Images at Librifly

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The Temptation of St. Anthony, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and grey-brown watercolor on paper, The same composition, with very little variations on either side of the sheet, in opposite directions.

Design for an Earring, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. Above, a round disk filled with circular gemstones; below, three pear-shaped drops; in the center, three flower blossoms surrounded by

Lineated Cuckoo, Plate 18 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Lineated cuckoo: bird with black-striated white chest and

An Angel Hammering a Chisel into a Burning Beast, Pen and ink, brush and watercolor and laid paper; verso: pen and ink, Vertical rectangle. An angel or putti shown from the front, sitting upon a beast, raising a hammer with his left hand and

Design for a Bedroom, Pen and ink, brush and watercolor, black crayon on paper, The bed with its hangings is shown at right and the door is at left. An oblong panel with a festoon and a painting of a Satyr and Nymph., Italy, 1790, Drawing,

Design for a Painted Frieze, Graphite, brush and gray watercolor on Chinese black on paper, Rinceaux with circular medallions at the ends of the spirals. They contain landscapes, each with two figures. Festoons and tassels hang from the lower

Project for a Cresting, Charcoal, pen and ink, brush and grey watercolor on laid paper, Horizontal rectangle. The right half is shown. Upon the lateral spiral of a kind of scrollwork podium sits a half-figure of a woman, having acanthus leaves

Rear Elevation of a Sofa, Black chalk, pen and ink, brush and gray and olive watercolor on paper, Three legs in the shape of calyces are at the front. On top of the upper edge are, laterally, two pairs of doves, in the center a bowl with a

Design for a Brooch, Graphite brush and watercolor on paper, Four radially disposed shells form an escutcheon, containing a big diamond in the center; below, a hanging pear-shaped pearl. Smaller pearls between the shells., Italy, 1815–25,

Design for an Earring, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. Double-sloped ring, with diamonds at the front. Suspended at it with both ends is the chain, consisting of two framing bands with,

The Post Office, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Aquatint, brush and watercolor on paper, Men in red coats, on stools at rows

Head of a Rooster, Samuel Colman, American, 1832–1920, Brush and watercolor and gouache, graphite on cream wove paper, Study of the head and neck of a cock. Shown in profile, turned toward right., USA, ca. 1900, animals, Drawing,

Great Subscription Room at Brooks, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint,

Fashion Plate from Le Moniteur de la Mode, J. Bonnard, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Two women in a field; a lake beyond.

Cherries and Butterflies, Brush and watercolor on paper, Two cherries on a branch with three butterflies hovering about it., England, ca. 1830, Drawing, Drawing

Realto Bridge, Court of Justice, Public German Warehouse, Johann Sebastian Müller, German, ca. 1715 - 1792, Michele Giovanni Marieschi, Italian, 1696 - 1743, John Bowles, British, active 1724 - 1756, Thomas Bowles, British, 1712 -

Guildhall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper, Gothic

The Palais Royal, Plate 32 of Vues Pittoresques de Principaux édifices de Paris, J. A. Campion, French, active 1750 - 1800, Jean Testard, French, b. ca. 1740, Les Campion Frères, Paris, France, Engraving, brush and watercolor on paper,

Decorative panel for July Festival, Félix-Jacques Duban, French, 1798 - 1870, watercolor, gouache, brush & black ink, graphite on tan paper mounted on off-white laid paper, Design for panel ornamented with densely curving floral vine with

Design for an Earring, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for an earring, the usual scheme, a disk above and three drops below. In the center two flower stems, fastened by a knot, in the middle

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown watercolor, white heightening on paper; Brush and brown watercolor on paper, The Virgin sits on a bank in the open. The Child stands in her lap. She puts her

L'Air, L. Turgis Le Jeune, French, active Paris and New York, ca. 1855 - 1857, Lithograph, brush and watercolor on paper, A group of picnickers are suddenly aroused by a squall. In the distance, a balloon floats by. Below, the title in

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, A variation of 1938-88-8214. Brackets are above in the lateral stripes supporting cornices of an entablature. Bunches of fruits hang below them. The rinceaux in the

Optical Toy: 'The Magic Lantern' (Spooner's Protean Views, no. 5), William Spooner, England, active 1830 – 1854, Lithograph, brush and watercolor on paper, mounted, Two adults and a group of children witness a magic lantern show - when held

Fire-Backed Sunbird, plate 15 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Tropical marsh bird, with red head, brown wings,

The Mint, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper, Room

Two Designs for Brooches in the 'Byzantine' Style, Pen and brown ink, brush and watercolor, graphite on white paper, Middle drawing in image. At left: In the center are two circles, similar to -63-56 left, connected by a rectangle. The arch

Plate IX, Design for Gentleman's Costume, Journal des Luxus und der Moden (Journal of Luxury and Fashions), Vol. 1, No. 3, Georg Melchior Kraus, German, 1737–1806, Friedrich Justin Bertuch, German, 1747–1822, Verlag des

New Gate, Chapel, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

Le double piègle, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Street scene. A fortune teller advises a young girl. Vendors and other people look on. Title at top. Below, publisher's name and 'Fillette,

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown watercolor on paper, The Virgin is sitting, with the body seen in profile, turned toward right. The head is turned toward the right shoulder. The Child stands

Red-Eyed Pigeon, Plate 22 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Bird on a branch, near the sloped bank of a lake. The

Frieze with Hunting Children, Charcoal, pen and ink, brush and watercolor on paper, Horizontal rectangle with ten children baiting a bear cub. At right, one rides a horse., Italy, 1600–1625, classicism, Drawing, Drawing

Brooch, Pen and ink, brush and watercolor on paper, A stiff ribbon with inlaid diamonds is crossed by its rolling ends to form a knot. Below hangs a diamond., Italy, 1825–50, jewelry, Drawing, Drawing

Design for Two Pendants with Caryatides and Dolphins, Pen and ink, brush and watercolor, sepia on paper, Larger pendant at left, with a round diamond framed by volutes. Below two ignudi frame a large oblong diamond. Three pendant pearl. Small

Peep-Show Print, View of the Bassin des Suisses, Versailles, Georg Gottfried Winckler, German, 1710 - 1786, Engraving, brush and watercolor on paper, Figures are seen in the foreground, with the artificial lake in the middle distance and the

Sketches of the Virgin with the Child and a Saint, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and brown watercolor on paper, One side. The Virgin is riding an ass. She is seen from the right side, from the back; the Child

Acer Saccharinum, Mlle. Janinet, French, active 19th c., Pierre Joseph Redouté, French-Flemish, 1759 - 1840, Engraving, brush and watercolor on paper, Sugar maple twig with five leaves. A double seed, lower right. Title in Latin and

Le château de Cartes, Louis-Marie Lanté, (French, 1789–1871), Georges Jacques Gatine, French, ca. 1773 - after 1824, Engraving, brush and watercolor on paper, Two little girls watch a house of cards being blown down by a boy. Below,

Design for a Playing Card: Valet (or Jack) of Diamonds, Graphite, brush and watercolor on paper, An armored knight is shown standing. The shield with a red cross is at his right arm., France, 1825–1850, Playing Card, Playing Card

Design for a Dressing Room, Pen and ink, brush and watercolor, black crayon on paper, Medallion portraits with dragging garlands and suspended from brackets serve as overdoors., Italy, 1790, Drawing, Drawing

Stage Design: Architectural Perspective, Unknown, Pen and brown ink, brush and grey watercolor wash; on verso: red and black crayon on laid paper., Horizontal rectangle. View through three openings of an arch on a paved street. The lateral

A View of the Three Fountains in the Gardens at Versailles, S. Rigaud, James Whittle, Robert Lawrie, British, 1755 - 1836, Engraving, brush and watercolor on paper, The three fountains, center. High shrubbery walls and trees around. Many men

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, France, possibly Holland, ca. 1785, drawing, drawing

Drawing Room St. James's, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on

Valentine Greeting, Brush and watercolor, cut-paper on embossed paper, A bunch of flowers in an embossed paper enframement and in the center a printed inscriptional ribbon: 'Firm and faithful, fond and true / Such my love I'll be with you'.,

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, Folding doors are near the corners. In the middle of the wall projects a panel between two pilasters showing in its top part candle brackets, a relief,

Optical Toy: 'The Entrance to Green Park' (Spooner's Protean Views, no. 11), William Spooner, England, active 1830 – 1854, Lithograph, brush and watercolor on paper, mounted, View of Marble Arcch. When held to the light, the scene is shown

Brig Coming About, West Point, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on paper, A brig sailing the Hudson, with hills and mountains in the rear., USA, August 5, 1870, transportation, Drawing,

Walking and Morning Dress, Ackermann’s, London, England, Engraving, brush and watercolor on paper, Woman in a white dress and hat, and a pink stole, leaning against a pedestal, facing towards the left. Title and publisher's name below.,

In the Country, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, At left is a gate of an estate. At right is a road and the wall of another estate. A man walks on

Design for a Painting of Saint Christopher, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and gray watercolor on paper, Shown from the front stepping down into the river with the Child upon his left shoulder. Mountainous

Design for a Lithograph, A Young Woman Standing on a Terrace, Adolphe Mouilleron, French, 1820 - 1881, Graphite, pen and ink, brush and brown watercolor on blue paper of a book wrapper, She is leaning against the railing, her head resting in

Valentine Greeting, Wood engraving, brush and watercolor on embossed paper, In the center, morning glories with Venus and Cupid resting in the blossoms. Inscribed (printed in black ink): 'Sweet floral Spirits in thy Flight / Thro balmy bowers of

Study of Tree, Samuel Colman, American, 1832–1920, Graphite, pen and brown ink, brush and watercolor wash on cream paper, Trunk of a willow., USA, March 14, 1892, Drawing, Drawing

Carriage, R.Ackermann & I.G.Beygangs, Engraving, brush and watercolor on paper, A black and yellow open cat with two large wheels on one axle beneath the seat; a vertical post dropped in front for a third support when unhitched. The publishers'

Design for a Chair, Brush and watercolor, grey wash, pen and black ink on white laid paper, Side chair, elongated seat upholstered in purple, bordered with leaf motif on pink and white stripe. Fan-shaped back, rectangular panel with central

Design for a Maltese Cross Pendant, Pen and ink, brush and watercolor on paper, Intended to be executed in enamel and diamonds. At bottom, instruments of the passion., Italy, 1725–1750, jewelry, Drawing, Drawing

Design for Bracelet, Pen and ink, brush and watercolor on paper, Five repeating units. In the center of each, a blue square diamond. The framing scrolls form pointed ovals., Italy, 1800–1825, jewelry, Drawing, Drawing

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, A short side wall showing a door frame flanked by window. Openings with hangings and sofas., France, ca. 1785,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The usual scheme with a disk above and three drops below. In the center, two cornucopia-like frames of ribbons with a flower

Design for a Bracelet, Pen and black ink, brush and gray watercolor, silver on light green paper, Jewelry design for a bracelet. In the center, a framed oval with a bouquet of flowers tied with ribbon, the oval bordered in a scalloped pattern

Fashion Plate, E. Gailland, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Two women on a path overlooking a lake and castle. One in a

Optical TOy: 'The London Mail Obstructed by a Snowdrift' (Spooner's Protean Views, no. 16), William Spooner, England, active 1830 – 1854, Lithograph, brush and watercolor on paper, mounted, View of a stagecoach making its way up a hill

Morning Dress, Ackermann’s, London, England, Engraving, brush and watercolor on paper, Woman sitting, holding a book. She wears a white dress and hat, and a white emrboidered wrap lies to the right of her. Title and publisher's name below.,

Fashion Plate from Le Mercure des Salons, Modes de Paris, S & J Fuller, British, 1809 - 1862, Wood engraving, brush and watercolor on paper, Two women in pink and white bonnets. One at left stands in a blue redingote; the other sits at right

Comme song quelques-unes, Pierre Maleuvre, French, 1740 - 1803, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Bedroom scene. A woman surreptitiously removes money from the trousers hanging by the bed of her

Le départ pour la promenade, from La vie de château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Three men and

Design for a Decorative Lunette, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Half-circular design of a Renaissance decoration including a blank escutcheon within a triple-arched architectural enframement. Frame of

Rufous-Vented Kinghunter, Plate 12 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, A pink-billed bird just above a stream. A white

Valentine Greeting, Brush and watercolor on embossed paper, In the center, an edelweiss. Inscribed in blue ink, above: 'Come my Dearest Valentine' and below: 'Haste with me to Hymen's Shrine'. Embossed paper enframement., United States, ca.

Inconvenient des Eperons dans les magasins de nouveauté, Genty, French, active 19th c., Engraving, brush and watercolor on paper, Shop scene. While the clerk removes a bolt of cloth from the shelf, his spur catches on a woman's skirt. Another

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Below are bases. Upon them stand upon plinths a frame in TT form, and a receding vertical stripe on either side. The grame has inside a molding with an ovolo and a

Design for Mosaic or Stained Glass Window in Honor of a Painter (“Palmam Qui Meruit Ferat”), Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache on board, A panel with a flying female genius raising a laurel

Plate 16, Design for Gentleman's Costume, Journal des Luxus und der Moden (Journal of Luxury and Fashions), Vol. 4, No. 6, Georg Melchior Kraus, German, 1737–1806, Friedrich Justin Bertuch, German, 1747–1822, Verlag des

Fashion Plate, Modes Vraies, Musée des Familles, French, 1833 - 1900, Engraving, brush and watercolor on paper, Two women by a park bench. One standing, right, in pink dress with a black lace shawl. The other, seated, in pale brown, with

A Scene in the Farce of 'Lofty Projects', George Cruikshank, English, 1792 - 1878, Engraving, brush and watercolor on paper, A London street scene, with six balloons about to ascend to join a host of others. Numerous explanatory captions.

Design for a Salon Wall, Pen and ink, brush and watercolor, graphite on paper, A folding door between two mirror wall panels., France, ca. 1760, drawing, drawing

Design for carved panel, Gilles Paul Cauvet, French, 1731–1788, Pen and Chinese ink, brush and watercolor, graphite on laid paper, Sphinzes, with rinceaux tails and carrying fruit baskets, crouch beside a censer., France, ca. 1770,

La côu et la pluie, que c'est romantique! Plate 3 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Pierre Langlumé, French, born 1790, Lithograph, brush and watercolor on paper, Group of people with two umbrellas

Design for a Chair, Brush and watercolor, grey wash, pen and black ink on white laid paper, Side chair, elongated seat upholstered in purple, bordered with leaf motifs on pink and white stripe. Sloped back, suggesting a reclining chair,

Foundling Hospital, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper,

Design for a Print with Twenty Theatrical Costumes Worn in Paris Performances, Victor Vincent Adam, 1801–1866, Graphite, brush and watercolor on light brown paper, The figures are copied from prints. The theaters are named above the figures.

Old Soldiers Hospital, Kilmainham, Dublin, James Malton, English, 1761 - 1803, Aquatint, brush and watercolor on paper, The hospital is shown at right, with a tower over the principal entrance. Terrance wall at left. Below, title, artist's

Rubus odoratus, Jarry, French, active 19th c., Pancrace Bessa, French, 1772 - 1846, Engraving, brush and watercolor on paper, One stem with leaves, three pink flowers and four buds, resembling the wild rose. Title in Latin and French, and

Design for Flowers as Hair Dress, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for flowers as hair ornament. A bunch of three branches, fastened by a ribbon. The central one has palm-like leaves, the lateral

Striped-Throated Lapwing, Plate 27 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Long-legged, three-toed bird, predominantly

Yellow-Billed Waterhen, Plate 28 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Black bird with yellow bill and red legs and feet.

Le Desarroi, Beaublé fils, French, 1773 - 1819, Engraving, brush and watercolor on paper, Street scene. A carriage knocks over a ladder, causing a sign-painter to fall, while a woman reaches for him with fire tongs from a window. Below,

A Decoration Dedicated to Peace, Graphite, pen and Chinese ink, brush and various watercolor and gouache, brush and varnish on paper, France, Europe, 1675-1700, Drawing, Drawing

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is framed by moldings which stand upon the same bases as the lateral pilaster strips. The panels of the latter and those of the frieze are of marble.

Frieze with Children, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Graphite, pen and ink, brush and watercolor on paper, Horizontal basin with four children holding a cloth. The background is tinted grey. Framed by two lines., Italy,

Optical Toy: 'The Rival Heros' (Spooner's Transformations, no. 7), William Spooner, England, active 1830 – 1854, Lithograph, brush and watercolor on paper, mounted, Two fighting cocks in an arena - when held to the light they become

Fashion Plate from Le Moniteur de la Mode, E. Gailland, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Six children playing with a puppet

Valentine Greeting, Brush and watercolor on embossed paper, In the center, a bunch of flowers. Inscribed in blue ink, above: 'How Blest my Love' and below: 'If you approve'. Embossed paper enframement., United States, ca. 1850, Greeting Card,

Allons! Allons! Il faur partir, Plate 9 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Gottfried Engelmann, 1788 – 1839, Lithograph, brush and watercolor on paper, Woman waking a couple in nightshirts, in an inn. Dog

Trinity House, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and watercolor on

Design for a Comb, Pen and brown ink, brush and watercolor on white laid paper, laid down, Horizontal rectangle. Design for the cresting of a hair comb intended to be executed in gilded metal with diamonds and three engraved gems. In the center

King's Mews, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and watercolor

View of Westminster Hall and Bridge, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and

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