Images at Librifly

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Peep-show, Vue perspective de l'Arc de Triomphe, Ou Se Passa La Furieuse Proscription Sous le Triumvirat d'Antoine, d'Octave et de Lepidus à Rome, No. 45, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page,

Peep-show, Vue du Pont et de la Ville de Francfort, 13, Engraving in ink with washes of watercolor on paper, Peep-show print, France, 1766, Print, Print

Design for One Floor of a Painted Facade, Lazzaro Tavarone, Italian, 1556 - 1641, Black crayon, pen and ink, brush and watercolor, white gouache on light brown paper, Horizontal format design for a painted facade. Four windows with a framing

Design for a Fountain, Pen and ink, brush and sepia, watercolor on paper, An aedicule with the papal arms of Clement XI in the pediment. Trophies on either side. Below, water flows from a row of stars., Italy, 1762, architecture, Drawing,

Limburg, Arnold William Brunner, American, 1857–1925, Brush and watercolor on gray-green paper, A group of steep gabled roofs, with numerous dormer windows, church towers in distance., USA, 1883, architecture, Drawing, Drawing

Beach Scene, England, Winslow Homer, American, 1836–1910, Crayon on paper, Horizontal view of the water, beach and figures, with color notations. Spots of red and blue watercolor on margin at bottom., 1881–82, seascapes, Drawing,

Design for Painted Decoration of a Wall, Brush and gouache, watercolor, graphite on paper, Three pilasters, standing upon a dado, support an entablature, the frieze of which shows four semicircular representations of flowes in various

Design for a clock, Lefebvre Manufactory, Tournai, Brush and yellow, red, brown, watercolor, pen and black ink, graphite on cream laid paper, Base, supported by claw feet, its front panel decorated with four putti, two with a bow and

Among the Arbors at Père Lapin's a Table Had Been Set for Them, William Leroy Jacobs, American, 1869 - 1917, Charles Scribner's Sons, New York, New York, USA, Charcoal, colored chalk, brush and watercolor, white gouache on illustration

Design for a Painted Panel, Michel, French, active 1785, Graphite, brush and black and light blue watercolor washes on off-white laid paper, Candelabrum scheme includes a girl standing under a canopy on a sphere holds the ends of the ribbons

Design for Living Room with Alternate Suggestions, Gaspare Salvi, Italian, 1786 - 1849, Graphite, brush and watercolor, gold on paper, Page divided into three parts. At top, a view of a ceiling decoration with neoclassical grotesque. At

Decorative Cartouche with a Lagoon Capricco, Pen and black ink, brush and watercolor over black chalk on white laid paper, A view of a waterway with a ruined structure on a small promentory and surrounded by various figures, enclosed in a central

The Marque, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on heavy board, View looking across the bridge to the Marque, Paris., USA, 1887, landscapes, Drawing, Drawing

Wall Decoration, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Pen and black ink, watercolor, graphite, ruled border in pen and black Support: white laid paper laid down on white wove paper, Rome, Italy, Italy, ca. 1776,

Design for Painted Decoration of Walls and Ceiling of a Room, Brush and gouache, watercolor on white wove paper, A short wall and part of the ceiling of an oblong room. The wall shows an imaginary damask cover flanked by pillars above a dado. The

Classical Ruins, Brush and sepia, watercolor on paper, Vertical rectangle showing figures in a rocky place with a fountain in the form of a monumental column with water pouring from a lion’s mask. At left, figures at rest with a lion. Behind,

Study of landscape, Baveno, Lake Maggiore, Italy, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a cabin in a forest., Baveno, Lake Maggiore, Italy, September 1857, landscapes,

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and brown ink, brush and yellow, grey, black and brown-red watercolor on cream laid paper, Dial suspended underneath classic arch, supported by four columns, a vase atop each

Adam and Eve, The Temptation, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor, black chalk on paper, Figural scene in landscape. At left, the figure of Adam stretches his left arm out to reach the apple, which Eve

Page of a sketchbook; Trophy of arms, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen, ink, blue watercolor wash on paper, Vertical rectangle. A trophy composed of a helmet and shield in the center, flanked by barriers

View of Durham Cathedral, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on greenish-grey heavy paper, View over the treetops of Durham Cathedral, as seen from the southeast, and showing surrounding houses.,

Design for a Painted Ceiling, Graphite, brush and gouache, watercolor on paper, A quarter of the design is shown. Bands separate the central oblong from rows of coffers. A shell is placed in the corner of the central panel, the field of which

Project for a Case in a Vestry with Alternative Suggestions, Graphite, pen and black ink, brush and watercolor on paper, Measured elevation with alternative suggestions. Front and side view shown. At top, a crucifix in yellow watercolor.,

Study of Roses, Sophia L. Crownfield, (American, 1862–1929), Graphite, brush and ink, watercolor on tracing paper., Horizontal sheet with six studies of roses depicted from various angles., USA, early 20th century, nature studies,

Project for a Country Villa, Pen and black ink, brush and watercolor, black chalk on paper, lined, A rendering of a country house (villa). The building is presented from an oblique angle and set against a cloudy sky. It is elevated on a high

Preliminary Design for the Salon d'Angle at the Palais Royal, Paris, France, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, brush and watercolor on white laid paper, The sectional elevation shows a two-storied chamber, the

Woodland Stream, Winslow Homer, American, 1836–1910, Brush and watercolor, charcoal on paper, Recto: A stream punctuated by boulders in the white-capped, steel-gray waters; Verso: arithmetic notations in graphite, a sketch of a Chinese vase

Landscape with Deer in a Morning Haze, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on wove paper, A hillside landscape with a fence and three deer in the foreground, tree tops and mist in the middleground, and

Projects for a statuary group: 'Friendship, ' 'Accord', Jan Claudius de Cock, Flemish, 1667 - 1735, Black crayon, pen, ink, brush, gray watercolor on paper., Horizontal rectangle. At left: a sitting girl and a standing boy unite the flames

Projects for statues: 'Wisdom.' 'Constancy.' 'Eloquence.' 'Cupid Disguised.', Jan Claudius de Cock, Flemish, 1667 - 1735, Black crayon, pen, ink, brush, gray watercolor on paper, Horizontal rectangle. From left to right: a youth standing

The Upper End of Little Cottonwood Canyon, Wasatch Range, near Ogden, Utah, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white goauche, graphite on gray laid paper, Panorama over a cliff edge toward three

Design for Stained Glass Window, Sir Andrew Orr, Scottish, 1801–1872, William Stuart Stirling-Crawford, Scottish, 1819–1883, W. Cowper, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed

Sunset Over Tower and River, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, A river in the foreground, with a building group dominated by a large tower silhouetted against a summer sky. To figures in foreground.,

Design for a Surtout de Table, for State Porcelain Service of Ismail, Khedive of Egypt, Gaetano Lodi, Italian, 1830 – 1886, Manifattura Ginori, Italian, Brush and watercolor, gouache, gold paint, black ink and wash, traces of graphite

Design for a Woven or Printed Fabric or Wallaper, Graphite, brush and purple watercolor on paper, Escutcheon in Neo-Rococo style with evergreens and festoons of flowers. The left half of an escutcheon and part of the plant design are shown. Verso:

Design for Textile or Wallpaper, Brush and watercolor on paper, Design for textile or wallpaper that shows flowers in scroll arrangement in which human figures and a cupid are shown. Painting is in shades of red., France, 19th century, Drawing,

Journey by Sedan Chair, Saverio della Gatta, Italian, 1777 - 1829, Black chalk, pen and black ink, brush and watercolor on paper, Horizontal rectangle. A man riding upon a horse which carries luggage beside him, leads the front mule carrying

Study of landscape, Sorrento, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of hillside and Bay of Naples., Sorrento, Italy, 1858, landscapes, Drawing, Drawing

Altar to Apollo from the Villa di Cicerone, after a print by Piranesi, Giovanni Battista Piranesi, Italian, 1720–1778, Pen and ink, brush and watercolor on paper, Vertical rectangle. Perspective view of the Apollo altar, decorated with the

Satirical Print: The Suitor, Pen and ink, brush and watercolor on paper, An old man with a staff standing at right looks through a lorgnon (monocle) at a young girl seated at left. She is accompanied by a sewing chaperone. A cat with a string lays

Sketch for Cover in “The World’s Almaniac”, Brush and black and red watercolor, graphite on paper, Left, tree trunk, with branch, upper right, three owls perched on branch, rightmost owl has head jutted out too look at giraffe. Right,

Project for a Wall Decoration, Pen and ink, brush and watercolor on paper, Left half of a design shown. At bottom, a frieze with grotesques. Above, at left, a candelabrum motif supported by a griffin. At right, a roundel with a winged figure

Azaleas, Samuel Colman, American, 1832–1920, Graphite, brush and watercolor and gouache on tan wove paper, Studies of azalea branches, with pink flowers. Verso: pink ladyslippers, a blueberry branch with flowers, huckleberry, and

Design for Library Ceiling, Benton House, Northumberland, England, George Richardson, British, ca. 1736 - 1813, Brush and watercolor, pen and ink, black chalk on paper, Horizontal format design for a plaster ceiling. Outside are oblong and

Design for an Oblong Ceiling, George Richardson, British, ca. 1736 - 1813, Pen and ink, brush and watercolor on paper, Horizontal format design for an oblong plaster ceiling. One quarter is shown. Bands separate the inner field and oblongs at

Design for a Square Ceiling, George Richardson, British, ca. 1736 - 1813, Pen and gray and black ink, brush and rose and green watercolor on paper, Horizontal format design for a square plaster ceiling. The scheme is that of a cupola shown from

Design for an Oblong Ceiling, George Richardson, British, ca. 1736 - 1813, Pen and black ink, brush and watercolor, black chalk on paper, Horizontal format design for an oblong plaster ceiling. Shown are the scheme of the decorations of the

Project for a monument for Foro Bonaparte, Milan, 1800, Felice Giani, Italian, 1758–1823, Pencil, pen, and black ink; gray wash watercolor. Paper., Vertical rectangle. Very large. Steps lead to the round base, the lower part of which is

Design for a Goblet, Black chalk, brush and brown watercolor, oxidized white on greyish-blue paper, Vertical rectangle showing a woman in profile kneeling upon a rock, carrying a fantastic shell., Netherlands, 1650–80, metalwork, Drawing,

The Cave of Adullam, Irving Ramsey Wiles, American, 1861–1948, Brush and black and grey watercolor, with graphite, on cream paper, A cliff edge and a large plant in the foreground, right. A valley in the center of the composition. Some

Design for Portion of Stairway in Chateau-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor, graphite on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Two Designs for Altar Frames with Alternative Suggestions, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow and red watercolor, graphite on paper, Horizontal rectangle. Two designs for two frames, probably for

Project for a woven or printed fabric, P. and C. Lacour, Blotted black and black crayon, brush and watercolor on paper, Silhouetted boughs in the style of about 1600 hanging from rising waves. Small flower boughs are shown in intervals. An

Preliminary Design for a Bank and Office Building in New York City, N.Y., Brush and watercolor, pen and black ink on cardboard, with metallic gold border, Elevation of a building with a peaked roof, possibly five stories tall., USA, May 10,

Design for a carved wood chest, Izabel M. Coles, American, 1890 - 1964, Pencil and watercolor on paper, Design for a carved wood chest with metal fittings. Front elevation, side elevation, top., USA, ca. 1909, furniture, Drawing, Drawing

Design for a Stained Glass Window, Izabel M. Coles, American, 1890 - 1964, Ink and watercolor on tracing paper, Design for a stained glass window with arched top and three motifs within rondels; top, an angel holding an open book inscribed 'The

Side elevation of a dining room, Izabel M. Coles, American, 1890 - 1964, Pencil and watercolor on paper, Design for the wall of a panelled room, with a wide border of wall-paper between the cornice and the wall-panelling. In the center a china

Vignette: Man Crouching on a Scaffolding, Walter Appleton Clark, American, 1876–1906, Brush and black washes, with graphite, on white watercolor paper, Vignette showing a workman on his knees croushing on a scaffolding, a trowel and wooden

Design for a Fountain Supported by Dolphins and Two Dogs, Gilles-Marie Oppenord, French, 1672–1742, Pen and ink, watercolor on paper, Jet of water from sphere atop shell-like tier supported by two upside-down entwined dolphins. water from

Three Designs for Candlesticks, Pen and ink, brush and yellow, red, gray watercolor, graphite on paper, Horizontal rectangle. Three designs for candlesticks. At left: the feet of the candlestick consist of rumps of birds. Within the base is the

Drawings after Ornament and Architecture, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on off-white laid paper, Album bound in red morocco containing forty-two drawings of architectural and decorative ornamentation,

Apollo kills the Python, Felice Giani, Italian, 1758–1823, Pencil, Pen and black inks, brush and watercolor on paper., Horizontal rectangle. Apollo comes running from the left, the crouching Python pierced by an arrow, at the right.,

An Interior, Mary Ellen Best, 1809 – 1891, Brush and watercolor, graphite on off-white wove paper, The boldly patterned wallpaper, green draperies and matching upholstered furniture shown in this interior impart an air of masculinity to the

Study of landscape, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a farm building and large rock., USA, ca. 1856, architecture, Drawing, Drawing

The Shirtmaker, Edouard de Beaumont, French, 1821 - 1888, Pen and brown ink, brush and watercolor on bristol board, Vertical rectangle. At right, a woman, seen in three quarter view from front, with black curly hair wearing a low-necked

Design for a Painted Ceiling, Jan Schtchukin, Russian, 1759 - 1828, Graphite, pen and black ink, brush and watercolor on paper, Vertical rectangle decorated with five ovals; the center oval is outlined with a floral garland and shows two men

Study of bridge and canal, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache, graphite on paper, View of a covered, arched bridge over canal with houses lining both banks., USA, ca. 1880, landscapes, Drawing,

Noble Interior: Stage Design for the Teatro Marsigli-Rossi in Bologna, Francesco Cocchi, Luigi Basoli, ca. 1810 – 1827, Antonio Giuseppe Basoli, Italian, 1774–1843, Black ink on white paper with gray watercolor, Horizontal rectangle. A

Design for clock, Lefebvre Manufactory, Tournai, Pen and black ink, yellow, red watercolor, on cream laid paper, Octagonal base, supported by tapered feet. Front panel shows a couple following Hymen to a circular temple. The dial is flanked

Peep-show, Vue Perspective de Bilbao, Ville d'Espagne dans la Biscaye, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Designs for Teapot, Hot Water Pitcher, Milk Pitcher and Sugar Bowl, Brush and gray, yellow, brown watercolor, graphite on cream paper, Designs for parts of a tea service, including various pitchers and sugar bowl. Probably made of cut glass,

Landscape of Nantucket Island, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, Landscape with rocks and trees, in the foreground. A view of a lake with a sailboat in the distance., USA, 1887, landscapes,

Peep-show, Vue Perspective de la Ville de Basle en Suisses du Cote du Fauxbourg de Saint Alban, No. 33, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Elevation of a Fountain, Pen and black ink, brush and watercolor, traces of graphite, off-white laid paper, A statue of Diana stands on a richly decorated niche. Water flows from a mask on the column below onto rocks, a snake, duck and plants.

Design for a Frame, Black chalk, pen and ink, brush and watercolor on paper, Design for a frame. The right hand shows contours only; the left hand side with shading. Scroll and florals throughout. A shell at top center., Italy, 1725–1750,

Peep-show, Vüe Perspective du Chateau Royal de Tolede, et de la Grande Place Qui Est Au Devant, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Urn, Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, black chalk Support: light blue laid paper, Scale: in pen and black ink, lower margin, in Palmi Romani. Design after the Warwick Vase., Rome, Italy, Italy, ca.

Peep-show, Vue de Bayonne de Côté du Port, No. 3, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Design for Stained Glass Window, Sir John Maxwell, Scottish, 1791–1865, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches, each containing figures, under Gothic canopies. Decorative

Design for a Ceiling, Pen and ink, brush and watercolor, graphite on paper, Slightly more than the top half is executed; the bottom half is outlined. The square is bordered at left by a colonnade. A large central oblong is surrounded by coffers,

Proposed Design for the West Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation of the

Study of Pansies, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on white paper, Horizontal sheet depicting five pansies in brown, violet and yellow, and blue and yellow. On verso, a pink tulip near center of

Design for Ceiling, City Hall, Vienna, Austria, Friedrich von Schmidt, German, 1825 - 1891, Brush and watercolor, pen and black ink, graphite on paper, Vertical format. At left, part of a ceiling showing four panels with sixteen sides, a

Project for a sepulchral monument. With alternative suggestions., Pencil, gray and brown watercolor, Italy, 1830–50, Drawing, Drawing

Design for an Ovoidal Tureen, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray, yellow watercolor, graphite on paper, Vertical rectangle. Design for an ovoidal tureen. Below are a base and an ovoidal pedestal, which is

Design for decoration of a title page, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and dark ink, brush and gray watercolor on laid paper, A scroll of paper, cut above and below to form scrolls, like those of an escutcheon, is

Peep-show, Vue d'Optique Representant Interior Sti Petri in Roma L'Interieur de St. Pierre de Rome, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

The Crucifixion, Pen, ink and dark brown watercolor on paper; verso: red crayon, Crucifixion with cross made of rough logs; verso: oriented horizontally with four men scourging while a fifth binds a fagot., Italy, late 16th–early 17th century,

Bowery Theater, New York, NY, Alexander Jackson Davis, American, 1803–1892, Engraving with etching, brush and watercolor on paper, Vertical format. Exterior view of an architectural design for theater. The portico is shown, in Roman Doric

Gate to the Temple of Hymen, Pavilion Erected in the Place Dauphin, Paris, France, Charles-François Hutin, French, 1715 - 1776, Pen and black ink, brush and watercolor, white gouache (oxidized), over graphite on thick white wove paper, A

Cartoon for Harper Window with Alternate Border Design, Larchmont Yacht Club, Larchmont, NY, Alice Cordelia Morse, American, 1863–1961, Graphite, brush and watercolor on pierced tracing paper, Design in horizontal rectangle of laurel

Design for a Chimneypiece, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and gray watercolor on paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in marble. Doric columns at either side. The frieze,

Design for Sofa and Mirror, Portrait Room, Royal Palace; Warsaw, Poland, Jean Louis Prieur, French, 1732 - 1795, Stanislas Augustus II, King of Poland, 1732–1798, Pen and black ink, brush and gray wash, rose watercolor on cream laid

Studies of Irises, Sophia L. Crownfield, (American, 1862–1929), Graphite, pen and ink, brush and watercolor on yellow tracing paper, Seven studies of irises in various stages of bloom. Three of the designs are colored with purple, green,

Elevation of Section of a Wall with Columns and Arch at Left, Graphite, brush and watercolor, pen and brown ink on cream laid paper, Design for Tuscan columns with arches, plans and elevations, supporting entablatures; scale in lower margin.,

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Horizontal rectangle. A large structure, with columns as supports on the section visible. The building is divided into three sections, each

Design for a Clock, Brush and watercolor, pen and ink, graphite on paper, Vertical rectangle. Design for a clock intended to be executed in gilded and green bronze and white and colored marble. Two crouching griffins support a round pedestal with

Proposed Design for the West Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Watercolor over graphite on white wove paper, Elevation of the west wall with two large wall-paintings flanking the

Design for the rest of a chair or a cushion, to be executed in tapestry, Alphonse de Neuville, French, 1835 - 1885, Pen, ink, watercolor, and gouache on paper, A trophy of filled quiver and flowers, suspended from a fleur-de-lis, in

Design for a circular ceiling, Gilles Paul Cauvet, French, 1731–1788, Pen and ink, brush and watercolor, graphite on laid paper, This cofferred dome ceiling has a skylight at the center. Ciruclar medallions frame classical scenes in the

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