Images at Librifly

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Paper Doll Costume in Yellow with White Lace and Pink Rose Garlands, Lithograph, brush and watercolor on cream heavy wove paper, Yellow dress with white lace top layer. Pink rose garlands cascade down either side of her gown. Both back and front

Paper Doll Costume in White Fur with Pink Bow, Lithograph, brush and watercolor on cream heavy wove paper, White fur lined coat with fur lining and pink bow at collar. A glimmer of her emerald and gold full skirt peek out from under her coat. Her

Study for 'Charity, ' St. Bartholomew's Church, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of a seated female figure holding a young child., New York, New York, USA, ca.

Design for Necklace with Brazilian Beetles, Graphite, brush and watercolor, white heightening on tracing paper, Palmettes and beads alternate from the chain. The palmettes support festoons, from the beads hang nine beetles of three sizes. Drops

Paper Doll Costume in Black over Checked Pink Skirt, Lithograph, brush and watercolor on cream heavy wove paper, This ensemble consists of a black outer layer with a white lace collar and inner sleeves, over a pink, checked full skirt. She holds

Ornament, Painted paper, glass, cut steel, Miniature portrait of a lady painted in watercolor on paper and carved with glass, mounted in frame of cut steel. On the back at the top and bottom is a curved piece of steel pierced by six holes.,

Study of landscape, Norway, William Trost Richards, American, 1833–1905, Brush and watercolor, graphite on paper, Sketch of a fiord with rock in the background. In the foreground, a narrow strip of land just out into the sea, with a small

Candelabrum as part of decoration, Pen, ink, brush, brown watercolor, white heightening on red colored paper., Vertical rectangle. Cut along the outlines of the drawing. Supported by a blossom and two lion feet. The lower part has the shape of

A Ballet Dancer, Mademoiselle Leclerc, Louis Carrogis, called Carmontelle, France, 1717 – 1806, Graphite, pen and brown ink, brush and brown, pink, and gray watercolor on white paper, Vertical rectangle. The actress Mademoiselle Leclerc

Design for a Candelabrum, Graphite, pen and ink, brush and watercolor on paper, Design for a marble and bronze candelabrum. A tall marble vase with bronze mounts consisting of garland swags, enriched molding and two mermaids. From the vase

Sketches from Narragensett, Rhode Island., Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, pen and brown ink, graphite on grey paper, Vertical rectangle. Obverse: A standing man shown in profile turned toward right

Standing Peasant, Brush and watercolor on rice paper, A standing peasant, walking left, his gaze directed over his left shoulder, wears a long green tunic, and head shaved., China, mid-19th century, Painting, Painting

Studies of Hands and Putti with an Escutcheon, Red chalk, pen and ink, brush and gray watercolor wash. On verso: Pen and ink, brush and gray watercolor wash on laid paper., At top, a right hand shown from the inside. At center, two standing

Design for a Coronet, Pen and sepia ink, brush and gray watercolor on paper, Horizontal rectangle. Design for a small crown or tiara. Two branches are converging at the center, each consisting of alternatively two oak leaves and three round

Soldiers Seated in a Group, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on paper, Horizontal view of a group of soldiers seated in various positions with one standing at far right., USA, 1862, figures, Drawing,

Elevation of Mansion, Graphite, brush and watercolor on paper, Front elevation of a house with a gray roof., USA, ca. 1894, architecture, Drawing, Drawing

Design for a Lobby, Possibly the Ante Room to the Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical Rectangle. Design for the Royal Pavilion, Brighton. Perspective view of the end of a

Project for a Frame, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on paper, Design for upper part of a frame. The frieze is at left; it has a broken pediment above, with a fire burning in a bowl upon a high

Escutcheon for a Coat-of-Arms, Charcoal, pen and ink, brush and watercolor on paper, At center, a crowned escutcheon with pairs of putti and caryatids. On either side, figures in sculpture niches. Above, two floral vases., Italy,

Portrait of Sir George Wombwell and His Brothers, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A gentleman on horseback seen in left profile, and two standing younger men seen in right and left

Rum Punch, Robert Cruikshank, 1789 - 1856, Brush and gray watercolor, pen and ink, graphite on paper, Interior with figures. A large ecake in center. Punch bowl at lower right. Punch and Judy show in background., England, ca. 1836, Drawing,

Three Window or Door Cases, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray watercolor on laid paper, Above: with a surbased pediment with a mask, and drapery festoons inside. Center: straight upper entablature

Design for Side Panels of a Coach, Charles Crace, British, active 1727 – 1784, Pen and brown ink, brush and gray wash, yellow watercolor, charcoal on white laid paper, Rocaille design for coach panels. Upper and lower left corners have

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Three designs, very similar, peach, yellow and burgundy leaves in vine patterns; central design

Design for Stained Glass Window, St. Paul's Church, Boston, MA, Sir Edward Burne-Jones, English, 1833–1898, Pen and ink, brush and watercolor on paper, Window consisting of two arched panels, with Saint Paul preaching in one and three

Design for a Bowl, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a bowl intended to be executed in silver, gilded metal, and alabaster. Three chimaerae standing

Paper Doll Costume in Pink with Black Lace and Yellow Bodice, Lithograph, brush and watercolor on cream heavy wove paper, Pink shell with black lace trim and yellow bodice. Doll holds bouquet of roses in her right hand, and a handkerchief in her

Project for a Painted Ceiling, Pen and ink, brush and watercolor on paper, Horizontal rectangle. Seen from the door is the façade of a three-story building. A woman standing in the doorway receives children brought by their mothers. At the short

Design for a Painted Porcelain Plate, La Vierge (The Virgin) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Sèvres Porcelain Manufactory, French, established 1756 to the present, Pen

Design for a Pendant with Cross, Girolamo Venturi, Pen and ink, brush and sepia, green watercolor on paper, Large to small bows with green stones leading to hanging cross below., Italy, ca. 1740, jewelry, Drawing, Drawing

Section of a wall, Chinese Room, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor on heavy paper, Section of wall, with decoration in Chinese taste. Wainscoting in black, with Chinese red border design. Upper portion, panels

Study for a Wall Memorial in the Judson Memorial Baptist Church, New York, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Arched top vertical panel in the Byzantine style, with a memorial in the center. Circular plaque

Steamers and Ships on a River, Samuel Colman, American, 1832–1920, Brush and watercolor on board, Two steamers and many sail ships, some with red flags, anchored in a river. A hilly and mountainous landscape in the background. The rose

Port Neuf Canyon, Idaho, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor over graphite, ruled in graphite on off-white laid paper, Horizontal view of a large body of water in foreground and mountain ranges in the

A Lady Promenading, Edouard de Beaumont, French, 1821 - 1888, Brush and watercolor, tempera, pen and ink on bristol board, Vertical rectangle. Standing figure of a woman, turned toward left. She wears a small hat and an elaborate colorful

Design for Coronet, Pen and ink, brush and watercolor on paper, Broad curve with cresting border in which oval diamonds alternate with a flower stem stnading upon an inverted crescent., Italy, 1800–1825, jewelry, Drawing, Drawing

Design for Textile or Wallpaper, Brush and watercolor, gouache, pen and blue ink on paper mounted on cream wove paper, Design for textile or wallpaper with flowering vine pattern., France, 1810–20, wallpaper designs, Drawing, Drawing

Design for a Cross Pendant, Pen and black ink, brush and blue, yellow, gray watercolor, gold on paper, Jewelry design for a pendant in the form of a cross. Hanging from a cord which is fastened by an agraffe (metal clasp); a blue diamond framed

An escutcheon, with a dedication, Carlos Bini, pen and ink, brush and glack and gray watercolor, black chalk on paper., A stone tablet is in front of another, with stucco forms at edges. Above is a straight entablature, with stucco scrolls at

Plate 398, Modes de Paris (Paris Fashion), Petit Courrier des Dames, Journal des Modes (Little Ladies' Mail, Fashion Journal), Samuel and Joseph Fuller, London, England, Engraving, hand-colored with brush and watercolor on cream paper,

Plate 8, Design for Gentleman's Costume, Journal des Luxus und der Moden (Journal of Luxury and Fashions), Vol. 2, No. 3, Georg Melchior Kraus, German, 1737–1806, Friedrich Justin Bertuch, German, 1747–1822, Verlag des

Project for a table, Pencil, pen and ink, brush, green-brown watercolor on light brown paper, An eagle standing with spread wings serves as the foot. He holds a short branch in his mouth, another in his right foot, while his left foot stands

Design for a Bracelet, Pen and black ink, brush and gray wash, green, yellow watercolor, graphite on white laid paper, Horizontal rectangle. Upon a band of narrow gold squares are composite gem forms which resemble exclamation points. These

Design for a Comb, Pen and sepia ink, brush and gray watercolor on paper, Design for a hair comb. The cresting is framed by a row of beads. In the center, a blossom framed by a circle. Springing from it are laterally two scrolls of ribbons,

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The opening is framed by a torus with a garland. Above it are the lower moldings of the entablature. The projecting parts have the shape of a horizontal angular

Design for Two Brooches, Pen and ink, brush and watercolor, sepia on paper, Sbove, an octagonal diamond is framed by volutes with pearls of various sizes. On top, a crown; at the sides two big pearls; hanging an oval diamond. Inside the frame,

Fjord in Norway, William Trost Richards, American, 1833–1905, Brush and watercolor, graphite on paper, The sea at right with high mountains in the background. Slope of land in foreground, left., USA, 1901, landscapes, Drawing, Drawing

Two Peacocks in a Landscape, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon and watercolor on paper, The birds are shown standing in an oblique view, facing each other., USA, 1875–80, animals, Drawing, Drawing

Design for a Console and Escutcheon, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and dark brown, gray-brown watercolor on laid paper, Console with a panel and bust; center: empty escutcheon with a crown on top; at right: curved

Design for the Hilt of a Hunting Sword, Pen and black ink, brush and black wash, gray-blue watercolor on paper, laid down, Probably the rendering of an actual object because of the lack of distinctness of the decoration necessary in a project.

Design for a Lobby, Possibly the Ante Room to the Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Perspective view of the end of the

Design for a Chest of Drawers, Pen and black ink, brush and watercolor on paper, Chest with six drawers decorated in marquetry inlay of stylized flowers between scallops. Similar decorations on piers and cornice. A metal gallery between finials

Paper Doll Costume in Blue with White Trim and Garlands, Lithograph, brush and watercolor on cream heavy wove paper, Sapphire blue dress with white trim at the neckline, and white garlands, accompanied by pink roses on the full skirt. Both back

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, a fountain with florals. Strapwork and scrolling rinceaux with birds., Italy, 1600–1625,

Elevation of Mansion, Graphite, brush and watercolor on paper, House elevation, front view., USA, ca. 1894, architecture, Drawing, Drawing

Two Brooches, Graphite, pen and ink, brush and watercolor on paper, Above a branch with a bud and a leaf, this in balance with a knot entwined with a garland. In the center, a diamond, another in hanging., Italy, 1825–50, jewelry,

Design for a Mantel Clock, Graphite, pen and ink, brush and watercolor on paper, Design for a marble and bronze clock. The case is marble with bronze decoration. Mounted above is a bronze group of seated Diana (?) and a dog., France, 1780–90,

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, watercolor, graphite on light blue paper, Vertical rectangle. Design for a candlestick intended to be executed in gilded and green bronze and

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Brush and purple watercolor with white gouache, graphite on paper, Sketch for Christ in the painting in the chancel of St. Bartholomew.

Grotesque for an Oblong Panel, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and gray watercolor on laid paper, In the center is a candelabrum with a bearded mask sticking out an enormous tong, below, with a cup in

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and watercolor, gouache, graphite on wove paper, Rectangular gray glass window composed of frames within frames, with rectangles and triangles creating intricate

Interior of a Bedroom, Unknown, Brush and watercolor on white wove paper, This view features a woman's bedroom, identified as such by the bonnet next to the ribbon-framed mirror and the blue slippers at the foot of the bed. Scandinavian design is

Candelabrum as part of a decoration, Pen, ink, brown watercolor, white heightening on red colored paper, Vertical rectangle. Cut along the outlines of the drawing. Supported by a blossum and two lion feet. The lower part has the shape of a

Design for a Wall Panel, Pen and ink, brush and watercolor, sepia on paper, Elevation of a wall panel with candelabrum. The upper wall shows a motif centered on a vase; the dado shows a wreath and bow knot. The entablature shows a frieze of

Design for Stained Glass Window, Saint Peter's Episcopal Church, Albany, NY, Sir Edward Burne-Jones, English, 1833–1898, Pen and black ink, brush and watercolor, over graphite on wove paper, Window with three panels showing standing

Designs for a Bracelet and Brooch, Black crayon, brush and yellow, light blue watercolor on paper mounted on cardboard, Jewelry designs for a bracelet and a brooch intended to be executed in gold with diamonds and pearls. Above, the bracelet

Designs for a Bracelet, Pen and brown ink, gray wash, green, yellow, watercolor, traces of graphite Support: off-white laid paper, Italy, Italy, 1800–1825, jewelry, Drawing, Drawing

Fishermens' Sail Boats, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on grey-blue paper, Four boats with crowded sails and fluttering pennants rest upon dry ground., USA, Switzerland, 1872, transportation,

Architectural Ornament., Pen and black ink, brush and gray watercolor on cream laid paper, Atop a column, a mask with shell and foliage. Accounting above and tip of missing text belwo, Italy, mid- 18th century, architecture, Drawing,

Design for Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on paper, Three long, narrow panels, with pointed arched tops., USA, ca. 1895, architecture, interiors,

Elevation of a Timepiece, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for a timepiece, the base made up of two rectangular sections with bevelled corners. The

Design for a Wall Niche, John La Farge, American, 1835–1910, Graphite and watercolor on tracing paper, A niche with Renaissance frame, in the form of a lunette supported on a sculptured lintel resting on pilasters. Escalloped motif on back of

Corner Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, black and white gouache, pen and black ink, graphite on white wove paper, Corner border

Design for a Painted Porcelain Plate, Le Poisson (Pisces) from Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache, red

Elevation of Mansion, Graphite, brush and watercolor on paper, Front view of building., USA, ca. 1894, architecture, Drawing, Drawing

Head of a Cow, Étretat, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, Head and neck of a standing cow or ox. The head turned toward the viewer. Verso: Three details of a head of a

Design for Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on tan paper, Within a compartment, with pointed arched top, two narrow stained glass panels. Left: full-length female

Two Window Cases, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and gray watercolor on laid paper, Above: pediment is circular with an angularly broken base. In the interval between the window frame and the base is a

Design for Decorative Panel for July Festival Architecture, Félix-Jacques Duban, French, 1798 - 1870, Brush, pen, watercolor, gouache, black ink, wash, graphite on off-white paper mounted on off-white laid paper, Geometric oriental design

Sketches, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on paper, Top left: ceiling decoration with panels and bands. Bottom right: panel decoration with grotesque motifs and escutcheon on top; beneath it are

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow, brown-red watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, similar to 1938-88-608, but without the base

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb intended to be executed in gilded, partly engraved metal and diamonds. With variations like 1938-88-756. The engraved band with a zig-zag

Window Alcove for the Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white wove paper, Design for an alcove with an arched ceiling and a window. Painted lattice-work

Design for Stained Glass for Doorway in Miss Caldwell's House, Newport, R.I., John La Farge, American, 1835–1910, Graphite and watercolor on paper, Unfinished project for a doorway, showing lintel and plaster strip., USA, 1870–80,

Portrait of George Beets, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A man wearing face whiskers and a riding habit seen standing three-quarter length in left profile., England, 1870–80, figures,

Button, Gilt copper, watercolor on ivory, Circular metal form with inset miniature painting of a chinaman., On card 43, France, ca. 1760, costume & accessories, Decorative Arts, Button

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design in square in yellows with C-scrolls at center., USA, late 19th century, architecture,

Design for a Flower Stand, Pen and black ink, brush and watercolor, graphite on paper, Vertical rectangle. A circular base is supported by seven steps. Above rise alternately a column and a female hermae; the first supports the rim of the lower

Design for Necklace with Brazilian Beetles, Graphite, brush and watercolor, white heightening on tracing paper, Nine beads are part of chain, from which hang alternately five large and four small beetles. Chains with beads hang as festoons.,

Design for a Brooch, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for a brooch. A knot of laced ribbon, à jour. In the center, a rosette. The inside of the ribon with an arcade motif. Outside, rows of

Textile Design: Vertical, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Pen and black ink, watercolor, over graphite, ruled border in yellow waterco Support: white laid paper, Geneva, Switzerland, France, ca.

Frame for a town gate with alternate suggestions, Filippo Marchionni, Italian, 1732–1805, Graphite, charcoal, brush and watercolor on paper, Architectural detail of archway, two superficial Corinthian columns at left and right of open arch.

Designs for Circular Plates, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray watercolor, graphite on paper, Horizontal rectangle. Designs for two circular plates with several decorative suggestions. Plate at left: suggested are

Classical and Pseudo-Classical Architectural Details, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre, gray watercolor, graphite on paper, Horizontal rectangle. At top, shown from the side, a man with the

Designs for Roman Arms and Other Classical Motifs, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre wash, gray watercolor, graphite on paper, Horizontal rectangle. Upper row: three shields, four legionary

Project for a Reliquary, Pen and ink, brush and watercolor, sepia on paper, The base has a receptacle for a relic. A cherub at the foot of the shaft, two more beside the upper receptacle, on top a cross with two more., Italy, 1725–1750,

View of a Monastary, Giovanni Ballarini, Italian, 1700 - 1800, Black chalk, pen and ink, brush and watercolor on paper, View of a monastery with tiled roof. Arcade visible from behind wall. Walla t right decorated with a large cross. Tree at

Sketch for a Wall Panel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite, brush and brown watercolor on paper, Above, rectangular composition with reclining woman, one arm stretched to a book held by a putto. Oval, center. Notes

Saltarello Romano, ' Dancing Peasants In The Neighborhood of Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A dancing pair with similar poses as in plate 1 of the

Design for a Bed in the Roman Style, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, yellow-green watercolor on white laid paper, Daybed, hangings suspended from a domed canopy which is decorated with clusters

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