Images at Librifly

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Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a valley with a stream and hills in the background., USA, ca. 1855, landscapes, Drawing, Drawing

Project for a Painted Ceiling, Cesare Sermei, Italian, about 1590? - 1668, Graphite, pen and ink, brush and watercolor on paper, Horizontal rectangle. Embedded columns are supporting the oblong entablature, framing the view into the sky,

Rendering of Chancel, Leon Dabo, American, 1868–1960, Brush and watercolor, gouache, graphite on paper, An altar set in a shallow apse approached by steps; columns and pilasters set off the architecture., USA, 1902–10, architecture,

Africa, Brush and watercolor on paper, mounted, A ruler wearing a plumed turban holds a scepter with a crescent top and smokes a long-stemmed pipe; seated on a throne. A woman, seated at right, plays a stringed instrument. A lion is at left.

Studies of Meadow Flowers, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on cream wove paper, A thistle, right, with sketches of its leaves, far right and left. A wild aster, clover, and cowslip, center, with notes

Theater Curtain: View of a Classical Amphitheater, Marsigli-Rossi Theater, Bologna, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and brown ink, brush and watercolor on paper, Italy, 1808, theater, Drawing, Drawing

Plate Design with Bird and Flowers, Amédée de Caranza, active Longwy and Bordeaux, ca. 1867 – 1885, Vieillard & Cie., active Bordeaux, France 1845 – ca. 1895, Brush and gouache, watercolor, graphite on heavy cream wove paper, France,

Sepulchral Monument to a Hero, Pen and black ink, brush and pink, green, brown and black watercolor on off-white paper, Elevation of a free-standing circular monument, positioned at the center of the sheet. The monument stands on a circular

Ceiling of the Church of the Gesù, Rome, Italy, Pen and black ink, brush and grey watercolor on white laid paper, Sketch of the Church of the Gesù ceiling, painted by Giovanni Battista Gaulli (called 'Il Baciccio'), showing the Triumph of

Pauvre bibi!! J'en mourai ... peut être, Plate 7 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Gottfried Engelmann, 1788 – 1839, Lithograph, brush and watercolor on paper, The coach has turned over beside a stream.

Design for a Playing Card: King of Spades, Graphite, brush and watercolor on paper, Charlemagne is shown throwing in regalibus., France, 1825–1850, Playing Card, Playing Card

Fashion Plate from Le Mercure des Salons, Modes de Paris, Wood engraving, brush and watercolor on paper, Two women in walking dresses. One st anding right ink pink; the other sitting, facing left, in a white dress and green bonnet. Title above

Carriage, R.Ackermann & I.G.Beygangs, Engraving, brush and watercolor on paper, A green cab with black seats; a wheel at the back to balance it when unhitched. Two large wheels on one axle beneath the seat. Publishers' names and date below.,

Peep-Show Picture: View of St. Peter's from the Pincian, Rome, Brush and watercolor, graphite on paper, Two figures silhouetted in the foreground near a fountain, with Rome in the distance. Crescen moon cut out. St. Peter's pricked. Verso

Design for Fretwork, perhaps for the glass passage, Frederick Crace, English, 1779–1859, Pen and blue, black ink, brush and watercolor on white wove paper, Design for fretwork at the Royal Pavilion, Brighton, perhaps for the glass

Butterfly, Brush and watercolor on paper, Yellow and blue butterfly, shown as if in flight., England, ca. 1830, Drawing, Drawing

Project for a Vase, Pen and ink, brush and watercolor on paper, Elevation of a vase. Bottom decorated with acanthus leaves. Swags across body at top and mask under lip., Italy, 1800–1835, ornament, Drawing, Drawing

Design for a Comb, Pen and brown ink, brush and watercolor on white laid paper, laid down, Horizontal rectangle. Design for a hair comb with seven wavy tines intended to be executed in gilded metal with diamonds and pearls. The cresting of the

Design for a Badge of the Sicilian Military Order, Pen and ink, brush and blue, yellow, green watercolor on paper, Working sketch showing a design for a badge of the R. Sicilian Military Order of St. Ferdinand and of Merit. At left, a small

Window Case, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and dark brown watercolor on laid paper, Upper cornices form a circular pediment in the width of the window frame. The console supporting the entablature ends below with a

Fashion Plate from Le Moniteur de la Mode, A. Bodin, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Two women walking in the woods, with a

Elevation of a Wall, Pen and ink, brush and watercolor, black crayon on paper, Narrow oblongs showing candelabra rise near the corners. A door is near the left one and a painting of the rest of Diana over it. The great wall panel shows a calyx

Currants, Brush and watercolor, pen and ink on paper, A branch of currants; leaves are worm-eaten. Dated, in ink, lower right: '2nd Oct. 1827'., England, October 2, 1827, Drawing, Drawing

Valentine Greeting, Wood engraving, brush and watercolor on paper, A couple stand under a frame on which s tand t wo putti. Above, a six-line poem. Baroque Revival enframement around the entire composition., United States, ca. 1850, Greeting

Design for a Playing Card: Queen of Spades, Graphite, brush and watercolor on paper, A queen in medieval attire is shown standing, holding a book with both hands., France, 1825–1850, Playing Card, Playing Card

Design for a Bedroom, Pen and ink, brush and watercolor, black crayon on paper, A canopy bed is flanked by doors and set against a wall decorated with rectangular panels bearing ornamental motifs. The overdoors are in the form of painted oval

Valentine Greeting, Brush and watercolor, cut-paper on embossed paper, In the center, a floral spray around an embossed gold paper wedding ring encircling Cupid as a letter-carrier. Inscribed in blue ink: 'May Cupid thee to pity move / For pity

Study for a Painting: The Glory of Saint Dominic, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and gray watercolor on paper, The saint kneels upon clouds surrounded by three pairs of angels. The lowest ones carry a lily

Westminster Abbey, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper,

Carriage Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, Woman standing against a table, reading a letter. She wears a pale blue fur-trimmed coat over a white dress. A hat on the table,

Alternate Design for Memorial Window, Beecher Memorial Church, Brooklyn, NY, Alice Cordelia Morse, American, 1863–1961, Brush and watercolor, graphite on off-white wove paper, mounted to paperboard, Stained glass window-style decoration

La Chasse au Sauglier (l'attaque), Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Hunting party in a valley; the dogs

Corner Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, graphite on white wove paper, Corner border with undulating flowering vine design., USA,

Philanthropic Society, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on

Landscape with Mound, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and watercolor on paper, Landscape with mound., France, 1793–1877, Drawing, Drawing

Elevation of a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and watercolor on paper, Vase form on a square block with a rosette. At top, a flaring socket., Italy, early 19th century, metalwork, Drawing,

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and watercolor on light green paper, A man, carrying apparently colors and a child walks toward a boat. Trees are in the background. Some cows are shown., France,

A Courtyard, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, A courtyard is seen, with green and yellow foliage., USA, ca. 1885, landscapes, Drawing, Drawing

Sketch, Maple Tree, Samuel Colman, American, 1832–1920, Graphite, brush and watercolor on paper, On recto and verso: a tree; captions: 'Old maple tree on Broad St / Clarement N. H.' and the date respectively in ink over graphite. 'See other

Board of Trade, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and watercolor on

Painted Decoration of a Wall, Graphite, pen and ink, brush and watercolor on paper, At right, a door. At left, grotesque decoration. Above, two paintings and a frieze with palmettes., England, 1830–50, architecture, interiors, Drawing,

On a Country Road, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and grey watercolor on paper, A woman with a dog is shown on a road leading from a village in the back toward the spectator. Hilly country., France, Paris,

Design for a Painting, Five Putti, Jacob de Wit, 1695 – 1754, Black chalk, pen and ink, brush and gray watercolor, brush and white gouache on brown paper, mounted, Three surround the fragment of a column, two fly. Framing chalk line.,

At the Shore of a Bay, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and gray watercolor on tissue paper, A pavilion at the corner of a garden wall and a cross are shown in the first plane. A coast line and a lighthouse

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design in horizontal rectangle in grays and blues, taupes, similar to stones, in different

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-748. Above a disk, below three drops, at center a studded ribbon and blossoming flowers at

Honeysuckle, Brush and watercolor on paper, A branch of honeysuckle against a light brown ground., England, ca. 1870–1890, Drawing, Drawing

A Shears Grinder, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, Figure of a man shown from behind, his right foot raise, operating a grinding machine., Italy,

Fashion Plate from Le Moniteur de la Mode, E. Gailland, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Two women and a child looking at a

West Front of Saint Patrick's Cathedral, James Malton, English, 1761 - 1803, Aquatint, brush and watercolor on paper, Corner of Cross Poddle Street (indicated by sign, right) with the cathedral entrance nearby. Figures and animals in the

Long-Tailed Cormorant, Plate 31 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Large black and white bird with a small brown head

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The usual scheme with a disk above and three drops below. In the center, two doves above leafy stems, fastened by a small

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, In Pompeian manner, covered with painting from left to right into a narrow band panel, a pilaster, a wall panel with a window, a vertically oblong wall panel.,

White-Bodied Sunbird, Plate 17 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, A gray bird with speckled white underside on a tree

Peep-Show Picture, View of the Castel de St. Angelo and St. Peter's, Rome, Lithograph with brush and watercolor on paper, pricked, Two small boats are seen in the Tiber. Figures silhouetted in them and in the left foreground. Full moon cut out.

La Course en Sac, from La vie de château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Seven men in brown sacks

Design for Doorway, Possibly for Lobby or Vicinity South of Dining Room, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Design for a section of

Fashion Plate, Modes Vraies, Laure Noël, French, 1827 - 1878, Musée des Familles, French, 1833 - 1900, Engraving, brush and watercolor on paper, Woman and two children on a wooden bench in a park. A tree overhead, and a chateau beyond,

Vue de l'intérieur de l'église de Notre Dame de Paris, No. 8 (View of the Exterior of the cathedral Notre Dame, Paris, Plate 8) from Vues pittoresques des principaux édifices de Paris, J. A. Campion, French, active 1750 - 1800, Jean

Designs for Two Brooches, Pen and black ink, brush and gray watercolor on paper, Jewelry designs for two brooches, arranged vertically one above the other; each a knot of laced ribbon à jour with a rosette at center. In the example above, the

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Five big and four small drops, hanging from a kind of pavilion with two stories and a cupola. Its base are volutes. Between

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, A symmetrical grotesque frieze with caryatids and birds., Italy, 1600–1625, ornament, Drawing, Drawing

Design for the Upper Part of the Carved Decoration of a Wall Panel, Brush and gray watercolor, pen and chinese black ink on paper, France, ca. 1750, Drawing, Drawing

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, A folding door is flanked by high arched windows with hangings., France, possibly Holland, ca. 1785, drawing,

Fashion Plate from Le Moniteur de la Mode, J. Bonnard, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Two women on the seashore with a dog.

Design for a Frame with Alternative Suggestions, Pen and ink, black chalk, brush and brown watercolor, white gouache on paper, Design for a frame intended to be executed in metal with alternative suggestions. The left half consists of

Orchestres du grand carre des champs-elysees (1838)', Félix-Jacques Duban, French, 1798 - 1870, Brush & pen & watercolor, graphite Support: light tan paper mounted on off-white laid paper, Design for an open-air pavilion with a blue triangular

Fashion Plate from 'Le Moniteur de la Mode', E. Gailland, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Four young women, one with a jump

Fashion Plate from Le Monde Elégant, Wood engraving, brush and watercolor on paper, Girl, left in purple and yellow dress. Two women; center one in pale violet and white pleats; right one in blue and beige. Trees beyond. Title and date below.,

In the Park of Ermenonville, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, In the first plane is a part of a pond with a water gate. A sarcophagus in classical

Leaden Hall Market, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and watercolor on paper, The Virgin stands in front of what seems to be a sarcophagus in a niche. She is seen from the front, her head turned toward left, in profile.

Design for a Sepulchral Monument for Three Brothers, Graphite, pen and ink, brush and watercolor on paper, Intended to be executed with white marble and marbles of many colors. Below is a base. One sarcophagus stands in the central panel of the

Pennant-Winged Night-Jar, Plate 5 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Brown and black speckled bird with two long

Design for a Bracelet, Pen and brown ink, gray wash, green, yellow watercolor, traces of graphite Support: off-white wove paper, Italy, Italy, 1800–1825, jewelry, Drawing, Drawing

Frieze with Dancing Children, Charcoal, pen and ink, brush and watercolor on paper, Six dancing children. At left, three playing musical instruments. Framing lines., Italy, 1600–1625, figures, Drawing, Drawing

A View of the Palace of Chantilly, S. Rigaud, Robert Sayer, British, 1725 - 1794, Engraving, brush and watercolor on paper, The palace, center rear, surrounded by water and gardens with fountains. Foreground shows men and women walking and

Snowberries, Brush and watercolor, pen and ink on paper, A branch of snow-berries, with two blossoms. One leaf is worm-eaten. Dated, in ink, lower right: '8th Oct. 1832'., England, October 8, 1832, Drawing, Drawing

Design for a Firedog, Pen and ink, brush and watercolor, graphite on paper, A bronze base supporting the seated figure of a winged sphinx, facing left in profile. Upon the head of the figure is a basket of flowers., France, 1780-1790,

The Holy Family, Fortunato Duranti, Italian, 1787 - 1863, Brush and dark brown watercolor on paper, The Virgin sits at left, seen from the front, holding the Child in her lap. The scenery is a vaulted room. Joseph near two large logs. At left

Pantheon Masquerade, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on

Design for a Bracelet, George E Germer, 1868 – 1936, Graphite, brush and white gouache, brush and yellow, brown watercolor on cardboard, Bordering lines as 1939-84-20. Fasces., USA, 1910–1920, Projects for braclets, Projects for

Design for a Candle Bracket, Pen and ink, brush and watercolor on paper, Vertical rectangle. Design for a candle bracket intended to be executed in partly gilded bronze. A central and two lateral arms springing from a cornucopia, with a ram head

The Progress of Steam, S & J Fuller, British, 1809 - 1862, Engraving, brush and watercolor on paper, Two steam-driven carriages pass a coal-vendor. Below, title, publisher's name and date, and 'I say Fellow, give my Buggy a charge of Coke,

Design for an Earring, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for an earring, a disk above and three drops below in a scheme similar to 1938-88-839. The most important difference being an a jour

Design for a Brooch, Pen and ink, brush and watercolor, sepia on paper, The head of a satyr with diamonds in the eyes; upon the forehead is a diamond, two pear-shaped gems pending from the ears., Italy, 1825–50, jewelry, Drawing, Drawing

Optical Toy: 'Mount Vesuvius', William Spooner, England, active 1830 – 1854, Lithograph, brush and watercolor on paper with embossed gold paper strips, View looking across the Bay of Naples, with Vesuvius in the distance. When held to the

Courtyard Façade of the Louvre, Plate 40 of Vues Pittoresques de Principaux édifices de Paris, L. Roger, French, active 18th century, Jean Testard, French, b. ca. 1740, Les Campion Frères, Paris, France, Engraving, brush and watercolor

India House, The Sale Room, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush

Cruel effets d'une digestion interrompue, Plate 5 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Gottfried Engelmann, 1788 – 1839, Lithograph, brush and watercolor on paper, Coach on the road; a woman sitting on top is

In a Cave, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolor on paper, View from a cave of what possibly is a stream and a village, with mountains in the background. A man gives something to a seated

The Pious Carter, Robert Cruikshank, 1789 - 1856, Graphite, brush and watercolor on paper, Illustration, interior with three figures. Man holding whip threatens a Black figure, standing right. Woman at left, holding a tankard, placers her

Survey Institution, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

March of Intellect No. 2, William Heath, British, 1794 - 1840, T. McLean, London, England, Engraving, brush and watercolor on paper, Cartoon showing other fantastical means of surface and air transportation than are seen in -84, including a

Design for a Playing Card: King of Clubs, Graphite, brush and watercolor, silver on paper, King Henry IV is shown obliquely, sitting in an armchair holding the mace., France, 1825–1850, Playing Card, Playing Card

Hercules Slaying the Hydra, Black chalk, pen and ink, brush and brown watercolor on paper, Shown from the front. Mountainous country. Framing lines., Italy, 1750–1800, Drawing, Drawing

Design for a Chimneypiece, with an Elaborate Overmantel, Black chalk, pen and ink, brush and watercolor on paper, Shown are the right side of the upper part the moldings framing the opening nearly entirely. A pedestal in the general shape of a

Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, pen and black ink, graphite on white wove paper, Pink fleur-de-lys pattern with bordering

Design for a Painted Frieze, Graphite, brush and gray watercolor, Chinese black on paper, Rinceaux with circular medallions at the ends of the spirals; two are shown. They contain landscapes, each with two figures. Festoons and tassels hang from

Devotional picure of St. Leander, Archbishop of Seville, Engraving and brush and watercolor on vellum, Within framing lines and a floral cartouche is the figure of the bishop, shown seated, in act of blessing. Descriptive ribbon reads: “Sn

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