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Fortitude, Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, figure standing holding a

Designs for Writing Desks, Graphite, pen and black ink, brush and watercolor on paper, Above, two tiers of cupboards, the upper one revealing, in half-section, a series of small drawers. The cupboard sections are surmounted by a long drawer,

Design for a Wall Panel, Pen and ink, brush and sepia, watercolor on paper, Elevation of double paneled doors and surrounding wall panels, all divided into compartments with candelabrum. The upper doors show a motif centered on a basket of

Design for a Panel, Pen and ink, brush and watercolor, graphite on paper, A dancing girl with a garland shown over a table which is supported by a grotesque plant and from which two cornucopias rise. Festoons are suspended on top. Framing band

Design for a Console Table, Pen and ink, brush and sepia wash, gray watercolor on paper, Horizontal rectangle. Design for a console table. In the center of the upper frame, an oval topped with a crown, the letter 'N' inside, likely referring

Project for a Crest with Candle Sockets, Pen and ink, brush and sepia, watercolor on paper, Crest in the shape of a broken pediment with putti sitting between scrolls., Italy, early 19th century, lighting, Drawing, Drawing

Standing Lady, Brush and watercolor on rice paper, A standing lady, seen frontally, wearing a blue smock over an orange undergarment.. She holds her right hand at her breast., China, mid-19th century, Painting, Painting

Design for a Ceiling Decoration, Giuseppe Maria Rolli, Italian, 1645 - 1727, Black chalk, pen and ink, brush and watercolor on paper, An imaginary frieze shown from beneath. The right half of a scrollwork escutcheon containing a vase is

Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Partial gold frame in shape of a flower containing a group of pink, blue, and purple flowers with green leaves and tendrils., Japan, 1880–1910, tableware

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork frame. At top, a mask with swags. To the left and right, a faceted octagon., Italy, early 17th century, ornament, Drawing, Drawing

Personification of 'Ceramics, ' Study for the Dome of the Manufacturer's Building, World's Columbian Exposition, Chicago, IL, Kenyon Cox, American, 1856–1919, Brush and watercolor, white gouache, graphite on paper, Mural study for

Design for a Pair of Candelabra, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. The supporting female figures that appear in 1938-88-653 stand upon parts of fluted columns as

Designs for Two Toilet Boxes, Pen and black ink, brush and watercolor on paper, A toilet box, with lid open is shown in isometric projection. Below, lid, with painted lozenge with motif of Cupid’s head, bow and quiver. Right, another box

Design for a Console Table, Pen and black ink, brush and wash, yellow watercolor, graphite on white laid paper, At left, frontal view of console table, covered urn draped with a floral garland on stretcher below. Scale plan is seen below

Design for a Mantel Clock, Graphite, pen and ink, brush and watercolor on paper, Design for a marble and bronze clock. The clock is set in a marble case, a truncated pyramid in shape, mounted on a marble and bronze plinth. Below the dial a

Design for a Painted Wall, Graphite, pen and ink, brush and watercolor on paper, Elevation of a room with overdoor tablets featuring classical figures. Painted onto the wall is a trompe-l'oeil view of a landscape through pillars. Below, a

The Astronomer, After Raphael, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor wash on paper, Italy, 1815, figures, Drawing, Drawing

Opera (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F

Two Chairs and a Table, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Circular table supported by fluted column decorated with snake coil in relief. Base showing frieze

Almanac for 1789, Engraving, brush and watercolor on paper, Calendar for second half-year, with three scènes galantes; harvest, vintage, sledge party., France, 1788, Print, Print

Design for a Table Clock, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a table clock intended to be executed in silver and bronze. On a base with a fluted foot, the

Fashion Plate, Anais Toudouze, Pencil and graphite, watercolor, white gouache on Bristol board, Vertical rectangle. Interior with three figures. A woman is seated left, facing right, in profile. Beside her, right, stand a boy and a girl,

Decoration for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Partial gold circle framing a group of purple flowers with green leaves outlined in gold., Japan, 1880–1910, tableware designs, Drawing, Drawing

Designs for Pavilions, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Designs for three pavilions. A large tent-like pavilion in the Indian style at center, flanked by two smaller ones. Outline indication of

Project for a Holy Water Font, Graphite, pen and ink, brush and watercolor on paper, Bowl decorated with a frieze in which heads support drapery festoons. Below is a volute connected with the frieze by festoons. Above is a pediment with the dove

Design for Waistcoast, Pencil, watercolor, and gouache on paper, Design for the embroidered decoration of the lower left portion of a man's waistcoat. Polychrome floral motif on edge of garment; floral motifs drawn in pencil on flap of pocket.,

Two Copper Gutters, from a 16th-Century Castle, Blois, France, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Left, the brackets of two gutters are shown; upper decorated with a rosette and a leaf,

Design for Mechanical Furniture: Dressing Table and Bookcase, Pen and ink, brush and watercolor on paper, Upper left, side elevation of a dressing table with fitted compartments; lower left, details of construction, show through top. Right,

Elevation of dining room entrance wall, Hotel Paroy, Paris, Pen and ink, brush and watercolor, graphite on paper, Closed folding doors and panels with festoons. The central panel shows a girl with a flower brasket on her head and a wreath in

Project for a tabernacle, Filippo Marchionni, Italian, 1732–1805, Black chalk, pen, brush, ink and gray watercolor on paper, Vertical composition of a tabernacle. Top: The elevation of the facade of a church with a dome. Below is a dado,

Two Cheyenne Youth, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on cream wove paper, One boy is shown at left, sitting and turned toward right. In upper right corner, a standing youth, shown frontally

The Holy Family, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor wash on paper, Italy, 1813–18, figures, Drawing, Drawing

Design for an Altar, Filippo Marchionni, Italian, 1732–1805, Graphite, brush and gray watercolor on cream laid paper, Design for an altar with Ionic engaged columns; above garland., Italy, ca. 1780, architecture, Drawing, Drawing

Old Beggar Woman, Brush and opaque watercolor on pin-pricked paper, Early 19th century pin-prick picture after an engraving. The face and hands painted in watercolor., Germany, ca. 1800, Pin-prick picture, Pin-prick picture

Town Square (Study for an Illustration), Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, black crayon on paper, At left is the corner of an Italian Gothic church. A lighthouse rises in the background above a

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Sugar bowl with lid or a cup and lid, cinched, decorated with large green leaves and orange peach blossoms, one bud, with a pointed gold handle; pointed

Interior with Chinese Wallpaper, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, silhouetted, Horizontal rectangle. Design for the Royal Pavilion, Brighton. The wall facing the spectator has

A Bay with Ships, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, Netherlands, 1810–1825, Drawing, Drawing

Drury Lane Theater from Ackermann's Repository, Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Ackermann’s, London, England, Black ink

Sixteen Designs for Consoles, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink, brush and gray watercolor on paper; verso: pen and ink, graphite, Vertical rectangle with sixteen designs for consoles. All but one of the sketches with

Design for a door, Pen and ink, brush and Chinese watercolor, graphite on paper, A simplified scheme with dispersed Louis XV motifs. The lunette section shows an over panel with a shield., France, 1750, Drawing, Drawing

Design for a Marquetry Piano Case, Durr Freedley, American, 1888–1938, Graphite and watercolor on card stock, Perspective view toward incurving side of piano. Seven slender legs, round and slightly tapering, joined by incurving stretchers:

Design for a Jug, Brush and watercolor, gold gouache, graphite on cream paper, Design for a jar with wavy gilt rim, pointed handle. Body decorated with landscape depicting cottages against mountainous background and sunset, with two bulls and a

Designs for two doorknockers, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and watercolor on white laid paper, Design for two doorknockers, scroll-shaped, decorated with acanthus leaf motifs. Bottom fills center of

Recto: A portal; Verso: Portrait of a young warrior, Filippo Marchionni, Italian, 1732–1805, Pen and sepia ink, graphite, brush and brown-gray watercolor on paper; verso: red crayon, Recto: above the entablature is an attic with an eagle in

Two Schemes for Church Windows, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Two round arched windows in the Byzantine style; left, single arch; right, double arch. Panels of colored marble indicated below., USA,

Fortitude, Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, female figure standing facing

Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Design for a plate with a crenellated rim in gold; decorated with purple flowers with green leave, some of which have white spots. In graphite, above, several

Costume Design: Sketch of Mytel, from Blue Bird, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1919, theater, Drawing, Drawing

Section of wall, small anti-chamber, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Elevation of section of panelled wall surface with door surmounted by overdoor containing a painting of three

Design for a Wrought Iron Light Fixture, J. Flinch, Pen and ink, watercolor on Bristol board, Vertical rectangle. A hanging fixture, suspended from a wall-bracket., USA, ca. 1894, appliances & tools, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design with tripartite panels, all containing vines with blue flowers on yellow ground; at center,

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Bulbous sugar bowl with lid, looped finial, and curved gold handle; decorated with landscape containing sunset and palm trees in fore and backgrounds.

Altar of Colored Marbles, , Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, over graphite on white laid paper, Horizontal composition of a colored marble altar with four steps beneath. The front of the mensa is decorated in

Study of Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on wove paper, Sketches of the interior of the Siena Cathedral. View in the choir behind the high altar from the right bay. Shown are details,

Three South-Italian Women, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Two women are standing, the third sitting near a fountain, in a cave. A boy is giving something to the

A Domestic Dispute in Tivoli, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Vignette of four figures struggling with a dagger, one of which is a woman with a baby slung across

Three Landscapes, Printed proof for Design for Washington Board of Trade Dinner, May 13, 1908, James Henry Moser, Canadian, 1854–1913, Brush and watercolor, graphite over proof printed in blue ink on paper, Three landscapes, with rivers,

Project for a Herm, Pen and ink, brush and grey-brown watercolor on laid paper., Vertical rectangle. Half-figure of a bearded man with an Ionic capital turned toward right. Base is a volute., Italy, 1725-50, architecture, Drawing, Drawing

Design for panel with carved trophies, Gilles Paul Cauvet, French, 1731–1788, Pen and Chinese ink, black chalk, brush and watercolor, A crouching lion holds a sphere in its right forepaw at the foot of a palm tree, to which arms are

Project for the Coat of Arms of a Cardinal, Pencil, pen, black ink watercolor washes on paper, The escutcheon shows two eyes; it is topped by a diadem and two pastoral staffs and is held by two angels. Maltese cross behind the escutcheon. An

Altar Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, brush and watercolor, graphite on white laid paper, Vertical rectangle. Design for an altar lamp hung from three chains, starting from calyces upon the heads of birds. Two

Project for a Brooch, Pen and ink, brush and watercolor, sepia on paper, Ribbons composed of leaves adn volutes, form a kind of heart, with four drops of diamonds and two blossoms of diamonds., Italy, 1750–1775, jewelry, Drawing,

Design for a Chandelier, Brush and watercolor, pen and black ink, graphite on paper, Design for a chandelier, suspended as in 1938-88-727. Glass chains and drops are fastened above in the shape of a canopy. One row of eighteen candles (ten are

Personification of Theology, After Raphael, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and watercolor washes, on paper, Italy, 1815, figures, Drawing, Drawing

Painted Wall Decoration, Mauro Gandolfi, Italian, 1764–1834, Pen and brown ink, brush and watercolor on white laid paper, squared in graphite and lined, A herme with a woman's bust supporting the entablature, rises from a dado in front of

Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome, Giuseppe Palazzi, Italian, 1740 - 1810, Pen and ink, brush and watercolor on paper, Section. A variation of 1901-39-1593 in heavier and more austere form,

Design for a Cross, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Spear and sponge staffs are crossed in front of a cross, their bottom and top parts being held by pairs of

Design for a Mausoleum, Pen and ink, brush and watercolor on paper, Heavily rusticated arched doorway flanked by urns in niches surmounted by busts, and flanked by rusticated columns. Above, a balustrade ornamented with statuary, a low attic

Design for Decoration of a Ceremony, Carlo Marchionni, Italian, 1702–1786, Black crayon, brush and gray watercolor on laid paper, A podium is erected above a pediment bearing seven burning candles. Festoons of garland hand upon it, and two

Frieze in Classical Style, A Villa Upon a Hill, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre, gray watercolor, graphite on paper, Vertical rectangle. At left, horizontally, a fragment of an entablature

Sketches of Army Encampments, Winslow Homer, American, 1836–1910, Recto: Graphite, brush and watercolor on paper Verso: Graphite on paper, Recto: Vertical view of three registers, with the upper and lower registers showing a camp, and the

Design for Candelabrum Motif and Strapwork Escutcheon, Pen and brown ink, black chalk, brush and violet watercolor on off-white laid paper, A smoking baluster candelabra decorated with masks, swags and sphinxes. At right, strapwork with masks

The Rear Elevation of a Villa in Benoille, Pen and ink, brush and watercolor on paper, France, 1725, Drawing, Drawing

Design for an Inkstand, Brush and watercolor, black wash, graphite, on cream laid paper, Rectangular box on cushion feet, drawer in open position, at right. Front panel decorated with swans, scrolling leaves and masks. Top of box shows a

Painted Decoration with Alternate Suggestions, Graphite, pen and ink, brush and watercolor on paper, Wall elevation with grotesque decoration. Two doors with alternative surrounds. Wall decorated with griffins and candelabrum. Entablature shows

Costume Design: A Turk for a Ballet, Pen and brown ink, brush and violet watercolor, over black chalk, Vertical rectangle. Shown standing, in three-quarter profile, turned toward right. The left hand rests upon the sword hilt, the lowered

Costume Design: No. 145, Sketch of Tytel, from Blue Bird, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1919, theater, Drawing, Drawing

Vigilance, Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, man in a helmet holding a spear and

Three Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, Three men seen from the back. One is sitting on the ground; two are leaning against a low wall, the left one

Design for a Necklace, Pen and black ink, brush and gray watercolor, graphite on paper, Jewelry design for a necklace made up of an ornamented chain with hanging pendants at center. The chain consists of interlaced oval escutcheons of ribbons and

Design for a Necklace, Pen and black ink, brush and green, gray watercolor on paper, Jewelry design for a necklace. The chain consists of a green ribbon, framed by scallops, over which rings are laid. It is fastened by a disk and ends below

Chinoiserie Pavilion, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, The building stands on a podium with eight columns supporting the porch; and solid walls at the narrow sides. A flat roof,

Design for a Sedan Chair, Brush and yellow, brown, blue, purple, rose, and other colors of watercolor, pen and Chinese ink on paper, Shown in profile turned toward right with one bar. A pineapple stands on top of the vaulted roof which is

Design for a Lunette, Church of Corpus Domini, Bologna, Italy, Summer, Marc Antonio Franceschini, Italian, 1648 – 1729, Pen and ink, brush and gray-brown watercolor, graphite on paper, Study for the decoration of a lunette in the church

Calendrier Perpétual, Brush and watercolor over engraving on light blue laid paper, Engraving of a perpetual calendar in the form of a monument within a decorative border. The calendar is hand colored with shades of beige, gold, blue.

Stained glass: hall window, John C. Wolf, Brush and watercolor, white gouache, graphite on illustration board, Oval stained glass window composed of vegetal design in blue, yellow, pink, and red, surrounded by green frame., USA,

The Lookout, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on cold-pressed paper, A heavily clothed fisherman is shown in profile turned toward left, holding his right hand over his eyes and a stick in his left

Design for a Passageway with Canopy, for Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Pen and black and yellow-green ink, brush and watercolor on white wove paper, silhouetted, Perspective view of a narrow corridor, with

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork design with putti, caryatids and masks surrounds an oval reserve., Italy, early 17th century, ornament, Drawing, Drawing

Design for an Oil-burning Pendant Lamp, Graphite, pen and ink, brush and watercolor on paper; verso: graphite, Horizontal rectangle. Design for an oil-burning pendant lamp, the upper part only partially finished with graphite outlines. The lower

Design for a Clock Case, Gilles-Marie Oppenord, French, 1672–1742, Black chalk, pen and black ink, brush and watercolor on off-white laid paper, framing lines in black ink, Saturnus seated on a base with scythe and snake at his feet

A Carriage and Three Riders, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and brown and black wash, blue watercolor on wove paper, Horizontal rectangle. A gentleman driving a two-wheeled dog cart with a groom. A gentleman

Design for a Mirror Frame, with Alternative Suggestion, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, light olive watercolor, graphite on white laid paper, At top center of frame, two winged putti flank a

Design for Wall with Doorway, probably for the Ante Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white wove paper, Elevation of a wall, with a doorway in the

Narrow Street with Houses, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, A narrow street lined with houses. A small street bridge with arched opening below and a single window facing the spectator, is seen in the

Salutation of a Hermit, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A little girl kisses the hand of a Hermit, the group being similar to plate 22, loc. cit. The women are

The right half of a frieze, Pencil, brush, sepia, yellow watercolor, paper, Horizontal rectangle. The half-figure of a griffon with a rinceau standing beside a foliated candelabrum with a burning fire on top. Framing border., Europe,

Classical Temple in a Landscape, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes on cream laid paper, Temple structure seen from backside. Stands upon base and has window at its long side, pilasters at corners.

Rendering of Two Stone Lanterns, from the Castle in Amboise, France, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Left, elevation showing three sides of an octagon with pointed base and roof. Upper

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