Images at Librifly

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Great African Kingfisher, Plate 11 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Large stocky bird on a branch over a waterfall,

Design for a Ceiling Painting: Diana Selene Perceives Endymion, Pen and ink, black chalk, brush and gray and olive watercolor, brush and white gouache on paper, The goddess sitting in the crescent looks down to the sleeping shepherd, whose head

Design for a Console Table, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and ink, brush and watercolor on paper, Elevation of a table in the form of three winged lions supporting a flat plinth., Italy, ca. 1790, furniture,

Sailing Ships Near a Cape, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, A two-master is shown in the first plane. Rather a strong wind. A lighthouse is at the cape. The signature L G Haccon f is written upon a sail.

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The center has the shape of a fantastic urn from which are springing an ovoid and two lateral flower stems. Below, three

Le courage à l'Epreuve, Plate 10 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Pierre Langlumé, French, born 1790, Lithograph, brush and watercolor on paper, Robbers have stopped the coach; are at work inside and

Landscape with a Sleeping Woman and a Faun, Albert Christoph Dies, Austrian, 1755 - 1822, Brush and watercolor on paper, A landscape with large trees; on the right a nude female. Sleeping, on the left, a faun peeking at her through the

Aue qu'il fair froid, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Scene in a sitting room. A man warms himself before a fire, as do a dog and two women. A servant removes his coat, hat, umbrella and shoes.

The death of King Teja, Pietro Narducci, Italian, active 1809 - 1841, Pencil, pen, ink, brush, brown watercolor on paper, Horizontal rectangle. The king lying upon the ground, supported by a soldier, raises his left artm with the shield.

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown watercolor on paper, The Virgin stands turned toward right, in her arms the Child. A Paved floor and stairs, in the lower level, in the upper one what seems to be

Design for Brooch with Palmette and Escutcheon, Pen and ink, brush and watercolor, sepia on paper, A palmette framing an escutcheon, mainly formed by two upright volutes and containing a diamond. Bends of diamonds are in the intervals of the

Design for an Earring, Pen and black ink, brush and red, gray watercolor, silver on paper, Jewelry design for an earring. Scheme is similar to 1938-88-842 but with a third leaf as filling the inside of the cornucopiae. The outsides of the frames

Design for Link of Bracelet, Pen and ink, brush and watercolor, sepia on paper, In the center, a lozenge with the diamond. Scrolls which form two hearts in the direction of hte joints., Italy, 1800–1825, jewelry, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops, each in the shape of a blossom. In the center a palmette. Bevelled corners., probably

Westminster Hall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper,

Design for a Brooch, Pen and ink, brush and watercolor, sepia on paper, In the center a brilliant framed by volutes with four small pearls. The volutes belong to two shells horizontally turned towards the outer sides. Below hangs a large pearl.,

The Virgin and the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and gray-brown, dark brown watercolor on paper, The Virgin sits on the floor, the right leg outstetched, the left one crossed. She holds a book in her right hand. Upon

Designs for Three Brooches, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray, red watercolor on paper, Jewelry designs for three brooches. Above at left, a branch with red cherries and two doves; at right

Common Council Chamber, Guildhall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and

Design for a Pendant, Pen and black ink, brush and red, gray watercolor on paper, Jewelry design for a pendant. A knot of ribbon, à jour, with in the center a blossom between two flower stems, is supporting with a red ribbon a knot on top of

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor on paper, A long side wall with a door frame between two wall panels which show grotesque decoration and sofas standing in the central

Design for a Bracelet with Alternate Suggestions, Pen and ink, brush and watercolor on paper, Round blue stones surrounded by smaller ones, forming flowers. Connected by two and three rings with snake heads., Italy, 1825–50, jewelry,

Detail of panel of Salon of Louis XIII, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of rectangular panel. Left, carved sides. It contains painted decoration: urn divides composition. Left, reclining youth holding

St. Paul's Cathedral, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Aquatint, brush and watercolor on paper, View of interior of St. Paul's

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, A wall panel separeted by a pilaster and a window is in the second panel., Italy, 1790, drawing, drawing

Birth Certificate, Heinrich Ebner, active United States, 1783 - 1850, Calligraphy in brown ink, brush and watercolor on paper, Printed form in German. Record of [?] Jonir [?], born 1799, filled in with ink. Five verses in horizontal

Marriage Good Wishes, Brush and watercolor on paper, Two ladders form a rose arbor over a path. Inscribed at top: 'Matrimony as it should be'. At top of ladder: 'Solemnization'; at left: 'Love increasing, care unceasing, to be pleasing, will

Une visite au Village, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Peasant family in the doorway, left, of a

Les Amateurs de Paysage, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Three people painting or drawing on a ridge,

Carriage, R.Ackermann & I.G.Beygangs, Engraving, brush and watercolor on paper, A black and green open cab with two large wheels on one axle beneath the seat; a vertical post dropped in front for a third support when unhitched. The publishers'

Design for a Window, Possibly for Lobby or Vicinity South of Dining Room, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for a section of

Fashion Plate, Engraving, brush and watercolor on paper, Left, woman sits in chair at small table. Three women, center, with caps above their heads. Man at right, with a cigar and wearing tall silk hat., Paris, France, 1851, Print, Print

Design for a Carpet, Music Room, Frederick Crace, English, 1779–1859, Watercolor on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. A design consisting of an allover pattern of fantastic birds, the intervals filled

Les Voisins de Campagne, Villain, French, active 1822 - 1852, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Five older people seated left, one with a

Sketch, the Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and dark brown watercolor on light gray-brown paper, The Virgin is seen frontally, kneeling on the ground, the suckling Child in her lap. Her left hand crosses

Design for a Brooch, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for a brooch. Two branches, turned to the right, with a knot below, blossoms, and leaves. Two hanging teardrop diamonds., Italy, ca. 1750, jewelry,

Senegal Lark-Hell, Plate 20 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Bird in a tree; mountains and stream beyond. The bird

West India Docks, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper,

Fashion Plate from Le Moniteur de la Mode, E. Cheffen, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, A woman with four children by a

The Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and dark brown watercolor on paper, The halffigure of the Virgin is seen frontally, supporting the back of the Child. He is bending downwards, somewhat to

White-Eyebrowed Longtail, Plate 2 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Brid with a brown back, tail and wings, and a

Yelllow White-Eye, Plate 3 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Bird with green back, wings, and tail and a yellow

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-847, disk above and three drops below connected by a round diamond at center above a knotted

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The inner frame consists of moldings and outside, of a frieze whose back is suggested white, at left, of colored marble, at right. It is decorated by a band of

Designs for Memorial Plaques, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Three projects for trefoil arched memorial plaques. Center (B) completed, shows a tree-of-life motif; left (A) in graphite only, showing

Fashion Plate from Le Mercure des Salons, Modes de Paris, Wood engraving, brush and watercolor on paper, Two women in walking dresses. One stands left, wearing a gray dress and pink lined bonnet, and holding an umbrella. The other, in white,

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, a vase with florals. Scrolling rinceaux with birds and putti., Italy, 1600–1625, ornament,

Causeries du soir, from La vie de château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Two men on a scarlet

Design for a Badge of the Tuscan Order of St. Stephen, Pen and sepia ink, brush and gray, red watercolor on paper, Jewelry design for a badge of the order of St. Stephen. An eight-pointed cross is enamelled in red, with bordering white stripes,

Temple Church, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper,

Design for Palmette Pendant, Pen and ink, brush and watercolor on paper, An escutcheon composed of volutes, topped with a palmette. A pearl drop at bottom., Italy, 16th century, jewelry, Drawing, Drawing

In a Village, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, A road, running from the left background, passes an estate, part of which is shown. A spinning

Lying-In Hospital, Dublin, James Malton, English, 1761 - 1803, Aquatint, brush and watercolor on paper, Street scene; the hospital is shown at the left. Numerous figures and carriages in the street. Below, title, artist's and publisher's

Design for an Overdoor, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and gray, dark brown watercolor on laid paper, Above entablature is a pediment with a kind of attic. Pillar supports a bust; attic panel has medallion framed by

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, A long side wall with a mantelpiece with a mirror at the center., France, ca. 1785, Drawing, Drawing

Pillory, Charing Cross, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on

Brooch, Pen and ink, brush and watercolor on paper, A round diamond is surrounded by small ones. Above, a scroll of a ribbon with a row of small diamonds. A swag with three drops below., Italy, 1820–40, jewelry, Drawing, Drawing

The Salutation, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolor on paper, The corner of a park terrace is at right, whose will rises from a ditch. A road wings around its foot. A man stands on it looking

The Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown-gray watercolor on paper, The Virgin, in open country, with her right hand resting on the handle of a basket in which the Child lies. At right, in the

Two Pendants, Pen and ink, brush and watercolor on paper, Ribbons formed into bow knots. At center, a round faceted gem. Below hands a tear-drop gem., Italy, 1825–50, jewelry, Drawing, Drawing

Cavalcade de Longchamp, Engraving, brush and watercolor on paper, Two fops riding drafting horses, one down on its knees. At top: title. Below: ' Le Bon Genre, No. 3' and ' Déposé à la Bibliot[heque] Nat[tionale]…Rue Monmartre, No. 132.',

Decorative Wall Panels and Urn, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Pen and black ink, brush and watercolor with ruled border in pen and black ink, brush and black wash on white laid paper laid down on white wove paper,

Kings Bench Prison, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

St. Stephan's Walbrook, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on

Optical Toy: 'A Snow Scene', William Spooner, England, active 1830 – 1854, Lithograph, brush and watercolor on paper, Snow scene with a stagecoach and pedestrians. When held to the light, scene becomes a view through two tunnels through a

Design for Brooch with Leaves and Volutes, Pen and ink, brush and watercolor, sepia on paper, Leaves and four volutes are forming an escutcheon with a central big and two smaller pending round diamonds., Italy, 16th century, jewelry, Drawing,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. Design scheme is like 1938-88-837, but the basket has a different shape, and ribbons

Great Senegal Swall, Plate 6 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Bird on a branch overlooking tropical low areas. He has

Illustration, The Laughable Adventures of a Sleepy Charley, Robert Cruikshank, 1789 - 1856, Graphite, pen and ink, brush and watercolor on paper, Outdoor scene, at night. A man in a sedan chair, being carried by two others toward left.,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops, in the center a knot and two flower stems. The knot of lace ribbons, with alternating

Project for an Alter, Graphite, pen and ink, brush and watercolor on paper, The Virgin of the Seven Swords is shown in a medallion with rays and cherubim glories. The alter stands before the convex wall. Laterally are balconies and walls with

Walking Dress, Ackermann’s, London, England, Engraving, brush and watercolor on paper, Woman standing in a garden wearing a brown and white dress and hat, and carrying a gray parasol. Title and publisher's name below., London, England,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-826. The inside of the butterfly wings at center is filled with rows of disks without

Project for a Pediment, Pen and ink, brush and grey watercolor wash on laid paper., A broken pediment with an escutcheon on a pedestal in the center. It is supported by two standing children, two more crouch on the cornices holding indistinct

Design for Stained Glass Window in Memory of Christina Trask, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on brown paper, A girl seated on a bench holds a child in her lap to whom she gives a

Royal Institution, Albemarle Street, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822,

Fashion Plate from Le Monde Elégant, Engraving, brush and watercolor on paper, Child, center, in red and white, feeding a dog. Woman at left in brown; at right, in purple. Both dresses with black jackets. Title and date below., Paris,

Fashion Plate, Modes Vraies, Laure Noël, French, 1827 - 1878, Musée des Familles, French, 1833 - 1900, Engraving, brush and watercolor on paper, Child with two women at a toy booth in a park. Fountain beyond, right. Artist's and

Les douceurs du Retour, Plate 12 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Gottfried Engelmann, 1788 – 1839, Lithograph, brush and watercolor on paper, People getting out of coach, throwing down luggage,

A Classic Warrior Receives a Woman, Filippo Marchionni, Italian, 1732–1805, Red crayon, black ink, grey watercolor on paper, A young man sits at the right and extends his hand to a woman approaching from the left. Behind the seated man are

Elevation of a Bedroom Wall, Frederick Crace, English, 1779–1859, Graphite, pen and black ink, brush and watercolor on wove paper, Horizontal rectangle. Wall elevation with recessed bed center, coffered ceiling., 1815–22, interiors,

Door and Over Door, Blue (South) Drawing Room, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, silhouetted, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for a section

Yellow-Crowned Weaver, Plate 32 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Long-legged, three-toed bird, predominantly brown

Wild Anemone, Brush and watercolor, brush and ink on paper, A branch with three pink blossoms. Inscribed, lower right (in ink): 'Wild Anemone'., England, ca. 1830, Drawing, Drawing

A View of Florence on the Side of Arno and of Trinity Bridge, Nathaniel Parr, British, active 1742 - 1751, Giuseppe Zocchi, Italian, 1711 or 1717 - 1767, Robert Sayer, British, 1725 - 1794, Engraving, brush and watercolor on paper, Both

Egyptian Hall, Mansion House, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and

Design for a Brooch, Pen and brown ink, watercolor, graphite, ruled borders in graphite on white wove paper, Top drawing in image.At left: In the center is a freamed circle with a white cross, it's top red. Framed is lozenge shape. In the

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is framed as by the upper part of a molded frame, whose upper end is somewhat projecting. Below is a base. Upon the upper edge stands a relief with

Quand on n'a pas de memoire, il faur avoir des jambes! Plate 2 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Gottfried Engelmann, 1788 – 1839, Lithograph, brush and watercolor on paper, Men carrying a bird in a cage,

La Traverse, from La Vie de Château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Traverse with one wheel in a

Abundance (Design for Lunette, Equitable Building, New York), Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Project for a painted lunette in the old Equitable Building, New York City. Two

Design for a Candelabrum, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and yellow, green-brown watercolor on paper, Vertical rectangle. Design for a candelabrum with three candles, the pedestal supported by crouching lions. Above

Rufus-Bellied Flycatcher, Plate 4 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Long-tailed brown bird with partially black wings

Coach, Engraving, brush and watercolor on paper, A closed coach; the cab and box of black and yellow, the wheels and support of pink, and green interior. Title and publisher's name and date below., London, England, 1825, transportation,

Imaginary Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and watercolor on light green paper, View in a park with a sailing boat upon water. A part of a fantastic structure is shown., France, Paris, France,

Klass Golden Cuckoo, Plate 21 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Bird in a tropical meadow. A dark green head, olive

Peep-Show Print, View of Versailles from the Chateau, Georg Gottfried Winckler, German, 1710 - 1786, Engraving, brush and watercolor on paper, pricked, mounted, The court of the cheateau is shown in the foreground with many figures and

Evening Dress, Rudolph Ackermann, English, b. Germany, 1764–1834, Engraving, brush and watercolor on paper, Woman st anding by the base of a pillar, facing towards the left. She wears an ankle-length yellow dress; a yellow bonnet with white

Society of Agriculture, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

Decorative panel for July Festival, Félix-Jacques Duban, French, 1798 - 1870, watercolor, gouache, black ink, wash, graphite on tan paper mounted on off-white laid paper, Design for a panel ornamented with an abstract vine motif and flowers

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