Images at Librifly

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Oak Wood, Montauk, New York, Samuel Colman, American, 1832–1920, Recto and verso: Graphite, pen and brown ink, brush and watercolor and white gouache on gray-green wove paper, Recto: Horizontal view of two oak trees appearing in a hilly

Elevation of a Salon Wall, for the Palace of the Prince of Hesse, Etienne Dubois, French, 1766 - 1839, Pen and black ink, brush and watercolor, gold paint on paper, Sofa stands under an empty oblong frame and two pilaster strips and is

A Candlestick with Four Branches, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor on paper, The oblong plinth of a half circular pedestal of marble is supported by two eagles. The pedestal is decorated above and below by

Design for Painted Decoration of a Wall, Brush and gouache, watercolor, graphite on paper, Three pilaster strips, standing upon a dado, support the entablature. They have volutes as capitals, above which arches rise, and eagles are perched.

The elevation of a case for a vestry, Pencil, pen, wash, chinese black and light yellow watercolor wash on paper., A case for vestments with a crucifixion above a folding door flanked by volutes in the upper section and frames in pilasters and

Project for a Sepulchral Monument, Pen and ink, brush and watercolor on paper, Vertical rectangle. Retable scheme. Below are a base and a dado. A sarcophagus with the tablet for the inscription between its legs stands below in the center of the

Two Decorartive Studies of Ceilings; Verso: Studies of Heads, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Two decorative studies of ceilings; three candelabra; frieze with shaft and

Design for Curtains on the East Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on white wove paper, Elevation of the east wall, showing a design for the decoration of

Peep-show, Vue Perspective du Fameaux Pont de Remino Fabriquee du Temps d'Auguste Tibert Empereur Romain, No. 17, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print,

Funerary Vessel with Thre, Watercolor, graphite, ruled border in brush and blac Support: white laid paper, Rome, Italy, Europe, ca. 1800, architecture, Drawing, Drawing

Decorative Studies for Ceilings; Verso: Head in Profile with Antique Helmet, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on cream laid paper, Five studies of ceilings; door of chapel with Papal

Design for clock, Lefebvre Manufactory, Tournai, Brush and yellow, red, watercolor, pen and black ink, graphite, on cream laid paper, Base decorated with horizontally placed bow, erased arrows and a wreath of roses. Above, at right, a

Wall Decoration, Plate XIII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), Giovanni Volpato, Italian, 1733 - 1803, Pietro Camporesi, Italian, 1726 – 1781, Raphael, (Italian, 1483–1520), Brush and watercolor,

Valley and Hillside, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on off-white wove paper, View of a wooded valley and mountain in distance; pentimento of logger with ax over his shoulder, near tree-truck, at right of

View of a Monastery Receiving Visit from Great People, Carlo Marchionni, Italian, 1702–1786, Black chalk, brush and gray-black watercolor on cream laid paper, Horizontal rectangle.The buildings of the monastery are in the middle ground upon a

The Second Installation of Cromwell as Protector, in Westminster Hall, June 26, 1657, Frederick Coffay Yohn, American, 1875–1933, Brush and grey and black watercolor, white gouache, on illustration board, Illustration showing Cromwell

Design for a Frame, Pen and ink, brush and watercolor on paper, Design for a frame to be executed in silver. Asymmetrical decoration with C- and S- scrolls, vase forms, flowers and putti., Europe, 1750–1775, ornament, Drawing, Drawing

Design for a Mantelpice, Graphite, pen and ink, brush and watercolor on paper, Elevation of a mantelpiece. Aedicule frame with dolphin and trident crest. Twelve rosettes on fireplace surround. Scale below., Europe, 1800–1830, interiors,

Carter Dome from Carter Lake, New Hampshire, William Louis Sonntag, American, 1822 – 1900, Brush and watercolor, ink, gouache, graphite on wove paper, A bright winter landscape at sunrise or sunset. A lake inlet in center foreground with

Decorative Studies of Candelabrum and a Ceiling, Felice Giani, Italian, 1758–1823, Pen and ink, brush with watercolor washes over traces of graphite on laid paper, Four studies of friezes and grotesque candelabrum; study of ceiling; papal

Peep-show, Place de l'Eglise de St. Marc et la Grande Place Terminée par l'Eglise de St. Geminien á Venise, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

He is the image of you', Arthur Ignatius Keller, American, 1866–1924, Brush and watercolor, gouache on illustration board, A young man and woman are seated on the floor of an attic. The man looks over her shoulder at a book in her lap., USA,

Design for a Gas Lamp and Candelabrum, Brush and watercolor, gouache, pen and blue ink over graphite on tracing paper, This drawing depicts a candelabrum and gas lamp consisting of a tall-necked porcelain vase in a floral design. The vase is

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow, red-brown watercolor on cream laid paper, Base of clock supported by tapered legs. Scene depicted on front horizontal panel is of a bearded man

Beheading of John the Baptist, Mattia Preti, Italian, 1613 - 1699, Brush and watercolor, black chalk on paper; verso: red chalk on paper, A study for mural decoration around a window, S. Giovanni in Valletta, Malta; Verso a sketch for a

Design for floor covering, Pen and ink with blue watercolor on paper, Vertical rectangle. Central ground made up of styleized flower forms with equally spaced pointed petals radiating out from a central square. Border composed of flower forms seen

Falls of Yosemite, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and blue watercolor, black and gray wash, and graphite on tan paper Verso: Graphite on tan paper, Recto: Vertical view with a mountain river winding from the

Benedict Knew Him for the Man Whose Name Was Still Warm Upon Their Lips, Illustration for Scribner's Magazine (XXXVI, No. 2, August 1904, p. 187), Frank Walter Taylor, 1874 – 1921, Charles Scribner's Sons, New York, New York, USA,

Design for Sofa, with Alternative Suggestions, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, pink and blue watercolor, graphite on heavy white laid paper, Sofa design in Louis XIV style. Alternative

Study of Irises, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, graphite and watercolor on yellow tracing paper, Horizontal sheet illustrating four sprays of irses, three of which are partially colored with white, yellow, green

Adoration of the Magi (Design for Stained Glass Window), Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, pen and red ink, graphite on cream wove paper, Stained glass design in two halves. Left, Joseph, Madonna, and

Decorative Studies; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Six studies of grotesque decoritve motifs for partitions and ceilings. Verso: two

Design for a Painted Porcelain Soup Plate, Brush and watercolor, black chalk on cream laid paper, View of plate in plan (above) and in elevation (below). Above, soup late with slightly scalloped rim decorated in fishscale pattern in gold, with a

Saint Germain-des-Prés, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on paper, View of the steeple and roof of the church of Saint-Germain-des-Prés in Paris., USA, ca. 1887, architecture, Drawing, Drawing

Design for a Jardiniere and Candelabrum, Pencil, brush with ink, watercolor, tempera colors, gold on trading paper, tipped down., The body of the jardiniere is of blue porcelain, with a central field depicting three figures in a landscape,

Design for a Wrought Iron Light Fixture, Anna M. de Pool, Pen and ink, watercolor on Bristol board. Red seals., Vertical rectangle. A lamp fixture, suspended from a wall bracket., USA, 1894, appliances & tools, Drawing, Drawing

Four Decorative Studies of Ceilings; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes over graphite on laid paper, Four decorative studies of ceilings with grotesque; frieze with cupid.

Portal Design, 'la Prusse et la Religion, ' design for plate 40 in the 'Nouvelle iconologie historique...', Jean-Charles Delafosse, French, 1734–1791, Pen and ink, brush and watercolor, graphite on laid paper, A doorway flanked by two draped

Two-masted Schooner with Dory, Winslow Homer, American, 1836–1910, Brush and watercolor on white paper, Vertical view of a two-masted schooner, with a dory, characterized by a pale wash on sky and reflections of masts and the sail in the

Design for Textile or Wallpaper, Brush and watercolor on paper, Design for textile or wallpaper that shows flowers in vine-like arrangement in which young women and a young man appear. Painting is carried out in shades of grey., France, 19th

Design for a salon entrance wall, Pen and Chinese ink, brush and watercolor, graphite on paper, A mantelpiece with a mirror at the center, flanked by wall panels with two fluted pilasters over marble rails. Kneeling putti with festoons alternate

Design for the ceiling of the salon of Palazzo Spinola, Genoa, Charles de Wailly, French, 1730–1798, Pen and black ink, brush and watercolor on white paper, An oval central panel shows the Apotheosis of Ambrose Spinola, hero of the Battle

Fragment, Medium: watercolor on silk Technique: painted on satin weave, White ground with a design of sprays of carnations, rose, lily and small five-petal blue flowers in dark pink, blue, green, yellow, brown, purple and orange., China,

Death of Count Ugolino and his Sons, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Black crayon, pen and ink, brush and watercolor on paper, Here Giani treats the scene as a classical frieze. A kneeling youth begs

Study of seascape, Murano, Italy, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of the lagoon with the island of Murano on the horizon., USA, June 23, 1871, seascapes, Drawing,

Two Elevations for a Chandelier, Pen and ink, brush and sepia, watercolor on paper, Two elevations for a candlestick, both with column-like shafts and wide drip pans at bottom. Hanging tassel. Left candelabra has two arms terminating in bronze

Elevation of a Wall, Graphite, pen and ink, brush and watercolor on paper, The dado is outlined with pencil. Two doors. At center, a mirror above a mantle. Yellow is suggested as the color for the walls which are framed with mouldings. At right,

Miniature: Seated Figure, Unknown, Pen and black ink with watercolor and gold on paper, mounted, A central figure is seated on layers of geometric and vegetal carpets, wearing a short-sleeved robe composed of many male figures and animals that

Wall Decoration, Plate XI from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican), Giovanni Volpato, Italian, 1733 - 1803, Pietro Camporesi, Italian, 1726 – 1781, Raphael, (Italian, 1483–1520), Brush and watercolor,

Peep-show, Vue et Perspective du Palais et Jardin du Doge à Venise, Giardino, Gartea, 12, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Elevation of the Wall of a Salon, Pierre Ranson, French, 1736–1786, Pen and ink, brush and watercolor, gouache, black wash, graphite on white heightening on paper, Interior wall decoration for a salon with gold molding, oval and

Design for an Oil Lamp., Pencil, brush and ink, watercolor, tempera colors on tracing paper, tipped down., The body of the lamp is a blue porcelain vase with a central field in the form of an oval containg a bust-length portrait of a woman. The

Design for Painted Decoration of a Wall, Brush and gouache, watercolor, graphite on paper, Three panels which show stilted arches formed by boughs and ornametal motifs on top are separated by two pilaster strips, which, standing upon a dado,

Hillside with Clumps of Maguey, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on paper, Sketch of a hillside with clumps of maguey at center., USA, 1898–99, landscapes, Drawing, Drawing

Design for a Library Wall, Pen and Chinese ink, brush and watercolor, black chalk on paper, Six bays of equal size and the first filled with a door and an overdoor, both showing representations of a prelate. The five others with alternating

Study of Guacamaya, Bogotá, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and watercolor on buff wove paper, Sheet of studies including a standing woman facing left at top left, an elevation of a bungalow with a

Peep-show, Balbec Pl. 4, Ruines du Grand Temple de Balbec Sur Lesquelles les Turcs Ont Élevé des Tours, 60, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Peep-show, Vue Intérieure de la Cathédrale de St. Etienne de Vienne; Chereau - Il Tient Aussi Magazin de Toutes Sortes de Papiers en Rouleaux, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print,

The Sense of Sight, Brush and watercolor on paper, mounted, At left a couple with a mirror, a couple reading from a book with magnifying and eye glasses; at right a woman looking thorugh a telescope. Surrounded by trees in landscape with houses,

Design for a Tureen, Pen and brown ink, brush and watercolor, The vessel rests on three eagles on a circular base decorated with leaves. The vessel is banded and decorated with stylized leaf forms and the handles terminate in lyres with the head

Sala del Thorvaldsen, Rome, Franz Heinrich, German, 1802–1890, Brush and watercolor, white gouache, pen and brown ink, graphite on heavy white paper, The plaster frieze running around the upper walls depicts Thorvaldsen's relief of

Design for a salon wall, Pen and ink, brush and yellow, rose watercolor, graphite on paper, A mirror with a console at the bottom stands in a niche in the center. Arched windows showing four playing children at left., France, 1785-1795,

Design for a table clock, Giuseppe Gagliardi, 1697 – 1749, Pen and ink, brush and watercolor, black crayon on laid paper, Italy, 1697-1740, Drawing, Drawing

Two capitals of columns, with alternative suggestions, Pen and black ink, brush and gray watercolor, graphite on off-white laid paper, At left: with a swan, at right: with a volute and a cherub; at right, with the half figure of a fantastic

Asia, Giovanni Volpato, Italian, 1740 - 1803, Jacopo Amigoni, 1682 - 1752, Etching and brush and watercolor on paper, Allegory of Asia, France, 1740–1803, Print, Print

Section of wall, salon Louis XIII, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, with painted panels of arabesques and figures set within marble borders. Left, portrait

Plate 17 from Theatrum instrumentorum et machinarum by Jacques Besson, René Boyvin, French, 1525 - 1625, Jacques Androuet Du Cerceau the Elder, French, ca. 1515 - after 1584, Engraving on off-white laid paper; brush and watercolor, gouache

Competition Design for La Fenice, Venice: Exterior Elevation of Annex, Pen and black ink, brush and gray wash, watercolor, graphite on paper, Elevation drawing of the exterior of theater 'annex' showing four portals and three stories, executed

Design for Window Wall Decoration, possibly for Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Elevation of a long wall, with a pair of windows at left, and a group of

Design for Rose Window, St. John the Baptist, Brooklyn, NY, Leon Dabo, American, 1868–1960, Brush and watercolor, graphite on beige paperboard, Design shows quarter-circle with half-length figure in roundel in center holding tablet. Border

Design for Stained Glass Window, Sir Walter Sterling of Drumpellier, Scottish, 1780–1864, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches. Two small panels to upper right and left of

Design for Two Small Breakfast Tables, Angelo Mezzetti, Italian, Pen and black ink, brush and watercolor, gold paint on white paper, lined with blue paper, Sheet of designs for a table divided horizontally into two parts. At the upper part,

Project for a Wall Decoration, Graphite, pen and ink, brush and watercolor, sepia on paper, Right half of design shown. At center is a framed partial roundel with a figure. Above and below, a grotesque. At right, a candelabrum., Italy, late

Section of wall, bedroom of Marie Antoinette, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, with painted panels of small-scale motifs of foliage, figures, sphinxes, in

Jupiter, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, Jupiter shown recumbent, one leg extended. He holds a plate with a drink for the eagle., Italy, 1804,

Mustical Instruments, for Snow Maiden, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1922, theater, Drawing, Drawing

Design for a Classical Temple with a Tempietto and Semicircular Aedicule, Pen and brush and black ink, gray wash, blue and brown watercolor, black chalk on heavy cream laid paper, double ruled border in pen and brush and black ink, A circular

Peep-show, Vue Perspective des Bassins du Port de Brest, No. 24, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Two Spanish Women, Constantin Guys, French, 1802 – 1892, Brush and watercolor, pen and brown ink, graphite on paper, Vertical rectangle. Two women seen from the back, both wearing white dresses with black scarves and high Spanish combs. One

Design for a clock, Pen and black ink, brush and yellow, red watercolor, on cream laid paper, Base of clock supported by tapered feet. Octagonal base decorated with elongated leaf design and bow. Wreaths at either end. On top of clock case, a

Two Masked Ladies Bowing, Edouard de Beaumont, French, 1821 - 1888, Graphite, brush and white, blue gouache, red, grey watercolor on brown paper, Two women bowing to each other. One female figure wears a black mask, the other a false face

Stuy of Maidenhair Fern, Trumpet Vine and Nasturtium, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on paper, Vertical sheet depicting studies of maidenhair fern, trumpet vine and nasturtium naturalistically rendered. On

Apollo in Chariot with Aurora and the Hours, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown watercolor washes over traces of graphite on light brown rough paper, Apollo shown riding in chariot drawn by three horses.

Chandelier, Pen and black ink, watercolor, graphite Support: thick white wove paper; old fold(?) at center, Belgium, Europe, 1810–25, lighting, Drawing, Drawing

Ceiling Design with Fretwork Balcony and Open Sky, possibly for Conservatory/ Music Room, or Dining Room, Frederick Crace, English, 1779–1859, Pen and black ink, brush and grey wash, watercolor on thick white wove paper, Design for the

Design for a clock, Pen and black ink, brush and yellow, red watercolor, graphite, on cream laid paper, Base of clock supported by tapered feet, front panel decorated with crossed horns and wreath, trophies at either side. A lyre stands on

Arrest of Major Wildman, Frederick Coffay Yohn, American, 1875–1933, Brush and black and grey watercolor, white gouache, graphite on illustration board, Illustration showing a group of men with drawn swords entering a room with two figures.

Study for Watercolor, Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, A view from the third bay of the left aisle of the Cathedral. The altar of Cardinal Francesco Piccolomini is shown at

Study of Cliffs, Mt. Desert, Maine, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on wove paper, View of rocky cliffs topped with pine trees; pond below., USA, ca. 1859, landscapes, Drawing, Drawing

Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a natural arch with detail of rocks., USA, ca. 1857, nature studies, Drawing, Drawing

Africa, Giovanni Volpato, Italian, 1740 - 1803, Jacopo Amigoni, 1682 - 1752, Etching and brush and watercolor on paper, Allegory of Africa, France, 1740–1803, Print, Print

Peep-show, Vue du Cours de Marseilles, No. 25, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Sunset Over Sailing Boats, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, Boats with brightly colored sails, in the foreground. Building along the shore shown in silhouette against the sunset sky.,

Chama Below the Summit, Thomas Moran, American, b. Britain, 1837–1926, Brush and gray wash, watercolor, graphite on off-white wove paper, Landscape with railroad track in lower right foreground; view across ravine, with evergreen tree

Peep-show, Vue de Florence Prise de Vaga Loggia, 19, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Snuffbox mounted with two miniatures, Mother-of-pearl, chased gold, inlaid lacquered tortoiseshell, hand-painted watercolor on ivory, glass, Box, circular, with detachable cover; black lacquer on papier maché inlaid with all-over diaper

Design for Three Lamps, Graphite, pen and ink, brush and watercolor, tempera on tracing paper, Designs for three lamps of ornamental bronze, surmounted by glass globes. Each one varies in design, but they all have leaf and foliage details and

Elevation of a Candelabra, Graphite, pen and ink, brush and watercolor on paper, Octagonal base. The shaft consists of a pedestal showing a circular medallion of Christ, seated laterally, and lambrequins under a broken pediment, of a low

Design for a Chimney Wall in the Salon of the Prince de Chimay, Pen and ink, brush and watercolor on paper, The chimney wall is flanked by double doors. Over the fireplace is a large mirror in a gilt frame decorated with garlands. The overdoors

Sepulchral Chamber, Pen and black ink, brush and watercolor, gouache, graphite on paper, lined, The sheet depicts an interior of a cross-shaped space with an open skylight. The interior is viewed through the entrance into the space. Inside,

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