Images at Librifly

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Design for a Candlestick, Graphite; pen and brown ink; brush and sepia watercolor on off white paper, Base has two dolphins surrounding a shell. Above, on either side two mermaids seated back to back with arms linked, heads tilted back with

Design for Decorative Panel for July Festival Architecture, Félix-Jacques Duban, French, 1798 - 1870, brush and watercolor, pen and black ink, graphite, gouache on off-white paper mounted on off-white laid paper, Geometric oriental design

Design for a Painted Porcelain Plate, Le Capricorne (Capricorn) from le Zodiac Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, pink,

Design for a Hairdress, Pen and black ink, brush and gray, yellow watercolor on paper, Jewelry design for a hairdress. A bunch of seven branches, fastened by a ribbon. The central ones are fan-like with alternating parts of bars and rows of

Study of 'Altarpiece of Saint-Germer-de-fly, ' Paris, France, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of the altarpiece of Saint-Germer-de-fly. The Annunciation is depicted with Saint

Ground Plan of a Proposed Mausoleum, R. H. Robertson and R. Burnside Potter, Architects, American, Brush and watercolor, graphite on heavy board, A columned arcade encloses an oval court. Along the long sides is a monumental entrance, and

Architectural Details and Figure Studies, Filippo Marchionni, Italian, 1732–1805, Pen and black, sepia ink, brush and gray watercolor on cream laid paper, Designs for entablatures with studies of figures; along with notations., Italy,

Design for Two Brooches, Pen and ink, brush and watercolor, sepia on paper, At top, am escutcheon in the shape of fleur-de-lys, with a diamond in the center. A pearl hangs below. Below, an octagonal diamond is framed with a volute motif. Two

Section of a Circular Pavilion, Pen and black ink, brush and watercolor on paper, Pairs of pilasters separate the wall panels. The central one is nearly filled by a large folding door. The lateral panels contain rocky niches with fountains.

Design for a Case with Alternative Suggestions, Graphite, pen and ink, brush and watercolor on paper, At top, the elevation for a case furniture. Scrolling foot and pilaster decorated with bellflowers. Alternative finials at top include a double

Paper Doll and Costume, Etching with graphite, brush and gouache and watercolor, pen and black ink on off-white wove paper., Paper doll costumed in a mid-19th century period dress with a full green skirt with ruffled edging and pink cloak with a

Title Page Design for Le Zodiaque Travesti (Farcical Zodiac), Jean Charles Develly, French, 1783 - 1849, Brush and light brown wash, pink, tan watercolor, white gouache, pen and brown, black ink, red crayon, graphite on cream laid paper,

Design for a Painted Porcelain Plate, Le Taureau (Taurus) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache,

Corner detail of ceiling, Hotel de Cluny, Paris, Frederick Marschall, Graphite, brush and watercolor, gold on heavy paper, Left, corner of ceiling with reclining river god beside shield containing sea horse and trident. Right, painted relief

Design for a Decorative Hairpin, Pen and sepia ink, brush and gray watercolor on paper, Design for a decorative hairpin. In the center is a vase with two long curving feathers, two branches, and a central blossom. Springing from the foot of the

Design for Necklace with Brazilian Beetles, Graphite, brush and watercolor, white heightening on tracing paper, The front part of the chain consists of six small beetles and five ornaments of entwined ribbons in shape of cross. Rope festoons

Lower Part of the Choir, Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, The lower part of the choir of the Siena Cathedral. A few priests are shown., Siena, Italy, ca. 1872,

Project for a Comb, Pen and ink, brush and watercolor on paper, The crest is formed by a branch with two leaves and a bud, attached to a frieze with a row of diamonds; its framing is of metal. The stripe below being engraved with a zig zag. Seven

Stage Design, Palace Interior, Angelo Toselli, ca. 1765? – 1826, Pen and light brown ink, brush and watercolor, graphite on paper, Horizontal rectangle. A circular building, with a central pillar like a pavilion to which steps lead between

Design for Gentleman's Costume: 1775, Journal des Dames et des Modes (Journal of Ladies and Fashion), Vingt-deuxième Année (22nd Year), No. 64, Pierre-Antoine Leboux de La Mésangère, French, 1761–1831, Engraving, hand-colored with brush

Sheet with Three Heads, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and sepia, watercolor on paper, Above, left: a winged head of a woman with a drapery festoon. At right, the head of a stag with leaves and ribbons.

Designs for Two Necklaces and a Chain, Pen and black ink, brush and gray watercolor on paper, Jewelry designs for two necklaces and a chain. The right sides, each below the other. Above, the chain consists of entwined bands, connected by

Five Detail Designs for Pendants, Pen and black ink, brush and gray watercolor, gold on light green paper, Five jewelry designs for pendant details arranged vertically, one on top of the other. At top, a 'roof' in shape of a base, with a

Design for a Painted Porcelain Plate, Le Sagitaire (Sagittarius) from le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown, black wash, pink, tan watercolor, white

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Three identical designs, framed in orange, and then in light blue scallop forms, inside in

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The design is a variation of that of the left half of 1938-88-8209. Woven intertwined bands are in the oblongs of the inner frame. A garland is sketched in the

Design for ink stand, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black, graphite, on cream laid paper, Oval base decorated with band of overlapping acanthus leaves, applied leaf design above, holds ink pot with open

Portrait of a Man with Cap, Graphite, pen and black ink, brush and watercolor on paper, Bust of a bearded man turning to the right. Above, at right, some pencil strokes., Italy, 1780–1820, portraits, Drawing, Drawing

Design for a Brooch, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for a brooch. A knot of laced ribbon, à jour. In the center, a rosette. The inside of the ribbon with blossoms and leaves. Beveled

Design for an overdoor, Nicolas Pineau, French, 1684-1754, Pen and ink, brush and watercolor, Alternative designs for an overdoor with a clock dial on a pedestal., France, 1735, Drawing, Drawing

Design for a Chimneypiece, Graphite, pen and black ink and bistre, brush and watercolor on paper, The opening is framed by a part of a frame. Laterally are pilaster strips, with oblongs with colored marble, and with baskets above. Above the

Design for Window Case and Part of a Colonnade, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray watercolor on laid paper, Surbased pediment with a cherub above the window frame; below, a one-story structure,

Studies After Cattle, Samuel Colman, American, 1832–1920, Brush and watercolor and white gouache, pen and brown ink, graphite on light brown paper, Five studies of the hooves and lower legs of cattle. Forefeet, above, from a brown cow or

Stage Design, Kitchen, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink, brush and gray watercolor on paper, Horizontal rectangle. View of kitchen interior equipped with various objects including dishes, table and chairs, pots and pans,

Pleasure Boats, Lake Lucerne, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on gray-blue paper, Five row boats with roofs of cloth and curtains, in the central parts, are fastened to a stone pier. Mountains

Design for a Console Table, Pen and black ink, brush and brown and gray watercolor, graphite on paper, Horizontal rectangle. Design for a console table with marble top. Two round legs with a basket capital above each. Above the capitals are

Design for Two Escutcheons, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and black-gray watercolor on laid paper, Scrollwork escutcheon with a bearded mask in the top center, beneath a diadem. At right: scrollwork and rocaille

Decoration of an Entablature with Alternative Suggestions, Black chalk, pen and ink, brush and watercolor on paper, View of a decorative entablature. At left, a scrollwork escutcheon. At right, a projecting bracket with a front panel decorated

Stage Design: Atrium of a Villa, Pen and ink, brush and gray, blue watercolor, graphite on paper; verso: graphite, Horizontal format. Architectural stage design with a view of the corners. Two steps are leading up to the level of the ground

Design for a Mirror with Alternative Suggestions, Graphite, pen and ink, brush and watercolor on paper, Design for a horizontal rectangular frame. At top center, an eagle with a garland in its mouth. Scrolling acanthus leaves. A vase at upper

Design for a Bedstead, Pen and ink, brush and watercolor, graphite on paper, Busts of women are shown in profile on top of the posts which consist of fluted columns supported by feet on a base. They are connected by an attic, which is flanked by

Design for Lobby, Possibly the Ante Room to the Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Perspective view of the end of a

Design for a Painted Porcelain Plate, Le Verseau (Aquarius) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, pink, tan watercolor,

Design for a Bowl, Pen and ink, brush and watercolor on paper, Elevation of a bowl with handles and gadrooning at the base., Italy, 1780–1820, classicism, Drawing, Drawing

Project for a Lantern, Pen and ink, brush and watercolor on paper, Burning candle visible, framed by mouldings and by protruding volutes. Above, curling acanthus leaves support another entablature, from which more volutes rise. At top, a cross

Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome, Giuseppe Palazzi, Italian, 1740 - 1810, Graphite, pen and ink, brush and watercolor on paper, Section. Showing the opposite wall of -1595. Cupboards stand in

Still Life with Tea Cup, Roger Riordan, 1848–1904, Brush and watercolor, graphite on light grey paper, Still life showing a Japanese tea cup and textiles, and a few botanical motifs., USA, 1876, ceramics, Drawing, Drawing

A Street in Montevarchi, near Arezzo, Charcoal, pen and ink brush and watercolor on paper, A road leads to houses. In the foreground, a group of trees., Europe, 1600–1650, landscapes, Drawing, Drawing

Peintures decoratives du theatre du Franconi dans le grand carre des champs elysees 1833', Félix-Jacques Duban, French, 1798 - 1870, Watercolor, graphite Support: off-white paper mounted on off-white paper, Design for painted decorations. The

Two Designs for Stained Glass Windows, Alice Cordelia Morse, American, 1863–1961, Brush and watercolor, gouache, graphite on cream wove paper, Rectangular window; borders of circles, grids, and overlapping and linking circles. Below, the

Design for a stained glass window, Pen and ink, brush and watercolor on paper, Saul and his young armor bearer fall upon their swords in the foreground. Battle scene in the rear., 1600, Drawing, Drawing

Paper Doll Costume in Blue and Gold, Lithograph, brush and watercolor on cream heavy wove paper, Blue and gold dress, blue has black striped pattern. Dark brown sash comes down from the waist. Both sides of this paper doll outfit represented.,

Costumes of a German Red Hussar and an Officer of German Infantry, Graphite, brush and watercolor on paper, The Hussar stands saluting at left. The officer is at right, reading a message. The uniforms seem not to be correctly rendered., France,

The Coat of Arms of Pope Gregory XIII (1572-1585), Black chalk, pen and ink, brush and grey watercolor wash on laid paper., Coat of arms shown in front of a manteling. On verso: gray colored., Italy, 1580–1590, ornament, Drawing, Drawing

Four Designs for Brooches in the 'Byzantine' Style, Pen and brown ink, brush and watercolor, graphite on white paper, Bottom drawing in image. Four disks from left to right: 1st disk: Blue with gold edge; Red petal shaped pattern stemming from

Sketch for a Wallpaper, Graphite, brush and watercolor on paper, Two cygnets hold a cloth in their bills. Four chains, a festoon of flowers, two ribbons with tassels hang in front of the cloth which shows framing borders at the bottom. Colored

Stage Design, A Porticoed Bridge, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink, brush and gray watercolor on paper, Horizontal rectangle. Stairs lead up to a bridge surmounted by a portico; arcade at right. In the foreground, at

Design for a Decorative Arabesque, Pen and sepia ink, brush and watercolor on paper, A burning brazier rises from an urn, with two sirens as handles. A leaf arabesque connects with a seated female sphinx, right, from whose head springs a

Butterfly, Brush and watercolor on paper, Red, blue, green, and gold butterfly, shown as if in flight., England, ca. 1830, Drawing, Drawing

Elevation of a royal building, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and ink, brush and gray watercolor on laid paper, A two-story building, with a low wall at right. in the ground floor are at left two door openings—for

Design for the section of a part of a wall with a doorcase, Graphite, pen and sepia ink, brush and gray watercolor on paper, Archway with a figure underneath. Four pilasters, two on each side flank the arch. A doorway is in the arch. Above the

Study of Sycamore, Samuel Colman, American, 1832–1920, Pen and brown ink, graphite, brush and watercolor on paper, A double flanked sycamore growing on stony ground. Another tree is shown in the right middle distance., USA, December 23,

Window Case, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and dark brown watercolor on laid paper, Broken pediment with very small cornices. The attic of the central part has an opening in which a bust rests. Above

Sketches from Sea Girt, New Jersey, Samuel Colman, American, 1832–1920, Graphite with watercolor wash on white wove paper Verso: Graphite, pen and ink, Recto: Top row, view from dunes toward the sea and far shore. Color notations written

Design for a Painted Porcelain Plate, Le Bélier (Aries) from Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown, black wash, white gouache, pink, tan

Urania, Filippo Marchionni, Italian, 1732–1805, Black crayon, brush and gray watercolor on laid paper, Vertical rectangle. Female figure is standing beside what seems to be a sarcophagus, between the pediment and the mask at the corner of

Design for an Oil Lamp, Black crayon, brush and red-brown watercolor on paper, Vertical rectangle. Lower part of lamp support has the general shape of a stork's leg, dividing in the middle into two fantastic half-figures of animals with one

Forelegs of a Standing Cow or Ox, Newport, Samuel Colman, American, 1832–1920, Brush and watercolor and white gouache, pen and brown ink, graphite on grey paper, The forelegs of a standing cow or ox, shown frontally., Newport, Rhode

Study of Covered Wagons, Samuel Colman, American, 1832–1920, Graphite, brush and watercolor, gouache on cream wove paper, Oblique view of a wagon, the wheels, the front part of the frame with the rear of the carriage pole elaborately

Design for Wrought-Iron Railing, Black chalk, pen and ink, sepia and black watercolor washes on paper, An unfinished, asymmetrical composition, with leaf motifs and an obliquely shown escutcheon flanked by scrolls., France, ca. 1750,

Designs for a Capital, Sarcophagus, and Relief, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre, gray watercolor, graphite on paper, Vertical rectangle. Capital at top, seen from above; two dolphins

Design for the Embroidery of a Man's Waistcoat, Brush and watercolor on paper, Lower left section of a waistcoat. Flowers and leaves along the border. Two single sprays of flowers forming a symmetrical motif., France, 1780–1790, Drawing,

Design for an Oil Lamp, Graphite, pen and ink, brush and watercolor on paper, The shaft consists of a column with ram heads on the base. An Egyptian carries a socket on his head, and upon it stands a balustrade with the two spouted bowl on top.,

Corner Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, black gouache, graphite on white wove paper, Corner border design with fleur-de-lys

Sketch, for an office building (possibly Villa Albani), Carlo Marchionni, Italian, 1702–1786, Graphite, pen and ink, brush and gray watercolor, The structure has three stories and a balustrade above the entablature to hide the roof. It

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, A winged female genius is shown flying in clouds and holding a thread, against a niche serving as a background., USA,

Design for Candy Box Cover, Brush and watercolor on cardboard, Ovoidal design for a candy box cover. A high pedestal with sculptural figures of children seated around a vase, rises in a garden., ca. 1880, ornament, Drawing, Drawing

Design for Doorway and Bookcase, probably for King's Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on white wove paper, Elevation of a wall, with a wide doorway in the center. The

Hand bell, Pen, sepia and red-brown watercolor on brown-grey paper, Vertical rectangle. The handle consists of birds with woman heads, with scrolls below, rows of columns, and leaves above. The main field of the body is decorated with two

Design for a Hot Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on paper, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow and white metals. The bowl is

Arrangement of morning glories, moss roses, lilies, and other flowers, Brush and watercolor on cream paper, A horizontal arrangement of colorful flowers: morning glories, moss roses, lilies, among others., England, 1829, nature studies,

Decorative Motifs, Black chalk, pen and ink, bistre on laid paper. On verso: brush and dark brown watercolor washes on laid paper., Vertical rectangle. A scrollwork escutcheon with a bearded mask. At bottom left a panel with two acanthus flowers,

Design for a Window Opening, John La Farge, American, 1835–1910, Graphite and brown watercolor on paper, A single arched opening, with roundels in the spandrels and classical capitols, in the manner of the architecture of the Libreria

Study of Landscape, Chester County, PA, William Trost Richards, American, 1833–1905, Brush and watercolor, graphite on paper, View of a hillside with trees and a valley in the background., Pennsylvania, USA, 1899, landscapes, Drawing,

Fashion Plate for Woman's, Black ink, hand-colored watercolor Support: off-white wove paper, France, Europe, 1826, costume & accessories, Print, Print

Painted Decoration of a Wall, Pen and ink, brush and watercolor on paper, Laterally over a dado are niches with statues, for which a painted framing and top are suggested, In the middle of the wall is a mirror, flanked by grotesque panels. A

Detail of door panel, bedroom of Marie Antoinette, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Decorative panel, left unfinished in this rendering. Urn of flowers beneath, some of the

Botanical Study, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on light cardboard, Study of a leafy plant., USA, 1869, nature studies, Drawing, Drawing

Wall for Decoration, perhaps for corridor, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Elevation of a section of wall, with a painted decoration consisting of clouds and sky seen through

Wall Elevation with Marbled Niche, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on off-white wove paper, Horizontal composition illustrating the elevation of an interior wall with a yellow and green marble

Design for Mechanical Furniture: Half-Round Writing Table, Pen and black ink, brush and watercolor on paper, A half-round table, elevation and two plans showing fitting for writing implements., Germany, ca. 1805, furniture, Drawing, Drawing

Design for a Necklace, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, brush and gray watercolor, graphite on paper, Jewelry design for a necklace; irregular sheet. At left, a design for a necklace, the chain

Design for Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on paper, Three long, narrow panels, with pointed arched tops. Left: Formed foliated design., USA, ca. 1895,

Design for Blue and Silver Wall Decoration for the Royal Pavilion, Brighton., Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Design for a wall panel, with a large painting of a Chinese-inspired landscape

Design for a Fountain in the Garden of the Palazzo Quirinale, Rome, Italy, Ferdinando Fuga, Italian, 1699 - 1781, Pen and sepia ink, brush and gray watercolor, graphite on off-white laid paper, A fountain framed by an aedicule (small shrine

Design for a Candlestick, Brush and watercolor, pen and black ink, graphite on paper, Design for a candlestick. The triangular base is supported by three lion feet. The coat of arms of a prince Borghese is at the front. Cherubim are at the upper

Box and lid with portrait miniature, Watercolor painted on ivory, carved ivory, red fabric backing, gold, Round patch box with portrait miniature of a man with white wig; under glass, gold rim., France, ca. 1770, containers, Decorative

Design for a Lunette, Giacomo Casa, Italian, 1835 – 1887, Pencil, pen and ink, brush and sepia, watercolor on paper, Horizontal rectangle showing design for a lunette with a mother, child and angel., Italy, 1855–1860, albums (bound) &

Design for left half of a portal with balcony, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and ink, brush and gray watercolor on laid paper, With construction lines. Woman standing on balcony; gentleman with stick walking. Scale.,

Design for an Altar, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and bistre, brush and watercolor on paper, Elevation of an alter. The right half is shown with the

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