Images at Librifly

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Fraktur: Bird and Flowers, Calligraphy in brown ink, brush and watercolor on paper, Green parrot with red and yellow wings and black feet, on a branch with red berries. Upper right, a red, black, and yellow flower, and another branch. Name

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. Design scheme similar to 1938-88-834, the knot being formed by two parallel ribbons.

La noce de la fille du fermies, from La vie de château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Couples

Yellow-Billed Coucal, Plate 19 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, A blue bird with large dark blue tail on a branch in

Design for Wall Decoration, Possibly for Lobby or Vicinity South of Dining Room, Frederick Crace, English, 1779–1859, Brush watercolor, pen and ink on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for a section

Design for Stained Glass in Music Room in Miss Caldwell's House, Newport, R. I., John La Farge, American, 1835–1910, Graphite and watercolor on paper, Unfinished project of rectangular panels in geometric patterns. Four panels completed.,

Synagogue, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and watercolor on paper,

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is laterally framed by two pilaster strips of colored stone. They are framed by tori in gilded metal as is the upper edge of the opening. Fantastic

Fashion Plate from Le Moniteur de la Mode, J. Bonnard, French, active 19th c., Jules David, French, 1808 - 1892, Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Two women, one in white, the other

Design for the decoration of a panel, Black chalk, pen and ink, brush and blue-grey and black watercolor on paper, A female half-figure in the center of rinceaux. Rectilinear framing line surrounds. Measurements have been indicated at left and

Marriage Good Wishes, Brush and watercolor on paper, Two ladders form a flower arbor over a path. Inscribed at top: 'The Ladder of Matrimony'. At top of ladder: 'Congratulation'; at left: Consideration, Dissimulation, Disapprobation,

Fashion Plate from Le Monde Elégant, Wood engraving, brush and watercolor on paper, Three young women, the one at right in red and white, at a piano. One at left, in pink and white; center, in gray, blue, and yellow dress with black lace.

Thames Barges, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on paper, Five designs of Thames barges, each on a separate row. Between the top and the second row, the after part of a barge is shown, at right. Verso: At

Design for a Chimneypiece, with an Elaborate Overmantel, Black chalk, pen and ink, brush and watercolor on paper, Shown are the upper right corner of a door frame, at left, and the left side of the fireplace. The opening is framed by molding.

Quakers Meeting, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

A Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and brown watercolor on paper, A stream is shown winding through a hilly country. Houses are shown in the right middle plane., France, 1874, Drawing,

West Country Mails at the Gloucester Coffee House, Piccadilly, Charles Rosenberg, T. McLean, London, England, Engraving, aquatint, brush and watercolor on paper, Crowded street, before three buildings. Gloucester Coffee House, left; hat

Design for a Brooch, George E Germer, 1868 – 1936, Brush and white gouache, graphite, brush and gray watercolor on cardboard, Bordering lines as 1939-84-20. In the shape of a crossbow with filigree, diamonds, and drops., USA, 1910–1920,

The Luxembourg Palace, Plate 31 of Vues Pittoresques de Principaux édifices de Paris, J. A. Campion, French, active 1750 - 1800, Jean Testard, French, b. ca. 1740, Les Campion Frères, Paris, France, Engraving, brush and watercolor on

Session House, Clerkenwell, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, A variation of 1938-88-8203 without projecting upper part of the frame. It is decorated with a ribbon surrounding a staff; it is angularly broken. The lateral

The Angel Leading Tobias Homewards, Fortunato Duranti, Italian, 1787 - 1863, Brush and gray-brown watercolor on paper, Tobias and the Angel are turned toward left. The boy has the fish in his arms; half-figures., Rome, Italy, 1820–1850,

Design for Illuminated Initial 'F', Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, brush and white gouache (corrections), green watercolor on paper, framing lines in pen and black ink, squared, Figures of river god and four

Design for a panel with a head in front of two crossed thyrsi, Graphite, brush and black and grey-green watercolor on paper, Framed by a moulding, measurements are inscribed, France, 1760–1780, architecture, Drawing, Drawing

The Virgin and the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and dark brown watercolor on paper, Below, the Child, recumbent and leaning upon his right forearm. The Virgin stands behind in adoration,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Similar to designs for 1938-88-7587 and 1901-39-743; the latter appears to be a somewhat later simplification but transforming

Whitehall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on paper, Altar

Brooch, Pen and ink, brush and watercolor on paper, A knot with a hanging diamond., Italy, 1825–50, jewelry, Drawing, Drawing

Devouement force, Plate 6 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Pierre Langlumé, French, born 1790, Lithograph, brush and watercolor on paper, Coach stuck fording a stream. It is tipping and the men are

Design for a Brooch, Pen and gray ink, brush and gray wash on white laid paper; verso: brush and watercolor, graphite, Jewelry design for a brooch. Above, a knot with a blossom in the center; a hanging drop framed outside by arms with lozenges

Design for a Painted Frieze, Graphite, brush and gray watercolor, Chinese black on paper, A frieze consisting of rinceaux motifs with three spirals connected by a bead festoon and a peahen eye. Reverse: Satyrs in landscape. Three Satyrs blow

Fashion Plate from Le Monde Elégant, Engraving, brush and watercolor on paper, Three women in gowns on a porch. All in white; one at left with green and black trim, center with pink, right with blue and yellow. Title and date below., Paris,

Fashion Plate from The Englishwoman's Domestic Magazine, A. Bodin, French, active 19th c., E. Préval, active 19th c., Abel Goubaud et Fils, French, active 19th c., Engraving, brush and watercolor on paper, Left, woman in blue,

Design for a Pendant, Pen and black ink, brush and gray, green watercolor on light green paper, Jewelry design for a pendant. Above a knotted ribbon; hanging from a green ribbon below is a small knot on top of a 'roof' with six hanging rows of

Les Contes de revenants, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Seven women and a man around a table, left.

The English Army on Campaign, Artaria and Co., founded 1770, Engraving, brush and watercolor on cream-colored paper, A company of English soldiers is seen about to break camp and head on the march. A group of officers are on horseback in the

La Matinée, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Right, woman at a piano with a child. Center, woman

Lottery Drawing: Coopers Hall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint,

Fashion Plate, Engraving, brush and watercolor on paper, Man at left, with a cane. Four women standing to the right of him, one reading a score by a piano. Four caps above., Paris, France, 1851, Print, Print

In the Woods, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and gray watercolor, brush and black and white gouache on blue paper, A woman sits under a tree in the right middle plane. A seated group is shown in the left

The Aelian Bridge and Castle of St. Angelo, Thomas Bowles, British, 1712 - after 1753, John Bowles, British, active 1724 - 1756, John Bowles, British, active 1724 - 1756, Engraving, brush and watercolor on paper, Castle of St. Angelo,

Fashion Plate from Le Mercure des Salons, Modes de Paris, Wood engraving, brush and watercolor on paper, Two women in white dresses and bonnets. One stands left, with pink and yellow trim; the other sits right, with blue ribbons on the dress.

Workhouse, St. James Parish, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and

View of the Tower, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Thomas Sutherland, British, 1785 - 1838, Aquatint, brush and watercolor on

Design for an Earring, Pen and black ink, brush and green, gray watercolor on off-white laid paper, Jewelry design for an earring. The disk above and the three drops are connected by a knot of a single ribbon, interlaced with two flower

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is framed by moldings and stripes. Fluted pilasters are laterally. Ramheads with blossom festoons are in the capitals. Above is a high entablature with

Segment of a Floral Wreath, Brush and watercolor on paper, Segment of a wreath of poppies and blue cornflowers., England, ca. 1802, Drawing, Drawing

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, A short side wall showing a door flanked by high windows with hangings., France, ca. 1785, Drawing, Drawing

A French Officer of the Early 19th Century, Paul Delaroche, French, 1797 - 1856, Black crayon, brush and brown watercolor on paper, Shown standing and holding the left glove in his right hand which wears the glove. He looks downwards., France,

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, A mantelpiece is flanked by narrow wall panels and folding doors., Italy, 1790, drawing, drawing

Design for a Panel, Pen and Chinese ink, brush and watercolor on paper, Two putti suspend a trophy of arms from a bracket on top., France, 1780, Drawing, Drawing

Olive-Backed Sunbird, Plate 16 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Bird in tropical meadows. A dark green head, olive

Study for an Altarpiece: Christ with Saint Stephen, Saint Paul, and Saint Francis, Black chalk, brush and bistre, brush and gray watercolor on paper, mounted, Christ is seated upon clouds holding the globe in the left hand. Cherubim surround

Design for a terminal figure of Charity, Otto van Veen, Flemish, 1556 - 1629, Brush and watercolor on paper, A female half-figure terminating in a pedestal holds two children in her arms. A cloth is loosely draped about her middle. Pedestals

Design for a Painted Ceiling, Graphite, brush and watercolor on paper, Design for ceiling and pendentives. At center, a musical trophy surrounded by a colorful garland and a purple border with dolphins. Pendentives framed with blue, three

Voila ce que c'est que de ne pas se mettre en règle, Plate 8 from 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Pierre Langlumé, French, born 1790, Lithograph, brush and watercolor on paper, Army officers talking to the

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, in the center two butterfly wings with a disk upon their joining point; three drops below. Rows of balls,

L'arrivées, from La vie de Château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, People seated around a dining

Nouveau Jeu des Fables d'Esope, Jean, active 19th c., Engraving, brush and watercolor on paper mounted on folding boards, Two rows of vignettes arranged in spiral around a central zone. Each vignette with title of fable and a number. Four more

Blue-Cheeked Bee-Eater, Plate 7 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, A green bird with partially brown wings and brown

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The disk above and the three drops below are connected by two stems, with a disk in the center between an oval diamond above,

Blue-Headed or Red Bee-Eater, Plate 9 from Birds of Western Africa, William Home Lizars, Scottish, 1788 - 1859, William Swainson, British, 1789 - 1855, Engraving, brush and watercolor on paper, Tropical bird on a branch with a blue head and

Ornamental woodwork detail, Félix-Jacques Duban, French, 1798 - 1870, Brush, pen, watercolor, possibly gouache, black ink wash Support: off-white paper mounted on off-white laid paper, Design for a cornice and a column. Right: Design in

Comment, j'ai perdue mon ... coin? Plate 1 of 'Inconvénient', Auguste-Xavier Leprince, French, 1799 - 1826, Gottfried Engelmann, 1788 – 1839, Lithograph, brush and watercolor on paper, Crowd sitting in and standing about a large gray,

Exterior of the School of Chemestry, Plate 29 of Vues Pittoresques de Principaux édifices de Paris, Jean Testard, French, b. ca. 1740, Les Campion Frères, Paris, France, Engraving, brush and watercolor on paper, The front of the School of

Design for Cresting of a Comb, Pen and ink, brush and sepia wash, watercolor on paper, Horizontal rectangle. Design for the cresting of a comb intended to be executed in gilded metal, a cameo, and diamonds. In the top an oval cameo with the

Fashion Plate from Le Mercure des Salons, Modes de Paris, Wood engraving, brush and watercolor on paper, Two women in white dresses. One stands right, with pink ribbons. The other sits facing away, at left, with green ribbons on her dress.

Design for a Chimneypiece, with Alternative Suggestions for the Overmantel Frame, Black chalk, pen and ink, brush and watercolor on paper, The opening is framed by moldings with an entablature above; marble. Above stands a wooden frame. The

Banks of the Seine, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and watercolor on light green paper, A curve of the river is shown in the right central plane., France, Paris, France, 1850-1875, Drawing, Drawing

Section of wall, Frederick Marschall, Brush and watercolor on heavy paper, Upper right section of wall panel, probably Japanese. Center, painting enclosed in fret border with wide outer borders in black, red and yellow., USA, ca. 1885,

Design for a Grotesque Frieze, Filippo Marchionni, Italian, 1732–1805, Pen and black ink, brush and gray watercolor on cream laid paper, Horizontal frieze with a sphinx , putti and flaming censer., Italy, 1740–1775, ornament, Drawing,

Prunus spinosa; Prunier de St. Julien, Mlle. Duclos, French, born ca. 1845, Pancrace Bessa, French, 1772 - 1846, Engraving, brush and watercolor on paper, Above, a twig with leaves and four large ripe plums. Center, right, a pit. Below,

La promenade après dîner, from La vie de château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, People walking

Saint Patrick's Cathedral, Dublin, James Malton, English, 1761 - 1803, Aquatint, brush and watercolor on paper, Cathedral and chapter house seen from the churchyard. Figures, some reclining on the gravestones, in the foreground. Below,

Design for a Pendant, Pen and black ink, brush and gray, red watercolor on light green paper, Jewelry design for a pendant. A red ribbon is fastened by a knot, a jour, alternating with blossoms, attached to the ribbon with a ring. Bevelled

Hospital, Middlesex, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and

Fashion Plate from Le Monde Elégant, Engraving, brush and watercolor on paper, Girl at left in red and black, holding a jumprope. Woman, center, in a violet dress and cream coat with black lace. Woman at right in gray and blue. Title and date

Sailing Ships in a Bay, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, One of the ships lies near the coast in the first plane. A rowing boat with a s tanding man in it is beside it. A big ship flying the Dutch flag

Cut-Paper Devotional Picutre: The Blessed Virgin of Passau, Brush and watercolor on cut paper, Oval picture of the Virgin and Child within a cartouche of cut-paperwork decorated with roses. Below, an inscriptional ribbon which is inscribed, in

St. Martins, in the Fields, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush

Decoration of a lateral panel of a coach, Brush and gray watercolor, pen and ink, black chalk on paper., Vertical drawing of a side panel of a coach. 'Autumn' is shown seated in clouds. A putto standing at right beside her, wing-like, brought

Fashion Plate from The Young Englishwoman, Engraving, brush and watercolor on paper, Left, girl in pink and black dress. Woman in blue and brown; another in green, violet, and black. Christmas tree on a table, right. Title and artists' names

Sketch of a French Peasant, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, Man shown obliquely from the front, walking, wearing wooden shoes and a large hat. Red-brown coat with

La fils du fernier, from La vie de château, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Two men and a woman in

Fraktur taufschein (Birth Certificate), Johann Jacob Friedrich Krebs, German, active United States, ca. 1749 - 1815, Calligraphy in brown ink, brush and watercolor on paper, Large printed heart with words and artist's name inside, and

Design for an Earring, Pen and ink, brush and watercolor on paper, The ring has two slopes. On the larger, a disk is fastened, intended to be enameled like the drop and the drapery. The disk and the drop are framed by a row of beads. Both are

Cydonia Lagenaria, Jarry, French, active 19th c., Pancrace Bessa, French, 1772 - 1846, Engraving, brush and watercolor on paper, A forked twig of quince with leaves; two clusters of red flowers, the other above of buds, on the left half,

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, Arched door frame with a folding door and tympanum as an over door. The lateral wall panel shows sofas under mirrors.,

Somerset House, Strand, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on

Design for the upper part of a plant candelabrum, Pen and black ink, brush and grey watercolor on paper, Consists of twigs and twig scrolls. A wreath hangs on top from a bowknot. Framing line above., France, 1760–1780, decorated papers,

Interior of the School of Chemistry, Plate 30 of Vues Pittoresques de Principaux édifices de Paris, Jean Testard, French, b. ca. 1740, Laurent Guyot, French, 1756 - 1808, Les Campion Frères, Paris, France, Engraving, brush and

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, black crayon, brush and brown watercolor on paper, A winding stream with a sailing boat is shown. A village in front of mountains is in the background. At right is a group

Design for a Playing Card: King of Diamonds, Graphite, brush and watercolor on paper, A French king upon a Gothic throne., France, 1825–1850, Playing Card, Playing Card

The Flight to Egypt, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and brown watercolor on paper, Joseph walks with Mary carrying the child. Behind them the donkey. They are turned toward the right. At left, a ruined

Deisgn for a Diadem, Pen and ink, brush and yellow, gray, light brown watercolor, graphite on paper, Design for a diadem showing the left half of the crown or tiara. A branch with curved leaves, and stems with buds and blossoms. On the first

Madonna and Angel, Fortunato Duranti, Italian, 1787 - 1863, Pin and ink, brush and light brown watercolor on paper, The standing Virgin holds the Child on her left arm. Beside her stands a girl with a sun between the breasts; she lifts a wreath

Study for a Window in the Judson Memorial Baptist Church, New York, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Arched top window of four panels, divided into small triangular panes, in the Byzantine style. Below,

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow, gray, green watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed in gilded and green

Project for a Corsage, Pen and ink, brush and watercolor on paper, A branch with two leaves, two buds, a blossom and a knot., Italy, 1825–1850, jewelry, Drawing, Drawing

Designs for Two Chairs in, Watercolor, graphite Support: white wove paper, England, England, ca. 1830, furniture, Drawing, Drawing

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