Images at Librifly

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Drawings and Prints, Albums Drawings Ephemera, Tattoo Design 'In Memory of My Mother', Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and

Gypsy Fiddler, 1858, Graphite, brush and watercolor., 7 11/16 x 10 7/8 in. (19.6 x 27.7 cm), Drawings, Monogrammist CG (German, 19th century

Arcadian Landscape, 1787–1842, Watercolor over graphite, Overall: 7 7/8 x 10 3/8in. (20 x 26.4cm), Drawings, George Barret, the younger (British, London 1767–1842 London

Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London, after 1754, Pen and brown ink, brush and gray wash, touches of watercolor, sheet: 10 5/16 x 8 in. (26.2 x 20.3 cm), Sir William Chambers (British (born Sweden),

Italian Farmer, mid-19th century, watercolor over pencil, framing line in pencil, 11-1/16 x 8-9/16 in. (28.1 x 21.7 cm), Drawings, Pierre Louis Dubourcq (Dutch, Amsterdam 1815–1873 Amsterdam

Interior of a Roman Inn, 1817., 1817, Watercolor over graphite, sheet: 11 3/8 x 16 5/8 in. (28.9 x 42.2 cm), Drawings, Bartolomeo Pinelli (Italian, Rome 1781–1835 Rome

Searching for the Fault after Hauling Back the Cable from the Bottom of the Atlantic, July 31st, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 7 in. × 10 1/4 in. (17.8 × 26.1 cm), Drawings, Robert Charles Dudley

Arab School, 1841–51, Watercolor and gouache over black chalk on brownish paper, sheet: 11 11/16 x 19 1/8 in. (29.7 x 48.6 cm), Drawings, John Frederick Lewis (British, London 1805–1876 Walton-on-Thames), For most of the 1840s, Lewis

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

A Woman, Followed by Her Servant, 1840–50, Brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Farm Building by a Pond, 1802–42, Watercolor over graphite, on off-white wove paper on artist's board, Sheet: 8 7/8 × 12 3/4 in. (22.5 × 32.4 cm), Drawings, Attributed to John Sell Cotman (British, Norwich 1782–1842 London

Landscape, mid-17th century, Watercolor. Framing line in pen and brown ink., 5 5/8 x 7 5/8 in. (14.3 x 19.4 cm), Drawings, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Bear Killing Bull, 1810–75, Watercolor on wove paper, Sheet: 8 3/8 x 13 3/4 in. (21.3 x 35cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Salisbury Plain with Old Sarum in the Distance, Wiltshire, 1800–1862, Watercolor over graphite with gum arabic and scratching out, sheet: 4 3/4 x 6 15/16 in. (12 x 17.7 cm), Drawings, William Turner of Oxford (British, Black Bourton,

Design for a Wall Elevation over Two Floors, 17th century, Pen and black ink, brush and gray wash and watercolor, over graphite underdrawing and ruled construction, sheet: 8 3/16 x 6 15/16 in. (20.8 x 17.7 cm), Anonymous, Italian, 17th

Design for a Hall Lamp No.6, ca. 1845, Watercolor, sheet: 12 5/8 x 15 1/4 in. (32.1 x 38.7 cm), Lamqua (Chinese, 19th century

Design for a Jacobean-style Staircase (recto); Architectural Element Design (verso), ca. 1867, Watercolor over pen and brown ink and graphite, with touches of gouache, sheet: 14 1/8 x 10 1/8 in. (35.8 x 25.7 cm), Matthew Digby Wyatt (British,

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Bermuda No. 1, Tree and House, 1917, Watercolor, graphite, and cut-and-pasted paper on paper, 10 x 13 7/8 in. (25.4 x 35.2 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Demuth and

The Garden Façade of Bagatelle, 1779, Pen and black ink, watercolor, over traces of black chalk, 11 1/8 x 15 13/16 in. (28.3 x 40.2 cm), Drawings, Jean Démosthène Dugourc (French, Versailles 1749–1825 Paris

Divan of Sultan Husayn Baiqara, dated A.H 905/ A.D0, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper; lacquer binding, 10 1/2 x 7 1/4in. (26.7 x 18.4cm), Codices, This lavishly embellished manuscript

'Khizr Comes to the Ascetic's Cell', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, ca. 1450, Attributed to Northern India, Ink and opaque watercolor on paper, Page: , Codices, This painting illustrates an episode from a five-part poem

'Portrait of Raja Bikramajit (Sundar Das)', Folio from the Shah Jahan Album, recto: ca. 1620; verso: ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on paper, 15 1/4 x 10 1/8in. (38.7 x 25.7cm), Codices, Painting by Bichitr

'Standing Youth in a Cape', Folio from the Bellini Album, late 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Painting: H. 7 in. (17.8 cm), Codices

'Entertainment in a Garden', Folio from a Khamsa of Amir Khusrau Dihlavi, Matla' al-Anvar, second half 16th century, Attributed to Iran, Shiraz, Opaque watercolor and gold on paper, OveralL. 12 5/8 x 7 1/8 in. (32.1 x 18.1 cm), Codices,

Going to Ivy Bridge, 1780–1827, Watercolor, Sheet: 4 5/8 x 7 15/16 in. (11.8 x 20.1 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Wrought Iron Gate Design (recto), Sketches for Bracket (verso), 1870–1900, Watercolor (recto); graphite (verso), sheet: 7 1/4 in. (18.4 cm), Anonymous, British, 19th century

View of a Village alongside a River, 1766, Pen and dark gray ink, brush and gray wash, watercolor, sheet: 4 9/16 x 6 11/16 in. (11.6 x 17 cm), Drawings, Samuel Hieronymus Grimm (Swiss, Bern 1733–1794 London (active Britain from 1768

Rübezahl, 1820–84, Watercolor on paper, 12 1/4 x 7 1/4 in. (31.1 x 18.4 cm), Drawings, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden

Isabella Hunter, Cousin of the Artist, 1781, Watercolor, colored chalk, and graphite, sheet: 16 1/16 x 11 1/16 in. (40.8 x 28.1 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Downman's cousin Isabella,

Man with a bandaged jaw, first half 20th century, traces of graphite, brush and black ink, gouache, watercolor, sheet: 16 x 8 9/16 in. (40.6 x 21.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Coat of Arms, 18th century, Pen and black ink, watercolor, traces of black chalk, sheet: 12 11/16 x 10 7/8 in. (32.3 x 27.6 cm), Drawings, Attributed to Anonymous, 18th century

'The Ascetic Witnesses the Woman Trying to Poison the Lover', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Small Daffodils, ca. 1914, Watercolor and graphite on paper, 13 3/4 x 10 in. (34.9 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Design for stained glass windows in Ditteridge Church, ca. 1859, Watercolor, pen and black ink, graphite, sheet: 15 1/2 x 13 in. (39.4 x 33 cm), Edward William Godwin (British, Bristol 1833–1886 London

Reproduction of the 'Great S-spiral frieze' fresco, Late Helladic III, ca. 1400–1200 B.C., Mycenaean, watercolor on paper, Overall: 36 x 26 1/2 in. (91.4 x 67.3 cm), Excavated 1884 west of the Great Forecourt of the Tiryns palace.. Ornamental

Seated Italian Peasant Woman, mid-19th century, Watercolor, over traces of graphite., 11 1/4 x 7 7/8 in. (28.5 x 20 cm), Drawings, Pierre Louis Dubourcq (Dutch, Amsterdam 1815–1873 Amsterdam

'The Lion-King Recruits the Ascetic Jackal', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Interior of the billiard room at Lupton House, Devonshire, designed by George Wrightwick for Sir J.B.Y. Buller, 1838, Watercolor, sheet: 10 x 13 3/4 in. (25.4 x 34.9 cm), Reid Turner (British, 1838–1896

Design for Curtains, 1841–1917, Graphite with touches of watercolor and white gouache, sheet: 14 x 9 15/16 in. (35.5 x 25.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for Ceiling Decoration, 1850–70, Watercolor, 6-1/8 x 6-1/8 in, Drawings, Anonymous, Italian, 19th century

Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch, 1700–1780, Pen and brown ink, brush with watercolor. Framing lines in pen and brown ink. Traces of lead point or graphite, sheet: 17 15/16 x 11 1/4 in. (45.5

Design for a Cupola with Old and New Testament Figures, 1720–1804, Watercolor, 19 3/4 in. diameter (50.2 cm), Drawings, Domenico de Angelis (Italian, ca. 1720–1804

Child Holding a Doll, 1780, Watercolor, pastel over graphite, Sheet: 9 in. × 7 7/16 in. (22.9 × 18.9 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales

Design for the Ancient Order of Foresters: 'Unity, Benevolence and Concord', 19th century, Pen and ink, brush and wash, watercolor and gouache, sheet: 10 x 6 1/2 in. (25.4 x 16.5 cm), Drawings, Anonymous, British, 19th century, The man

Design for a Fountain to be Executed in Bronze with a Marble Slab at the Back, ca. 1895, Graphite, watercolor, wash, Sheet: 28 x 21 in. (71.1 x 53.3 cm), Kay Maude Coggin (British, active 1890s

Group of Bison, 1810–75, Watercolor on laid paper, Sheet: 6 3/4 x 13 15/16 in. (17.2 x 35.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Vase, 19th century, Ink and watercolor, Anonymous, British, 19th century

Reception of a Persian Ambassador by a Mughal Prince, early 17th century, Attributed to India, Opaque watercolor and gold on paper, H. 5 11/18 in. (14.5 cm), Codices

Design for a Hanging Mirror with Shelves, 19th century, Ink and watercolor, sheet: 6 3/8 x 4 7/16 in. (16.2 x 11.2 cm), Anonymous, British, 19th century

Landscape on a Bay, 19th century, Watercolor, sheet: 9 1/4 x 14 1/4 in. (23.5 x 36.2 cm), Drawings, Anonymous, British, 19th century

Frame Design, 19th century, Ink and watercolor, Anonymous, British, 19th century

Decorative Letter 'I' with Putti (Embroidery Design?), 16th century, Pen and brown ink, watercolor, on vellum, sheet: 3 15/16 x 3 1/8 in. (10 x 8 cm), Anonymous, Italian, 16th century

Bungalow drawing -- Front Elevation, 1911, Watercolor, pen and black ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.5 x 30.3 cm), Ernest Geldart (British, London 1848–1929

Bathers by a Bridge (recto); Study after Houdon's Ecorché (verso), 1900–1906, Watercolor over graphite (recto); graphite (verso), Sheet: 8 1/4 x 10 11/16 in. (21 x 27.2cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906

Portrait of a Woman Seated at a Table, ca. 1896, Watercolor, white and red tempera over graphite, sheet: 12 x 9 3/8 in. (30.5 x 23.8 cm), Drawings, Will Houghton (British, died 1916

Illuminated Letter 'D' within a Decorated Border, 1830–62, Watercolor, pen and black and red ink over graphite with touches of gold and gouache, sheet: 9 3/16 x 14 9/16 in. (23.3 x 37 cm), Freeman Gage Delamotte (British, Sandhurst

Target Rock, 1931, Watercolor, charcoal and pastel on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Man in a checkered suit, first half 20th century, graphite, red and green colored pencil, brush and black ink, gouache, watercolor, sheet: 16 9/16 x 9 15/16 in. (42 x 25.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Old Woman holding keys, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 3/16 x 8 3/8 in. (38.6 x 21.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

The Amstelveen Road from Amsterdam towards Amstelveen, mid-18th–late 18th century, Watercolor over black chalk. Framing line in pen and black ink., 15-5/8 x 21-5/8 inches (39.6 x 32 cm), Drawings, Johann Edler Goll van Franckenstein (Dutch,

Hab.t de la Suisse from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Two Designs for Flower Stands, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Seascape (recto); Indecipherable sketch (verso), 1840–1906, Watercolor and gouache over graphite, Sheet: 8 5/8 × 11 11/16 in. (21.9 × 29.7 cm), Drawings, Hercules Brabazon Brabazon (British, Paris 1821–1906 Oaklands, London

'Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers', Folio from the Shah Jahan Album, verso: ca. 1610–15; recto: ca5–45, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/16 in. (38.3 cm),

Design for Oak Carving, from the Fireplace, Jerusalem Chamber, Westminster, 1820–71, Watercolor, sheet: 10 11/16 x 7 3/8 in. (27.1 x 18.7 cm), Charles James Richardson (British, London 1806–1871 London

Landscape with Horses and Carts and a River at Right, 18th century (?), Pen, brown ink, and watercolor over black chalk. Double framing line in pen and brown ink with black ink and traces of gilt., 8 3/4 x 12 1/2 in. (22.2 x 31.7 cm), Drawings,

Two Roses, ca. 1884–1904, Watercolor, Sheet: 7 x 4 3/4 in. (17.8 x 12cm), Drawings, Zacharie Astruc (French, Angers 1835–1907 Paris

Design for a Small Table on Casters, 19th century, Ink and watercolor over graphite, sheet: 4 5/16 x 3 7/8 in. (11 x 9.9 cm), Anonymous, British, 19th century

Cabinet Design, 19th century, Ink and watercolor, sheet: 5 3/8 x 6 7/16 in. (13.6 x 16.3 cm), Anonymous, British, 19th century

Folio from the Kathasaritsagara, ca. 1590, Attributed to India, Ink, opaque watercolor, and gold on paper, 12 3/4 x 8 1/8 in. (32.4 x 20.6 cm), Codices, This folio is from a vast compilation of tales in Sanskrit written by the

Design for a chancel, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and colored inks, colored pencils, and graphite on artist board in original warm grey window mat, Overall: 29 1/16 x 21 in.

Rood and screen for Panfield church, 1898, Pen and ink, over graphite, with watercolor, sheet: 15 x 10 3/4 in. (38.1 x 27.3 cm), Ernest Geldart (British, London 1848–1929

August, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Hab.t de Hapae from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Study of a red catchfly (Lychnis hirsuta), 1680, Watercolor, gum arabic, silver gouache (?), over a sketch in black chalk, sheet: 7 13/16 x 6 3/16 in. (19.9 x 15.7 cm), Drawings, Herman Saftleven II (Dutch, Rotterdam 1609–1685 Utrecht

Design for a Ceiling for the First Drawing Room at Culzean Castle, Ayrshire, 1779–82, Pen, watercolor and green wash, sheet: 13 9/16 x 17 in. (34.4 x 43.2 cm), Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Fifteen Architectural Subjects: Views of Munich, 1835, Watercolor, The drawings range in size from (sight): 1 3/8 x 11 3/8in. (3.5 x 3.5 cm) to 5 1/4 x 7 1/4 in. (13.3 x 18.4 cm), Drawings, Heinrich Adam (German, Nördlingen 1787–1862 Munich

Proposed Statue of St. Michael for St. Patrick's Church, Dumbarton, ca. 1917, Graphite and watercolor, sheet: 10 3/8 x 7 in. (26.3 x 17.8 cm), Drawings, Eric Gill (British, Brighton, Sussex 1882–1940 Uxbridge, London

Shield Designs, second half 19th century, Ink and watercolor, sheet: 5 9/16 x 9 1/4 in. (14.2 x 23.5 cm), Anonymous, British, 19th century

Elevation and Plan of the Façade of a Building, 1840, Pen and black ink and watercolor over graphite, 9 7/16 x 9 in. (24 x 22.9 cm), Drawings, Karl Friedrich Schinkel (German, Neuruppin 1781–1841 Berlin

A Concert, 19th century, Watercolor, sheet: 5 7/8 x 8 1/16 in. (14.9 x 20.5 cm), Drawings, Attributed to Daughters of Bishop Parr (British, 19th century

Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

'The Father's Advice Followed by a Son who Sets out to Join a Caravan with the Two Oxen', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 9 15/16 x 14 1/2 in. (25.3 x 36.8 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design of a Carving Chair, 1884–92, Watercolor over graphite, sheet: 12 3/8 x 10 1/2 in. (31.4 x 26.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for a Church Gate, ca. 1880, Pen and ink, wash and watercolor on tracing paper, sheet: 7 11/16 x 4 13/16 in. (19.5 x 12.3 cm), Richardson Ellson & Co. (British

Design for a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, graphite, and ink on paper, Overall: 24 1/8 x 12 3/4 in. (61.3 x 32.4 cm), Drawings, Possibly Tiffany Glass Company

Fairlop Fair, Essex, ca. 1816, Pen and brown and grey inks, tinted with watercolor, Sheet: 8 5/16 x 14 3/16 in. (21.1 x 36 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Study for 'The 'Bessie' of New York', 1932, Ink and watercolor on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Design for Cheval Glass, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Two Ladies Being Shown Fabric in a Dress Shop, 19th century, Watercolor, sheet: 5 1/4 x 5 1/2 in. (13.4 x 13.9 cm), Drawings, Anonymous, British, 19th century

Ceiling Design, 19th century, Ink and watercolor and gold, Anonymous, British, 19th century

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper mounted on board, Overall: 23 x 19 1/8 in. (58.4 x 48.6 cm), Drawings, Tiffany Studios (1902–32

Design for a Cabinet with a Black Top and Blue Interior, 19th century, Ink and watercolor, sheet: 5 3/16 x 6 7/8 in. (13.2 x 17.5 cm), Anonymous, British, 19th century

Old man with a cane, first half 20th century, brush and black ink, gouache, watercolor, with traces of graphite framing lines, sheet: 16 x 6 13/16 in. (40.7 x 17.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt), 1806, Watercolor, pen and black ink over graphite, Sheet: 13 13/16 × 14 9/16 in. (35.1 × 37 cm), Drawings, William Blake (British, London 1757–1827 London

Holly Leaves, 19th century, Watercolor, Sheet: 11 3/4 × 9 3/8 in. (29.8 × 23.8 cm), Drawings, Anonymous, British, 19th century

Khamsa (Quintet) of Nizami, 15th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, silver, and gold on paper, H. 11 1/2 in. (29.2 cm), Codices, By the end of the fifteenth century, manuscripts of Persian poetry typically were

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