Images at Librifly

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In the Bows of the Great Eastern: The Cable Broken and Lost, Preparing to Grapple, August 2nd, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 7 1/8 in. × 10 in. (18.1 × 25.4 cm), Drawings, Robert Charles Dudley

'Study of a Nilgai (Blue Bull)', Folio from the Shah Jahan Album, verso: ca. 1620; recto ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Mansur (active ca.

'Red-Headed Vulture and Long-Billed Vulture', Folio from the Shah Jahan Album, verso: ca. 1615–20; recto: ca. 1535–45, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39.1 cm), Codices, Painting by Mansur

The Woodcutter's Breakfast, ca. 1832–34 (?), Watercolor and gouache over graphite on paper, 13 x 17 in. (33.0 x 43.2 cm), Drawings, William Henry Hunt (British, London 1790–1864 London

House for Henry Whitney, New Haven, Connecticut (front and side elevations), 1835, Pen and ink, watercolor, graphite, Sheet: 16 3/4 × 11 7/8 in. (42.6 × 30.1 cm), Drawings

Fan Design with Mount Vesuvius, 19th century, Watercolor on vellum (?), arched, with double blue ink framing lines, mounted, image: 20 3/8 x 9 5/16 in. (51.7 x 23.6 cm), Drawings, Attributed to Anonymous, 19th century

Stage Set Design of an Ancient Roman Ruin being Converted into a Barn, late 18th–mid-19th century, Pen and black ink, watercolor, and with touches of pen and brown ink, sheet: 8 1/16 x 11 9/16 in. (20.5 x 29.4 cm), Drawings, Johann Heinrich

Getting Out One of the Great Buoys: The Deck of the Great Eastern Looking From the Forecastle, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 9 13/16 × 14 7/16 in. (25 × 36.7 cm), Drawings, Robert Charles Dudley (British,

Lea Castle, Worcestershire, Dining Room Looking South, ca. 1816, Watercolor, sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm), John Carter (British, London 1748–1817 London

Design for Curtains, 1841–84, Graphite and watercolor, sheet: 13 3/4 x 7 5/16 in. (34.9 x 18.6 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design with Medici Coat of Arms and Harpy (Embroidery Design?), 16th century, Pen and brown ink, watercolor, on vellum, sheet: 1 15/16 x 6 1/4 in. (5 x 15.8 cm), Anonymous, Italian, 16th century

Design for Ecclesiastical Embroidery -- Cross Stitch Pattern, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 10 1/4 x 10 1/2 in. (26 x 26.7 cm), Ernest Geldart (British, London 1848–1929

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor and gouache over graphite, sheet: 11 5/8 x 7 1/4 in. (29.5 x 18.4 cm), Drawings, Charles Edmund Brock (British, London 1870–1938 Cambridge

Road Leading to the Grotto of Posillipo, 18th century, Pen and black ink, brown wash, watercolor, over faint underdrawing in graphite, 8 7/16 x 5 13/16 in. (21.5 x 14.8 cm), Drawings, Claude Louis Châtelet (French, Paris 1753–1794 Paris

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

Folio from a Qur'an Manuscript, dated A.H. 707/ A.D. 1307–8, Attributed to Iraq, Baghdad, Ink, opaque watercolor, and gold on paper, 20 3/16 x 14 1/2in. (51.3 x 36.8cm), Codices, During the Ilkhanid period, a series of magnificent, large

Three Noblemen in Procession on an Elephant, ca. 1790, Attributed to India, Hyderabad, Opaque watercolor and gold on paper, Page: H. 18 3/4 in. (47.6 cm), Codices, Painting by Venkatchellum (active 1780s–90s), This painting of a royal

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Section of a Qur'an Manuscript, late 14th–early 15th century, Attributed to present-day Uzbekistan, probably Samarqand, Ink, opaque watercolor, and gold on paper, H. 17 5/16 in. (44 cm), Codices, These two lines of calligraphy in elegant

Jewelry Design, n.d., Purple, green and white gold watercolor, 12 11/16 x 9 13/16 in. (32.3 x 25 cm), Eugène-Samuel Grasset (French, born Switzerland, Lausanne 1841–1917 Paris

Design for a Ceiling Decoration with Chinoiseries, 1725–75, Watercolor, 10-1/4 x 13-3/4 in, Anonymous, Italian, 18th century

Woman in blue dress, first half 20th century, brush and black ink, watercolor, gouache, traces of graphite framing lines, sheet: 15 9/16 x 7 7/8 in. (39.6 x 20 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Side Elevation of an Italian Villa Style House, 1851 (?), Ink and watercolor washes, circular sheet: diameter 6 5/8 in. (16.7 cm), Anonymous, British, 19th century

Interior of an English room in India or Ceylon, ca. 1830, Watercolor, sheet: 14 1/4 x 10 in. (36.2 x 25.4 cm), Drawings, Anonymous, British, 19th century

Design for interior, ca. 1830, Watercolor, sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm), Drawings, Charles de Brocktorff (Danish, active 1830

A Bejewelled Maiden with a Parakeet, ca. 1670–1700, Country of Origin India, Golconda, Deccan, Opaque watercolor and gold on paper, Image:, Codices, This young beauty seen through a cusped arch has been idealized as the daughter of the

Design for a Stole or Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

Design for a Marble-topped Cabinet and Mirror, 1840–99, Ink and watercolor and wash, sheet: 12 7/16 x 8 3/4 in. (31.6 x 22.2 cm), Anonymous, British, 19th century

Dining Room Elevation in a Simplified Third Pompeian Style, ca. 1870–90, Pen and black ink, watercolor over graphite, sheet: 13 3/8 x 17 1/8 in. (33.9 x 43.5 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John

Self-Portrait, 1911, Watercolor, gouache, and graphite on paper, 20 1/4 x 13 3/4 in. (51.4 x 34.9 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna), Egon Schiele's career was short, intense, and amazingly productive. Before

Weather Vane, 1935, Watercolor and graphite on paper, mounted on paperboard, 4 7/8 x 6 7/8 in. (12.4 x 17.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn, 1740–1800, Pen and ink and watercolor, sheet: 15 1/2 x 9 1/2 in. (39.3 x 24.1 cm), Sir William Chambers (British (born Sweden), Göteborg

'The Funeral of Isfandiyar', Folio from a Shahnama (Book of Kings), 1330s, Attributed to Iran, Tabriz, Ink, opaque watercolor, and gold on paper, Page: H. 22 13/16 in. (58 cm), Codices, From a dispersed copy of the Ilkhanid manuscript

Cascade of the Aray at Inveraray (Scotland), June 30, 1791, Watercolor over pen and black ink, 9-9/16 x 7-7/16 in. (24.3 x 18.9 cm), Drawings, John White Abbott (British, Exeter 1764–1851 Exeter), A life-long resident of Exeter in Devon,

A Wooded Landscape Near Beekhuizen, 19th century, Watercolor over black chalk, within black ink framing lines, sheet: 9 3/8 x 12 1/4 in. (23.8 x 31.1 cm), Drawings, Andreas Schelfhout (Dutch, The Hague 1787–1870 The Hague

Project for the New Theater at St. Quentin (Aisne) - Elevation, ca. 1841, Watercolor over pencil., 11.5 x 6.75 in. (29.2 x 17.1 cm

'Diving Dipper and Other Birds', Folio from the Shah Jahan Album, recto: ca. 1610–15; verso: ca. 1535–45, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39.1 cm), Codices, Painting by Mansur (active ca.

'Bizhan Receives an Invitation through Manizha's Nurse', Folio 300v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: H. 12 5/8 x W. 7 1/4 in.

East End of Tunstall Church (recto and verso), 19th century, Recto: watercolor; verso: pen and ink, sheet: 9 1/2 x 12 1/2 in. (24.1 x 31.8 cm), Anonymous, British, 19th century

'The Fox and the Drum', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Valle Crucis Abbey, Denbighshire, 1770–79 (?), Reed pen, with gray and black ink and watercolor over graphite, Sheet: 26 × 39 3/16 in. (66 × 99.5 cm), Drawings, Paul Sandby (British, baptized Nottingham 1731–1809 London), This

Lady in Elizabethan Costume, late 17th century, Country of Origin India, probably Lucknow, Opaque watercolor, gold, and silver on paper, H. 7 in. (17.8 cm), Codices, This image is probably based on a European engraving following a popular

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 5/8in. (30.2 x 19.4cm), Codices, This folio,

Tiger, 1810–75, Watercolor on heavy wove paper, Sheet: 6 11/16 x 10 1/16 in. (17 x 25.6cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Design for Iron Screen, 1902, Watercolor, pen and black ink over graphite, sheet: 11 5/8 x 10 7/16 in. (29.5 x 26.5 cm), Ernest Geldart (British, London 1848–1929

Street Scene: Vendor of Brushes, 1780–1827, Watercolor, Sheet: 4 15/16 x 3 7/16 in. (12.6 x 8.8 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

'The Dishonest Goldsmith is Hanged', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Turkoman Prisoner, ca. 1610, Attributed to Iran, Isfahan, Ink and transparent watercolor on paper, H. 14 1/16 in. (35.7 cm), Codices, Numerous paintings and drawings of a Turkman prisoner with his hand and head in a type of stock, known as a

Nawab Muzaffar 'Ali Khan on Horseback, ca. 1730, Attributed to India, Ink, opaque watercolor, gold on paper, 7 7/8 x 9 5/8 in. (20 x 24.4 cm), Codices, Attributed to Rai Kalyan Das (Chitarman II) (active 1715–60), Muzaffar 'Ali Khan was

Silver Ball, Barge, and Trees, 1930, Watercolor, gouache, ink and charcoal on paper, 4 7/8 x 6 7/8 in. (12.4 x 17.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Design for Fireplace Wall and Ceiling, second half 19th century, Watercolor, gouache and gold, image: 14 7/8 x 11 7/16 in. (37.8 x 29.1 cm), Anonymous, British, 19th century

A Poppy in Three Stages of Flowering, with a Caterpillar, Pupa and Butterfly, late 17th–early 18th century, Watercolor and gouache over traces of black chalk, sheet: 15 3/16 x 11 13/16 in. (38.6 x 30 cm), Drawings, Johanna Helena Graff

Illuminated Leaf with Initial 'I', 1830–62, Pen and colored inks over graphite with touches of watercolor and gold, sheet: 13 1/16 x 9 1/8 in. (33.1 x 23.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Portrait of the Elephant 'Alam Guman, ca. 1640, Made in India, Opaque watercolor and gold on paper, a) Whole page H. 18.1 in. (46 cm), Codices, Painting attributed to Bichitr (active ca. 1610–60), Persian inscription (in nasta'liq script in

Folio from a Qur'an Manuscript, ca. 1180, Attributed to Eastern Iran or present-day Afghanistan, Ink, opaque watercolor, and gold on paper, H. 11 3/4 in. (29.8 cm), Codices, This folio from a dispersed Qur'an exemplifies the transition during

Cattle Resting in a Mountainous Landscape, ca. 1808–12, Watercolor over graphite with stopping out, touches of bodycolor and gum, sheet: 4 7/8 x 7 15/16 in. (12.4 x 20.2 cm), Drawings, George Chinnery (British, London 1774–1852 Macau), In

Cabinet Design, 19th century, Ink and watercolor, sheet: 4 7/8 x 7 9/16 in. (12.4 x 19.2 cm), Anonymous, British, 19th century

La Bocca, 1882, Watercolor, Sheet: 9 1/2 x 12 3/4 in. (24.1 x 32.4cm), Drawings, Henry Victor Burgy (French, died 1901

St. Michael's Church, Cherry Burton: North East View, 1845–50, Pen and black ink, watercolor over graphite, sheet (pointed arched top): 8 7/16 x 10 15/16 in. (21.4 x 27.8 cm), Sir Horace Jones (British, London 1819–1887 London

Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Drawing Room of Lea Castle, Looking West, ca. 1816, Watercolor, brush and brown ink over graphite, sheet: 14 3/16 x 12 15/16 in. (36.1 x 32.8 cm), Attributed to John Carter (British, London 1748–1817 London

Lion Sleeping, 1810–75, Watercolor on wove paper, lined, Sheet: 9 3/16 x 11 5/8 in. (23.3 x 29.5cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Costume Design for a Maiden Draped in White, n.d., Pen and black ink with watercolor, 12 5/16 x 9 7/16 in. (31.3 x 23.9 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Studies of Two Pollard Willows; Verso: Wide Landscape Prospect, late 16th–mid-17th century, Pen and brown ink, watercolor, traces of black chalk, framing line in pen and brown ink; verso black chalk and watercolor, 8 1/4 x 12 3/16 in. (21 x

Design for a Title Page Sheet Music, 19th century, Pen and brown ink brush and watercolor over red chalk on green washed paper., 13 3/4 x 9 5/16 in. (35 x 23.7 cm), Drawings, Anonymous, German, 19th century

Satirical Drawing of the Sâr Joséphin Peladan, 1891, Pen and brown ink, watercolor, 8 15/16 x 6 15/16 in. (22.7 x 17.7 cm), Drawings, After Marcellin-Gilbert Desboutin (French, Cérilly 1823–1902 Nice

Landscape with a Large Building, 1818–83, Watercolor over graphite, 9 5/8 x 15 3/4 in. (24.4 x 40 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883), Von Hauslab is a little known figure in the history of art. As

Futuh al-Haramain (Description of the Holy Cities), mid-16th century, Attributed to Turkey, Main support: Ink, opaque watercolor, and gold on paper, H. 8 3/8 in (21.3 cm), Codices, The text of the Futuh al Haramain comprises a guidebook for

Bamborough Castle from the Northeast, with Holy Island in the Distance, Northumberland, 1827, Watercolor and graphite with scratching out, sheet: 7 3/8 x 10 1/4 in. (18.7 x 26 cm), Drawings, John Varley (British, London 1778–1842 London),

Vanitas Still Life, n.d., Watercolor, gouache, and gum arabic on parchment, sheet: 13 x 11 in. (33 x 27.9 cm), Drawings, Herman Henstenburgh (Dutch, 1667–1726

Fragment of design for architectural frame, 16th century, Watercolor, pen and black and red ink, irregular, sheet: 5 1/8 x 5 1/2 in. (13 x 14 cm), Drawings, Anonymous, Netherlandish, 16th century

Miss Horton as Morgana, 1800–1856, Watercolor, pen and black ink, over graphite, sheet: 8 9/16 x 6 13/16 in. (21.8 x 17.3 cm), Drawings, Robert Cruikshank (British, London 1789–1856

Folios from a Non-Illustrated Manuscript, 16th–17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices

Migrants, 1780–1827, Watercolor, Sheet: 5 11/16 x 9 3/8 in. (14.5 x 23.8 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Study of a Piece of Turf, early 19th century, Watercolor over graphite on buff-colored paper, sheet: 5 11/16 x 8 3/4 in. (14.4 x 22.2 cm), Drawings, Anonymous, British, early 19th century

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Saint Elizabeth of Thuringia Giving Alms, 1833, Pen and grey ink, grey wash, watercolor, gold paint, over graphite; original wooden frame, sheet: 7 3/8 x 4 3/4 in. (18.7 x 12 cm), Drawings, Karl Ballenberger (German, Ansbach 1801–1860

Design for a Church Gate, ca. 1880, Pen and ink, wash and watercolor, sheet: 5 3/16 x 3 13/16 in. (13.2 x 9.7 cm), Attributed to Richardson Ellson & Co. (British

Fish Series, No. 4, 1916, Watercolor and graphite on paper, 8 x 10 in. (20.3 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Design for a Painted Ceiling, 1800–1900, Watercolor, 8-3/4 x 12-1/4 in, Drawings, Anonymous, Italian, 19th century

British Reception in Baghdad, 1865, Watercolor, oval: 7 11/16 x 10 7/16 in. (19.5 x 26.5 cm), Drawings, W. Henry Pierson (British, active 1860s

Design for Cushioned Bench, 1841–84, Pen and black ink, watercolor over graphite, sheet: 10 15/16 x 14 7/8 in. (27.8 x 37.8 cm), Charles Hindley and Sons (British, London 1841–1917 London

Windswept Landscape, n.d., Watercolor and gouache, over traces of black and red chalk, 15 11/16 x 20 11/16 in. (39.9 x 52.6 cm), Drawings, Louis Gabriel Moreau (French, Paris 1740–1806 Paris

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with graphite, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Portrait of a Man, 17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 8 3/8 in. (21.3 cm), Codices

'Funeral Procession', Folio 35r from a Mantiq al-tair (Language of the Birds), dated A.H. 892/ A.D. 1487, Made in present-day Afghanistan, Herat, Opaque watercolor, silver, and gold on paper, Painting: H. 9 3/4 in. (24.8 cm), Codices, This

Illustrated Manuscript, dated A.H. 815/ A.D. 1412, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper; leather binding, 6 5/16 x 4 1/2in. (16.1 x 11.4cm), Codices, This unidentified manuscript addresses the beliefs and

Design for a Cabinet with Three Glass Doors and a Porcelain Plaque, 19th century, Graphite, watercolor and scratching on green ground, each sheet less than: 8 x 9 in. (20.3 x 22.9 cm), Anonymous, British, 19th century

Design for a Cross Supported by Lead Roof Cap, for Belleaw Church, 1, ca. 1880, Pen and ink, wash and watercolor, sheet: 15 1/4 x 11 1/8 in. (38.8 x 28.3 cm), Attributed to Richardson Ellson & Co. (British

Death wearing a black robe, first half 20th century, brush and black ink, gouache, watercolor, sheet: 16 3/8 x 5 15/16 in. (41.6 x 15.1 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Study of a Plant, 1712–74, Watercolor over graphite. Framing line in graphite, 7 5/16 x 6 3/8 in. (18.5 x 16.2 cm), Drawings, Christian Wilhelm Ernst Dietrich (German, Weimar 1712–1774 Dresden

Mountains of Auvergne, 1831–33, Watercolor with pen and brown ink, 6 5/16 x 11 1/4 in. (16 x 28.5 cm), Drawings, Paul Huet (French, Paris 1803–1869 Paris

A Great Grey Shrike, 17th century, Watercolor and bodycolor, sheet: 5 7/16 x 7 3/16 in. (13.8 x 18.2 cm), Drawings, Pieter Holsteyn II (Dutch, Haarlem, ca. 1614–1673/83

Room Design Showing Plan and Three Wall Elevations, ca. 1740–60, Pen and ink and watercolor, Anonymous, British, 18th century

Mount Olympus from Larissa, Thessaly, Greece, 1848–88, Watercolor, sheet: 7 x 15 in. (17.8 x 38.1 cm), Drawings, Edward Lear (British, London 1812–1888 San Remo

Project for the New Theater at St. Quentin (Aisne) - Section, ca. 1841, Watercolor over pencil., 10 x 6.25 in. (25.4 x 15.9 cm

Bramling (Fringilla Montifringilla), 1679, Watercolor over pencil. Framing line in pen and brown ink., 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm), Drawings, Gerardus van Veen (Dutch, ca. 1620–1683

There Was a Cat Somewhere, ca. 1940, Ink and watercolor on paper, 5 5/8 x 8 7/8 in. (14.3 x 22.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Hab.t de l'Acadie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Yellow and Blue, 1915, Watercolor on paper, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

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