Images at Librifly

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The Entrance of His Majesty Louis XVIII into Paris, 3rd May, 1814, Richard Holmes Laurie, English, 1777 - 1858, Engraving, brush and watercolor on paper, Spectators witness the king's arrival on the Pont Royal, which has been decorated with

Fashion Plate from Le Moniteur de la Mode, J. Bonnard, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Two women above a polo (?) ground.

Decoration of a coach panel, Brush and gray watercolor, pen and ink, black chalk on paper., Vertical drawing of a lateral panel of a coach. Wing-like. 'Summer' is shown seated upon clouds. She carries a sickle in her right hand and a sheaf of

Cut-Paper Devotional Picture: Saint Joseph with the Christ Child, Cut-paper, brush and watercolor, brush and gold paint on paper, Oval picture of Saint Joseph holding the Christ Child, within a cartouche of cut paperwork decorated with roses.

Study, Tree, Santa Barbara, California, Samuel Colman, American, 1832–1920, Black crayon, brush and watercolor wash on cream paper, Oblique view of three sycamores with leaves standing at a slope, which is marked with X. On verso,

A Windmill, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and gray and brown watercolor, brush and Chinese black on tissue paper, Obliquely shown from the backside. A railing is at left, houses are shown at right. The

Design for the Elevation of a Metal Baptismal Bowl, George E Germer, 1868 – 1936, George E Germer, 1868 – 1936, Graphite, crayon, brush and blue, yellow, and red watercolor on cardboard, In the shape of a baptismal font with a cover; a

Royal Exchange, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Hill, British, active in the United States, 1770 - 1850, Aquatint, brush

Fraktur: Gedächtniss (In Memory of) Jacob Hessel, Calligraphy in brown ink, brush and watercolor on paper, Borders and form words printed in black. Names and date filled in, in ink: 'Jacob Hessel, born 1787, died 1827, had nine children.'

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops; in the center two wings with a band above, a lambrequin (decorative drapery) below, and

Optical Toy: 'Windermere' (Spooner's Protean Views, no. 7), William Spooner, England, active 1830 – 1854, Lithograph, brush and watercolor on paper, mounted, View of Lake Windermere seen from a hill. When held to the light, the scene shows

Design for the Center Motif of a Pearl Necklace, Pen and ink, brush and watercolor on paper, A green gem in an octagonal mount is surrounded by leaves. Suspended from it are two heart-shaped pendants topped by a crown., Florence, Italy,

Design for a Brooch, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for a brooch in the form of a bow. Above a knot of à jour work with a central rosette. The hanging ends are fastened by a blossom in the

Leinster House, Dublin, James Malton, English, 1761 - 1803, Aquatint, brush and watercolor on paper, Façade of a Palladian palace, with dependencies beyond. Figures, one on horseback in the foreground. Below, title, artist's and

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The outer frame consists of pilasters with brakcets as consoles. The designs of the latter are different as are the decoration and the material used for the

Une visite dans le voisinage, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Four people entering a room, left,

Design for a Salon Wall, Pen and black ink, brush and watercolor, black chalk on paper, Two deep window bays are near the corners. In the center stands a console table under a mirror flanked by candle brackets. A framed representation of a lion

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, The central mirror over the mantel is arched. Laterally are shallow niches with sofas beneath mirrors., France,

Costume of a French Turco, Graphite, brush and watercolor on paper, He sounds a signal and holds the gun in the right hand., France, ca. 1880, Drawing, Drawing

Studies of French Soldiers, Victor Vincent Adam, 1801–1866, Pen and ink with watercolor on paper, pasted on original mount, A: Strip of ten standing soldiers with their types shown below; B: strip of nine Zouaves; C: a single Zouave; D: ten

Fashion Plate from Le Monde Elégant, Engraving, brush and watercolor on paper, Three women on a river bank. The left one in black and light brown; center one in blue, gray, and black; right one in gray-brown and yellow. Title and date below.,

Design for a Candelabrum, Pen and ink, brush and watercolor, graphite on paper, Plan of the decoration of the base from the top. Marble with bronze mounts of wreaths and leaves, rosettes., France, 1780-1790, drawing, drawing

Designs for Two Earrings, Pen and black ink, brush and red, gray watercolor on paper, Jewelry designs for two earrings. At left: the front of the ring at the earring's base decorated with a row of diamonds. The chain consists of three scrolls

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops, each with two rows of disks, a jour, between scrolls of ribbon. In the center a knot with

Design for a Fountain in a Park, Carlo Marchionni, Italian, 1702–1786, Black chalk, brush and watercolor on paper, mounted, A circular bowl stands in the center of an oblong basin. A fountain springs in its center, and water pours into it

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme is similar to 1938-88-840, with a simple ribbon. Above a disk, in the center a simple ribbon, three drops

Black-Zoned Plover, Plate 25 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Long-legged bird on a beach, with rock cliffs beyond.

Firenze, Veduta dal Giardino Bobol, Johannes Ruff, Swiss, 1813 - 1886, Saloman Corrodi, Swiss, 1810 - 1892, Amilcare Daverio, Italian, 1806 - 1874, Aquatint, brush and watercolor on paper, View of Florence from the Boboli Gardens. The

Crested Fern, Plate 30 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Gray and white bird with black crest and feet, on a large

Fork-Tailed Blue-Vented Bee-Eater, Plate 10 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Bird in a tropical swamp. He has a

Design for a Comb, Pen and sepia ink, brush and gray watercolor on paper; verso: graphite, Jewelry design for a hair comb. An oblong with a trellis in lozenge shape, the crossing points being alternatively shaped as circles with round diamonds as

Window Case, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on laid paper, Window case with a broken pediment; the attic of the central part has an opening., Italy, 1740–70, architecture, Drawing,

A Country House, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, A poor frame house with rotten straw roof is shown near a lake. Three steps lead to the porch.,

Convolvulus Cneorum, Brion, French, active 19th c., Pancrace Bessa, French, 1772 - 1846, Engraving, brush and watercolor on paper, Three long stems from a twig end in buds and white flowers resembling morning glories. Lower left, the flower

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolor on paper, Two women stand at the edge of a river, beyond which a church and other buildings are shown. at left is an elevation., France, Paris,

Seconds Voyageurs Aeriens ou Experience de Mm. Charles et Robert, Engraving, brush and watercolor on paper, A small gathering watches from the gardens of the Tuileries Palace the ascent of two men in a balloon. Below, lengthy description in

Design for a Playing Card: Valet (or Jack) of Spades, Graphite, brush and watercolor on paper, An armored knight is shown standing. The right hand leans upon the shield. The helmet has a crest of feathers., France, 1825–1850, Playing Card,

Watch House, St. Mary le Bone, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The inner consists of a part of a frame upon a base. Its frieze is decorated with branches which are surrounded by a waved ribbon. Above is a frieze with rinceaux. A

Design for a Bracelet, George E Germer, 1868 – 1936, Graphite, brush and white gouache, brush and brown, blue watercolor on cardboard, Bordering lines as 1939-84-20. Rows of lilac gems alternate with a diamond, on a band., USA,

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, a fountain flanked by griffins., Italy, 1600–1625, ornament, Drawing, Drawing

Military College, Chelsea, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and

Design for a Frieze, Jean-Guillaume Moitte, French, 1746–1810, Pen and ink, brush and watercolor on paper, A palmette motify with a fruit bowl as center, the Bacchus boy on a seat, a cornucopia., France, ca. 1780–1800, Drawing,

Lloyds Subscription Room, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

St. Margarets, Westminster, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor

Landscape with Ruins, Herman van Swanefeld, Dutch, ca. 1600 - 1665, Black chalk, pen and ink, brush and gray watercolor, brush and wash on paper, A seated woman and a standing man are shown in the left foreground. He points at the group of

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Laterally are pilasters with huge brackets as capitals. They show panels with garlands hanging in the upper parts. The inner frame is projecting in its upper part;

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops, each framed by four volutes and diamonds. In the center a knot in the shape of an

Design for a Brooch, Pen and ink, brush and watercolor on paper, A laurel wreath entwined with a knot. In the center, a round diamond. hanging belowm a drop-shaped diamond., Italy, 1825–50, jewelry, Drawing, Drawing

Walking Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, Woman standig by a railing, facing out to sea. She wears a yellow dress with pink trim, and a pink bonnet. Title below., London,

St. Luke's Hospital, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

Valentine Greeting, Brush and watercolor, embossed metal paper on embossed white paper, Bunch of flowers and Cupid in a wreath in the center. Inscribed in blue ink around central motif: 'My heart for you, Is fond and true'., United States, ca.

Fashion Plate from Le Monde Elégant, Wood engraving, brush and watercolor on paper, Three women indoors. Left, in brown skirt and blue and black jacket. Center, in black with white lace. Right, in violet with crimson piping. Title and date

Opera Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, Woman sittin in a box with a young boy in a pale blue suit standing by her left. She wears a white dress with a purple bodice. Title

Les amusemens des gentile douauiers, Plate 11 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Pierre Langlumé, French, born 1790, Lithograph, brush and watercolor on paper, Customs officers looking through trunks,

Fashion Plate from 'Le Moniteur de la Mode', E. Gailland, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Children on a carousel. Four

Design for the decoration of a panel, Black chalk, pen and ink, brush and rose and black watercolor on paper, In the center are two female half-figures, from which rinceaux spring. They support a torch-like blossom. Rectilinear framing line

Magdalen Chapel, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper,

Elevation of a Proposed Mausoleum, R. H. Robertson and R. Burnside Potter, Architects, American, Brush and watercolor, graphite on heavy board, A view of the approach to the chapel from within the court., New York City, New York, USA, ca.

Senegal Courier, Plate 24 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Long-legged bird in a marsh. A pale and red-brown

Grey Cap'd Gull, Plate 29 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Gray and white gull; red beak, eyes, and legs, on the

Peep-Show Print, Street Scene in London Showing the Monument Commemorating the Fire of 1666, Engraving, brush and watercolor on paper, pricked, Street scene in London showing the monument and a church spire beyond. Below, title in Latin and

Design for a Brooch, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for a brooch. Design takes shape of a knot, the ribbons of which are patterned with blossoms and spheres, accented by a central rosette

Two Designs for Earrings, Pen and ink, brush and gray, olive watercolor on wove paper, Jewelry design for earrings. The left one is marked with the number '1.' Similar to 1938-88-5342 but with a double-sloped ring and one kind of diamond. Number

Der Musterreiter (Travelling Salesman), Christian Gottfried Heinrich Geissler, German, 1770 - 1844, Engraving, brush and watercolor on paper, A travelling salesman is seen on a white horse, loaded down with his wares. Identifying inscriptions

Half Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, A woman sits on a hassock facing left; her right arm on a table. She wears a red and white stripedd dress, with white lace and green

Les Amusements nocturnes, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Man in nightcap in bed, left, reading.

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The central part has the transitional form from the knot to the wings, here done with flower stems. The usual scheme of a

Design for Wall Decoration, Blue (South) Drawing Room, Royal Pavillion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor over graphite on white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A

Gallery, possibly the Glass Passage, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Pen and blue ink, brush and watercolor, graphite on white wove paper, Perspective view of a narrow passageway, with an opening at the far

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring in the shape of a fantastic pavilion. Below five drops, with lambrequins (decorative drapery) above in the intervals. In the

Sadlers Wells Theatre, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on

Sketch, Sycamore, Santa Barbara, California, Samuel Colman, American, 1832–1920, Black crayon, pen and dark ink, brush and brown watercolor wash on light cream paper, The lower parts of two trees, turning away from each other, are

Encaenia in the Sheldonia, Thomas Uwins, 1782 - 1857, Brush and watercolor, graphite on paper, Encaenia in the Sheldonia, OXFORD, England, England, 1814, interiors, Drawing, Drawing

Fashion Plate from Le Monde Elégant, Wood engraving, brush and watercolor on paper, Three women outdoors. Left, in a blue dress with black fringe. Right, in violet with black lace. Center, in brown, gold and black. Title and date below.,

Interior of the Palais Royal, Plate 27 of Vues Pittoresques de Principaux édifices de Paris, L. Roger, French, active 18th century, Jean Testard, French, b. ca. 1740, Les Campion Frères, Paris, France, Engraving, brush and watercolor on

Birth Certificate, Heinrich Ebner, active United States, 1783 - 1850, Calligraphy in brown ink, brush and watercolor on paper, The printed form; the blanks in the center never filled in. Five printed verses in German in horizontal rectangular

Greenwich Hospital, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper,

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, A variation of the design of 1938-88-8206. The rinceaux spring from a palmette of ears of grain, with birds sitting beside. Shadow, background, base line, scale

Design for a Processional Cross, George E Germer, 1868 – 1936, Graphite, brush and yellow, orange watercolor on paper, In Gothic manner, with the symbols of the Evangelists similar to 1939-84-6 B. A knob, and the top of a staff, are at the

Red-breasted Sunbird, Plate 14 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Green bird on a branch with fruit. Tropical

Design for a Print with Twenty Theatrical Costumes Worn in Paris Performances, Victor Vincent Adam, 1801–1866, Graphite, brush and watercolor on light brown paper, The figures are copied from prints. The captions are written ion ink. Top row:

Strapwork Design, Graphite, pen and ink, brush and watercolor on paper, Design for vertical panel with strapwork and sphinxes., France and Italy, ca. 1650, architecture, interiors, Drawing, Drawing

Stamp Office, Somerset House, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint,

Le Louvre Colonnade, Facing Saint Germain, Plate 39 of Vues Pittoresques de Principaux édifices de Paris, L. Roger, French, active 18th century, Jean Testard, French, b. ca. 1740, Les Campion Frères, Paris, France, Engraving, brush and

Study of a Goat, Jean-Baptiste Huët, (French, 1745–1811), Pen and brown ink, brush and brown and gray wash, red-brown watercolor on white paper, ruled border in pen and brown ink, lined, Close up study of a standing bearded, horned goat,

Wall Decoration, Blue (South) Drawing Room, George IV, King of England, English, 1762 – 1830, Brush and watercolor over graphite on white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A design for a wall panel,

Design for the Painted Decoration of a Ceiling, G. Albergotti, Pen and dark ink, brush and watercolor, silverweight heightening on light green-gray paper, Divided into four squares with inner circles, three dividing those into a band and a

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown watercolor on paper, A: The Virgin stands in front of a high and large throne, the seat of which is covered with a cloth. She is seen from the front, carrying

Design for a Frieze, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, Three panels framed by oblongs with masks above and below, supporting festoons, whose other ends are

Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, pen and black ink, graphite on white wove paper, Border pattern with leaves and alternating

Experience Arostatique Faite Versailles le 19 Septembre 1783, Engraving, brush and watercolor on paper, A large crowd gathered in the courtyard of the Chateau at Versailles watches a flaming balloon overhead. Below, lengthy description in French

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Usual design scheme with a disk above and three drops below. In the center is a basket with flower stems and a central

Three-Banded Female Sandgrouse, Plate 23 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Brown, black and white specked bird

Evening Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, A woman sits playing a small harp; a dog by her side. She wears a white dress and hat, with pink trim and yellow and green flowers.

A Cross in Normandy, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and watercolor on paper, A cross in Normandy., France, ca. 1840, Drawing, Drawing

Design for a Brooch, George E Germer, 1868 – 1936, Brush and white gouache, graphite, brush and dark purple watercolor on cardboard, Bordering lines as 1939-84-20. Scheme, formed by scrolls and bands of diamonds. Three drops., USA,

Walking Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, A woman sits on a low carved table. She wears a gray dress with white trim and a yellow hat with white feathers. She is holding a

Fashion Plate from Le Moniteur de la Mode, E. Gailland, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, A woman and four children hunting

New Stock Exchange, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

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