Images at Librifly

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Design for a Painted Porcelain Plate, La Balance (Libra) from le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, white gouache, pink, tan watercolor, red

Design for the Decoration of the Conch of a Niche, Pen and sepia ink, brush and gray watercolor, graphite on paper, Horizontal rectangle. Divided into three compartments, framed by upright stripes with garlands and with a shell on top above an

Design for Cresting of a Comb, Pen and brown ink, brush and watercolor on white laid paper, laid down, Horizontal rectangle. Design for the cresting of a comb intended to be executed in gilded metal with diamonds and an engraved gem. In the

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design with rectangle at center made up of blue and gold, vase with curled vines; surrounded by

Wall Elevation, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on wove paper, Horizontal rectangle. Wall elevation, marbled niche with mirror center, an eagle above it., 1815–22, architecture, interiors,

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and grey watercolor, graphite on paper, A group of three women is shown in front of a framed painting. The central figure holds a caduceus and and sits with

Design for Drapery, Possibly for Library, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Design of a drapery for a recess opening. Drapery in blue caught at

Design for a Bracelet, Pen and ink, brush and watercolor, sepia on paper, Two alternating units: a rectangular framed diamond, and a brilliant surrounded by volutes and small round gems. Clasp visible at either end., Italy, 1820–30,

Design for a Painted Porcelain Plate, Le Lion (Leo) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white

Head of a dolphin, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on paper, Head of a dolphin with an open mouth, turned to the left, looking ferocious., Italy, ca. 1775, architecture, interiors,

Two Projects for Painted Grotesque Decorations of a Ceiling, Charcoal, pen and ink, brush and greyish-brown watercolor on laid paper., Horizontal rectangle. At top center are parts of outline of the framing of the central panel. Below are framing

Design for a Comb, Pen and ink, brush and gray, olive watercolor on wove paper, Jewelry design for a hair comb intended to be executed in diamonds with gilded metal. In the center, an oval medallion with three volutes on each side. Thirteen

Corner Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, black gouache, graphite on white wove paper, Design for mosaic floor, corner border

Design for Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on paper, Three long, narrow panels, with pointed arched tops. Center: Three wreaths, joined together by

Design for Ceiling Decoration, for condervatory/music room or perhaps dining room, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Design for a

Decorative Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and red crayon, watercolor on paper, Two children are shown upon an elevation. A seated one holds a jar from which water flows. A standing one waves something.,

Design for a Coronet, Pen and sepia ink, brush and watercolor on light blue paper, Jewelry design for a coronet (small crown). Below is a band framed above and below by rows of beads and at the sides by a leaf; it contains two entwined ribbons

Almanac for the First Half of the Year 1792, Engraving and etching, brush and watercolor on paper, An oblong medallion portrait is on top of every strip dedicated to a month. Represented are: king 'Louis August XVI, du nom / Roi de France et de

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with harpies and floral vases frame a square panel at center., Italy, early 17th century, ornament, Drawing, Drawing

Design for Embroidery, Corner of Gentleman's Waistcoat, Brush and gouache, watercolor on cream laid paper, Lower left section of a man's waistcoat or gilet featuring red, blue, yellow, pink, orange, and purple flowers. In the Chinese manner

Design for a Decorative Vase, Red crayon, graphite, pen and ink, brush and sepia, watercolor on paper, Vase with harpy as lower half of body, waves and curls; topped by dragon with breasts and extended tongue., Italy, 1775–1800,

Design for a Painted Porcelain Plate, Le Scorpion (Scorpio) from le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown, black wash, white gouache, pink, tan

Design for a Coronet, Pen and sepia ink, brush and gray watercolor on paper, Design for a hair crown. Scrolls from three compartments with five leaves at the bottom of each, disposed as a palmette, springing from a blossom. Upon the cusps,

Design for a Frontispiece, Pierre-Clément Marillier, French, 1740 – 1808, Pen and ink, brush and watercolor, graphite on paper, The frontispiece is for a book dealing with Russian history. Top of an architectural motif. A boy with

Stage Design, Palace Atrium, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink, brush and watercolor on paper, Horizontal rectangle. A hall with a coffered ceiling. At left, stairs leading tot he street; at right, stairs leading to

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb intended to be executed in gilded, partly engraved metal and diamonds. Thirty-five tines. The low cresting is divided in three rows.

Design for a Painted Porcelain Plate, Les Gémeaux (Gemini) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, pink, tan watercolor,

Decoration of a portal in honor of a prelate, Paolo Pozzi, Italian, 1741 – 1803, Pen and ink, brush and watercolor on grayDutch paper with blue fibers, Portal surmounted with balcony, six figures within. Lit candelabra with lions tops

Design for a Painted Ceiling and the Decoration of a Short Wall Illustrating the Seasons, Black and red chalk, pen and black ink, brush and gray watercolor on paper, Partial view of wall decoration. In the middle is intended a painted view in a

Design for a cloth as place of an inscription, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on laid paper, Genii are supporting a cloth; they are winged with heads of fallen warriors with a helmet and laurel

Design for Two Chairs, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Two chairs, obliquely shown. At left, the back is backwards curved and pierced. Right, plan green

Design for a Porcelain Candlestick, Jean-Jacques-François Le Barbier, French, 1738 – 1826, Pen and black ink, brush and watercolor on white laid paper laid down, A girl holds a garland and flower boughs, helped with the latter by a genius.

Design for a Mirror Frame with Monogram of Marie-Antoinette, Richard de Lalonde, French, active 1780–96, Marie Antoinette, Queen of France, French, 1755 - 1793, Pen and black ink, brush and gray wash, yellow watercolor, graphite on

Design for Chinoiserie Wall Decoration, Pen and black ink; brush and rose, yellow and light blue watercolor, white gouache; graphite on off white laid paper, Wide central and two narrow lateral panels are flanked by pilaster strips. Each of these

Study of Fern, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on blue-green paper, Vertical sheet depicting six fronds of Boston or Christmas fern on the recto. On verso, fronds of the same fern depicted from various

Study of Squash or Pumpkin Plants, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on paper, Horizontal sheet illustrating upper portions of a squash or pumpkin plant, with yellow blossoms and green leaves., USA,

Six Studies of Thistles, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white paper, Six studies of thistles blooming painted in violet and green watercolor, USA, early 20th century, nature studies, Drawing, Drawing

Project for a Set of Tableware, Pietro Belli, Italian, 1780–1828, Pen and black ink, brush and black, yellow, and blue watercolor, graphite on paper, lined with green paper, Designs for dishes, eleven groupings in total, distributed

Design for a Painted Porcelain Cooler for Wine Bottle and Glasses, Pen and brown ink, brush and watercolor on cream laid paper, Drawing of a porcelain punch ball in elevation with a fluted rim containing blue and brown (gold toned) bands, with

Pleated fan, Gilded parchment leaf painted with watercolor; carved and pierced mother-of-pearl sticks with gold foil, pin set with a faceted stone, Pleated fan with a gilded parchment leaf painted with watercolor. Obverse: figured in 18th-century

Pleated fan, Antoine Watteau, (French, 1684–1721), Parchment leaf painted in watercolor, carved and pierced mother-of-pearl sticks with gold foil and applied straw decoration, Pleated fan. Parchment leaf painted in watercolor. Obverse: scene

Design for a Display Stand, Karl Friedrich Schinkel, German, 1781–1841, Pen and black ink, brush and watercolor on paper, A stand with four circular tiers to display crystal objects. On margin, explanations of the drawing. It is a folded

Certificate of Authorization for the Title of 'Von' for Johann Ferdinand Richter, Franz Mayer, Austrian, active 1700s, Pen and ink, brush and watercolor over engraving on vellum, bound in velvet-covered boards with imperial seal in brass case,

Design for Stained Glass Ornamental Panels, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Against a black ground are set eight square or rectangular panels and one with indented right lower corner. Panels reproduce

Design for a Buckle, Pen and black ink, brush and gray watercolor, gold on paper, Jewelry design for a buckle. An oval frame formed by two golden bands; inside three ribbons and a cord are interlaced, à jour., probably Naples, South Italy,

A Papal escutcheon, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and black watercolor on paper, Most of the right half is roughly sketched. Grotesque birds form the upper part of the outside framing, dolphins the

Three friezes for an overdoor, Pen and Chinese ink, brush and watercolor, graphite on laid paper, At the top, two crouching putti support the fruit garland. At the bottom, a lion crouches upon the top left corner of a door frame and faces a

Sketches of Bowls, Pen and ink, brush and watercolor on paper, Vase with a cover and two handles. Above, at right, a slight sketch of a vase with cover. Below, right, part of two sketches. Above, a slight sketch of a smaller bowl. Below, a

Two Projects for Painted Grotesque Decorations of a Ceiling, Charcoal, pen and ink, brush and greyish-brown watercolor on laid paper., Horizontal rectangle. The wave band is drawn on both sides, fret bands are indicated as decorations of the

Stage Design, Atrium, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink, brush and watercolor on paper, Horizontal rectangle. A wall with barrel vaulted subdivisions and a double row of classic columns in the center. Stairs are leading up

Plate 49, Costume Parisien (Parisian Costume), Magazine of Female Fashion of London and Paris, R. Phillips, British, active early 19th century, Etching, hand-colored with brush and watercolor on cream paper, Fashion illustration featuring a

Stage design: Stage, Persons Acting, Giuseppe Barberi, Italian, 1746–1809, Pen and ink, brush and sepia wash and watercolor on paper, Half circular wall broken by columns (?) circumscribes scene which is framed in the foreground by

Project for a Painted Frieze, Graphite, pen and ink, brush and watercolor on paper, Frieze with putti, fruits and flowers., Italy, 1775–1800, ornament, Drawing, Drawing

Paper Doll in Petticoats, Etching with graphite, brush and gouache and watercolor, pen and black ink on off-white wove paper., Black haired paper doll in white petticoats and camisole (corset?) with arms folded in front of her., USA, 1840–60,

Window Decoration, with Panel of Arabesques and Star, Probably for the Dining Room, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, pen and black ink on white wove paper,

Design for Scribner's Insignia, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Black ink and watercolor on board, Open book on shield, lamp above, enclosed in holly wreath. Torches, left and

Croquet Player, Charles Dana Gibson, American, 1867–1944, Pen and black ink, with graphite and watercolor, on paperboard, Young man in knickerbockers standing, hands on hips, before a croquet wicket, and holding the mallet in his left

Project for the Decoration of an Entablature with Alternative Suggestions, Black crayon, pen and ink, brush and watercolor on paper, Design for a decorative entablature with a projecting bracket and tablet decorated with crossed cornucopia and a

Plate 7, Vue de l'extérieur de l'église de Notre Dame de Paris (View of the Exterior of the Cathedral Notre Dame, Paris), Vues pittoresques des principaux édifices de Paris, Barthe´le´my Joseph Fulcran Roger, French, 1767–1841,

Paper Doll Costume in White with Red Roses, Lithograph, brush and watercolor on cream heavy wove paper, White dress lined with red roses at the neckline and roses on the upper portion of her dress. White lace sleeves, and many small layers of

Design for a Comb, Pen and sepia ink, brush and gray watercolor on paper, Design for a hair comb. Above nine tines, a pointed compartment formed by two entwined ribbons. Inside, two eagles stand beside a vase filled with stemmed flowers and

Design for Window Drapery, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Design for window drapery, with swags of blue, lined in yellow and hung with

Three Designs for Altar Candlesticks for a Jesuit Church, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and watercolor, graphite on paper, Horizontal rectangle. Designs for three altar candlesticks for a church of Jesuits. Intended to

Paper Doll Costume with Muff and Blue Cloak, Engraving with brush and watercolor on paper (machine cut?), Paper doll costume with blue cloak trimmed in lace, light purple full skirt and ermine (?) muff. Costume is two-ply, with a front and back

Design for a Baldacchino for the Exhibition of the Host, Black chalk, pen and ink, brush and watercolor on paper, A dado showing a decorated panel and two rising brackets with three arms and burning candles. Above is a base beneath a glory of

Designs for Three Pendants, Pen and ink, brush and sepia wash, gray watercolor on paper, Horizontal rectangle. At left: a knot above crossing the ring with hanging diamond; in middle: a knot of ribbon whose ends are invisible and hanging diamond;

Design for Necklace with Brazilian Beetles, Graphite, brush and watercolor, white heightening on tracing paper, Six small green beetles are fastened to a chain. One large and six medium hang from slopes. Drops hang from the green beetles., USA,

Stage Design, Temple Atrium, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink, brush and gray watercolor on paper, Horizontal rectangle. Steps leading up to a hemicycle. In its center a bowl crowned by fire. Figures are near it, others

Niche with a Statue of a Female Saint, Filippo Marchionni, Italian, 1732–1805, Graphite, brush and gray watercolor on cream laid paper, Sculptural female figure in a niche. Scale in lower right., Italy, ca. 1780, architecture, Drawing,

The Blue Room, Schloss Fischbach, Friedrich Wilhelm Klose, German, 1804 – after 1863, Brush and watercolor, graphite on white paper, The Blue Room, most likely a dining room, is decorated in the Gothic Revival Style., A view of the

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is framed by the upper part of a molded frame standing upon a base; its frieze shows a band of palmettes and buds. Laterally and rededing are pilaster

Design for a Painted Porcelain Plate, L'Écrevisse (Cancer) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red

Wall Elevation Design, probably for the King's Apartments, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, white gouache, graphite on paper, Elevation of a wall with a doorway at right, surmounted by

Design for Three Pendants with Rinceaux, Pen and ink, brush and watercolor, sepia on paper, Three pendants, each with a ring above. At left, three pearls in rinceaux, with a hanging one. At center, a large diamond or pearl is framed by

Design for a Chimneypiece, Wall with Chinoiserie Landscape, possibly for Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Elevation of a wall, with a fireplace at center,

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow, brown-red watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, the bottom standing with lion feet upon a

Design for a Comb, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for a hair comb. The cresting has the form of a pentagon with a long triangular shape. On top is a star. In the panel are rinceaux springing from a chalice

Design for a Painted Porcelain Plate, Le Lion (Leo) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white

Design for a Coronet, Pen and ink, brush and gray, green, yellow watercolor on paper, Jewelry design for a coronet (small crown) intended to be executed in white diamonds with some gold. The right half of the tiara is shown. The center to be

A gold beater's workshop for Diderot's Encyclopedie, Louis-Jacques Goussier, French, 1722 - 1799, Pen and Chinese ink, brush and watercolor on paper, France, 1763, Drawing, Drawing

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, watercolor, graphite on light blue paper, Vertical rectangle. Design for a candlestick intended to be executed in gilded and green bronze and

Five Circular Representations of Young Women, Fortunato Duranti, Italian, 1787 - 1863, A: graphite, pen and ink, brush and sepia on paper; B: Graphite, brush and watercolor on paper., A: Upper row. At left: Sitting in a side chair, a young

Design for Column Capital for July Festival Architecture, Félix-Jacques Duban, French, 1798 - 1870, Brush and watercolor, gouache, black wash, graphite on dark cream paper mounted on off-white laid paper, Design for a square panel in yellow

Picture inventory with 5 table pieces, Pen, ink, yellow watercolor wash on paper, Two salt cellars and two boxes flank a pitcher. Fragment of a page number, right top corner., Italy, 1650, tableware designs, Drawing, Drawing

Paper Doll Costume in Pink and White Lace, Lithograph, brush and watercolor on cream heavy wove paper, Pink satin gown with corseted waist and full skirt fades to a lacy white with bows and rose decorations. Both back and front of paper doll

Design for a Vase Clock in Egyptian Style, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, watercolor, graphite on paper, Vertical rectangle. Design for a vase clock intended to be executed in green and gilded bronze,

Design for a Memorial Window for Albert Spencer, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tan paper, A long panel with arched top. St. Paul lies on the deck of a ship; an angel appears

Design for Grotesque Panel, Graphite, pen and ink, brush and watercolor on paper, Design for panel with grotesques. At center, three medallions, the largest at center. Moulded oblong frame with a bottom ornament. Grotesques in the style of

Paper Doll Costume in Dark Pink and Light Pink Ruffles, Lithograph, brush and watercolor on cream heavy wove paper, Dark pink outer layer of dress splits in center, revealing lighter pink ruffles. Roses line dark pink shell and neckline, and

Elevation of a Censer, Chalk, pen and ink, brush and watercolor on paper, Elevation of half a censer. At center, an oval with the papal keys. At left, a cherub and suspension chain., Italy, 1700–1750, metalwork, Drawing, Drawing

Study of landscape, Norway, William Trost Richards, American, 1833–1905, Brush and watercolor, graphite on paper, Sketch of lowlands with a group of houses in shadow. Mountain range shown in the background., Norway, ca. 1901, landscapes,

A Frame, Escutcheon, Centaur, Black chalk, pen and bistre ink on laid paper; verso: black chalk, pen and ink, brush and dark brown watercolor, wash, Vertical rectangle. The top of an oblong frame with a scrollwork with a female mask in top

Adam and Eve, Design for Stained Glass Window, Frankby Church, Birkenhead (Cheshire), England, Sir Edward Burne-Jones, English, 1833–1898, Pen and ink, brush and watercolor on paper, Two window panels showing Adam and Eve against trees.,

Hewitt House, Brush and watercolor on paper, Large house of red brick; Renaissance façade with porticoed entrance of columns and balcony overhead. Captioned 'Hewitt House, 9 Lexington Ave'., New York, New York, USA, 1894, architecture,

Study after 'At Icart Point, Guernsey', William Trost Richards, American, 1833–1905, Brush and watercolor, graphite on paper, View of a rolling sea in the foreground with steep cliffs in the background., Guernsey, 1900, landscapes,

Study of a Horse, Quimper, Brittany, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, Upper forepart of a white, harnessed horse, shown in profile turned toward left, to a manger.,

Design for a Coronet, Pen and ink, brush and sepia wash, gray, green watercolor on light brown paper, Horizontal rectangle. Design for a small crown or tiara. A line of scrolling gold forming diamond-shaped lozenges which contain square green

Project for an Overdoor, Pen and black ink, brush and gray watercolor on paper, Detail of the top of an arch with two columns holding it. Above arch is a wreath with a star in the center and two abstract figures holding foilage (possibly angle

Project for an altar in a side chapel, Pencil, pen, ink, brush, and grey watercolor on paper, Vertical composition of an altar. The back wall of the chapel has the outlines of the entrance of a church. The mensa has the shape of a sarcophagus,

Elevation of Mansion, Graphite, brush and watercolor on paper, Front elevation of building, USA, ca. 1894, architecture, Drawing, Drawing

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