Images at Librifly

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Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Design for plate with large pink peonies, yellow flowers, and purple grapes against a colorful background; several graphite tableware designs above., Japan,

Design for a carved mirror frame, Pen and ink, brush and watercolor, graphite on laid paper., In panel above mirror, Athene with sphere and compass. A candle bracket with two branches to the right of the mirror., France, 1750, Drawing,

Study for 'Charity, ' St. Bartholomew's Church, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of a seated female figure holding a young child., New York, New York, USA, ca.

Design for the North Wall of the Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache, graphite on white wove paper, Elevation of north wall, showing the large organ flanked by columns entwined by serpents. Doors

Design for a Jug, Brush and gouache, watercolor, graphite on cream paper, Design for a jug or ewer with molded handle, thick gold on upper rim; neck contains green floral scheme; below this Greek key in green and gold; body has vertical

Entrance Hall, West Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Elevation of a wall, with a painted decoration of a series of panels giving the illusion of window

Study for 'Charity, ' St. Bartholomew's Church, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a seated female figure holding a young child., New York, New York,

Door Frame and Figure Studies, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray-brown, gray watercolor on laid paper, Left row: above is a peasant, sitting upon a ruined circular architectural object, below the door

Un des cotes du Pavillon orchestre dans le Jardin des Tuileries, en Juillet 1838', Félix-Jacques Duban, French, 1798 - 1870, Brush & pen & watercolor, graphite Support: light tan paper mounted on off-white laid paper, Design for the low side

Section of a wall, Queen's bedroom, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall. Right, large, framed tapestry panel seen partially. Left, portion of doorway, with an overdoor. Panel of gold fiugres on

Design for a Teacup, Brush and watercolor, gold gouache, graphite on cream paper, Teacup design with lid that is unfinished; cup is decorated with rim of filigree design and below with pink and blue flowers with red berries; pointed handle.,

Elevation of a fountain, Black chalk, pen and ink, brush and watercolor on paper, Below is a plinth. An obelisk rises from pedestal consisting of several parts. It is flanked by two crowned griffins shown in profile. Water pours into lateral

Study of Heavenly Figures, Francis Augustus Lathrop, American, 1849 - 1909, Brush and blue watercolor on tracing paper, Four figures seated in clouds, the one at left wears a halo., USA, ca. 1895, figures, Drawing, Drawing

Design for a Bowl, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a bowl intended to be executed in alabaster and gilded metal. The base is like the upper one in

Gazebo, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and black ink, brush and pink, red, organge and green watercolor, black chalk on paper, Design for a gazebo. The octagonal pavilion stands on a square platform, to which steps

Design for a keystone and a mask, Black crayon, brush and blue-gray watercolor on paper, Above, the keystone with two escutcheons, the uppermost with a bearded mask with horns and donkey's ears. Laterally, the cornices of an entablature. Below,

Design for Lidded Jar, Brush and watercolor, gold gouache, graphite on cream paper, Lidded bulbous jar decorated with two red cherries and three pink cherry blossoms and green vines and leaves. Neck and lid have gold wavy lines., Japan,

Project for a Painted Ceiling, Pen and ink, brush and watercolor on paper, Partial view. Below, view upon two stories from below, the first having in the center a balconette with a trophy of arms; above, an entablature, the second story, with

Standing Hunter, Brush and watercolor on rice paper, A standing man, facing one-quarter left, wearing a small black hat trimmed with a peacock feather, and carrying bows and arrow.s, China, mid-19th century, Painting, Painting

Oxalis, Zinnia, and Potato Blossom, East Hampton, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on cream paper, Studies of oxalis, zinnia, and potato blossom. Verso: sweet pea; also, sketches for a monogram., USA,

Door of a Tabernacle Intended To Be Executed In Bronze, Pencil, pen, brush, sepia and grey watercolor., Italy, 1700-1750, Drawing, Drawing

Design for a Reliquary, Pietro Belli, Italian, 1780–1828, Pen and black ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for a reliquary with an oblong pedestal base. Two figures of kneeling slaves shown in

Siena, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, A group of houses on top of a hill, vegetation below houses., USA, 1883, landscapes, Drawing, Drawing

Panel, escutcheon surrounded by cherubs and other motifs, Frederick Marschall, Brush and watercolor, gold on heavy paper, Three gold fleur-de-lis on oval blue ground, enclosed in frame, and surmounted by globe and putto bearing crown. Lower,

Buttercups, Mt. Desert, Samuel Colman, American, 1832–1920, Brush and watercolor, pen and brown ink, graphite on cream paper, Studies of buttercup flowers, right. Left, plant in seed., USA, July 9, 1877, nature studies, Drawing,

Ceiling in Hadrian's Villa, with Nymphs, Centaurs, Stags, and Elephants, Pen and colored inks, brush and watercolor, guache, over traces of graphite on paper, Design of a ceiling. In the center of the plan is a circle containing a square.

Cypress Trees of Chapultepec, Mexico, Samuel Colman, American, 1832–1920, Black crayon, pen and brown ink, brush and watercolor on dark-gray colored paper., Vertical view of a group of trees including the lower portion of an enormous trunk

Project for the exposition of the Host, Pencil, pen, ink and gray watercolor wash on paper, A stand is erected beneath the low arch, connecting two pilasters. The upper part of the intercolumnar space has a curtain as a background. The bottom of

Royal Pavilion, Brighton, Design for Chimney wall with 3 gothic arches and Chinese lantern, George IV, King of England, English, 1762 – 1830, Brush and watercolor, gouache, pen and black ink, graphite on white wove paper, Horizontal

Francesco Cairo, do. il. Cav. del Cairo, Engraved. Black ink with watercolor additions., Vertical rectangle. Bust length portrait of a man wearing a large white collar, turned one quarter right. Below, inscription giving the sitter's names and

Design for an Altar Lamp, Filippo Marchionni, Italian, 1732–1805, Brush and watercolor, graphite on paper, Study of chandelier., Italy, 1750–1805, metalwork, Drawing, Drawing

Sarcophagus for the Relic, Luigi Righetti, Italian, 1780 - 1819, Pen and brown ink, watercolor, over graphite Support: white laid paper, Scale: in pen and brown ink, lower center, in palmi quattro Romani, Rome, Italy, Italy, ca. 1825,

Eight Designs for Decorated Mouldings, C. C., French, active 19th c., Graphite, pen and black ink, brush and grey watercolor, brush and black on light creamy paper, The top row: torus moulding in the shape of a laurel garland with a medallion

Altar Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, brush and watercolor, graphite on white laid paper; verso: pen and ink, graphite, Vertical rectangle. Design for a lamp; the main part of the body with garlands supported in

Five corner motifs, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and gray watercolor on paper, Top row: three left corners of entablature, on top of walls, the left edges of which have the shape of a dolphin and a

Design for Portion of Stairway in Château-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor, graphite on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Design for a Memorial Window, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Unfinished project, showing two standing figures. Renaissance-type enframement with arabesques at top, flanking colonettes and inscriptional

Sketches for Two Angels and Faith, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Three angels flying towards right, two of them blowing trumpets. Verso: three different poses for Faith seated on

Design for a Necklace and earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and black ink, green watercolor, traces of graphite Support: cream-colored laid paper, mounted, possibly Siena, Italy, ca. 1755, jewelry,

The Boccia Game, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Two players at left, three at right are shown against a wall over which two classical temples and trees rise.,

Vintage in the Mountains Near Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The two standing girls, who are shown from the rear, plate 3, loc. cit., are shown in

Design for Embroidery, Corner of Gentleman's Waistcoat, Brush and gouache, watercolor on cream laid paper, Design for the square corner of a waistcoat or gilet featuring pink, purple, and blue flowers. A lyre and quiver of arrows can be seen

Design for a Bedroom Armoire in Louis XVI Style (Armoire pour un chambre à coucher riches, Style Louis XVI), Alexandre-Eugène Prignot, French, 1822–after 1875, Graphite, color pencil, brush and watercolor on cream paper, Armoire with tall

Design for cast metal and colored folding doors, Pen and ink, brush and watercolor on laid paper, The folding door consists of two wings, overdoor, framing pilasters, and an attic. The attic and overdoor have a trellis ground and decorated with

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache, pen and black ink on paper, Horizontal rectangle. A design for a pavilion on the plan of a basilica. Lattice-work panels fill the openings.

St. John's Gate, Bristol, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and black and grey watercolor on paper, The gate, with tower and its spire rising above it, is seen at the

American Plains with Mountain Range in the Distance., Thomas Moran, American, b. Britain, 1837–1926, Graphite, brush and watercolor on paper, Plains with mountain range in the distance., USA, before 1872, landscapes, Drawing, Drawing

Design for Wall Decoration, Yellow (North) Drawing Room, Frederick Crace, English, 1779–1859, Watercolor over graphite on white wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation of wall similar to

Decoration of an Apartment, Pen and ink, brush and watercolor on paper, Wall elevations in a sequence of five connected rooms. Ceilings are shown to scale directly above., Italy, ca. 1790, interiors, Drawing, Drawing

Design for clock, Lefebvre Manufactory, Tournai, Brush and yellow, red, green watercolor, black wash, graphite, on cream laid paper, Base on cushion feet, upper portion with circular elements simulating spouting water in center and at each

Deisgn for a casino, Pen and ink, brush and watercolor, graphite on paper, A concave central section with steps that lead up to a portico. The rear wall has three door openings with reliefs above the doors and windows., France, 1785, Drawing,

Painted Ceiling, Mauro Antonio Tesi, Italian, 1730 - 1766, Brush and watercolor on paper, Drawing depicts the corner of a heavily decorated ceiling., Italy, mid-18th century, architecture, interiors, Drawing, Drawing

Stage Design, Entrance to an Oriental Temple, Karl Josef Koebel, German, active Italy, 1796 - 1850, Pen and black ink, brush and watercolor, ruled border in pen and black ink on white wove paper laid down on blue paper mounted on cardboard,

House in a Wooded Landscape, Pen and black ink, brush and gray watercolor on cream laid paper, House in a wooded landscape., Italy, 1750–86, landscapes, Drawing, Drawing

Two Spanish Women Promenading, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and watercolor, gray wash on paper, Vertical rectangle. Two Spanish women promenading, both wearing gray skirts, blue aprons, black scarves,

Design for a Plate, Brush and watercolor, pen and brown ink, graphite on cream paper, Design for a partial plate decorated at border with green, vines, and pink roses; inside with brown vines bearing pink and yellow flowers with yellow and

Portrait fo unknown man, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A man wearing face whiskers, a frock coat, and top hat stands left profile, full-length, holding a copy of a sheet inscribed

Drawing for an Oratory (Memorial Chapel), Pen and black ink, brush and gray wash, blue, pink and yellow watercolor on paper, Section of a round building. A central, domed hall is surrounded by corridors. Porticos are at left and at right. From

Three capitals of pillars, with alternative suggestions, Pen and black ink, brush and gray watercolor, graphite on off-white laid paper, Three rows: above: two half figures, at left an owl, at right a dragon and a band motif. Center: in the

Design for a Jug, Brush and watercolor, gold gouache, graphite on paper, Design for a jug or ewer with a squared handle. Decoration consists of large white blossoms on the body with green leaves and pink buds; pseudo-Celtic knotted design in gold

Design for Decoration of a Ceremony, Carlo Marchionni, Italian, 1702–1786, Black crayon, brush and gray watercolor on laid paper, A podium is erected above a pediment bearing seven burning candles. Festoons of garland hand upon it, and two

Design for Embroidery, Gentleman's Waistcoat Pocket, Fabrique de Saint Ruf, Lyon, France, Brush and watercolor, gouache, pen and black, purple ink, and graphite on cream laid paper, The waistcoat or gilet pocket flap shows garlands of light

Project for an Alter, Black chalk, pen and ink, brush and watercolor on paper, Above, a rainbow with cherubim and clouds. Below, the elevation of an alter. Below the mensa is a medallion with the portrait of a bishop. This is flanked by putti

Wall Elevation with Panels of Chinese Figures, for King's Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, pen and black ink, over

Design for a Necklace, Pen and black ink, brush and gray watercolor, gold on light green paper, Jewelry design for a necklace. For the chain, four different shapes are suggested. Hanging from a knotted ribbon is an oval pendant with a bouquet of

Elevation of a wall of a vestibule, Pen and Chinese ink, brush and light brown watercolor wash, graphite on paper, A central arch flanked by engaged, fluted Ionic columns and two wall panels. Inside the arch stands the figure of a woman on a

Design for an Embroidery, Pen and ink, brush and blue watercolor, brush and gouache, gold on Dutch paper, A rising border is framed at right by two fold strips around which a ribbon is wound, at left, by the scalloped edge of the field. Two

Design for Ceiling, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, Horizontal rectangle. Painted sky ceiling with dove and flower garland center, gray borders right side, decorated borders

Sketches for paintings. Obverse: A Roman officer holds a crucifix upon a heathen altar. Reverse: Christ rising, Pasqualino Marini, Black crayon; Obverse: with pen ink, black watercolor wash on paper, Obverse: A bearded Roman soldier points at the

Altar Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, graphite on white laid paper, Three chains with virtues. Scale: at bottom, in palmi romani, Rome, Italy, Italy, 1800–1825, lighting, Drawing, Drawing

The Siren's Grotto at Tivoli, Felice Giani, Italian, 1758–1823, Black chalk, pen and black ink, brush and brown watercolor on cream laid paper, On recto: two artists are shown, drawing. Three men at the bottom of the falls. Houses of Tivoli

The Road to Caprarola, Felice Giani, Italian, 1758–1823, Black chalk, pen and black ink, brush and brown watercolor, graphite on cream laid paper, A road passes a gorge. A Madonna shrine is fixed to a trunk of a tree. A man with a cart on

Project for the Outer Decoration of the Quater rails of a Ship with Alternative Suggestions, Black chalk, pen, ink, brush and grey watercolor, wash on French paper Verso: Red chalk on French paper, Three panels are shown flanked by sculptural

Copy of an escutcheon in one of the fetes publications, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pen and ink, brush and watercolor on laid paper, Framed with and formed in the bottom center by attributes of the sea such as the

Ceiling and Four Walls of a Room, Frederick Crace, English, 1779–1859, Graphite, pen and black ink, brush and watercolor on wove paper, Against a gray background, ceiling at center. Upper wall has center fireplace with mirror above. Right

Durham, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and black and grey watercolor on paper, The cathedral and the Bishop's Palace, seen in the distance, with the roofs of the

Design for a Jar, Brush and watercolor, black, gold gouache on cream paper, Design for a jar, partially decorated, with crossing bands outlined in green and filled with flowers in gold, red, and green on blue or black ground; circular shapes

Design for a Ciborium, Chalk, pen and ink, brush and watercolor on paper, On top, the Paschal lamb. At back, the coat-of-arms of Pope Pius VI (1775-1799)., Italy, 1775–1800, metalwork, Drawing, Drawing

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684–1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and

Project for a Church Ceiling, Black crayon, pen and ink, brush and watercolor on paper, Ceiling divided into three scenes framed with coffers. At center, within a lobed cartouche, is the Virgin and Christ Child with a glory of angels. Two oval

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Design for a Teacup, Brush and gold gouache, watercolor, graphite on cream paper, Design for a teacup with lid. Teacup body has allover decoration in form of sunset landscape with cottage on pasture with path to the left; squared and curved

Peasants in a Cabaret, Brush and opaque watercolor on pin-pricked paper, Early 19th century pin-prick picture after an engraving. The face and hands painted in watercolor., Germany, ca. 1800, Pin-prick picture, Pin-prick picture

Flowers, Hand colored engraving, brush and red, green, and yellow watercolor on paper, Forty-nine branches with flowers, disposed in six lines. Two bordering lines, engraved., Germany, 1775-1800, Print, Print

Project for the Decoration of an Oblong Panel, Brush and watercolor, black chalk, and graphite on white laid paper, Below is a calix from which two curved rinceaux spring. They end laterally in blossoms from which candelabra rise. They end above

Church Interior, Victor Louis, French, 1731 - 1802, Pen and ink, brush and watercolor, graphite on laid paper, Design of the interior of a large, domed church., France, ca. 1770, architecture, Drawing, Drawing

Design for a Window Hanging, Pen and black ink, brush and watercolor, graphite on off-white laid paper, Simply delineated window case and frame for tall casement windows. Window treatment consists of blue fabric dotted with pink spots, gathered

Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork escutcheon with masks and harpies is framed with grotesque candelabrum., Italy, early 17th century, ornament, Drawing, Drawing

In Tivoli, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A seated woman similar to plate 34, loc. cit., a seated man, upon whom a boy leans and to whom a little girl is

Canyon of the Rio Virgin, South Utah, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and watercolor, graphite on white wove paper Verso: Graphite on paper, A group on horseback is crossing a low point of the river in center

Design for a mirror frame, Pen and Chinese ink, brush with watercolor, graphite on paper, In a panel over glass, an owl grasping in its claws a rake and a book from which a heart is suspended on a chain., France, 1750, Drawing, Drawing

Two Angels with Lance and Holy Sponge, Graphite, pen and ink, brush and watercolor on paper, Two angels carrying a lance and sponge, symbolic of Christ’s Passion. Scrolls flutter laterally with the inscriptions., Italy, 1800–1825,

Design for a Surtout de Table (Centerpiece), Pen and black ink, brush and watercolor, gouache, graphite on off-white wove paper, A tray, supported by lion feet, whose central pavilion is flanked by vases on columns, by low and by higher

Strapwork Design with Landscape, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with harpies and cornucopia frame a landscape with a house on a hill., Italy, early 17th century, ornament, Drawing, Drawing

Design for a Candlestick, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, the base composed of a short column with a circular band supported by knobs. On top of the column stands a caryatid

Design for a Silk Damask, Black chalk, pen and black ink, brush and blue, black watercolor on paper, Shown are the central motif, the mask, the right half of the remaining design. A bust of a wild man emerges from a leaf. He carries with

Exterior, Frederick Crace and Son Establishment, 14 Wigmore Street, London, Frederick Crace, English, 1779–1859, Graphite, brush and watercolor on paper, Horizontal rectangle. Exterior of three buildings, the central one bearing the Crace

Design for a Wall Panel, Pen and ink, brush and watercolor, sepia on paper, Elevation of a wall panel with candelabrum. The upper wall shows a motif centered on a vase; the dado shows a wreath and bow knot. The entablature shows a frieze of

Palazzo Pubblico, Siena, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, black crayon on wove paper, View of the main square in Siena, Italy, with tower and Palazzo Pubblico., Siena, Italy, ca. 1872,

Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836, Pierre-Antoine Leboux de La Mésangère, French, 1761–1831, Engraving, hand-colored with

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