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Playing With Money, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Seven men and boys, similar poses plate 14, loc. cit., are shown against a hilly background., Italy,

Figural Studies of Soldiers, Black chalk, pen and ink, brush and watercolor on paper, At top, two standing men with brimmed hats and swords, seen from behind. Between them, the bust of a third. Below, a reclining figure facing right., Italy,

Design for Two Printed Floral Bands, Engraving, pen and black ink, brush and watercolor on white laid paper, Two horizontal strips show carnations, morning glories, hyacinths, tiger lilies, roses and other flowers with their foliage.,

Design for a Jewel Box with Earrings, a Pearl Necklace, and a Bracelet, Graphite, brush and blue watercolor wash on paper, Plan of a jewel box containing earrings, a pearl necklace, and a bracelet. Necklace and bracelet consist of five strings

You See, Sir, Surrender Is Out of the Question, Ludovico Marchetti, Italian, 1853 - 1909, Graphite, with grey and black washes, with white heightening on white watercolor paper, A wounded cavalry officer, on horseback, addresses another.

Design for a Platter, Brush and watercolor, pen and black ink, graphite on cream paper, Partial design for serving platter; border of light orange with handle, and black vines; then a blue scalloped border, containing yellow bird on a branch of

Design for a Pitcher, Brush and watercolor, gold, white gouache, pen and ink on cream paper, Design of a pitcher decorated with light blue flowers on green and gray leaves; one branch reaches the lower part of the body., Japan, 1880–1910,

Pink Spotted Lilies and Maple Seeds, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, graphite on grey-brown paper, Two studies of pink spotted lilies, one facing right, the other from the front. Left, two

Design for a Frieze, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, Three panels framed by pilasters, with alternate variations. The central panel has in the middle a

Fragment de la Loggia dans la cour de l'Hopital, Pisa, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Part of a two-story building with arches and pilasters; wall painted yellow with a red roof., USA,

Design for a Platter, Brush and watercolor, gold, white gouache, graphite on cream paper, Partial design for serving platter; border of gold with scalloped edges in pink grid with roses. Coat of arms at center of platter: lion and crown; handle

The Front Elevation of a Villa in Benoille, Pen and ink, brush and watercolor on paper, France, 1725, Drawing, Drawing

Design for a Coronet, Graphite, pen and ink, brush and watercolor, sepia on paper, Above a metal strip two branches, each with two buds, two large leaves, and smaller ones entwined with a ribbon containing a row of circular diamonds., Italy,

Design for a clock, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black wash, graphite, on cream laid paper, Clock sits on footed base. At center, an oblong clock easel decorated with leaves, rosettes, wreath. 'HOMERE /

Horse Chestnut and Maple Buds Unfolding, Central Park, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on light grey paper, At top, unfurled maple buds and a horse chestnut bud. Lower right, an unfolded

Hearst School for Girls: The Elevation of the Main Building, Graphite, brush and watercolor on paper, Further development in the design of the building, showing walls before the lateral aisles (see -335; -336)., USA, 1899–1900, architecture,

Design for the Entrance Wall of a Courtroom, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, pen and blue ink on cardboard with gold border, A painting showing Justice enthroned between two winged children holding a

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Cliffs at Étretat, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on dark grey paper, Water at left and cliffs at right. Shore in foreground. Blue sky with clouds. Verso: goats grazing, upper half., 1870–80,

Plate 59, Modes de Paris (Paris Fashion), Le Mercure de Salons (Mercury of the Salons), Samuel and Joseph Fuller, London, England, Engraving, hand-colored with brush and watercolor on off-white paper, Fashion illustration featuring a woman on

Sample Sheet, Two Designs for Cups and Saucers, Brush and gray, yellow, brown watercolor on cream paper, Two designs for cups and saucers probably made of cut glass, opal, hyalite. Arranged in a vertical row showing a cup at top, a saucer

Project for a Ceiling, Graphite, pen and ink, brush and watercolor, sepia on paper, At corner, an escutcheon flanked by suggested mouldings. At left, an acanthus rinceau for the frieze. Below, upright acanthus. Two ceiling beams above.,

Design for a Ceiling, Graphite, pen and ink, brush and watercolor on paper, Ceiling divided into panels with moulded frames and painted decoration. A portion of the octagonal center panel is shown, bordered with swags and bowknots. Below this,

In a Country Place, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolor on paper, A man and a woman are shown speaking together, standing upon a road in front of a garden wall. Another man walks in the right

Design for a Decorative Panel, Pencil, pen, ink, pink and blue watercolor washes on paper, A candelabrum showing the half figure of a caryatid with a flower basket at the bottom, a sacrificing man in an ovoid in the upper center, a bowl on

Juno Suckling Hercules, Hebe Marries Hercules with Help of Minerva, Designed for Sala di Ercole e Ebe, Palazzo Gaddi, Forli., Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and greyish-brown watercolor on paper., At left,

Design for the decoration of a panel, Graphite, pen and ink, brush and watercolor on paper, Apparently unfinished. Something more than the left half is shown. Below is a winged, female half-figure, raising her hands with a bunch of grapes and a

Project for the Door of a Tabernacle, Graphite, pen and ink, brush and watercolor, sepia on paper, Upon the base, two angels are kneeling, supporting a chalice upon which the host is towering, surrounded by a glory of rays. A crown at top.,

Flowers, Hand colored engraving, brush and red, green, and yellow watercolor on paper, Fifty four boughs with flowers, disposed in six lines. Two bordering lines, engraved., Germany, 1775-1800, Print, Print

Design for a Jug, Brush and watercolor, gold gouache, graphite on cream paper, Design for a jar in browns, with yellow flowers and green stalks that reach across body of jug; gold handle is pointed., Japan, 1880–1910, tableware designs,

The Pine Trees of El Monte, California, Samuel Colman, American, 1832–1920, Graphite, pen and brown ink, brush and watercolor with white gouache on gray paper, A group of pines is flanked by two pines at left, a row of pines at right.

Entrance Hall, North Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white wove paper, Elevation of a wall, with doorways flanking a large central painted

Sketch of Putti with Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Brush and red watercolor, graphite on brown paper, Study of putto, with arms open, holding drapery. Putto looks up and to the left., USA, ca. 1895, figures,

Design for a sedan chair, Black chalk, pen and ink, brush and blue, rose, red, yellow, brown watercolor on paper, Shown from the left front corner with two bars. On top of the roof sits a griffin in a wreath. Fantastic masks in the shape of

Miracle Performed by St. Cecelia's Corpse, Yellow chalk, sepia, and grey watercolor, Two figures bend down towards the corpse of St. Cecelia. Several other figures struggle away in the right side of the frame., Italy, 16th century, figures,

Decorative Motifs, Three Designs for Fountains, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre, gray watercolor, graphite on paper, Horizontal rectangle with multiple designs for fountains and decoration.

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb intended to be executed in gilded, partly engraved metal and diamonds. Seventeen tines. The cresting border consists of hearts with, on

Two Doorcases, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and black ink, brush and gray watercolor on laid paper, In the upper right corner is the left part of an entablature with a parapet from which a ram horn springs, with a

Strapwork Design and Landscape, Charcoal, pen and ink, brush and watercolor on paper, At top, a strapwork escutcheon with harpies and swags. Below, a landscape with two men on horseback., Italy, early 17th century, ornament, Drawing,

Madonna and Child, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on cream paper, Madonna in red and blue, center, seated with Child. A saint at each side, facing inwards., USA, ca. 1895, religion,

Study of Figures for a Ceiling, Francis Augustus Lathrop, American, 1849 - 1909, Brush and violet watercolor, white gouache, graphite on cream laid paper, Female figure bending and looking down to the left. In the center, the bust of a

Design for a Ewer, Brush and watercolor, white, gold gouache, graphite on cream paper, Footed ewer with cut off curved handled decorated with pink peonies (flowers), green leaves under gold latticework., Japan, 1880–1910, tableware

Architectural Studies, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray watercolor on laid paper, Top row: the head of an animal. Upper left part of a window or door frame. Center row: decoration of a pilaster,

Design for a Chandelier, Pen and black ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a chandelier, hanging on a cord. Intended for eighteen burning candles; eleven are shown, six being held by arms fastened to an

Wall Painting with Allegory of Vigilance, Black chalk, pen and ink, brush and watercolor, white heightening on paper, A flying girl riases an urn containing a fire with her right hand. In her left hand she holds a book, helped by a putto.,

Wall painting, Mauro Gandolfi, Italian, 1764–1834, Pen and brown ink, brush and watercolor on white laid paper, squared in graphite and lined, laid down, Horizontal format. A dancing girl holding a garland together with two putti. Squared.,

Design for an escutcheon, Graphite, pen and sepia ink, brush and gray watercolor on laid paper, On top a shell and a crown. On verso: a sketch of what looks to be Christ on the Cross., Italy, ca. 1725, ornament, Drawing, Drawing

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Tangiers, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, A narrow street on a slope, with a profile view of a figure, wearing a white a white hooded cloak standing before a doorway. Animal stands near

Toni Hildprant's Room, Brush and watercolor on paper, Interior view of a room with windows, furnished with wooden chest, tables, chairs, and shelving. A woman sit, crocheting, on a couch on the left., Germany and Austria, August 19, 1843,

Design for a Sofa, Brothers Santi, Rome, Italy, Graphite, pen and black ink, brush and gray watercolor on paper; verso: graphite, pen and ink, At left, the elevation of a sofa divided into three sections, the arm shown at the left. At

Woodland Camp, James Henry Moser, Canadian, 1854–1913, Brush and watercolor, graphite on paper, Trees in right foreground, with slope beyond. A fence, at left. A girl, center, working at a table. A pot and bucket are beside her, and a

A Pastoral Landscape, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and ink, brush and watercolor on paper, Rocky countryside with a rider and cows walking on a road towards an arch., Italy, 1760–1780, landscapes, Drawing,

Elevation of a Fountain, Black chalk, pen and ink, brush and watercolor on paper, From a three octagonal steps, upon a high pedestal, rises an obelisk, crowned with eagle wings upon a spire. Water pours from gargoyle-like masks into four

Design for a Sugar Bowl, Brush and watercolor, black gouache, graphite on cream paper, Design for a sugar bowl with curved and decorated handle; a dip in the rim of the bowl. Body has allover decoration in form of sunset landscape with cottage on

Old Beggar Man, Brush and opaque watercolor on pin-pricked paper, Early 19th century pin-prick picture after an engraving. The face and hands painted in watercolor., Germany, ca. 1800, Pin-prick picture, Pin-prick picture

Arriving at the Hall, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and watercolor on paper, Vertical rectangle, bevelled corners. Figure of a woman in a low-necked white evening dress and a red shawl with long fringe, on

A Studio in the Villa Medici, Rome, Brush and watercolor with scraping for highlights on white wove paper, French artists who won the Prix de Rome were given studios in which to live and work during their time spent in Rome. The Academie de France

Project for cast metal and colored folding doors, Pen and ink, brush and watercolor on paper, The folding door consists of two wings, overdoor, framing pilasters, and an attic. The attic and overdoor have a trellis ground and decorated with

Design for a Platter, Brush and gold gouache, watercolor, graphite on cream paper, Gold decoration of a platter in trellis design, curved edge, C-curves and scrolls, roses and snowflake-like motif; portrait of a woman in profile at the top

Design for a Clock, Pen and ink, brush and watercolor, black chalk on paper, Vertical rectangle. Design for a clock on large base with decorated frieze with acanthus scrolls beside a plant. Above the base, a pedestal with a piece of a fluted

Design for a Monument Flanked by Fountains, Pen and ink, brush and watercolor on paper, Allegorical figures with trophies flank an obelisk with relief sculpture of trophies of warfare surrounding a blank escutcheon surmounted by a royal crown. The

Design for a Sugar Bowl, Brush and gouache, watercolor, pen and black ink, graphite on cream paper, Design for a sugar bowl with lid. Body of bowl is decorated with papyrus flower in tan, blue, and green against a gray-green ground that is

A Salon in a Residence of the Duke of Leuchtenberg, Otto Wagner, German, 1803 – 1861, Brush and watercolor, gouache on paper, This large salon is sparsely furnished in the Biedermeier style. Atop the blond wood secretary is a gilt bronze lyre

Design for a Monument flanked by Fountains, Pen and ink, brush and watercolor on paper, Allegorical figures with trophies flank an obelisk with relief sculpture of trophies of warfare surrounding a blank escutcheon surmounted by a royal crown. The

Two Studies of Cattle, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, graphite on brown paper, Horizontal rectangle. Obverse: at left, head and neck of a standing cow or ox. The head is shown frontally. Reverse:

Royal Circus from Ackermann's Repository, Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Ackermann’s, London, England, Thomas

Wall Elevation with Fireplace and Two Doors, Frederick Crace, English, 1779–1859, Pen and gray ink, brush and watercolor on off-white laid paper, Horizontal composition illustrating an elevation of an interior wall with a fireplace at center

Design for a Metal Frame, Giovanni Bettati, ca. 1700 – 1777, Pen and ink, brush and brown watercolor, black chalk, graphite on paper, Different details in the left and right halves. Architectural forms frame an oval. An escutcheon in the

Competition Design for La Fenice, Venice: Transverse Section, Pen and black ink, brush and gray wash, watercolor, graphite on cream paper, Drawing in shades of rose and gray of transverse section of a theater showing a large central section

The Study of Grand Duchess Cecilia von Oldenberg, Ernst Christian Anton von Lautzow, Brush and watercolor, gouache with accents of gold paint on white wove paper, In this view, the Grand Duchess Cecilia von Oldenburg's study is dominated by the

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow, red watercolor on white laid paper, Octagonal base supported by tapered feet. Front panel shows a relief of Hermes as shepherd, sleeping. Ram at

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Design for a sugar bowl with two looped handles; lid has a linked finial. Bowl’s rim is scalloped; large pink peonies (flowers) against gold and green ground.

Design for the Elevation of the Entrance Wall of a Salon, Pen, brush, Chinese black, and light blue and yellow watercolor washes on paper, A wall panel with a looking glass is flanked by panels with panoplies and folding doors. Another wall

Design for two entablatures, Pen and Chinese ink, brush and watercolor, graphite on paper, Top depicts rosettes, calyxes, and leaves. Bottom shows leaves and plants with pevals below., France, 1770-1790, Drawing, Drawing

Saltarello Romano, ' Dancing Peasants In The Neighborhood Of Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A boy in the pose of the dancer of plate 1, loc. cit., dances

Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome, Giuseppe Palazzi, Italian, 1740 - 1810, Graphite, pen and ink, brush and watercolor on paper, Section. At left is a window. At the opposite side is a cupboard,

Japanese Lily, East Hampton, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on cream laid paper, Study of Japanese lily in watercolor; two additional sketches of the flower in graphite. Verso: studies of stalk and

White My Flax, Red My Ring, Gold the Heart of My Betrothed, Henry Patrick Raleigh, American, 1880–1944, Charcoal, brush and grey, black and white watercolor on illustration board, A young woman seated in a doorway is shown with a sheet in

Design for a Plate, Brush and gold gouache, watercolor, graphite on cream paper, Decoration for plate with rounded corners. Border of plate consists of light green ground featuring pink blossoms with darker green leaves; rimmed with gold.,

Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836, Pierre-Antoine Leboux de La Mésangère, French, 1761–1831, Engraving, hand-colored with

Door in a garden wall, Filippo Marchionni, Italian, 1732–1805, Charcoal, graphite, brush and gray watercolor on paper, In the shape of a triumphal arch, with a single high and narrow opening in the center part. Below is a dado, above the

Garden Pavillion, Brush and watercolor, graphite on wove paper, lined, Drawing of large pavilion surrounded by foliage. Hexagonal pavilion comprised of slanted roof supported by columns with circular design decoration and lanterns. Balustrade at

Design for a Sedan Chair, Pen and black ink; brush and red, green yellow and gray watercolor over graphite on heavy, textured cream laid paperboard, Three-quarter view of a sedan chair diminutively decorated with cartouches containing bird and

Design for a Reliquary for a Thorn of the Crown, Pen and ink, brush and blue, green, rose watercolor, graphite on paper, Vertical rectangle. The receptacle of the reliquary is shaped like a column, which is carried by a cherub who stands upon

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with harpy candelabrum, swags and masks frame a square panel at center, Italy, early 17th century, ornament, Drawing, Drawing

Design for rosettes, Pen and Chinese ink, brush and watercolor, graphite on paper, Each rosette is shown against a black background in a square., France, 1770-1790, Drawing, Drawing

Interior of a Dressing Room with Tented Ceiling, François Etienne Villeret, French, ca. 1800 - 1866, Brush and gouache, watercolor, graphite on tan paper, A dressing room interior whose walls and tented ceiling are covered in a delicate vine

Design for a Ceiling with Alternative Suggestions, Graphite, pen and ink, brush and watercolor on paper, Shown is a central medallion with three radiating quadrangles. The medallion shows a framed tent motif. The left quadrangle shows two nudes

Design for a Chalice, Black chalk, pen and ink, brush and watercolor on paper, Chalice decorated with masks, grape vines, putti, and Greek key design at base and center. The upper part of the cup is gilded., Italy, 1800–1830, ornament,

Design for a Mantelpiece, Pen and ink, brush and watercolor, sepia on paper, Elevation of a chimneypiece. At top, a triple mount with a laurel wreath/. Below this, a peaked entablature and an oval mirror surrounded by festoons, bowknots and

Wall Decoration with Oriental Landscape, probably for Conservatory/Music Room, Royal Pavilion, Brighton, George IV, King of England, English, 1762 – 1830, Brush and watercolor, pen and black ink, graphite on white wove paper, Design for

Design for two friezes, Pen and Chinese ink, brush and watercolor, graphite on paper, The top frieze depicts intertwined, curved bands with rosettes. The bottom frieze shows rosettes of alternating design., France, 1770-1790, Drawing,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design of arched window with separate panels, all framed by green-yellow and red; two vertical

Wallpaper Design, Brush and watercolor, gouache, graphite on heavy white wove paper, A dado is shown at the bottom, an entablature with a gilt ovolo on top. The ground of the panel shows alternately a blue and a narrower white between two light

Design for Mechanical Furniture: Secretary Desk, Graphite, pen and ink, brush and watercolor on paper, Design for a secretary desk with a fall-front on hinges, and cabinets above and below. Elevation at left with desk open, revealing the inner

Design for a Creamer, Brush and watercolor, gold gouache, graphite on cream paper, Design for a creamer with a straight spout and rhomboid finial; body is decorated with stylized wheat stalk pattern., Japan, 1880–1910, tableware designs,

Design for a Console Table, Pen and ink, brush and sepia wash, gray watercolor on paper, Horizontal rectangle. Design for a console table shown in elevation, the legs in the shape of a 'trapez-ophoron, ' the upper part of the body of a winged

Study for Rose Window for St. John the Baptist Church, Brooklyn, NY, Leon Dabo, American, 1868–1960, Brush and watercolor, graphite on paper, laid down on illustration board, Circular medallions of four figures representing the earth,

Designs for Mechanical Furniture: Three Washstands with Three Bidets, Graphite, pen and black ink, brush and watercolor on paper, Three washstands with bidets; upper plan, section and elevation; upper right, plan, section and elevation; lower,

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