Images at Librifly

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Project for a Painted Wall, Graphite, pen and ink, brush and watercolor, sepia on paper, The right half of an imaginary space, with an arch supported by a column. At right, double pilasters support an entablature with dentil moulding., Italy,

Personification of 'Metalwork, ' Study for the Dome of the Manufacturer's Building, World's Columbian Exposition, Chicago, IL, Kenyon Cox, American, 1856–1919, Brush and watercolor, white gouache, graphite on paper, Mural study for

Design for a Bracelet, Pen and brown ink, brush and gray wash, yellow, plum watercolor on white laid paper, Horizontal rectangle. Design for a bracelet intended to be executed in gold with red diamonds and pearls. A series of thin golden squares

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. Below the pocket, a symmetrical motif, with a flower at the center. Sprays of flowers and leaves along the border. Floral

Design for a Sofa, Pen and ink, brush and watercolor, graphite on paper; verso: graphite, Horizontal rectangle. Design for a sofa or chaise longue shown slightly obliquely in profile, with the head at left. Below are four knobs, the wooden

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design of cross on mantel on yellow ground and mosaic like pattern in gray and blue, framed by

Sheep Resting, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on paper, Horizontal view of a group of resting sheep, partially filled in with colors, and a detail of a sheep's hind leg and tail. Color notations., USA,

Design for a Vase, Brush and watercolor, gold gouache, graphite on cream paper, Shaped like a vase, partially colored, with yellow flowers on branches against a setting sun and view of a mountain in background; partially gilt; unfinished

Design for a Teapot, Brush and watercolor, gold, black gouache, graphite on cream paper, Design for a footed teapot decorated in black and gold stripes with a gold framed landscape., Japan, 1880–1910, tableware designs, Drawing, Drawing

Wallpaper Design, Brush and watercolor, gouache, graphite on white paper, A colored ovolo is beneath the entablature. Narrower and broader stripes alternate. Candelabra of flowers, repeating a single motif, framed alternately by moldings,

Design for a Necklace with Alternative Suggestions, Pen and black ink, brush and gray watercolor on paper, Jewelry design for a necklace. The chain and the upper part of the pendant consist of blossoms, respectively disks, connected by crossed

Decoration of an Oblong Panel and an Escutcheon, Filippo Marchionni, Italian, 1732–1805, Red crayon, brush and brown watercolor and wash on laid paper, Vertical rectangle. Top center: first section of an acanthus rinceau. Bottom left,

Design for a Salon, with Statues of Apollo and Venus, Gilles Paul Cauvet, French, 1731–1788, Pen and Chinese ink, brush and watercolor, graphite on laid paper, Two design options are presented for this gallery and second story with

Phaeton Asks Apollo to Drive the Sun Chariot, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor wash on heavy paper, Italy, 1812, figures, Drawing, Drawing

Design for a gateway with lodges, early design for Villa Albani, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on laid paper, Entrance to a park. At left, between caryatids sunken compartments. At right,

Designs for Altar Candlesticks and Candle Brackets, Pen and ink, brush and gray watercolor, black chalk on paper, Vertical rectangle. At left and right, two candlesticks with hexagonal bases with concave sides, supported by leaf scrolls. In the

A Woman Holding a Boy with Her Hand Passing a Gentleman Seated Among Ruins in the Campagna, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The man holds an open book in his right

Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Design for a partial plate decorated at the gold rim with light blue ovals, the border has a colored bird, pink and purple roses with green leaves, and a

Design for a Hot Water Spout, Graphite, pen and ink, brush and sepia wash, gray, yellow watercolor on paper, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow and white metals. A flying

Design for a Corsage, Pen and ink, brush and watercolor on paper, Three stems with blossoms, buds and leaves are tied by a ribbon., Italy, 1825–50, jewelry, Drawing, Drawing

Design for a Painted Frieze, Graphite, pen and ink, brush and watercolor on paper, Horizontal rectangle. At the left, a partial tablet with “IGITVR. A winged head on top. Two putti sitting between a rinceaux., Italy, late 18th century,

Project for a Painted Panel, Pen and ink, brush and watercolor, sepia, graphite on paper, Two vertical bands with candelabrum. At the center of each of a pink oval with figures., France, ca. 1805, ornament, Drawing, Drawing

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

The Microscope, ' Spooner's Transformations, No. 2, William Spooner, England, active 1830 – 1854, Lithograph and brush and watercolor on paper, Title between two vignettes: 'Displaying to the horror stricken old woman the wonderful

Design for a Cup or Saucer, Brush and watercolor, pen and ink, graphite on cream paper, Design for cup and saucer. Cup with pointed handle has bunch of flowers growing from ground with unfinished rim decoration in green with yellow stripes and

Design for andiron, Lefebvre Manufactory, Tournai, Brush and yellow, red, green watercolor, black wash, graphite, on cream laid paper, Rectangular panel, incised with a diamond pattern, drapery below, is supported by two posts consisting

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. An open pavilion, rectangular in plan, with a two-tiered pagoda roof supported by four columns. The

Designs for Mechanical Furniture: Cabinet and Desk, Pen and black ink, brush and watercolor on paper, At top, two commodes, with plan and elevation for each and, for the left one, section as well. Below, a desk fitted with a fall-foot, for

Project for a Chimneypiece, Graphite, pen and ink, brush and watercolor in paper, Elevation if mantelpiece. At center, a tablet with four dancing women. On either side, swags and bucranium. Above this, a ceramic vessel. At left, profile

Two Women with a Basket, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor washes on paper, Italy, 1813–18, figures, Drawing, Drawing

Design for Portion of Stairway, Château-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor, graphite on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Design for a Mirror, with Alternative Suggestions, Richard de Lalonde, French, active 1780–96, Pen and ink, brush and watercolor, graphite on paper, Different details are suggested at left and right. A pair of doves above center, from

Study of the Landing of Maria de' Medici to Marsala, after Peter Paul Rubens, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes on paper, Italy, 1813–18, figures, Drawing, Drawing

Sheet with Sketches, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and watercolor on paper, mounted, Upper left, a woman holds a flower to her breast. At right, Bacchus with faun child. Upper right, a bearded mask.

Design for Snuff Box, Cardinal Consalvi, Papal Secratary of State to Pius VII, Pen and ink, brush and watercolor on paper, The drawing below right. Only the lower right quarter is entirely executed. Concentric circles of gems., Italy, 1824,

Design for an Oratory (Memorial Chapel), Pen and black ink, brush and gray wash, blue, green and yellow watercolor on paper, Design for a round building. A circular, domed structure without other windows than a skylight at the center of the

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Lemons and Lemon Blossoms in a Basket, Brush and black ink, watercolor, graphite traces on coated wove paper, Basket filled with lemons and their leaves and blossoms; one lemon partially peeled, a wedge sitting on the ground., England or

Study of Old Cypress Trees, Cypress Point, Samuel Colman, American, 1832–1920, Pen and ink, crayon, graphite, brush and watercolor on gray paper, USA, April 11, 1898, landscapes, Drawing, Drawing

Design for a Jug, Brush and watercolor, gold gouache, graphite on cream paper, Design for a jug with squared handle; body of jug is covered with green leaves and pink and purple peonies, one butterfly; neck of jug has pattern green rhomboids and

Design for a Jar, Brush and watercolor, gold, black gouache, graphite on cream paper, Design for a partial jar with out-turned gold handle. Upper section decorated with registers; one with peaches and grapes and flanking it with stylized yellow

The Shore at Kativigh, Holland, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, View of the dunes, sand, and sea. The lighthouse, the church and boats on the shore are shown in the central middle

Flower Studies (Four Designs for Circular Ornaments), Samuel Colman, American, 1832–1920, Recto: Brush and watercolor, graphite on beige laid paper Verso: Graphite on paper, Horizontal view of ornaments composed of two petals and leaves at

Project for a Pendentive, Graphite, pen and ink, brush and watercolor on cardboard, Horizontal panel showing a pendentive decoration. At center, an inner escutcheon contains the frieze of Hephaistus; an outer one contains grotesques. Outer

Villa Farnese: in the Moat of Caprarola, Felice Giani, Italian, 1758–1823, Black chalk, pen and black ink, brush and brown watercolor on cream laid paper, View of bridge over water, in center, leading to classical building on left; figures

Sidewall, Machine-printed paper, Neo-Rococo all-over pattern of sprouting flowers with lengthy stems; single-motif roughly diamond-shaped repeat in off-set columns; pink and blue flowers with green and dark red foliage; pseudo-naturalistic

Design for an Oil Lamp, Graphite, pen and ink, brush and watercolor on paper, A circular base with fluting. Atlas, a bearded nude male, carries the globe, the equator of which is surrounded by a band. To this band are fastened two bowls with

Stage Design of an Atrium, Carbon, pen and ink, brush and gray watercolor on paper, Outside is a segment of a circular enclosure, consisting of two stories of colonnades, with statues upon the entablature of the upper one. Steps lead to a

Stage Design: Palace Architecture, Pen and black ink, brush and watercolor on white laid paper, Design for a stage set. View of palace facade consisting of circular arcade in the foreground, surmounted by arcades in the back, niches with

Design for an Octagonal Plate, Brush and watercolor, gold gouache, graphite on cream paper, Decoration for octagonal plate with deep blue-black border covered partially with gold zigzag triangle motif. Inside is a wreath of pink and purple

Design for a Chalice, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow watercolor on paper; verso: pen and ink, Vertical rectangle. Design for a gold chalice, at the base of which is an oval medallion between

Project for a Mantelpiece, Charcoal, pen and ink, brush and watercolor on paper, Design for mantelpiece with mirror. At top, a broken pediment with crown, shell and swags. Sitting on mantel, two figures and three cases. Plan below., Europe,

Donner Lake, Thomas Moran, American, b. Britain, 1837–1926, Graphite, brush and grey and blue-grey watercolor, white gouache on thin cream paper, Vertical view of a lake surrounded by mountains, with snow capped ones in background and a

Detail, bed alcove, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor, tempera, Chinese white on heavy paper, Elevation of section wall. Right, part of bed alcove; left, doorway. Marble dado, with wall surface above

Japanese Motifs, James Williamson, Brown ink and watercolor on cream-colored paper, Horizontal rectangle. Thirteen vignettes of octagonal shape, showing Japanese landscapes. To be used either for decoupage or for motifs for painted tole-ware.,

Landscape Sketches, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on cardboard, Left, two young trees; right, two trees in a meadow shown against wooded hills. Verso, boulders and an evergreen., USA, ca. 1900,

Design for a Centerpiece, Pietro Belli, Italian, 1780–1828, Pen and brown ink, brush and gray and pale yellow watercolor over graphite on light green paper, Design for a centerpiece, positioned at the center of the sheet. The base is in the

Grotesque Design, Charcoal, pen and bistre, brush and watercolor on paper, Strapwork with winged figures and putti frames a blank rectangular and oval panels., Italy, early 17th century, ornament, Drawing, Drawing

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

Design for a Window for the Paulist Fathers' Church, John La Farge, American, 1835–1910, Graphite and watercolor on paper, A triple-arched window (possibly for a gallery), with mosaics intended in the spandrels, of fan pattern., USA,

A Casemate Gun During the Conflagration, Theodore Russell Davis, American, 1840 - 1894, Watercolor on paper, Interior of a fort. A cannon being fired. An officer and six soldiers., USA, 1887, architecture, interiors, Drawing, Drawing

Study of Three Horses with a Plow, France, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, A plow with three horses, which stand at right and are shown staggered. Verso: At top, a

Design for Wall Decoration, Yellow (North) Drawing Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on white wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton.

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Head of a Cow or Ox, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, pen and ink, graphite on rough grey paper, The head of a cow or an ox shown slightly from above with foreshortened upper part of the body. Verso:

Design for a Bottle Cooler, Giovacchino Belli, Italian, 1756 - 1822, Pen and brown ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a bottle cooler. Curved legs with female masks on top rise from a base with a wave

Design for Embroidered Waistcoat, Mademoiselle Favel, Brush and gouache, watercolor on white laid paper, The pentagonal design similar to 1920-36-42. Green edges with strips of triangles along those of the waistcoat and the lateral and bottom

Elevation of a dining room wall, Pen and ink, brush and watercolor, graphite on laid paper, A folding door leading to a garden at the center. Console tables serving as dressers stand before wall panels and under empty frames., France,

Forest, Arnold William Brunner, American, 1857–1925, Brush and watercolor on grey-green paper, A group of tall trees in the foreground, with thick foliage indicated in the distance., USA, 1891, landscapes, Drawing, Drawing

In a Spanish Town, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and yellow, black, and blue watercolor, graphite on paper, Vertical rectangle, bevelled corners. Two Spanish women, shown in side back view, walking in a

Five Earrings, Pen and ink, brush and sepia, gray watercolor on paper, Above three and below two earrings. Each of the above consists of a ring of diamonds and a hanging bunch of grapes with two leaves. Below left, upon the ring a blossom, a

Decorative Motifs, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and ink, brush and gray watercolor, graphite on paper, Horizontal rectangle. Left row: above, the right side of the statue of a displayed eagle supporting a bust with the

Road in a Mountainous Country, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and ink, brush and watercolor on paper, Small figures among trees. Tree bare of branches at left., Italy, 1770–1786, landscapes, Drawing, Drawing

Elevation of Wall with Three Niches, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and green watercolor, gray wash, graphite on white laid paper, Elevation of wall with three niches, top moldings decorated with

Design for a Cartel Clock Case for J. Thuret, clockmaker to Louis XIV, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, brown ink, brush and watercolor on off-white laid paper, lined, Wall clock with trophy above including a

Elevation of a Wall, Pen and ink, brush and watercolor on paper, At left, a door frame with a feathered overdoor crest. The decoration of the wall consists of a dado labelled “Zoccolo”, and of a rose colored wall. Below the entablature is

Almanac for 1789, Engraving, brush and watercolor on paper, Calendar for first half-year, with three scènes galants; a promenade, fishing, country life., France, 1788, Print, Print

Grotesque Design, Charcoal, pen and bistre, brush and watercolor on paper, Grotesque frame with candelabrum composed of bucranium, dolphins, military trophies, birds and monkeys., Italy, early 17th century, ornament, Drawing, Drawing

Portrait of Lord Beauclerk, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A man wearing face whiskers and a top hat is seen full-length standing in left profile. He carries a walking stick., England,

Design for a Plate, Brush and watercolor, gouache, graphite on cream paper, Design for a plate with dark green rim with white spots; inside plum blossoms with green leaves with white spots and wheat stalks. In graphite, above, several tableware

Design for a Comb, Earring and Necklace, Pen and black ink, brush and gray, olive watercolor on light brown paper, Jewelry designs for a hair comb, earring, and a necklace, all with the same motifs. The comb at upper center with seventeen

Design for an Andiron, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and yellow, brown watercolor, graphite on light blue paper, Vertical rectangle. Design for an andiron with a scheme similar to 1938-88-630. The entablature

Vauxhall Garden from Ackermann's Repository, Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Ackermann’s, London, England, Thomas

Window Alcove for the Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, silhouetted, Design for an alcove with an arched ceiling and containing a window. A

Design for an Altar Tablet, Luigi Righetti, Italian, 1780 - 1819, Brush and sepia wash, watercolor, pen and ink, graphite on paper, Vertical rectangle. Design for an altar tablet with curved outlines, supported by two volutes of leaves

Caritas, Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, female figure standing, turned

Design for a Mirror Frame, Pen and ink, brush and watercolor, graphite on paper, Square mirror frame with creating composed of an urn with flowers on a platform from which hangs a lambrequin, flanked by arabesques. Flower swags at sides,

Study for 'Charity, ' St. Bartholomew's Church, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of a seated female figure holding a young child., New York, New York, USA, ca.

Designs for Two Panels, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and ink, brush and watercolor, graphite on paper, At left, half figures holding a flower basket on her head, above an urn. Set within a frame composed of urns,

Printed Textile Design: F, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Pen and black ink, gouache, watercolor, over graphite, ruled border in violet gouache Support: white laid paper, Geneva, Switzerland,

Entrance Hall, East Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, A panel, painted in imitation of stonework with a large urn stove standing in front of it. Panel above

Wall Decoration and Door with Columns, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Elevation of a section of wall, with a painted decoration consisting of clouds and sky seen through the

Design for a Cruet Frame with Alternative Suggestions, Giovacchino Belli, Italian, 1756 - 1822, Pen and ink, brush and watercolor, graphite on paper, Horizontal rectangle. Design for a cruet frame with alternative suggestions. The handle is

Wall Decoration, Entrance Hall, North Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white wove paper, Elevation of a wall, with doorways flanking a large

Design for a rug, Unknown, Pen and ink, watercolor on paper, Vertical rectangle. Design for the lower right section of a rug, in the Oriental style. Central field and borders show use of stylized flower motifs., USA, about 1905 (?), textile

Design for a Tapestry or a Painted Wall Hanging, Pen and black ink, brush and brown wash, watercolor on laid paper, Eleven various wild birds scattered in setting of low trees. In lower center, feed basket from which one bird eats; upper center,

Tricks of the Turf, or, Settling how to Lose a Race, Thomas Rowlandson, British, 1756–1827, Pen and ink, brush and watercolor on paper, England, 1821, Drawing, Drawing

Study of a Teamster, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on paper, Recto: Vertical view of an army wagon drawn by mule and driven by a teamster., Verso: Various sketches of an officer on horseback, mules

Ghent, Arnold William Brunner, American, 1857–1925, Brush and watercolor on blue paper, View of houses lining the canal, with the spires of the cathedral and belfry visible behind them., USA, 1883, landscapes, Drawing, Drawing

Design for a Candelabrum, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and gray, brown wash, yellow watercolor, black chalk on white laid paper, A design for a single candelabrum. At the bottom, lions, crouching on a

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