Images at Librifly

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Design for Wall with Doorway, possibly for Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Elevation of a wall, with a doorway at left surmounted by a painted tablet bearing

The State Coach, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and blue, green, and rust watercolor, graphite on paper, Horizontal rectangle, bevelled corners. A green brougham, surmounted by a coronet, the carriage

Design for Painted Decoration of a Wall, with Alternate Suggestions, Unknown, Austrian, Brush and watercolor, graphite on white wove paper; incised lines, A dado is at the bottom, an entablature on top. The lower part of the design suggests

Design for a Looking Glass and Console Table, Pen and black ink, brush and violet, olive, yellow watercolor, graphite on off-white laid paper, Vertical rectangle. Intended to be executed in wood with ornaments of gilded metal. Below is a

Desing for an Oil Lamp, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for an oil-burning lamp. Below is a moulded base. The figure of a menad is shown in three-quarter profile dancing upon a sphere and

Design for a Mausoleum, Pen and ink, brush and watercolor, graphite on paper, A flight of steps leads to the closed folding door which is flanked by pairs of embedded of Doric columns. A rustic wall and a triglyph frieze. A circular pediment

Design for a Sugar Bowl, Brush and black, gold gouache, yellow watercolor, graphite on cream paper, Close-up, cropped design for a sugar bowl with a black and gold rim; at center an area made up of gold scrolls and floral motifs with garlands;

Design for an architrave, Pen and Chinese ink, brush and watercolor, graphite on paper, France, 1770-1790, Drawing, Drawing

Design for a Chimneypiece, Pen and ink, brush and gray watercolor on paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in white marble. At the sides two female hermae, respectively with flower and grain wreaths upon

Architecture and Figure Studies, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray watercolor on laid paper, Top: landscape with a villa in mountainous country. Center left: upper left part of elevation of a

Decoration of an Arched Portal, Carlo Marchionni, Italian, 1702–1786, Graphite, black crayon, brush and gray watercolor on laid paper, The upper part of an arch, inside contains an applied escutcheon, supported by two angels. Sitting upon

Project for an Entrance, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and ink, brush and watercolor on paper, An entryway framed by a pair of columns and pilasters supporting an entablature and the cornice of a pediment. The inner

View of Masquerade Ball, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and gray wash, watercolor on laid paper, Crowd in formal dress in highly ornate hall. Musicians on a loft over the door in the center rear.,

Design for Mechanical Furniture: Desk, Graphite, pen and ink, brush and watercolor on paper, Upper left, front elevation of a desk. Upper section with center having flap opening to a compartmented interior with drawers and pigeon-holes, flanked

Design for a Fantastic Goblet, Red chalk, brush and watercolor, oxidized white heightening on off white laid paper, Vertical rectangle. Foot and shaft consist of a merman as Atlas, intertwined with a dolphin. A fantastic shell has a cover shaped

Fire Screen: The Sense of Taste, François Boucher, French, 1703 – 1770, Etching, printed from two plates, hand colored with brush and watercolor on paper, Screen design depicting two Chinese boys, one eating a slice of melon, while the

Textile, Medium: silk Technique: printed by engraved plate and hand-colored with watercolor and metallic pigments on plain weave Label: silk, printed by engraved plate and hand-colored with watercolor and metallic pigments, White ribbed silk

Studies of a dragon, Brush and watercolor, pen and black ink on laid paper; verso: black chalk, pen and ink on laid paper, Two winged snake-like dragons and six heads of each are shown., Verso: two men on horseback in classical armor, fleeing

Pleated fan, Paper leaf gilded and painted in watercolor, ivory sticks, Pleated fan. Paper leaf gilded and painted in watercolor, showing three medallions (two of statuary and trees, third of three ladies and three cupids in landscape), border

Sampler, Lucy D. Stickney, American, 1818 - 1902, Medium: silk embroidery, linen foundation, watercolor paint Technique: embroidered in cross, satin, and stem stitches and French knots on plain weave foundation Label: linen embroidered with

Map sampler, Medium: silk embroidery, watercolor paint, silk foundation Technique: embroidered in stem, satin, laid, and back stitches on plain weave, painted Label: silk embroidered with silk in stem, satin, laid, and back stitches, with

Design for the West Wall of the Music Room, for Brighton Pavilion, Brighton, England, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache over traces of graphite on white wove paper, Elevation of west wall, with the two

Pleated fan, Parchment leaf painted with watercolor; carved and pierced mother-of-pearl sticks, pin set with a brilliant, Pleated fan. Parchment leaf painted with watercolor. Obverse: pastoral landscape with figures. Reverse: floral border and

Pleated fan and case, Silk leaf painted with watercolor, pierced, carved and gilded ivory sticks, paste jewel at rivet, Pleated fan. Silk leaf painted with watercolor commemorating the visit to Paris of Czar Nicholas II and the Czarina in 1896.

Design for a painted panel, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Pen and ink with watercolor washes on paper, Rinceaux, grotesques and garlands set off a single figure medallion, above, and a horizontal panel below,

Mantelpiece Detail, Music Room, Robert Jones, British, active 1815 – 1833, Brush and watercolor, graphite on white wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. The vertical elements of the design are

Mourning sampler, Medium: silk embroidery on silk foundation Technique: embroidered and painted on plain weave Label: silk, painted and embroidered with silk, Embroidered picture, nearly square in format, depicting a mourning female figure

Elevation and Plan View for a Spiral Staircase, Graphite, brush and watercolor, pen and black ink on cream laid paper, Plans and designs of stairs and staircases, in pink wash; one curved, another U-shaped., Marcilly, France, March 30,

Design for a Jardinière, Vieillard & Cie., active Bordeaux, France 1845 – ca. 1895, Brush and watercolor, gouache, graphite on white wove paper, lined, A jardinière decorated with plum blossoms on a blue and white diaper-patterned ground

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Strapwork Design, Charcoal, pen and ink, brush and watercolor, white heightening on paper, Strapwork design with winged sphinxes and figures in niches surrounds a lobed reserve., Italy, early 17th century, ornament, Drawing, Drawing

Image of St. Blaise, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and gray watercolor, pen and black ink, graphite on paper, St. Blaise kneeling and pointing at angels holding a tablet. Near him on the ground two angels, one

Project for the Painted Decoration of a Dome, Black chalk, pen and ink, brush and watercolor on paper, View of vaulted halls through an arch in which a stand supports and backs a moulded frame, the bottom of which is flanked by angels seated

Design for a Painted Wall Decoration, Pen and ink, brush and watercolor on paper, Elevation of a room. Dado and pilasters in marble. Capitals and molding details picked out in gold. A Wall painted with a square panel showing a landscape. Guilloche

Fashion: Elegant Dress, Watercolor and ink on paper, Standing figure of a woman wearing a striped dress and a large bonnet, carrying a band box in her left hand and another box under the right arm., Netherlands, 1820–30, figures, Drawing,

Design for a Motif off a Woven or Embroidery Fabric, Graphite, compass, brush and yellow watercolor, brush and red paint on paper, In a Romanesque-Gothic style. A kind of Gothic window rose bordered by scallops and Gothic traceries. Three leaves

Designs for a Necklace and Three Chains, Pen and black ink, brush and gray watercolor on light green paper, Jewelry designs for a necklace and three chains, arranged on a diagonal vertically, one above the other. At top, a piece of a chain,

Lily, Stockbridge, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on paper, Botanical study. An upright stem with leaves, lily blossoms, and buds. Verso: an upright stem with leaves and red seeds., USA, July

Section of wall, Council chamber of Louis XV, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, with painted panels of flowers, figures, trophies, in rococo manner. Left, portion of doorway recess; upper

Design for a Door Frame, Black chalk, pen and ink, brush and gray, black watercolor on laid paper, With a circular pediment inside a triangular one. It shows a mask and festoons., Italy, 1740–50, architecture, Drawing, Drawing

Old Cemetery, Venice, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, View from the Canal. Low buildings, two towers. Gondolas left and right., USA, 1883, seascapes, Drawing, Drawing

Front elevation of the house of Mr. Gédéon Mallet in Geneva, François Blondel, 1681 - 1756, Pencil, pen and ink, watercolor on paper, Corresponding to the print in opposite direction. Caption over the pavilion., France, ca. 1725,

Design for a Door Frame, Pen and ink, brush and watercolor on paper, The right half of the door frame is shown. A broad band is decorated with candelabra having in the center, lozenges and bordered by moldings. Squares showing masks and rosettes

Design for a Cabinet, with Alternate Suggestions, Pen and black ink, brush and watercolor on paper, A cabinet on legs has an arched central bay surmounted by a coffer-shaped section with finials. The left side shows three shelves with railings.

Grotesque Design; verso: a Landscape, Charcoal, pen and ink, brush and watercolor on paper, Strapwork frame with harpies and masks/ Verso: view of a town in a valley., Italy, early 17th century, ornament, Drawing, Drawing

Designs for Bowl, Cup, and Saucer, Brush and gray, yellow, brown watercolor on cream paper, Designs for parts of a tea service, including a bowl, cup, and saucer. Probably made of cut glass, opal, and hyalite. Handle is shown at right. The

Elevation and Plan for a Staircase Model in the English Style, Françoise Gillet, French, active 1830s, Pen and black ink, brush and pink, yellow, and grey watercolor on cream wove paper, Sectional elevation (above) and plan (below) for a

Design for the Decoration of the Saloon, Royal Pavillion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on multiple sheets white wove paper, (a): Design of a section of south end of the circular room,

Plans, elevation, and section of the tower in Chiaravalle, Milanese, Italy, Whitney Warren Jr., American, 1864–1943, Graphite, brush and red and brown watercolor, on cream heavy wove paper, Like all Beaux-Arts trained architects of his

Design for a Moorish Smoking Room [Tabagie], Léon Feuchère, French, 1804 - 1857, Brush and watercolor, gouache, graphite on wove paper, Octagonal room of stone or painted stone with arched openings on four sides and a cupula of

Interior in the House of Lord Chamberlain O'Neill, Strandraede, Copenhagen, Christian Olavius Zeuthen, Danish, 1812 - 1890, Pen and brush and black ink, watercolor, graphite on paper, Sitting room in subdued tones of gray, plaster-work

Bathroom and Boudoir Interior, Jean-Claude Rumeau, French, active 1806 - 1823, Pen and black ink, brush and watercolor, gouache, varnish, graphite on off-white paper, In the foreground, a boudoir with vaulted ceiling decorated in the arches

Personification of 'Textiles, ' Study for the Dome of the Manufacturer's Building, World's Columbian Exposition, Chicago, IL, Kenyon Cox, American, 1856–1919, Brush and watercolor, white gouache, graphite on paper, Mural study for

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Sketch of a Tree, Pen and brown ink, brush and gray watercolor, white heightening on blue paper, Loose sketch of a tree on blue paper., Italy, ca. 1780, landscapes, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. Borders of flowers and leaves along the edge and on the pocket. Sprays of flowers and leaves above., France, 1780–1790,

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Minerva, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, Minerva shown in profile, seated. She writes upon a sword. To the right, scrolls and an artist pallet.,

Stage Design, Palace Courtyards and Staircases, Pen and brown ink, brush and watercolor on paper; verso: pen and ink, Horizontal rectangle. Court of Gothic palace. View through arch into another court with staircase. Porticoes on the right.

Designs for Two Cabinets, Pen and black ink, brush and watercolor, graphite on paper, Two cabinets, each with alternative treatment of door tracery and one with pedestal and bust on top. Scale below., Germany, ca. 1805, furniture, Drawing,

Drawing, Pen and ink, brush and gray watercolor on paper, Architectural doorway., Italy, 18th century, architecture, Drawing

Stained glass window: right pane of three part design, John C. Wolf, Brush and watercolor, graphite on illustration board, Design for a stained glass window in shape of Gothic arch, pointed arch, with large area of white daisies on yellow

Section of wall showing panels of arabesque designs, Music Room, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, with panels of arabesque designs. Left, portion of door

Design for an Overdoor and Chimney, Pen and ink, brush and brown watercolor, graphite, Three putti are shown in the overdoor. A pair of billing doves, a quiver and a torch are in the top center of the frame of the mirror over the chimney.,

Hearst School for Girls: The Elevation of the Main Building, Graphite, brush and watercolor on cardboard, The design of the building is proposed with ground floor not yet in final form., USA, 1896 or 1897, architecture, Drawing, Drawing

Elevation and Plan of a Casino, Pen and black ink, brush and brown watercolor and black wash over graphite, Italy, ca. 1797, architecture, Drawing, Drawing

Project for a Candelabrum, Graphite, brush and watercolor on paper, Candelabrum supported by dolphins of which three are drawn. One central erected candlestick and two arms., Italy, ca. 1844, metalwork, Drawing, Drawing

Tree in Landscape with Building, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and sepia ink, brush and gray watercolor on laid paper, Foreground at right: group of trees. Center: water welling from rocks at left. Upon the rocks a ruin

Design for a Vase, Brush and watercolor, gold gouache, graphite on cream paper, Shaped like a vase, depicting yellow roses and thorns with white flowers and green and yellow leaves with a partial mountain in the background, against a yellowing

Loggia del Papa o dei Nobile (Loggia of the Pope or the Nobility), Siena, Italy, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, The elevation is shown at left; upper right, the plan, showing in the left

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. A border of flowers and leaves along the edge. left. Motif of flowers and leaves below the pocket. Floral design on the

Project for a Painted Panel, Graphite, pen and ink, brush and watercolor, sepia on paper, Two vertical bands with candelabrum. At the center of each of a pink oval with figures. Above and below are putti., France, ca. 1805, ornament,

Design for a panel, Gilles Paul Cauvet, French, 1731–1788, Pen and black ink, brush and watercolor on laid paper, Candelabrum composed of fantastic animals, a flower basket, cornucopiae, a sun head, surrounded by floral motifs. Drapery

Project for a Ceiling, Giuseppe Mannocchi, Italian, Active 1775 - 1782, Graphite, pen and ink, brush and watercolor on paper, Corner of ceiling shown. Panels divided by garlands. Within a field of grotesques is a tablet with showing a frieze

Design for a door case, Filippo Marchionni, Italian, 1732–1805, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and bistre ink, brush and gray watercolor on paper, Pointed pediment; a shell with lateral branches; a panel with shell

Design for Two Friezes and an Escutcheon, Charcoal, pen and ink, brush and watercolor on paper, Two friezes. At top, four putti with bucranium against a blue ground., Below, a symmetrical grotesque with mermaids and rinceaux., Italy,

Design for Secretary Desk, Graphite, pen and black ink, brush and watercolor on paper, A secretary desk, section and elevation. It is ornamented with two painted panels, one, lozenge-shaped, of a dancing bacchante; the other, a horizontal

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

A Dutch Barge, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on cream laid paper, A moored barge, shown obliquely from the stern. The Dutch colors are flying., USA, August 20, 1887, landscapes, Drawing,

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Brush and purple watercolor, white gouache, graphite on paper, Sketch for Christ in the painting in the chancel of St. Bartholomew, New

Project for an Oval Frame, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and watercolor on paper, An oval frame painted to look like partial gilt. Decorated with inner band of rosettes and acanthus leaves; outer band with

Ein Spieler aus allen liekannten spielen zusamengesetzt (A Player Composed of All Known Games), Andreas Geiger, Austrian, 1765 - 1856, Theodor Heinrich Alconiere, Austrian, 1789 - 1865, Engraving, brush and watercolor on paper, Vertical

Oak and Evergreen, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, graphite on cream paper, Trees on left half of page. Figures under the trees. Verso: trees, upper left; mountains running horizontally, lower left

Project for a Painted Square Ceiling, Luigi Rossini, Italian, 1790 – 1857, Pen and black ink, watercolor over graphite on paper, Heracles fights the Nemean lion. Decorative motifs include rinceaux, decagons, garlands, and sphinxes.,

Ceiling in Hadrian's Villa, near Tivoli, Luigi Rossini, Italian, 1790 – 1857, Pen and black ink, brush and watercolor, gold paint, black chalk on paper, Design of a ceiling. One quarter of the design is shown. In the center is a tent

Interior, Unknown, French, French School, Brush and watercolor and graphite, This view shows a large salon dominated by a center table covered with a green cloth. A woman, possibly doing handwork, is seated on a cane chair at the table. On the

Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with putti and bears frames a blank oval panel., Italy, early 17th century, ornament, Drawing, Drawing

Design for a Necklace, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray watercolor on paper, Jewelry design for a necklace. A scroll of ribbon and a branch are interlaced, with blossoms in the shape of

Design for a Window Case, Brush and gray watercolor, black chalk on paper, Corithian columns hold the entablature with a pediment. One reclining figure on each slope of the pediment. Two curtains hand in the window., Italy, 18th century,

Garden and Street Elevations of a Small Palace, Pen and ink, brush and watercolor on paper, At left, garden elevation of a two-storied palace with seven bays in two ranges, and surmounted by a balustrade ornamented with urns and paired putti at

A Port Scene, Red chalk, pen and ink, brush and watercolor on paper, Walking and seated figures, and a dog are in the foreground. In the middle plane are groups of people and donkeys. Some people gather under an awning. Barrels at left.

Design for a clock, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black wash, on cream laid paper, Clock sits on footed base, lower panel decorated with intertwining leaves and branches. Bottom portion of clock decorated

Design for an Inkstand, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and watercolor on paper, Rectangular box on black base. Long drawer in open position decorated with center rosette, flanked by stylized leaf motif.

Elevation of a Tower, Graphite, pen and ink, brush and watercolor on paper, Elevation of a bell tower. Above the basement window, a grate of iron bars. A clock set into the pediment, below which is the text: ANNODOMINI MDCCLIII. At top, a

Design for monument of Pope Clement XII, Carlo Marchionni, Italian, 1702–1786, Grapite, brush and gray watercolor on laid paper, Italy, 1735, architecture, Drawing, Drawing

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Elevation of a Side Chapel of the Congregation of St. Roch in Rome, Graphite, pen and ink, brush and watercolor on paper, Singles and pairs of pilasters support the entablature. Between them are three painted marble panels and a panel with

Studies of Calves, Stockbridge, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, graphite on brown paper, Two studies of calves, one on top of the other. Above, a calf lying on the grass, shown from the back with

Design for an Inkstand, Lefebvre Manufactory, Tournai, Brush and watercolor, black wash, graphite, on cream laid paper, Rectangular black base supports a box, drawer in open position (at right). Box decorated with center mask flanked by

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