Images at Librifly

search results: Watercolor clear search

Clock face with the signs of the zodiac, Pen and black ink, brush and watercolor, graphite on paper, The signs of the zodiac are displayed upon its outside band. Chronos is seated underneath raising the hour glass with his left hand and pointing

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper, On green-blue ground, four crossing swords in white, surrounded by gold stars., USA, ca. 1887–1903, graphic design, Drawing,

Sketch of Drapery for Seated Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, with watercolor spots below, Female figure, seated, facing frontally. Lower part of drapery shaded. Hands together, perhaps holding

Elevation of a Censer, Black chalk, pen and ink, brush and watercolor on paper, The bowl is surrounded by a calyx of water leaves. Above it are a band with a wave motif and a band of beads. In the center of the neck is an escutcheon including a

Architectural Details in Classical and Pseudo-Classical Style, Romolo Achille Liverani, Italian, 1809 - 1872, Graphite, pen and black ink, brush and bistre, gray watercolor on paper, Horizontal rectangle. At lower left, the left part of the

Garden Wall and Terrace, Pen and black ink, brush and green, red, pink, brown and yellow watercolor, slight traces of black chalk on paper, Design for a garden wall and terrace. A parallel colonnades supporting an open roof of cross rafters.

Figural Studies, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, In the upper left corner are two seated men wearing hats, shown in profile. Below, at left, a man seated

Design for clock, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black wash, graphite, on cream laid paper, Clock sits on footed base, lower front panel shows relief scene of Cupid ferrying Chronos, bow of boat is

Designs for Commodes, Graphite, pen and ink, brush and watercolor on paper, Elevations of two chests. Upper left, a design for a chest with doors; lower left, detail of construction, section through top. At upper right, a design for a chest

The Illustrator, Joseph J. Gould, American, ca. 1876–after 1932, Charles Scribner's Sons, New York, New York, USA, Pen and black ink, brush and watercolor on illustration board, Half-length portrait of a man, turned toward the right,

Design for a Necklace, Pen and black ink, brush and gray watercolor on paper, Jewelry design for a necklace. The parts of the chain consist of three scrolls of band with rows of bead between them, connected by knots. Hanging from a knot, forming

The Serenade, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Two boys play the mandolin, two more listen in poses similar to those of the one leaning against a stone and the

Dutch Barges, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on illustration board, Top row, two anchored barges shown obliquely from the sterns. Center, a barge sailing toward right, with Dutch colors. Bottom,

Seated Official, Brush and watercolor on rice paper, A seated gentleman of elevated station, facing half-left, in an elaborately carved chair, wearing an embroidered robe and carrying a green sceptre., China, mid-19th century, figures,

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Spes (Hope), Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, figure standing, head in

Botanical Detail Studies: Hollyhocks, Blueberries, and Blackberries, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on paper, Botanical detail studies. Top and left center: six designs of details of a hollyhock. A part

Design for an altar of the Virgin, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink, brush and gray watercolor on laid paper, Two angels support a frame of an image, with two cherubim on top. Two others support a label above. Upon the

Design for Wall with Three Gothic Arches, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Elevation of a wall, with the three divisions of window (left), fireplace (center), and

Section of a wall, Tapestry Room, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor, Chinese white on heavy paper, Elevation of section of wall, showing panelling and parts of large tapestries. Left, tapestry over

Design for Elevation of a Window Case, Filippo Marchionni, Italian, 1732–1805, Black chalk, brush and brown watercolor on laid paper, Pilasters are projecting laterally consisting of slopes, wolf heads carrying rings with tassels in their

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and sepia ink, brush and yellow, brown-red watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, the base supported by two cowering lions. The base

Study for Rose Window for St. John the Baptist Church, Brooklyn, NY, Leon Dabo, American, 1868–1960, Brush and watercolor, graphite on paper, laid down on illustration board, Circular medallions with angels and stars. Central red medallion

Design for a Church Window, Bancel La Farge, American, 1865–1938, Graphite and watercolor on tracing paper, Five-light Gothic church window, with the Cross in the center. Above, indications that the design is to be continued., USA,

Stained glass window: Christ and Peter, John C. Wolf, Brush and watercolor on heavy paper, Peter kneeling reaching up to Christ who is standing, one arm raised., USA, 1890–1900, glasswares, Drawing, Drawing

Sample Sheet, Two Designs for Cups and Saucers, Brush and gray, yellow, brown watercolor on cream paper, Two designs for cups and saucers probably made of cut glass; opal, hylite. Arranged in a vertical row showing a cup at top, a saucer

Decorative Panel for July Festival, Félix-Jacques Duban, French, 1798 - 1870, Brush and watercolor, gouache, pen and black ink, graphite on cream paper mounted on cream laid paper, Design for square panel with circular field with concentric

Architectural Studies, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and sepia, black-brown watercolor on laid paper, Left row: a console with a mask; upper part of door case, laterally framed by a pilaster. A decorated panel is

Design for a Necklace, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for a necklace with a horizontal band at top and an attached curving band below. The bands made of interlaced chain consisting of a scroll of ribbons and

Design for a Necklace, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for a necklace. The chain consists of entwined scrolls, each having a knot at its thinner middle part. The ends of the scrolls are forming

Proofs for Four Plates of 'Alfabeto in Sogno' [Dream Alphabet]: Letter E, Giuseppe Maria Mitelli, 1634 – 1718, Engraving, brush and watercolor, red crayon on white laid paper, Central image of a page holding a plate with a fish that forms the

Sadlers Wells Theater from Ackermann's Repository, Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Ackermann’s, London, England, Thomas

Design for a Painted Wall Decoration, Brush and watercolor, gouache, graphite on heavy white wove paper, Design for a wall covering with large repeat of white garlands and scrolling floral elements on a gray ground, with a reddish-orange poppy

Design for a Hot Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light brown paper, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow and white

Landscape with Bridge, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and watercolor on paper, Mountainous country with a town at left in the middle ground. In the foreground is a brook, over which leads a bridge at left. Two

Alps, Arnold William Brunner, American, 1857–1925, Brush and watercolor on grey-green paper, View of mountains stretching into the distance., USA, 1883, landscapes, Drawing, Drawing

Design for a Comb, Pen and ink, brush and gray, yellow, red watercolor on paper, Jewelry design for a hair comb intended to be executed in gilded, partly engraved metal, silver and diamonds. In the cresting border, blossoms composed of a

Design for a Fan, Closed, Unknown, Pen and black Ink, brush and wash, watercolor, white gouache on cream laid paper, lined, Visible edge includes design with overall vegetal motif, interspersed with two birds. The handle of the fan is mainly

Bedroom in a Country Dacha, Unknown, Russian School, Brush and watercolor, pen and blue ink, graphite on white wove paper, The location of this room is identified as the country house of the Kishkovsky family in Russia. The coved ceiling is

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Design for a Candlestick, Italian, Italian, possibly Roman, Pen and brown ink, brush and wash, gray wash, yellow watercolor, graphite on cream laid paper, Base of candlestick has a burning heart above a flame. The shaft is designed as a high

Engraving, Black ink and watercolor on paper, Horizontal formal garden with fountain and strolling figures; terrace with domed buliding in background. Blue-green, lemon, yellow, and deep mallow red., Europe and USA, 18th century, Engraving

Design for Six Brooches, Girolamo Venturi, Black crayon, pen and dark ink, brush and watercolor, gold on paper, Above, in center a large brooch, consisting of two parts connected by two enameled knots; above, with alternative suggestions, a

Design for a Panel, Pencil and brown watercolor on paper, Vertical rectangle. Design for a carved or painted panel composed of a central leaf arabesque, and an outer border of a continuous leaf arabesque., USA, ca. 1895, ornament, Print,

Bedroom Furniture, Pen and black ink; brush and watercolor, black chalk on off-white laid paper, Horizontal rectangle. Sheet showing a series of related furniture designs. Top row, at left, a bed shown from the front; a bed-table, with a

Design for a Plate, Brush and watercolor, pen and black ink, graphite on cream paper, Design for a plate with green rim decorated with figures in winter coats, one is pushing another on a sled while three others hold a rope pulling the sled.,

The Dancing Bear, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The bear and its leader are variations of the motif plate 7, loc. cit.; the bear holds a pole. A piper, two

Design for the Embroidery of a Man's Waistcoat, Brush and watercolor on paper, Lower left section of a waistcoat. Below the pocket, rising from the border, large flower motifs. Outline of pocket, with no design indicated., France, 1775–1785,

Henry IV, Frederick Marschall, Brush and watercolor, gold on heavy paper, Overdoor painted panel containing portrait of the King facing right almost in profile. It is set in an oval frame, flanked by two winged putti, holding swags of fruit.

Chinoiserie Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and colored inks, graphite on white wove paper, Horizontal rectangle. Design for a small rectangular building with a pagoda-like roof, supported by tall

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

Study of a Sheepdog, Black chalk, pen and ink, brush and watercolor on paper, lined, Dog shown seated, facing right., Italy, 1625–1650, nature studies, Drawing, Drawing

Project for a Painted Ceiling, Black chalk, pen and ink, brush and watercolor, bistre on paper, A coffered arch rises obliquely from a parapet. A kneeling merman supports a bracket under a pediment in the corner. Clouded sky at right., Italy,

Giorgio Bolognetti, Bishop of Rieti, Giorgio Bolognetti, Bishop of Rieti, Italian, 1595 - 1680, Sebastiano Cipriani, Italian, 1660 - 1740, Pen and brown ink, watercolor, black chalk on laid paper, A baldachin mounted on a raised platform

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. A hexagonal building standing on a podium, columns supporting the two-tiered pagoda roof. A narrow open porch

A Peasant’s Dwelling and a Castle in Mountainous Countryside, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and watercolor on paper, A rider upon the road leading from the foreground into the distance at right. A wooden house and

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. A building hexagonal in plan. Six columns support the two-tiered roof. The building is open on all sides and

Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, A grotesque design surrounds a strapwork escutcheon. At bottom, two dogs on their hind legs reach for garlands hanging from trophies. Flanking the blank central panel are

Design for clock, Lefebvre Manufactory, Tournai, Brush and yellow and red watercolor, black wash, graphite, on cream laid paper, Clock sits on footed base, lower panel decorated with palmette motifs. At left, a winged cupid gazes at a mask

Design for a Bowl, Pen and sepia ink, brush and blue, gray watercolor, graphite on light green-gray paper, Horizontal rectangle. Design for a bowl, supported by scrolls springing from four female half-figures (three are visible) which carry

Design for a Chaise Lounge, Brush and watercolor, graphite on white paper, Elaborate rocaille design for an upholstered chaise lounge, with textile drapery at sides, a vegetal finial at the top, and a book stand with candle holder to one side.

Title page: 'Bearing the Cross', S. A. Grant, S. B. Denroche, Wood engraving, Black ink on paper, Vertical rectangle. A cross and crown in a floral bower. In the centre, the title, the letters shown as stems with roots. Inscribed with names of

Grotesque Design, Charcoal, pen and bistre, brush and watercolor on paper, Strapwork with bears and satyrs frames a blank shield., Italy, early 17th century, ornament, Drawing, Drawing

The Philosopher, After Raphael, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor washes on laid paper, On verso: two studies of ceilings with grotesques., Italy, 1813–18, figures, Drawing, Drawing

Design for a Sedan Chair, Pen and black ink, brush and gray, brown, red, yellow and blue watercolor over graphite on cream laid paper, Shown from the right rear corner with two bars. On top is a crown of an earl. From the upper corners hang

Design for a Panel, Jean-Guillaume Moitte, French, 1746–1810, Graphite, pen and ink, brush and watercolor, sepia on paper, Vertical panel with candelabrum motif. At center is a blue oval with centaurs, within an octagonal frame. At top, a

Design for the Embroidery of a Man's Waistcoat, Pen and ink, brush and watercolor on light blue paper, Lower left section of a waistcoat. An all-over floral design along the border and below the poclet, extending over the pocket. Mainly indicated

Design for a Bookcase on a Stand, with Alternate Suggestions, Pen and black ink, brush and watercolor on paper, A bookcase on a stand, showing alternative treatments of doors and stand. Stand in the form of a knee-hole desk., Germany, ca.

On a Square in a Spanish Town, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and watercolor on paper; verso: graphite, Vertical rectangle. Two women standing in the square of a town, church steeples and outlines of figures

Waterfall, James Henry Moser, Canadian, 1854–1913, Brush and watercolor, graphite on paper, Young green forest with birch trees, moss, and rocks. Waterfall at right, with figures below it., USA, ca. 1890, landscapes, Drawing, Drawing

Rest During the Vintage, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A girl is seated upon, another leans against, a barrel, at left. Two seated girls in the center. A boy

Design for a Ceiling, Pen and ink on paper, sepia and blue watercolor on paper, Design for a ceiling over a square comparetment, representing a dome with large oculus and large lunettes on each side. Spandrels support crouching atlantid figures.

Sample Sheet, Two Designs for Cups and Saucers, Brush and gray, yellow, brown watercolor on cream paper, Two designs for cups and saucers probably made of cut glass, opal, hyalite. Arranged in a vertical row showing a cup at top, a saucer

Surprised at Mrs. Kitchen's, William Henry Sheldon, American, 1840 - 1932, Watercolor and white gouache on grey paper, Two men in uniform, standing in front of a fireplace, speak to a third, seated, with his back toward the viewer., USA,

Laundry in the Mountains Near Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Two women are shown in profile, washing in a high basin; another carries a copper kettle; a

Decorative Motifs and the Head of a Woman, Black chalk, pen and ink, brush and grey watercolor washes, blotted red crayon, lead pencil on laid paper. On verso: red crayon on laid paper., Vertical rectangle. On left, two overdoors. On the top

Design for a Woven or Embroidered Textile, Pounced, graphite, brush and slight greenish watercolor, brush and red-brown paint on paper, Recto: A right bottom corner is shown. A red field shows stripes at the edges which are decorated with rows

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with winged figures holding a crown over an oval reserve., Italy, early 17th century, ornament, Drawing, Drawing

Design for a Box, Brush and watercolor, gold gouache, graphite on cream paper, Top and side view of rectangular box decorated with gold and a landscape with a cottage, a path, and a lake at right, mountains in the distance., Japan,

Designs for Ornamental Arabesque Motifs, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and brown ink, brush and brown watercolor, graphite on paper, Top left, a mask of a human figure with horns from which are suspended tassels.

An escutcheon, a trophy, a label, a decorative motif for a frieze, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray, brown watercolor on paper, Left row: escutcheon, with a ribbon and two crossed branches on

Design for a Candelabrum and a Crucifix, Pen and ink, brush and watercolor, graphite on paper; verso: pen and ink, Vertical rectangle. Design for candelabrum at center. Lion feet on wood sockles support a base upon which a calyx of three leaves

Three Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, Upper left, a crouching figure facing right, pointing with his left hand. To the right, the top half of a

Ornament Design with Seaweed and Shells, Brush and watercolor, traces of graphite on white wove paper, mounted around edges, Design for a medallion composed of leaves, coral and shells., 19th century, ornament, Drawing, Drawing

Landscape: verso: Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, View of a valley with a town. A group of trees in the foreground. Verso: scrollwork frames an oval reserve., Italy, early 17th century, landscapes,

Surtout de Table (Centerpiece) with the Temple of Isis in Pompeii, Pen and ink, brush and watercolor on paper, Drawing of a surtout de table or deser (table centerpiece) whose theme is the ruins of Pompeii. The table’s legs are straight with

Design for a woven or printed fabric, P. and C. Lacour, Black crayon, brush and watercolor, gouache on cream paper, Silhouetted boughs in the style of about 1600 hanging from rising waves. Small flower boughs are shown in the intervals. An

Architectural Details and Three heads, Filippo Marchionni, Italian, 1732–1805, Black, red chalk, pen and ink, brush and gray watercolor on laid paper, Top left: elevation of upper left corner of a building; part of a window pane, above

Study of the Visitation, After Peter Paul Rubens, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor washes on paper, Italy, 1813–18, figures, Drawing, Drawing

The elevation of the lower central part of a town mansion, Filippo Marchionni, Italian, 1732–1805, Graphite, brush and gray watercolor on paper, Below is the gate with escutcheon with a crown between two sitting women above the arch. The

Design for a Necklace, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for a necklace. Four chains of pearls form a horizontal band at top and a curving band below, attached to the horizontal chains by rosettes of leaves.

Design for Theater Ceiling, Giuseppe Borsato, Italian, 1770 - 1840, Pen and black ink, brush and watercolor, gouache, graphite on paper, Vertical format. Form of a horseshoe, similar to 1940-21-22. The central panel has the same shape. In

Mother and Two Children in a Boudoir, Jean-Baptiste Huët, (French, 1745–1811), Pen and black ink, brush and gray wash, watercolor on white paper, lined, Woman holding a fruit sits on a low chair. One son kneeling on the floor to the left

Design for a Pitcher and Basin, Graphite, pen and ink, brush and watercolor on paper, Design for a pitcher and basin intended to be executed in partial gilt silver. Elevation and view of rim with gilded leaf decoration., Italy, 1800–1825,

Memorial Wool Embroidery Design 'Meinem Theuren Vater' and 'Meiner Theuren Mater', F. Ebner, German, 1800 – 1825, Brush and gouache and watercolor, pen and black ink over etching on cream laid paper, Design for embroidery with distinctive

Ornamental panel, Jean-Siméon Rousseau, 1747 – 1820, Pen and ink, brush and watercolor, graphite on laid paper, The center panel shows an eagle placed upon a thunderbolt between two acanthus scrolls. The lateral one shows a trophy of arrows,

Design for the grillework entrance of Hotel du Gouverement at Metz, France, Pen and ink, brush and watercolor, gouache on laid paper, The central portion of the grille is composed of bars on which is superimposed the device of Louis XVI within a

Design for a Decorative Panel, John La Farge, American, 1835–1910, Graphite and watercolor on paper, In center, a tree-of-life motif, bordered by square panels at the sides and rectangular ones top and bottom, with wreaths at the corners.

Design for a Cabinet in the 'Boulle' Style, Pagny, French, 1856 – 1888, Pagny, French, 1856 – 1888, Brush and black ink, wash, yellow gouache, brown watercolor, graphite on heavy white paper, This drawing depicts an architecturally

On the Road to Tivoli, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A man as in plate 35, loc. cit., walks beside a woman on a donkey. Another woman and a boy are shown from

search results: Watercolor clear search