Opaque watercolor, ink, gold and silver on paper; overall: 30 x

Tiered Court Scene, c. 1735. Chitarman II (Indian, c. 1680–с. 1750). Opaque watercolor, ink and gold on paper

The Roses:Rosa Gallica Purpurea Velutina Parva, 1817-1824. Langlois (French), Pierre-Joseph Redouté (French, 1759-1840), after Henry Joseph Redouté (French, 1766-1853). Color stipple engraving with watercolor added by hand; sheet: 53.5 x 33.8

Sculptress, 1897. Eugène Grasset (French, 1841-1917). Lithograph with watercolor added by hand; sheet: 64.5 x 49.5 cm (25 3/8 x 19 1/2 in.); image: 53.1 x 37 cm (20 7/8 x 14 9/16 in

Portrait of Suraj Singh Rathor, Raja of Marwar and Maternal Uncle of Shah Jahan: A Page from the Prince Khurram Album, c. 1600. Attributed to Bishandas (Indian, active c. 1610–30). Opaque watercolor with gold on paper; page: 29.1 x 19 cm (11

The Temple of Isis at Pompeii, 1788. Francesco Piranesi (Italian, 1758-1810), Louis Jean Desprez (French, 1743-1804). Etching, hand-colored with watercolor; sheet: 47.7 x 69.6 cm (18 3/4 x 27 3/8 in.); secondary support: 59.2 x 81.3 cm (23 5/16

A Selection of Twenty of the Most Picturesque Views in Paris: View of Belle Vue & Pont de Sêve taken from the Terrace near Pont de St. Cloud, 1802. Thomas Girtin (British, 1775-1802), Frederick Christian Lewis (British, 1779-1856). Softground

Sheetaladevi: The Smallpox Goddess, 1800s. India, Calcutta, Kalighat painting, 19th century. Black ink, watercolor, and tin paint, with graphite underdrawing on paper; secondary support: 46.9 x 29.8 cm (18 7/16 x 11 3/4 in.); painting only:

Snuffbox with portrait of woman, snuffbox holder metal silver turtle leg tooth ivory paint watercolor ivory backing (day size), Around woman's portrait put on loose lid of round turtle box; box and lid lined with narrow silver outer edges

painter: Joannes Patriarchi, Snuffbox with portrait of woman, snuffbox holder wood walnut turtle leg tooth ivory paint watercolor ivory backing, Oval woman's portrait set inside narrow upright turtles edge on loose lid of round carrot box; box and

Portrait miniature by Johan François Graaf van Hogendorp, portrait miniature painting footage gold wood ivory paint watercolor ivory backing (day size), Dark brown wooden frame in upright rectangular format. In this, an oval male portrait rimmed

Hendrik van Overklift, Portrait miniature of man, portrait miniature medallion painting visual material ivory paint watercolor ivory (size), Oval male portrait in oval medallion with smooth rim and suspension ring with ring. Bulging glass plate.

Fan, with allegorical representation: Achilles receives armor from his mother Thetis, range of clothing accessories women's clothing clothes paper mother of pearl silver, watercolor engraved fan painted with representation of Achilles getting his

Joseph Marinkel, Portrait miniature of woman, portrait miniature painting footage paint watercolor parchment portrait (daily size), Portrait of woman half-length sitting depicting fan in the left hand Rotterdam

M. Snyders, Miniature painting with fisherman plunging fish into large bucket from bucket, painting sculpture dolls toy relaxing medium miniature model wood ivory watercolor, Standing rectangular painting on ivory in smooth copper-colored frame

Folding fan with carved ivory frame and multicolored painted parchment leaf with rococo motifs and pastoral scene, folding fan impeller clothing accessory woman clothes clothing ivory parchment wood copper paint watercolor, rash 145 ° fan blade

search results: Watercolor clear search