Images at Librifly

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Exterior of Westminster Hall, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and grey watercolor, white gouache on cream wove paper, The entrance to the palace, left. At right,

Architectural Details and Figure Study, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on laid paper, Top row: left corner of an entablature. Left upper side of a door case; a console. An oblong hexagonal

The Printer, Joseph J. Gould, American, ca. 1876–after 1932, Charles Scribner's Sons, New York, New York, USA, Pen and black ink, brush and watercolor on illustration board, Three-quarter length figure of a man, turned toward the left,

Design for Embroidery, Gentleman's Waistcoat Pocket, Fabrique de Saint Ruf, Lyon, France, Brush and gouache, watercolor, and graphite on cream laid paper, Embroidery design for a waistcoat or gilet featuring olive-colored edges with rows of

Ave Maria at Tivoli, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The setting except for the house at right, the people standing in the entrance of the chapel and the man upon

Design for a Chandelier, Pen and black ink, brush and yellow-brown, green-blue watercolor, graphite on paper, Vertical rectangle. Design for a chandelier. Below are four metal rings of increasing diameter, each with glass drops. The fourth ring

Drawing project: the elevation of a chest, Incised lines, pencil, pen, ink and yellow watercolor on paper, Horizontal composition of a chest. The central section has a twelve cornered quatrefoil subdivided with spoks and a cherub in the center.

Return From The Vintage, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Five 'Mozzatore, ' a young man and a boy dance. The pose of the main girl is a variation of that, plate

Embroidered picture, Medium: silk, metallic and chenille embroidery on silk foundation, with metal sequins Technique: embroidered in satin stitch on plain weave; details added in watercolor, An oval image depicts a mother with two children

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design of arched window with separate panels, all framed by orange and red; two vertical panels

Design for a decorative panel, Gilles Paul Cauvet, French, 1731–1788, Pen and ink, brush and watercolor on paper, Arabesque panel composed of an urn in the center, springing from a base made up of acanthus leaves and vine tendrils., France,

Sheet with Sketches, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and watercolor on paper, At top, a hilly countryside with three trees and a monastery at left. Below, from left to right: a group of men, a woman with

Portrait miniature, Watercolor on cut sheet of ivory, cut gold frame, blown cut clear and blue glass, braided hair, Miniature, oval-shaped, in gold frame, showing painted portrait of young man wearing blue coat with red collar and lace jobot.

Design for Two Chairs, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Left, armchair in curule style characterized by x-shaped front legs, terminating in goat hoofs.

Design for a Corsage, Pen and ink, brush and brown, green, gray watercolor on wove paper, Jewelry design for a corsage brooch intended to be executed with diamonds and enamel. Five stems, ending in three blossoming and two budding flowers with

Design for a Jug, Brush and watercolor, gold gouache, graphite on cream paper, Design for a partial jug with squared upward handle. Body depicts large green and purple grapes on vines against a blue background., Japan, 1880–1910, tableware

Portrait miniature set on a bracelet, Ebenezer Mack, American, watercolor on ivory, chased gold, silk velvet, cut glass, Oval portrait miniature of a woman wearing red dress, ca. 1790, behind glass and encased in gold frame; set into a black

Out of Doors, Direct Method, Foot ot 17th Street, James Henry Moser, Canadian, 1854–1913, Brush and watercolor, graphite on paper, Brick house with wooden sheds, left. Two figures, and furniture in front. Telephone pole, right., USA,

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left ection of a waistcoat. Below the pocket, following the line of the lower edge, a repeat design using an adaptation of the palmette; with their

Designs for a Necklace and Four Earrings, Pen and ink, brush and red, olive, gray watercolor on wove paper, Jewelry designs for a necklace and four earrings. In the upper row the earrings, numbered from left to right: No1, No2, No3, No4.

Wall Elevation, probably for the Banqueting Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Pen and red ink, brush and watercolor, graphite on white wove paper, trimmed along left margin, Elevation of a wall, with a

Design for Architectural Moldings, Black chalk, pen and ink, brush and brown watercolor on paper, Horizontal rectangle showing design for architectural moldings. At left, hanging bell flowers; at right, the shaft of a fasces., Italy,

Drawing, Charcoal, pen and ink on paper; verso: charcoal, pen and ink, brush and watercolor on paper, Blank center rectangle is framed by term figures terminating in acanthus leaves. Above, a grotesque frieze with putti and satyrs. Below, a

Design for the Entrance Hall, the East Wall, the Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Watercolor, pen and black ink, traces of graphite (?) Support: paper, Horizontal rectangle. Elevation of a wall, with a

Design for a Monument, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink, brush and gray watercolor on laid paper, Shield with a crown above, upon a base; stones and trees., Italy, ca. 1730, ornament, Drawing, Drawing

Stained glass window: three part design, John C. Wolf, Brush and watercolor, graphite on illustration board, Design for pointed stained glass window with central section composed of yellow ovals, large four-petalled blossom in pink framed in

Design for a clock, Brush and yellow, red watercolor, pen and black ink, on cream laid paper, Base of clock on cushion feet. Lower portion of case decorated with egg and dart pattern. Leaf design at four corners of case. Sitting boy, in

Stage Design, Entrance to an Oriental Temple, Karl Josef Koebel, German, active Italy, 1796 - 1850, Pen and black ink, brush and watercolor, ruled border in pen and black ink on white wove paper laid down on blue paper mounted on cardboard,

Design for an Outdoor Birdcage, Graphite, pen and black ink, brush and watercolor and gold paint on paper, Front elevation of a design for a large, Neo-Gothic birdcage within a niche. Plan and scale below., France, 1841, furniture, Drawing,

Design for Painted Decoration of a Wall, with Alternate Suggestions, Unknown, Austrian, Brush and watercolor, graphite on white laid paper, A dado is at the bottom, a high entablature with a colored ovolo [convex molding] at the bottom, on

Section of a wall showing portion of Flemish tapestry, Tapestry room, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, showing portion of one of seven Flemish tapestries set

Design for a Candlestick, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray watercolor, graphite on green-gray paper, Vertical rectangle. Design for a candlestick. Below is a base in whose upper moulding the designer inscribed in

Design for Jeweled Hair C, Graphite, red watercolor, pen and black ink, gold paint Support: cream paper, Italy, Italy, 1800–1850, jewelry, Drawing, Drawing

Who the Devil Told You We Were Going to Charge?, Ludovico Marchetti, Italian, 1853 - 1909, Graphite with grey and black washes and white heightening on white watercolor paper, Two soldiers reporting to an officer after a battle. Other soldiers

Figural Studies of Five Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, At top, two men in hats seated on the ground, facing left. Behind them, in ink, an

Flowers, Hand colored engraving, brush and red, green, and yellow watercolor on paper, Forty-eight branches with flowers, disposed in six lines. Two bordering lines, engraved., Germany, 1775-1800, Print, Print

Woman with a Baby Praying Before the Cross Marking the Place Where Her Husband was Killed, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Similar to plate 40, loc. cit., Italy,

Elevation of a Garden Facade for a Small French Palace, Pen and ink, brush and watercolor, graphite on paper, A flight of stairs leads to a terrace, the ends of which project. House with two stories and a mansard. The middle section and short

Design for a Heart-shaped Box, Brush and watercolor, gouache, graphite on cream paper, Top view of a heart-shaped box decorated with wild green and brown flower with green and brown leaves; edges of box are scalloped; stick at right has

Stage Design, Classical Loggia and Courtyard, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and watercolor, graphite on laid paper, Horizontal rectangle. Courtyard of

Costume Design: A Captain for a Ballet, Pen and brown ink, brush and violet watercolor over black chalk, Vertical rectangle. A man in the attire of the late sixteenth century, and carrying a sword, is shown in profile, moving toward left. His

Grand Canyon in Stormy Weather, Arizona, Thomas Moran, American, b. Britain, 1837–1926, Brush and black wash, blue, brown and pink watercolor, white gouache on paper, laid down on paperboard, Horizontal view of the Grand Canyon with the

Studies for Entablatures and Pediment, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on laid paper, Top: four designs of entablature and pediments, which are decorated by moldings. Center left: left corner of

Stage Design, Cloister at Night, Gaëtano Malagodi, Italian, 1850 - 1902, Pen and black ink, brush and watercolor on white wove paper, Horizontal rectangle. View of churchyard as seen through portico, church behind., possibly Bologna,

Canopy, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, graphite on off-white coarse laid paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation

Design for Cabinet with Glass Doors and Molded Frieze-Like Top, A.N. Davenport Co., Graphite, brush and yellow, blue, and brown watercolor on heavy cream wove paper, Against background of suggested wood paneling, a rectangular cabinet with 2

Design for a sedan chair, Pen and ink, brush and watercolor (yellow, brown, red, gray), black chalk on paper., A variation of 1900-1-12 with a straight upper rim and with moldings framing the panels. The three of them are decorated with

Design for a Coronet, Pen and ink, brush and sepia wash, purple, green watercolor, graphite on paper, Jewelry design for a coronet. In the center of the tiara, the ends of two vine branches are united by a knot with a green diamond framed by

Fantasy of an Architectural Ruin, Jean-Henry-Alexandre Pernet, French, ca.1763 – ca.1790, Pen and black ink, brush and black, brown wash, watercolor, white gouache graphite on off-white laid paper, Antique sepulchers and ruins with figures

A Three-Master in Heavy Sea, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, Netherlands, 1810–1825, Drawing, Drawing

Design for a Plate, Brush and gold gouache, green watercolor, graphite on cream paper, Design for plate bordered with gold circular medallions with pendant flowers; in turn those have hanging flowers with 2 prongs against a light green ground; at

Design for a Bowl, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a bowl intended to be executed in alabaster and gilded metal. Below is a circular base with masks and

Road in a Mountain Landscape, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and watercolor, white gouache, pen and ink on tan wove paper. Verso: Graphite on tan wove paper., Recto: Horizontal and oblique view of a road,

Ceiling Decoration, probably for the Conservatory/Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache, pen and black ink on thick white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton.

Locust Blossoms, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on cream paper, Studies of locust blossoms in watercolor, center; below, studies in graphite of horse-chestnut leaves; above, studies in graphite of apple

Panel Decoration, Etienne de Lavallée-Poussin, French, 1735–1802, Brush and watercolor, white gouache, over black chalk on white laid paper, Paris, France, France, ca. 1780, architecture, Drawing, Drawing

Window Cases with Alternate Suggestions, Filippo Marchionni, Italian, 1732–1805, Graphite, red crayon, brush, and gray watercolor on laid paper, Above: entablature is curved; in the panel above the window frame are two festoons over a low

A Peasant Family in the Campagna, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The group of grandmother, mother, and child, and the setting are similar to plate 31, loc.

Design for a Reliquary, Pen and ink, brush and sepia wash, blue and gray watercolor, red crayon on laid paper, Horizontal rectangle with rounded corners. A coffin-like box, with cornices around its middle part, which has the greatest diameter.

Study of 'Altarpiece of Saint-Germer-de-fly, ' Paris, France, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of the altarpiece of Saint-Germer-de-fly. The Virgin Mary and Saint John are shown

Stained glass window, John C. Wolf, Brush and watercolor, white gouache, pen and black ink, graphite on illustration board, Pointed arch stained glass window with geometric lead pane in soft yellow; lunette containing circular medallion with

Design for Ceiling and Four Walls of Room, Frederick Crace, English, 1779–1859, Pen and gray ink, brush and watercolor on off-white wove paper, Vertical Rectangle: Ceiling center. Upper wall has console center, mirror above it. Right wall

The left half of a frieze, Pencil, brush, sepia, yellow watercolor, paper, Horizontal rectangle. The half-figure of a griffon with a rinceau standing beside a foliated candelabrum with a burning fire on top., Europe, 1825–50, Drawing,

Design for a Candlestick, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Upper part of the candlestick base is formed by three volutes of leaves, with the coat of arms of Pope Pius VII standing in the center. The shaft

Moulin de la Galette, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on paper, View of the street and gateway of the Moulin de la Galette showing the windmill towers. Several “jeunes de joie” on their way in., USA,

Design for a Reliquary, Black chalk, pen and ink, brush and watercolor on paper, Elevation of an alter reliquary intended to be carved in wood. A niche with a volute pediment above two bishop busts and candlesticks., Italy, 1750–1775,

The Royal Pavilion, Brighton, Ceiling Design: a trellised balustrade, opening to the sky, possibly for entrance hall, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white wove paper, Perspective

Costume Design: No. 135, Two Little Breads, for Blue Bird, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1919, theater, Drawing, Drawing

Elevation of a Dome, Design for a Mask, and Caricature, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on paper, Horizontal rectangle. Elevation of dome at left. An entablature and a segment of an arch are at the

Costume Design: Male Dancer for a Ballet, Pen and brown ink, brush and violet watercolor, over black chalk, Vertical rectangle. The hands are roughly sketched, in pencil. Shown in a dancing pose, frontally., Modena, Italy, 17th century,

Design for a Necklace, Pen and black ink, brush and gray watercolor on paper, Jewelry design for a necklace. The chain consists of two entwined scrolls of ribbon connected by rosettes, composed of a central and six framing diamonds. Hanging from

Elevation of an Entablature, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor on paper, Composed of several mouldings, two of which show garlands. Two leaf rows; one is to be flanked, the other decorated with

Design for Woven Shawl with Indianizing Motifs, Brush and watercolor on oily tracing paper, Details of a design for woven shawl with Indianizing motifs, including paisley. Decoration consists of stripes. The two broadest stripes are decorated with

Sweet Peas, Henrietta Benson Homer, American, 1809–1884, Brush and watercolor, graphite on illustration board, Flowering sweet pea vines. Signed and dated in green watercolor along one of the lower tendrils., USA, 1875, nature studies,

Stained glass window: First communion, John C. Wolf, Brush and watercolor on heavy paper, Three figures taking communion with a priest standing at right., USA, 1890–1900, glasswares, Drawing, Drawing

Sidewall, Block-printed, Front: Vertical rectangle, a full width, giving one repeat of vignetted scene in framework of trees. A lake, with bridge across middle distance and castles beyond; house in foreground, on left, and boat full of

The coat of arms of a prelate, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and blue-gray watercolor on paper, The coat of arms is supported by tow flying genii. The charges are a fesse; some that possibly is a leaf

Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Design for a partial plate with gold rim containing light blue tulips (flowers) and cartouches. Inside border there is a vine bearing red roses and leaves., Japan,

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, The left bottom corner. Blue cornflowers and pink rosebuds are separated vertically by brown leaf-sprigs. Small garlands loop from beneath pocket flaps.

Decoration of a Frieze, Filippo Marchionni, Italian, 1732–1805, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, In the center, two angels are supporting a tiara, behind them are crossed keys. Beside two panels,

Design for Stained Glass, Southeast Window Nave, Paisley Abbey, Scotland, Sir Edward Burne-Jones, English, 1833–1898, Pen and ink, brush and watercolor on paper, Window with three panels. At left, figures spinning, and at right, figures

Design for a Wallpaper with Alternative Pattern, Unknown, Austrian, Brush and watercolor on white wove paper, A dado is at the bottom of a high entablature, of which an ornamentation is suggested alternatively for the bottom moldings.

Chimney-piece, West Wall of Music Room, Robert Jones, British, active 1815 – 1833, Brush and watercolor, graphite on white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. The joints are composed of short circular

Design for a Wall Vestibule, Charles Percier, French, 1764–1838, Pen and ink, brush and watercolor, red crayon, graphite on paper, A wall panel which is flanked by two pilasters and is out of center contains the dial of a clock over door

Plan for a Formal Garden, Pen and ink, brush and watercolor on paper, Two plans of a circular formal garden, with paths radiating from a central grass plot. Upper plan included measurements., France, 1785, Drawing, Drawing

Design for Case Clocks, Graphite, pen and ink, brush and watercolor on paper, Center design: case with painted panels of landscapes, the hood surmounted by the figure of Chronos. Clocks to left and right have simple wood cases, the design at

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Sugar bowl with lid or a cup and lid, cinched, decorated with long green leaves and pink peonies (flower) with a pointed gold handle; pointed finial on lid.,

Two Chairs and a Table, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Circular table, fluted column support terminating in bent goat legs. Flanking table, left chair

Design for Mechanical Furniture: Tables, Pen and gray ink, brush and watercolor on paper, A half-round table fitted with hinged top, under which are fittings for a writing table; plans, elevations and isometric. An almanac on desk dated 1805.,

The Carnival of Venice, Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on white paper, Horizontal rectangle. Scene made up of 6 cards, the frontmost 5 cards with cutouts that allow a view of the scene beyond when

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design in square filled with tan leaf scrolls with small green leaves, framed by mosaic-like

Angel Fish, James Carter Beard, American, 1837–1913, Brush and grey and black watercolor, white gouache on paper, Illustration of an angel fish, facing left, seen in profile., USA, ca. 1890, graphic design, Drawing, Drawing

Design for an Andiron, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and yellow, brown watercolor, graphite on light blue paper, Vertical rectangle. Design for an andiron; an entablature is supported as a base by two calyces

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design with arched top, framed with light green-blue circles; containing rows of rounded

A Chimneypiece, Chalk, pen and ink, brush and watercolor on paper, A chimney piece framed laterally by volutes. Above, a broken pediment, inside of which is a putto with scroll. Crest decorated with six pointed spheres. In the mantle is

Landscape, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, View from the top of a steep incline with mountains in the background., USA, 1891, landscapes, Drawing, Drawing

Section of a Villa, Pen and black ink, brush and rose, blue, black and gray watercolor on paper, Section of a villa with three rooms. Steps lead to the front and rear entrances of the main floor. The frame is in the rear of a portico and leads

Stage design, a garden loggia, Filippo Juvarra, Italian, 1678 - 1736, Pen and ink, brush and gray watercolor on paper, The small barriers of a monumental gateway are opened. It has the shape of a colonnade with a higher vaulted central part,

Two Gentleman Conversing in a Park, Louis Carrogis, called Carmontelle, France, 1717 – 1806, Black and red chalk, brush and watercolor on cream laid paper, Two men conversing (gentleman at left wearing a black cleric's coat; gentleman at

Horse Race, Siena, Italy, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, A horse race in Siena, Italy. The city in the background, the horses winding down a path in the foreground., USA, ca.

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