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Design for a park entrance, Pen and ink, brush and watercolor, graphite on paper., France, 1790, Drawing, Drawing

Project for a Fountain, Black chalk, pen and ink, brush and watercolor on paper, A fountain composed of pairs of figures, from top to bottom: putti, dolphins, mermaids, swans. Water flows from a vase-shaped finial., Italy, ca. 1620,

A Destitute Woman in Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A woman similar to that plate 19, loc. cit., having a child in her lap and another crouching beside

Man in a Storm, Walter Appleton Clark, American, 1876–1906, Brush and green, grey, and black washes, with white chalk and graphite, on white watercolor paper, A man seen from the right, walking in a storm, his head bent into the wind and

Library, Unknown, English, Brush and watercolor and graphite, In this sketchily drawn angled view of a library interior, a woman is seated on a brown sofa in front of a square table covered with a green cloth. A portrait and what appears to be a

Design for a Painted Porcelain Tray, Brush and watercolor, gouache, pen and brown ink, black chalk on cream laid paper, Slightly scalloped painted porcelain tray in elevation (above) and in plan (below), decorated at quadrants with floral

Design for an Armchair, Pen and ink, brush and watercolor on paper, Vertical rectangle. Design for an armchair shown from the front at left and obliquely from the left side at right. More detailed version of the design in 1901-39-1506. The seat,

Design for Decorative Panel for July Festival Architecture, Félix-Jacques Duban, French, 1798 - 1870, Brush and watercolor, gouache, black wash, pen and black ink, graphite on cream paper mounted on cream laid paper, Design for a hexagonal

Design for a Coronet with Alternative Suggestions, Pen and ink, brush and blue, gray watercolor, graphite on paper, Jewelry design for a coronet (small crown) with alternative suggestions, intended to be executed with white and blue diamonds.

Earrings and Brooches, Pen and ink, brush and sepia, gray watercolor on paper, Above are earrings, each consisting of a ring with three stones, the one at right with a blossom, and one hanging band with stems with blossoms or buds of diamonds

Personification of 'Building, ' Study for the Dome of the Manufacturer's Building, World's Columbian Exposition, Chicago, IL, Kenyon Cox, American, 1856–1919, Brush and watercolor, white gouache, graphite on paper, Mural study for

Project for a Fountain with Alternative Suggestions, Graphite, brush and bistre, gray watercolor on paper, Elevation of a fountain. In the middle of the basin, is a figure of a reclining water god. Along the central axis, to either side of the

Stage Design, Fortified Castle Interior for 'Ciro in Babilonia' by Gioachino Rossini, La Scala, Milan, 1818, 'Prigione Sotterranea', Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black

Project for the Decoration of an Oblong Panel, Brush and watercolor over graphite on white laid paper, Two rinceaux are connected by two snakes and a leaf. The latter forms, together with a calix, the support of a round table top, upon which a

Designs for a Mechanical desk and Sewing Table, Pen and ink, brush and watercolor on paper, At left, a desk with cabinets and fitted drawer, seen in isometric projection. A statue of Cupid crowns the central bay. At right, a sewing table with

Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, Grotesque design with harpies, acanthus leaves and satyrs surrounds a reserve., Italy, early 17th century, ornament, Drawing, Drawing

Study of Draped Figure with Palm, Francis Augustus Lathrop, American, 1849 - 1909, Brush and violet watercolor, graphite on cream laid paper, Possibly for a ceiling. Angelic figure with open arms flying to the left, carrying a palm branch.,

Arai Ferryboat, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), Ando Hiroshige, Japanese, 1797–1858, Woodblock, brush and watercolor on paper, A ferryboat with peasants crossing from left. Center, daimyo's

Design for a Reliquary, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. In the center of the base of the reliquary, a medallion with the monogram 'FL, ' above a crown. The

Alcove in the Salon of the Grand Duchess Anna of Mecklenburg-Schwerin, C. Rath, Austrian, active 19th century, Brush and watercolor, gouache, gold paint on white wove paper, This interior is dominated by royal blue walls, tasselled window

Architectural Ornaments, Graphite, pen and ink, brush and watercolor on paper, Two designs for architectural ornament. At left, a scrollwork escutcheon stand on a base. At right, a shield escutcheon leans against a parapet., Italy, 1750,

Portrait of Unidentified Man, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A man wearing face whiskers is seen astride a horse, three-quarter length, in left profile. Verso: pencil sketch of a man's

Seated Lady, Brush and watercolor on rice paper, A seated lady of quality, facing half-right, wearing long beads and an elaborately embroidered robe., China, mid-19th century, Painting, Painting

Designs for Three Pedestals, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and watercolor on off-white laid paper, Left: Tall shaft decorated with two rams heads, drafted in garlands, below a portrait plaque containing

Elevation of a Bed Alcove for Philippe, Duc d'Orléans, The Regent, Pen and Chinese ink, brush and watercolor on paper, Frontal elevation of an arched bed alcove, flanked by pilasters decorated with urns on brackets. In the center, a medallion

Roman Ruins with Figures, Giovanni Paolo Panini, Italian, 1691 - 1765, Graphite, brush and watercolor on white paper, Vertical rectangle. Unfinished composition showing a ruined vaulted structure before which is a relief showing three standing

Return From The Vintage, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A pair of girls with baskets pass a boy who sleeps in a seated position, on the rocks. A woman on a

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Design for a Hot Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light brown paper; verso: graphite, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow

Wallpaper Design, Brush and watercolor, gouache, graphite on heavy white wove paper, A dado is shown at the bottom, an entablature on top. Panel has a lilac ground, decorated with rows of spherical octagons with plant motifs in the scheme of

Peacock in a Garden, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, The peacock is shown in profile, walking toward left, with a landscape behind., USA, 1875–80, animals, Drawing, Drawing

Design for a Ewer with Spout and Loop Handle, Graphite, red crayon, pen and ink, brush and gray-brown watercolor on laid paper, Seen from the front, with loop having a horizontal direction. A mask below the spout. The alternative suggestions

Design for a Plate or Bowl, Brush and gold gouache, watercolor, graphite on cream paper, Gold decoration of a plate or bowl over watercolor flowers. Decoration made up of scalloped, shell-like edges, C-curves and scrolls, butterfly motif;

Design for Embroidery of a man's waistcoat, Pen, blue ink, watercolor, gouache, graphite Support: laid paper, Lower left section of a waistcoat. Below the pocket a fan-shaped spray of naturalistic flowers, flanked by smaller sprays of

Design for a gate, for the reception of Pope Pius VI returning from Germany, in Ancona, Filippo Marchionni, Italian, 1732–1805, Graphite, brush and gray watercolor, pen and ink on paper, An arch with a mask as a keystone, and with pillars

On Board Ship, Walter Shirlaw, American, b. Scotland, 1838–1909, Watercolor on rough heavy paper, View of the deck of a sailing ship. A sailor sits in front of a door leading to quarters. A lifeboat is shown in the right foreground., USA,

Design for a Painted Ceiling, Frederick Crace, English, 1779–1859, Graphite, pen and black ink, and watercolor on laid paper, Painted ceiling with a circular center containing a smaller circle with two figures in classical attire. Octagonal

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Architectural project for the house of P.J. Hetzel, Eugène Emmanuel Viollet-le-Duc, French, 1814 – 1879, Watercolor, graphite, pen and black ink, P.J. Hetzel's house in France, France, 1874, architecture, Drawing, Drawing

Decoration of a Dado, Black chalk, pen and ink, brush and watercolor on paper, Horizontal rectangle showing an entablature supported by pilasters and volutes. Between these and shell ornaments, festoons are hung. Rosettes in the center of

A Peasant’s Dwelling in Woody Country, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and ink, brush and watercolor on paper, A house and round stable with a straw roof are at right in the middle ground with sheep nearby. Cloudy

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Section of wall, Escalier de la cour ovale, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, lower half, revetments with panels of vari-colored marble; upper half, painted

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor or silk on paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Design for a back panel of a coach, Unknown, Brush and gray watercolor, pen and ink, black chalk on paper, Very richly decorated. Poseidon riding over the dea is shown in the upper panel, Hercules slaying the Hydra in the lower one. Parts of

Design for the Decoration of a Frieze, C. C., French, active 19th c., Pen and black ink, brush and gray watercolor, graphite on paper, The right side is shown. The central motif is the mask of a woman above leaves, and with a diadem of

Design for a Candlestick, Pen and ink, brush and sepia wash, yellow and gray watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed with white marble and gilded bronze. Above a base, two foliated and

Design for a Teapot, Brush and gold gouache, watercolor, graphite on cream paper, Design for a teapot covered in gold with oval decoration on body of cropped roses (flowers). In graphite, several tableware designs with numbers and Japanese

Design for a Candlestick, Graphite, brush and watercolor on paper, At top, the stump of a burning candle in a vase, with a calyx around the bottom of the bottom. Below, a tray shaped like a handle and a circle. Acanthus decoration., Italy,

Design for a Side Table, Brush and watercolor, gouache, graphite on cream paper, Design for a side table; plan and elevation. The top view is decorated with large black and gold peonies against a pink background; the side view is in graphite.,

Design for Elevation of Alcove Wall of Bedroom, Brush and watercolor, graphite on white laid paper, Frontal view of a bed alcove, framed squarely and hung with drapery, and flanked by single paneled doors. The panel over the alcove is decorated

Design for a carved wooden flower stand, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Pen and ink, brush and watercolor, black chalk on paper, A tripod with lion feet supporting a vase., France, 1780, Drawing,

Project for the elevation of the frame of a receptacle for a monstrance, Vincenzo Belli, Italian, 1710 - 1787, Pencil, pen, ink, black watercolor wash, paper, Two angels, standing on clouds, raise with their hands a palm and a vine bow,

Elevation and Ceiling, Ballroom and Bar, Teatro Comunale, Faenza, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, watercolor, pencil, Italy, 1853, theater, Drawing, Drawing

Study for the Goddard Memorial Window, in St. John's Church, Providence, Rhode Island, Francis Augustus Lathrop, American, 1849 - 1909, Brush and black and grey watercolor, white gouache, graphite on brown paper, A draped figure stands in

Study of a stream, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache , charcoal on paper, Sketch of a narrow stream in the forest with large rocks lining the banks., USA, 1870, nature studies, Drawing, Drawing

Two escutcheons, decorative vase and a scroll, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on paper, The upper escutcheon is in front of a trophy of colors and a helmet and above an entablature; there are

Figural Studies, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, At top, a group of three figure. The one at left stands, leaning upon his elbows; the two to the right

Design for Painted Decoration of a Wall, with Alternative Suggestions, Unknown, Austrian, Brush and watercolor, graphite on white wove paper, Groups of three narrow stripes and a broad stripe alternate above a dado and beneath an entablature,

Deisgn for an niche, Pen and ink, brush and watercolor on paper, A girl in classical attire stands upon a pedestal while holding a bottle, lowered, from which she has removed the stopper. The pedastal is decorated with floral motifs and a tripod

Fight of Women in Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The three women are similar to those plate 18, loc. cit. The boy is watching for the proper moment to

Design for a Memorial Tablet, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Pilasters flank an inscription: 'IN LOVING MEMORY OF / OR ANY INSCRIPTION' and below a wreath encricling the date: '18XX / 1898', USA, 1898,

Branch with a cluster of ripe plums and caterpillars, Mrs. Smith, Watercolor, Botanical study from nature., England, ca. 1830, nature studies, Drawing, Drawing

Designs for Nine Bands for Bases, Pen and brown ink, brush and watercolor, traces of graphite on off-white laid paper; verso: pen and brown ink, graphite, Nine designs for bands for covering the points of bases intended to be executed in metal

Design for a Ceiling Decoration, Giuseppe Maria Rolli, Italian, 1645 - 1727, Black chalk, pen and ink, brush and watercolor on paper, An imaginary frieze in which escutcheon are to alternate with brackets and a projecting entablature are shown

Design for a Mustard Pot, Giovacchino Belli, Italian, 1756 - 1822, Pen and ink, brush and watercolor, graphite on paper, Horizontal rectangle. Design for a mustard pot intended to be executed in partly gilded silver. Below is a circular base

Sketches of Wall Patterns – Blois, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, Complete element of wall pattern, left; sections, right., USA, 1883, wallpaper designs, Drawing, Drawing

Project for a Silver Handle, Black chalk, pen and ink, brush and watercolor on paper, Elevation shown. Handle consists of leaf scroll, a shell suspended from a capital. The bottom part of the shaft consists of a high bracket with an escutcheon

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, An octagonal building having three tiers of roofs with dragon finials. The structure is enclosed, but the side facing the

Design for a Painted Ceiling, Pen and ink, brush and watercolor on paper, Series of modlings about border; circular element in center with tent motif and arabesques in interveneing spaces for which alternative suggestions are made., France,

Mace for Liturgical Use, Black chalk, brush and watercolor on paper, A fluted cup with a foot stands upon the shaft. Above it is a pedestal with the escutcheon for a prelate’s coat-of-arms in front. Above kneel two angels beside the façade of a

Design for a Setting of the Exhibition of the Host, Black chalk, brush and gray and black watercolor on laid paper, Vertical rectangle. The left half of an architectural interior with baldachin is shown. Three flights of eight step, each lead to

Cardinal Flower, Samuel Colman, American, 1832–1920, Brush and watercolor, pen and brown ink, graphite on cream paper, Stem and red flowers in watercolors, left. Pen and graphite studies of flowers. Sketch of design for vase, lower right.

Design for a Dresser and Chair, Graphite, brush and watercolor on light green-gray paper, Horizontal rectangle. At top, the right half of a plan for the chest of drawers with a graphite inscription. Below at left is the dresser seen from the

The Flight into Egypt, After Domenichino, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown watercolor wash on paper, Italy, 1813–18, figures, Drawing, Drawing

Motif for Decorative Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon, ink, watercolor on paper, Shown is an oblong frame for an ovoidal representation. Alternative suggestions are shown for the decoration of the

Study for the Goddard Memorial Window, in St. John's Church, Providence, Rhode Island, Francis Augustus Lathrop, American, 1849 - 1909, Brush and black and grey watercolor, white gouache, graphite on brown paper, Two figures in an archway.

Design for Meuble de Vestibule, Graphite, color pencil, brush and watercolor on cream paper, Wall elevation for entrance hall in renaissance-revival style (although it is called 'genre Boulle' in published drawing, see bibliography). Lower

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork design with putti, bears and birds surrounds an oval reserve., Italy, early 17th century, ornament, Drawing, Drawing

Design for a Box, Brush and watercolor, gold, black gouache, graphite on cream paper, Design for a rectangular box outlined in green and gold decorated on top with a green-blue fish., Japan, 1880–1910, tableware designs, Drawing, Drawing

Design for the decoration of the façade of St. Peter's, Rome, for the Canonization of Giuseppe da Capertino and Jeanne-Françoise de Chantal, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on laid paper, Crest: a

Elevation of the Entrance Wall of a Hall, Pen, Chinese ink, rose watercolor and ink washes on paper, Five fluted pilasters frame wall panels in which three folding doors alternate with two simulated arched window openings. Cast shadow in the top

Bronze Vase with the Sacrifice of Iphigenia (after the Medici Vase), Luigi Righetti, Italian, 1780 - 1819, Pen and brown ink, brush and watercolor, graphite on white wove paper, Vertical rectangle. Design for a vase intended to be produced in

Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon, grey and black watercolor, gouache on paper, A group of two seated and one standing woman. The right one holds a sickle, likely representing Agriculture. The

Oblong with dancing children; an oblong panel with an escutcheon, Charcoal, pen, ink, brush, grey watercolor, paper, Vertical rectangle. A horizontal oblong with three dancing children. At right is one blowing into a trumpet. Below is a

Design for a Writing Desk, Graphite, pen and ink, brush and watercolor on paper, Left, front elevation of a design for a writing desk. Upper section with double doors enclosing fitted desk sections, surmounted by a hood with concave molding,

A Room in a Florentine Palace, Unknown, Italian, Brush and watercolor, gouache, gold paint, graphite on white wove paper, The wall decoration in the eighteenth century grisaille technique is obscured by mirrors and a portrait. The Louis XVI

Project for a Chandelier, Graphite, brush and watercolor on paper, Vertical rectangle. In the center is a vase with a big bouquet of colored flowers. Five arms are visible. The bowl on top, the rings of the chains, a bowl below the ring is of

Design for a Painted Door, Graphite, pen and ink, brush and watercolor, sepia on paper, Design for a pair of doors painted in the Pompeiian style. Each has a large central panel with arabesques, and square panels above and below., France and

Plate VI, Design for Gentleman's Costume, Journal des Luxus und der Moden (Journal of Luxury and Fashions), Vol. 1, No. 2, Georg Melchior Kraus, German, 1737–1806, Friedrich Justin Bertuch, German, 1747–1822, Verlag des

Design for Jewelled Hair, Pen and black ink, blue watercolor, gold paint, graphite Support: off-white paper, Italy, Italy, 1800–1850, jewelry, Drawing, Drawing

Design for Three Chairs, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper. Ruled borders in pen and black ink., Left: Side chair, upholstered in blue. Elongated back splat

Madonna and Child with St. Joseph, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor wash on paper, On verso: five studies of ceilings with grotesque, Italy, 1816, figures, Drawing, Drawing

Design for a Teacup, Brush and watercolor, gold gouache, graphite on cream paper, Teacup design with lid unfinished (in graphite), gold rim top and bottom; purple grapes, green and orange leaves, gold tendril; pointed handle., Japan,

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb. The cresting border is formed by circles, connected by small ones; in the larger ones a central diamond is framed by smaller ones; in the

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. Below the pocket short flower sprays, and leaf motifs. Flower and alternating leaf motif along border. Flower design on

Design for an over door, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and sepia ink, brush and gray watercolor on cardboard, Only the curved cresting; below, moulding with ovolo design. Center: laurel medallion with head of sun at

Design for a Bedroom, Pen and ink, brush and watercolor, black chalk on paper, The elevations of a wall and of the bed alcove are shown. The chimney piece has a looking glass as an over mantel. At right, the bed shown from the foot and a mirror

Two Designs for Decoration of Boxes, Tor di Nona Theater, Rome, Giuseppe Valadier, Italian, 1762–1839, Pen and gray ink, watercolor, over pencil, Italy, 1819, theater, Drawing, Drawing

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