Images at Librifly

search results: Watercolor clear search

Study for the entrance of a temple, “Vintage Festival”, Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brush and watercolor on tracing paper mounted to board, A basin is positioned at the entrance of a

A Valley, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and gray, black watercolor, bistre wash on paper, A densely populated valley with streams, trees, villas, and farms., Italy, 1750–70, landscapes, Drawing, Drawing

Design for a Thurible, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and watercolor, sepia on paper, Vertical rectangle. Smoke pours fromteh body and cover. Suspension chains on either side., Italy, ca. 1740,

Designs for Mechanical Dressing and Writing Tables, Pen and ink, brush and watercolor on paper, At left, kidney-shaped writing table seen in plan and elevation. At right, a fitted dressing table seen in isometric drawing of table and isometric

Apotheosis of a Female Saint, Giacomo Farelli, Italian, 1624 - 1706, Pen and brown ink, brush with blue watercolor, white gouache on blue paper; verso: black and white chalk, At lower right, a female figure covered in drapery, her arms

Sanjo Bridge, Kyoto, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), Ando Hiroshige, Japanese, 1797–1858, Woodblock, brush and watercolor on paper, ink with color, Lower half, long trestle-bridge with

Project for decoration of a panel, Pen and ink, brush and brown watercolor, charcoal, on paper, In the center is a high pedestal with the figure of a standing woman, with a canopy above her. On the steps of the pedestal sit two children holding

St. James's Palace, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and grey and black watercolor on paper, The palace is seen in the background. Houses, left and right, in the

Elevation of the Facade of the Theater, St. Petersburg, Cesare Recanatini, Italian, 1823–1893, Brush and gray, blue watercolor, pen and ink on paper, Horizontal format architectural drawing depicting a two-storied facade, with pedimented

Furniture for a Bedroom, Graphite, brush and watercolor on paper, Elevation of bedroom furniture. At left is a commode with two drawers, strait legs and an oval panel of marquetry. Beside is a couch with curving back and half of a chair with a

Sketches A) Sibyl (?); B) St. John preaching, Pen, ink, brush, grey watercolor, white heightening on rough blue paper, Vertical composition with sketches. A) A standing woman with a turban, shown from the front. She carries an open book in her

Ornamental Design with Coral, Seaweed, and Shells, Brush and watercolor, traces of graphite on white wove paper, mounted around edges, Design for a medallion composed of coral, leaves and shells., 19th century, ornament, Drawing, Drawing

Design for a Fabric, Probably for a Floor Covering, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, A segment of a circle. Design for the Royal Pavilion, Brighton. A design for a section of a rug, divided into

Design for a Holy Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on paper, Vertical rectangle. Design for a holy water spout attached to a wall, intended to be executed in yellow and white metals. The bowl is

The Needles, Thomas Moran, American, b. Britain, 1837–1926, Recto: Graphite, brush and watercolor on paper Verso: Graphite on paper, Recto: Horizontal view of distant jagged mountian peaks., Verso: View of two peaks with a canyon wall in

Design for a Woven Fabric, Brush and green, yellow, red, and brown watercolor on white paper, A goldfinch is perched on a bough of green leaves and a red flower resembling a magnolia bloom., France, 1775–1800, Drawing, Drawing

Design for a Painted Ceiling with Alternative Suggestions, Possibly for the Entrance Hall, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, pen and black ink on white wove

Strapwork Design, Charcoal, pen and bistre, brush and watercolor on paper, Strapwork with caryatids and masks surrounds an oval reserve., Italy, early 17th century, ornament, Drawing, Drawing

Angel, Louise Howland King Cox, American, 1865–1945, Brush and watercolor, white gouache, graphite on cream paper, Angel facing front, in red-orange robe. Head indicated only through graphite sketch., USA, ca. 1895–1910, figures,

Design for a Monochrome Wall Painting, Church of Corpus Domini, Bologna, Italy, St. Caterina Vigri Receives the Babe from the Virgin, Marc Antonio Franceschini, Italian, 1648 – 1729, Blach chalk, pen and ink, brush and gray-brown

Design for a Hot Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on paper, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow and white metals. The bowl is

Main and side elevations of the right wing of a house for Monsieur Gédéon Mallet in Geneva, François Blondel, 1681 - 1756, Pen and ink, brush and watercolor, graphite on paper, Corresponding to the print in opposite direction. Caption over

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Five designs, similar but with variations. All yellow, framed with dark olive green and filled

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Salon Interior, A. Redkovsky, Russian, active mid–19th century, Brush and watercolor and gouache over graphite on white wove paper, This is an interior view of a salon with a high ceiling, a doorway on the left and a three-columned alcove at

Design for an Altar, Pen and sepia ink, brush and gray watercolor, graphite on paper, Design for an altar, elevation view. In the center of the broken pediment is a small escutcheon for the coat of arms of a prelate (clergyman/bishop). On top is

Apollo, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, Apollo shown seated with his lyre, a clock streaming at left. To the right is an alter decorated with a

Personification of Justice, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes on laid paper, On verso: study of sarcophagi after antique, Italy, 1813–18, figures, Drawing, Drawing

Design for a Wall Panel, Pen and ink, brush and sepia, watercolor on paper, Elevation of a wall panel divided into compartments with candelabrum. The upper wall shows a motif centered on a basket of flowers; the dado shows a bow and quiver. The

Design for a Glass Panel Window for the Coved Ceiling in the Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A lozenge-shaped panel. The central

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Elevation of a Wall, Pen and ink, brush and sepia, watercolor on paper, Two windows. Above a couped pediment with an escutcheon containing a landscape. The compartments between and beside the windows with a gueridon with flowers and a medallion

Decoration of a Wall and Ceiling to be Executed in Stucco, Pen and ink, brush and watercolor on paper, Central panel has an escutcheon with a looking glass, two mermaids at the sides and a lion mask below. Lateral small panels provide for looking

Study of 'Altarpiece of Saint-Germer-de-fly, ' Paris, France, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of the altarpiece of Saint-Germer-de-fly. The Visitation is depicted with Edward the

Design for a Coronet, Pen and ink, brush and gray, green, olive watercolor on wove paper, Jewelry design for a coronet (small crown). In the center, a big palmette from which rinceaux are springing. Green and white diamonds are contrasted.,

Woman with Bellows Lighting Fire, Graphite, pen and ink, brush and watercolor on paper, A woman shown in profile, kneeling with bellows., Italy, late 18th century, figures, Drawing, Drawing

Fountain in a Niche, Pen and brown ink, watercolor Support: white wove paper, Rome, Italy, Italy, 1800–1820, architecture, Drawing, Drawing

Woman with Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and watercolor on paper, Woman seated on a molded floor, turned toward the left, with the child in her lap, who grasps her head cloth., Rome, Italy,

Design for a Necklace, Pen and black ink, brush and green, yellow, gray watercolor on light green paper, Jewelry design for a necklace. The chain around the neck consists of printed ovals containing a scroll of ribbon between two rows of disks,

Design for a Ewer, Brush and watercolor, gold, brown gouache, graphite on cream paper, Ewer with squared gold handle; rim decorated with trellis-like design with small blue flowers and green leaves; neck decorated with more elaborate design of

Grand Canyon, Arizona, Eugene Higgins, American, 1874–1958, Brush and watercolor, graphite on paper, View looking across the rim on the canyon, semi-abstractly rendered., USA, September 10, 1921, landscapes, Drawing, Drawing

English Landscape, Brush and watercolor on paper, English landscape, England, 18th century, Drawing, Drawing

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Brush and purple watercolor, graphite on brown paper, Sketch for Christ in the painting in the chancel of St. Bartholomew, New York

Design for a Frieze, Pen and ink, brush and watercolor on paper, Horizontal rectangle showing the head of Medusa between two dolphins which terminate in acanthus leaves and originate in the mouth of a bucranium (ox skulls). A pair of eagles pick

Design for Entrance Hall, East Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white laid paper, Elevation of a wall, with a painted decoration in imitation of

Section of a wall, Frederick Marschall, Brush and watercolor on heavy paper, Section of wall, showing panel of silk brocade above wood dado. Left, lacquer and ormolu commode., USA, ca. 1885, interiors, Drawing, Drawing

Design for a Vase, Brush and watercolor, gold, white gouache, pen and black ink, graphite on cream paper, Design for a vase with floral decoration containing purple flower buds with green leaves on body; rim is gold with laurel leaves in white;

Design for a Coronet, Graphite, pen and ink, brush and watercolor, sepia on paper, Above a metal strip, in the center, a knot with a diamond. Two branches, each composed of leaves and buds, are connected on the top., Italy, 1825–50,

Along a Canal, Arnold William Brunner, American, 1857–1925, Brush and watercolor on blue-gray paper, On a walled area along a canal several people observe an artist before his umbrella-covered easel. Brightly colored sails loom up in the

Paper Doll Costume, White Veiled Dress, Lithograph, brush and watercolor on cream heavy wove paper, White veiled dress with full skirts and cinched waistline. Bows and triangular lace adornments alternate across the bottom of the skirt. Veil

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Sugar bowl and unfinished lid with pointed gold handle; body of bowl has a landscape scene with trees and water with two swans; surrounding the image is

Project: decoration with escutcheons, (A) of a square, (B) of a horizontally oblong panel, Pen and ink, brush and (A) olive-grey watercolor, or (B) yellow and green watercolors, charcoal, on paper, (A) The escutcheon is a lath and scrollwork

Army Encampment, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on wove paper, Horizontal view of an army encampment showing tents at right and left, in foreground; a line of tethered horses, in left middle ground; and

Figures on Road, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and watercolor on paper, Two figures with a dog stand on a road that winds towards a building on an elevated plain. Building in three parts: a drum-shaped section with

Design for the Embroidery of a Man's Waistcoat, Brush and watercolor on paper, Lower left section of a waistcoat. A fan-shaped spray of flowers below the pocket. A flower motif along the border, left. Lower edge of pocket indicated., France,

Design for the Decoration of a Pilaster Strip, C. C., French, active 19th c., Pen and black ink, brush and grey watercolor, graphite on paper, A plant candelabrum with a bow-knot above the middle and with a palmette on top, framed by a

Design for an Oil Lamp, Pen and ink, brush and gray watercolor, graphite on light cream paper, Vertical rectangle. Design for an oil-burning lamp. The lamp is a covered bowl, standing upon a pedestal. A band surrounds its upper part, showing

Design for Woodblock Textile Print, Pen and ink, brush and yellow, green, reddish-brown watercolor on bluish-gray paper, Pink and yellow tulips on yellow stems, with reddish leaves intermingled with fantastic stylized yellow cornflowers and

Designs for Two Necklaces and Two Chains, Pen and black ink, brush and green, gray, red watercolor on paper, Jewelry designs for two necklaces and two chains. Above at right, the right side of a necklace with green diamonds, and alternative

Elevation of a Sepulcher Monument, Matteo Torelli, Italian, Pen and black ink, brush and gray, brown and blue watercolor, graphite on off-white wove paper, A stele rises upon a dado of three rows of blocks. An angel with torch stands with one

Candelabrum as part of a decoration, Pen, ink, brown watercolor, white heightening on red colored paper, Vertical rectangle. Cut along the outlines of the drawing. Supported by a blossum and two lion feet. The lower part has the shape of a

Design for a Holy Water Stoup, Red crayon, brush and red watercolor, wash on paper, Vertical rectangle. Design for a holy water stoup to be fastened to a wall. The bowl is fastened to the bottom scrolls of an escutcheon on top of which a spread

Design for Bed with Tented Alcove, probably for the Prince of Wales's Bedroom or Boudoir, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, Design for an alcove

Project for the Decoration of a Picture Gallery, Graphite, pen and ink, brush and watercolor on paper, Three compartments framed by pillars supporting the mouldings. In the central compartment a window; in the laterals, labeled picture frames.

Design for a Ewer, Brush and watercolor, gold gouache, graphite on cream paper, Footed ewer with gold handle and rim decorated with three large white flowers and small lavender ones with green leaves and a vine that crosses the body toward the

Entablature, Pen and ink, brush and watercolor on paper, Horizontal rectangle showing design for an entablature with corner at right. A festoon hangs from rosettes set within the frieze. Below this is hangs fringed drapery., Italy, ca. 1840,

View from Powell's Plateau, Grand Canyon, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and watercolor, white gouache, graphite on tan wove paper Verso: Graphite on paper, Recto: View of the Grand Canyon from the

Design for Armchair and Stool, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper. Ruled borders in pen and black ink., Left: Egyptian style curule stool, x-shaped legs

Decoration of a Dado, Black chalk, pen and ink, brush and watercolor on paper, Horizontal rectangle. Pilasters decorated with guilloche with rosettes. Between these, panels with floral ornament. Suggestion of marble below., France and Italy,

Tangiers, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, A narrow walled area leading to an archway in the background. Two figures in the foreground., USA, 1891, architecture, Drawing, Drawing

Stage Design: Landscape with Hut, for the Opera La Straniera, Romolo Achille Liverani, Italian, 1809 - 1872, Graphite, pen and black ink, brush and watercolor on paper, At left, in the foregorund is a hut. In the middle distance is a lake

Design for a Panel with Two Mirrors, Pen and black ink, brush and watercolor, graphite on paper, The edge of the design of right half (2) is pasted over that of a left half (1). Either design includes an upper oval and a lower oblong mirror. (1)

Design for ink stand, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black wash, graphite, on cream laid paper, Rectangular base on cushion feet supports inkstand consisting of two inkpots in shell motif, lid open on right

Peasants in a Cabaret, Brush and opaque watercolor on pin-pricked paper, Early 19th century pin-prick picture after an engraving. The face and hands painted in watercolor., Germany, ca. 1800, Pin-prick picture, Pin-prick picture

Capital, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, At center, a girl with a garland above a small chalice. The projecting abacus is supported by boths with branches standing upon acanthus

Two Shepherds in the Campagna, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A shepherd leaning against a tree plays the flute. Another seated upon a boulder listens. Their

Portrait of W. M. Darling, New York, James Henry Moser, Canadian, 1854–1913, Brush and watercolor, graphite on paper, Man sitting facing slightly left with legs crossed, and his left hand on his hip. Verso: unfinished face of a child,

Design for Lidded Jar, Brush and watercolor, gold gouache, graphite on cream paper, Lidded jar with slightly tapered body at the top; body decorated with dark purple blossoms against green leaves and some gold branches; with lid decorated in gold

Sample Sheet, Two Designs for Cups and Saucers, Brush and gray, yellow, brown watercolor on cream paper, Two designs for cups and saucers probably made of cut glass, opal, hyalite. Arranged in a vertical row showing a cup at top, a saucer

Flowers, Hand colored engraving, brush and red, green, and yellow watercolor on paper, Fifty-one boughs with flowers, disposed in six lines. Two bordering lines, engraved., Germany, 1775-1800, Print, Print

Ornamental panel, Jean-Siméon Rousseau, 1747 – 1820, Pen and black ink, brush and watercolor, ruled border (at left only) on white laid paper, The center panel shows an eagle placed upon a thunderbolt between two acanthus scrolls. The

Study of a woman, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a standing female figure reading., USA, ca. 1855, figures, Drawing, Drawing

Egyptian Antiquities, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and watercolor, graphite on paper, Horizontal rectangle. Three colorful capitals in Egyptian style,

Window case and half of a figure of a Turk, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and sepia ink, brush and gray watercolor on paper, Large bearded man with feathered hat seated on a balcony before and curtained, open portal.

Design for a Lit Polonaise, Graphite, brush and watercolor on paper, Elevation of a lit polonaise with lilac and white textile. A tented top with gilded details and plumes of white ostrich feathers. Contours of table and chair at right., Italy,

Siren's Grotto at Tivoli, Felice Giani, Italian, 1758–1823, Black chalk, pen and black ink, brush and brown watercolor, graphite on cream laid paper, The lower part of the fall is shown. A group of men, some of them artists, are below at

Designs for Cups and Bottles, Graphite, pen and black ink, brush and gray and yellow watercolor on cream paper, Horizontal rectangle. Designs for cups and bottles made of cut and gilded glass opal, hyalith. Upper row from left to right:

Design for a Sedan Chair, Pen and black ink; brush and gray wash, red, green and blue watercolor over graphite on tan paper, Shown from the rear right corner with two bars. On top of the roof is a ducal crown. At the corners stand crowns and hang

Sunset, Nantucket, Arnold William Brunner, American, 1857–1925, Brush and watercolor on grey-green paper, The shore-line in the background, with the buildings of the town shown in silhouette against the warm reds and yellows of the sky at

Studies of Florals and Floral Motifs, Brush and watercolor on paper, Europe and USA, Drawing, Drawing

Design for a Catafalque for the Memorial Service of a Pope, probably Clement XI, Pen and black ink, brush and sepia, gray watercolor on paper, A tower-like structure, with, on top, the tiered papal crown upon two cushions. Two crying angels

From Richmond, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on wove paper, Two soldiers; one with right arm in sling, and the other on crutches, with his right leg amputated above the knee., USA, 1862, figures,

Design for a Candlestick, Pen and ink, brush and yellow, red, gray watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, the base supported by two crouching lions. The foot consists of scrolls beside a central pedestal,

Design for a Chandelier, Pen and black ink, brush and yellow-brown, green, blue watercolor, graphite on paper, Vertical rectangle. Design for a chandelier. The burning candles are disposed alternately with glass candles upon two rings. There

Design for a sedan chair, Pen and black ink, watercolor, and traces of charchoal on paper, Shown from the rear right corner with two bars. The upper panel of the back has a small window in an escutcheon hanging from a nail, which also supports

Design for a Jug, Brush and watercolor, black, gold gouache, graphite on cream paper, Design for a jug with squared and curved handle; body of jug is covered with a purple branch bearing several brightly colored flowers; the neck has gold Greek

Stage Design: An Egyptian Structure, Pen and ink, brush and watercolor on paper, A horizontal rectangle showing a large, flat roofed structure topped with statues of standing Egyptians. A view through a colonnaded entrance shows a fountain with

A Warehouse of the 16th Century in Pisa, Italy, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Above, elevation of a slightly, obliquely disposed one-story building of eight bays, five of which contain

Interior View of the Nave, Saint Peter's, Rome, Looking Toward the Altar, Pen and black ink, brush and gray wash, green, brown watercolor on cream laid paper, Circular drawing showing the interior of a great basilica, identified as St.

Design for a Cabinet and Pedestal Table, Pen and ink, brush and watercolor, At top of a cabinet on low legs, with flat top flanked by engaged columns, and intended to be partially gilded. Center panel open, with blue behind. Below, circular

search results: Watercolor clear search