Images at Librifly

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View of Rome, showing St. Peter's and the Vatican, Brush and watercolor on paper, View from a hillside showing, from left to right, the Castel S. Angelo, Saint Peter's, and the Vatican. Umbrella pines in the right foreground., Italy,

Prunus Brigantiaca, J. N. Joly, French, active 19th c., Pancrace Bessa, French, 1772 - 1846, Engraving, brush and watercolor on paper, A vertical twig with leaves and yellow fruit - three apricots or plums. Lower left, a cross-section.

Christ Child with Rosary, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and watercolor on paper, The Christ Child sits on his mother’s lap and hands a rosary to an angel. Design for a painting., Rome, Italy,

The National Parachute, or, John Bull Conducted to Plenty and Emancipation, James Gillray, 1756 – 1815, Hannah Humphrey, English, 1742 - 1814, Engraving, brush and watercolor on paper, Two figures in a balloon over England look down. The

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, strapwork with lions and caryatids flanked with scrolling rinceaux with bell flowers., Italy,

Door and Over Door, Blue (South) Drawing Room, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, silhouetted, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for a section

Elephant and Castle, Newington, Robert William Smart, British, active 19th c., George Hunt, British, active 1824 - 1831, George Hunt, British, active 1824 - 1831, Samuel John Egbert Jones, British, active 1820 - 1855, Etching and

Design for an Earring, Pen and black ink, brush and gray watercolor, silver on light green paper, Jewelry design for an earring. The ring and three palmettes on top, in the center, and below are of gold. They are connected by chains of disks or

Fashion Plate from Le Mercure des Salons, Modes de Paris, Wood engraving, brush and watercolor on paper, One woman standing left, wearing a white dress and hat, with green and brown trim; the other sitting right, in a pink dress. Title above

Design for a Salon Wall, Pen and ink, brush and watercolor, graphite on paper, An alcove with curtains and a sofa between niches with pedestals., France, ca. 1760, Drawing, Drawing

Friendship Greeting, Carnation, Graphite, brush and watercolor, brush and oil paint on cardboard, Standing man with carnations before him, Four-line verse; below, at top left: 'Carnation'., England, ca. 1890, Greeting Card, Greeting Card

In a Park, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and watercolor on paper, A lane, and a dilapidated house with a porch supported by two columns, are shown. A medieval tower rises above the trees in the right

La manie de la Truelle, from La vie de château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Four women, two men

Lambeth Palace, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

Title Page of a Lady's Souvenir Album, Lithograph, brush and watercolor on paper, The Three Fates are seated on a cloud in an architectural enframement. Below, symbols of the arts. At top: 'ALBUM' in gold letters., England, 1830–1840, Print,

In a Wood, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, A clearing is shown, and a ditch covered partly by a roof. A woman, laundering., France, ca. 1850,

Chelsea Hospital, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper,

Valentine Greeting, Engraving, brush and watercolor on embossed paper, In the center, landscape, with two lovers seated near a large tree. Inscribed below on print: 'My all on earth'., United States, ca. 1850, Greeting Card, Greeting Card

Great Courtyard, Dublin Castle, James Malton, English, 1761 - 1803, Aquatint, brush and watercolor on paper, Soldiers and other figures are seen in the castle courtyard. At right, a building with cupola, flanked by gates. Below, title,

Fashion Plate, E. Préval, active 19th c., François-Claudius Compte-Calix, French, 1813 - 1880, Les Modes Parisiennes, French, 1843 - 1875, Engraving, brush and watercolor on paper, Man in hunting dress with a gun, and a woman in hat and

Print, Maison Martinet, French, active 19th c., Maison Charon, French, active 19th c., Engraving, brush and watercolor on paper, A young maiden runs through an open landscape; seraph-heads blow inconsistency, coquetterie, vengeance, etc.

The Young Bacchus with Two Companions, Black chalk, pen and ink, brush and gray watercolor on rough gray paper, Bacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus

South Sea House Dividend Hall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and

Two Peasant Houses, Eugène Edouard Soulès, French, 1811–1876, Graphite, brush and watercolor on paper, Only a part is shown of one of the houses. A group of trees near the main one is outlined with graphite., France, 1811–1876,

Design for a Bedroom Wall, Pen and ink, brush and watercolor, black crayon on paper, The window is flanked by panels containing painted landscapes bordered with rectangular compartments bearing ornamental decoration. The dado has been left

Landscape with Mound and Greenery, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and watercolor on paper, Landscape with mount and greenery., France, 1793–1877, Drawing, Drawing

Section of the Wall of a Nunnery Chapel with the Choir, Pen and ink, brush and watercolor on paper, Elevation of a wall with a gallery above. At center, a door. Above this, a shell ornament and the gallery bows out in a convex curve., Italy,

Optical Toy: 'Mount Vesuvius' (Spooner's Protean Views), William Spooner, England, active 1830 – 1854, Lithograph, brush and watercolor on paper, mounted, View through an open loggia across a body of water with mountains in the distance.

A Stairway, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, View up a stairway, mounting to the right. House beyond, with terra cotta roof tiles., USA, ca. 1885, architecture, Drawing,

Fashion Plate from Le Monde Elégant, Wood engraving, brush and watercolor on paper, Three women beside a pond. The one at left in a brown dress with blue trim; center one in brown and red; right one in pale green and black. Title and date below.,

Project: A Hand Bell, Pen, sepia, red-brown watercolor on brown-grey paper, Vertical rectangle. The handle consists of birds with woman heads, with scrolls below, rows of blossoms, and leaves above. The main field of the body is decorated with

Project for an Ewer and Basin, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and watercolor on paper, Design to be executed in partial gilt silver. Edge of the basin is shown, from which the ewer rises. Shown in profile

Design for embroidery or tapestry, Alphonse de Neuville, French, 1835 - 1885, Pen, ink, watercolor, and gouache on paper, Design for embroidery or tapestry by Alphonse Marie de Neuville (1836–1885). Basket with flower and grapevine. Without

Petites colonne placee entre les colonnes departmentales', Félix-Jacques Duban, French, 1798 - 1870, Brush and pen, watercolor, graphite Support: light tan paper mounted on off-white laid paper, Design for a post, in which the main body is

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Laterally are stripes projecting from the inner frame and the pilaster strips outside. The strips have together with an upper one the shape of a part of a frame.

Design for a Painted Frieze, Graphite, brush and gray watercolor, Chiese black on paper, An ovoidal medallion with cupid riding a dolphin is flanked by rinceaux. Verso: an ovoidal frieze is bordered by bands with laural garlands on top and bottom

Project for an Ewer and Basin, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and watercolor on paper, Design to be executed in partial gilt silver. Edge of the basin is shown, from which the ewer rises. Shown in profile

A Lake in a Park, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and grey watercolor, oxidized white heightening on paper, Water with two boats is in the foreground. It is bordered at the back and at left by a

Costumes of Sorrento, Ischia, Procida, and Gaëta, Saverio della Gatta, Italian, 1777 - 1829, Black chalk, brush and watercolor on paper, mounted, Four women, a man, and children in the dress of their respective regions. At left, woman

Design for a Playing Card: Queen of Diamonds, Graphite, brush and watercolor on paper, A queen in Gothic attire is shown standing holding a rosary in her right hand., France, 1825–1850, Playing Card, Playing Card

Remembrance Greeting, Engraving, brush and watercolor montage on paper, Bunch of wood roses, left; below, an inscriptional ribbon carrying a six-line poem in four verses. Upper right, an engraving montage of a Russian Cossack and his bride.,

Black-Bodied Lapwing, Plate 26 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Three-toed water, marsh bird. Blue-black underside,

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Laterally are pilasters, the shaft of which is divided in three sections. Below are oblongs with bearded masks lying in panels. The central sections have a somewhat

Study of Oak Trees at Lake Dunmore, Vermont, Samuel Colman, American, 1832–1920, Pen and black ink, brush and watercolor, colored pencil on paper, Vertical rectangle. A group of oaks is shown in the foreground, standing at a hillside with

The Virgin Feeding the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and dark brown watercolor on paper, The Virgin sits beside a table, supporting her right arm the child, who stands in her lap, looking at the bowl from which the

Design for Pendant with Laurel Branches, Pen and ink, brush and watercolor on paper, A small round diamond framed by two laurel branches, with a knot below and two half figures of winged women with volute legs. At bottom, two rosettes with a

Design for a Brooch, Pen and ink, brush and watercolor, sepia on paper, An oval diamond with two hearts is framed by a band and outside by volutes, with beads in their center and upon the cusps, pending from two rings at teh sides and from

Design for a Firedog, Pen and ink, brush and watercolor, graphite on paper, A bronze base supporting, at left, a flaming urn on a stand and a garland. At right, a pineapple finial., France, 1780-1790, Drawing, Drawing

Fashion Plate from Le Monde Elégant, Engraving, brush and watercolor on paper, Three women on a walk, left, in light and dark brown. Center, in dark gray, with blue plaid trim; at right, in violet. Title and date below., Paris, France,

Wall Elevation with Fireplace, Frederick Crace, English, 1779–1859, Graphite, pen and black ink, brush and watercolor on wove paper, Vertical rectangle. Wall elevation with fireplace center, mirror above it, valance and domed coffered

In Classical Land, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and grey watercolor and black ink on paper, A road winds backwards, where a snow-covered mountain is shown beyond a valley. A classical sarcophagus stands

L'arrivée des Lettres et des Gournaux, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Six people in a parlor; two

Design for an Earring, Pen and black ink, brush and gray watercolor on paper, Jewelry design for an earring. Above an ovoid with diamonds around the middle. In the center a knot of lambrequins (decorative drapery) and ribbons with a disk in the

Design for Memorial Window, Beecher Memorial Church, Brooklyn, NY, Alice Cordelia Morse, American, 1863–1961, Brush and watercolor, graphite on off-white wove paper, mounted to paperboard, Stained glass window-style decoration with lobes

Design for Cresting of a Comb, Pen and ink, brush and sepia wash, yellow, light gray watercolor on light green paper, Horizontal rectangle. Design for cresting of a comb intended to be executed in gilded metal and pearls. High and narrow ovals

Blue-Bellied Bee-Eater, Plate 8 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, A long-billed bird with a red throat, green crap

Design for a Playing Card: Valet (or Jack) of Hearts, Graphite, brush and watercolor, Sully is shown standing beside a pedestal upon which a helmet stands. He carries a paper scroll with an inscription of which 'Roy' is intelligible., France,

Les anglais du voisinage, La vie de château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Three men, two women

The Yard – Tattersall's, the Saturday Before the Derby, Charles Mottram, English, 1807 - 1876, Thomas Musgrave Joy, English, 1812 - 1866, Henry Graves, British, 1806 - 1892, Engraving, brush and watercolor on paper, Courtyard, with a

Hôtel de la Monnaie, Plate 36 of Vues Pittoresques de Principaux édifices de Paris, Mlle Guyot, active 18th c., Jean Testard, French, b. ca. 1740, Les Campion Frères, Paris, France, Engraving, brush and watercolor on paper, View of the

Fashion Plate, J. Bonnard, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Five children in a garden playing ball. Artists' and publisher's

Strapwork Design, Graphite, pen and ink, brush and watercolor on paper, Design for vertical panel with strapwork, putti and swags., France and Italy, ca. 1650, architecture, interiors, Drawing, Drawing

Detail: Wall Decoration, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor on heavy paper, Narrow panels of painted decoration. Two narrow panels, one containing an escutcheon., USA, ca. 1885, interiors, Drawing, Drawing

Brooch, Pen and ink, brush and watercolor on paper, A rectangular diamond is framed by an escutcheon formed by two volutes of leaves. In the center, on the sides, two brilliants. Below hangs a pearl., Italy, 1825–50, jewelry, Drawing,

Fashion Plate from Le Monde Elégant, Wood engraving, brush and watercolor on paper, Three women in a greenhouse. One at left, in blue and pale brown; center, in red and black; right, in green and black. Title and date below., Paris, France,

Orange Blossoms, Brush and watercolor, pen and ink on paper, A branch with orange blossoms. Dated, in ink, lower right: '23rd April 1832'., England, April 23, 1832, Drawing, Drawing

Design for a Console Table, Giuseppe Barberi, Italian, 1746–1809, Brush and grey, brown, and rose watercolor, pen and gray and black ink, graphite on paper, with cardstock backing, Drawing showing part of a design for a console table.

Heralds College, The Hall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor

Tattersall's Horse Repository, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and

Design for an Earring, Pen and black ink, brush and gray, green, yellow watercolor on light green paper, Jewelry design for an earring. A ring with two slopes, a pointed oval fastened to it. Below it a knot on top of an oval green diamond,

Section of a Vestibule, Pen and ink, brush and watercolor on paper, The entrance is at right. The main wall shows an arched looking-glass over a mantelpiece, or a console table and flanked by fluted pilasters. In the outer panels are folding

Hurlingham - The Pavilion, H. Jamyn Brooks, Dickinson & Foster, English, active late 19th c., Engraving, brush and watercolor on paper, mounted, Men in polo clothes on and off horseback, and judges, etc. before a pavilion. Woods beyond.

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, A slightly altered variation of 1938-88-8211. A fret band is shown in the frieze. The oblong is omitted. Shadow, background, base line, plans. Scale as in

Design for a Playing Card: Queen of Hearts, Graphite, brush and watercolor on paper, Jeanne d'Albert is shown standing, holding a fan in her right hand, a handkerchief in the left., France, 1825–1850, Playing Card, Playing Card

Balustrades des Orchestres de la barriere du Trone', Félix-Jacques Duban, French, 1798 - 1870, Watercolor, brush and black ink, wash, graphic Support: off-white laid paper mounted on off-white paper, Design for a panel articulated at the

Design for a Chimneypiece, Pen and ink, brush and watercolor on paper, The alternative suggestions refer to a different form of the cornices of the entablature, to a different decoration of most moldings, to the use of a red st one, at right,

Study of a Tree on a Hillside, Samuel Colman, American, 1832–1920, Brush and watercolor, pen and brown ink, graphite on paper, Study of a tree on a hillside. Thick trunk with dense, relatively short branches and bushy clumps of green

In the Woods, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, pen and ink, brush and watercolor on tracing paper, A man upon a vehicle which is drawn by two horses points the direction to a walker. Two women are shown at the

Devotional picture of the Madonna of the Chair, Engraving and brush and watercolor on vellum, Within framing lines and a floral cartouche is the figure of the enthroned Madonna and Child, both wearing gold crowns. Descriptive ribbon, below,

The 'Ariel' Over the Pyramids, W. Walton, Day & Haghe, English, ca. 1830 - 1845, Lithograph, brush and watercolor on paper, A steam airship is seen over the pyramids of Egypt. Below, title: 'By Permission of the Patentees / This Engraving of

Friendship Greeting, Ivy, Graphite, brush and watercolor, brush and oil paint on cardboard, Standing man with ivy before him. Below, four-line verse. At top left: 'Ivy', England, ca. 1890, Greeting Card, Greeting Card

House of Lords, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper,

Print, Pierre Maleuvre, French, 1740 - 1803, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Street scene. A monkey on the back of a beggar pulls at the wig of a passer-by, who is about to be greeted by a

Blue-Bodied Roller, Plate 13 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, White-headed bird in a flowering tree branch. He has a

Nôtre Dame de Paris, from La vie de château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Two women on a yellow

Design for a Window Wall, Pen and ink, brush and watercolor, black crayon on paper, A dado is at the bottom. Two windows flank a wall panel showing a framed representation of two birds on a bowl over a mirror beneath which a console table

Plaisantez vois? Nous sommes à jeun depuis avant hier, Plate 4 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Gottfried Engelmann, 1788 – 1839, Lithograph, brush and watercolor on paper, Dinner at an inn. Woman

Optical Toy: 'Temple Bar by Moonlight' (Morgan's Improved Protean Scenery, no. 10), William Morgan, English, active 19th c., Lithograph, brush and watercolor on paper, mounted., View of TEmple Bar. When held to the light, the scene shows

Fashion Plate, Modes Vraies, Laure Noël, French, 1827 - 1878, Musée des Familles, French, 1833 - 1900, Engraving, brush and watercolor on paper, Young girl in blue and white, and young woman in violet, both seated on a couch, left.

Architectural Ornaments, Pen and black ink, brush and gray watercolor on cream laid paper, Design for an architectural ornament with grotesque ornament. Plants and measurements at top., Italy, 18th century, architecture, Drawing, Drawing

Frieze with Playing Children, Charcoal, pen and ink, brush and watercolor on paper, Horizontal rectangle with ten playing children. At the center, four dance. Framing lines., Italy, 1600–1625, figures, Drawing, Drawing

Fashion Plate from Le Monde Elégant, Wood engraving, brush and watercolor on paper, Three women standing on a balcony. Left one in blue and gray; center one in brown dress with purple trim; right one in green and white. Title and date below.,

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray watercolor on paper, Jewelry design for an earring. In the middle, between the disk above and the three drops below, is a blossom at

Freemason's Hall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

Half Morning - Walking Dress, Ackermann’s, London, England, Engraving, brush and watercolor on paper, Woman standing by a staircase, holding a large ermine muff. She wears a gray dress under a brown-violet coat. Title and publisher's name

Design for an Earring, Pen and black ink, brush and gray, green watercolor on paper, Jewelry design for an earring. The central diamond of the disk, the rosette and the drop are green. The central part is a knotted lace ribbon., probably

African Golden Oriole, Plate 1 of Birds of Western Africa, Vol. VIII, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, A yellow bird with partially black wings

Promenade Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, Woman standing by a railing, facing slightly to the right. She wears a white dress, with green jacket and parasol. Title and

Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural Designs, Black chalk, pen and ink, brush and watercolor on paper, A scrollwork escutcheon contains two shields with a greyhound rampant and a bear rampant, respectively. Two

Horse Armoury, Tower, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and watercolor

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