Images at Librifly

search results: Watercolor clear search

Woman wearing a blue-green suit, first half 20th century, traces of graphite, brush and black ink, gouache, watercolor, sheet: 16 9/16 x 10 1/16 in. (42 x 25.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Stage Design Showing a Vaulted Hall with Double-Headed Bird Seal, 1930, Watercolor, gouache, gold paint, over graphite., sheet: 12 9/16 x 19 5/8 in. (31.9 x 49.9 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940 Zagreb

Design for Wall with Wooden Trim, 1841–84, Pen and brown ink, watercolor, sheet: 10 9/16 x 10 5/8 in. (26.9 x 27 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants, ca. 1775, Pen and watercolor, sheet: 18 1/2 x 15 in.

Leaves, 19th century, Watercolor, Sheet: 11 13/16 × 9 7/16 in. (30 × 24 cm), Drawings, Anonymous, British, 19th century

Design for Square Pianoforte, Louis Quatorze Style, 1835–1900, Ink and watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Design for Interior, 19th century, Pen and black ink, watercolor, with traces of graphite, image: 9 1/8 x 11 15/16 in. (23.2 x 30.3 cm), Drawings, Attributed to Anonymous, German, 19th century

View of Lebanon, after an English Engraving and an Italianate motif of the Sabiner Mountains, 1837, Watercolor and gouache, over graphite. Framing line in pen and black ink., sheet: 10 9/16 x 15 3/8 in. (26.8 x 39 cm), Drawings, Ernst Welker

'Allusion to Sura 27:16', Folio from a Mantiq al-tair (Language of the Birds), A.H. 892/A.D. 1486, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 15 1/2 x 8in. (39.4 x 20.3cm), Codices, This folio

Winter Landscape with a Hunter and his Dog, n.d., Pen and gray and brown ink, watercolor, over black chalk, sheet: 7 1/4 x 12 1/8 in. (18.4 x 30.8 cm), Drawings, Hendrick Avercamp (Dutch, Amsterdam 1585–1634 Kampen

Elevation Design for Pavillion, 19th century, Pen and black ink, watercolor, traces of graphite, sheet: 8 7/16 x 9 11/16 in. (21.5 x 24.6 cm), Drawings, Attributed to Anonymous, German, 19th century

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Princely Hawking Party, ca. 1570, Made in Iran, Qazvin or Mashhad, Ink, opaque watercolor, and gold on paper, H. 18 5/8 in. (47.3 cm), Codices, Attributed to Mirza 'Ali (active ca. 1525–75

Inner Bay, Staten Island, New York, ca. 1872, Watercolor, image: 4 13/16 x 7 1/8 in. (12.2 x 18.1 cm), Drawings, Augustus Köllner (American, born Wurttenburg, Germany 1812

Drawing for scene from Vanity Fair: 'Street Scene' (recto); Sketch of Young Woman (verso), 1800–1819, Watercolor over graphite, sheet: 7 x 5 in. (17.8 x 12.7 cm), Drawings, James Barret (British, London, active 1785–1819 London

'Sultan Sanjar and the Old Woman', Folio from a Khamsa (Quintet) of Nizami, early 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Other (a): 7 1/16 x 6 1/16in. (18 x 15.4cm), Codices

Landscape, 1834–91, Watercolor over black chalk. Framing line in black chalk., 8 x 19 3/16 in. (20.3 x 48.8 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-Andr

Fishing Boats on the Beach in Winter, mid to late 19th century, black chalk, watercolor, some white bodycolor. Framing line in black chalk., 12-13/16 x 16-1/16 in. (32.5 x 40.8 cm), Drawings, Anton Mauve (Dutch, Zaandam 1838–1888 Arnhem

Design for Ornament, possibly Flocked Wallpaper, 19th century, Watercolor, Anonymous, British, 19th century

The Raising of the Daughter of Jairus, 1873, Pen and brown and blue ink, watercolor, over a sketch in graphite, sheet: 9 5/16 x 14 in. (23.7 x 35.5 cm), Drawings, Eduard Julius Friedrich Bendemann (German, Berlin 1811–1889 Düsseldorf

Tughra (Official Signature) of Sultan Süleiman the Magnificent (r. 1520–66), ca. 1555–60, Attributed to Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, 20 1/2 x 23 1/2in. (52.1 x 59.7cm), Codices, A tughra is a stylized

Bearded Man in Oriental Costume, ca. 1780, Pen and brown ink, watercolor over graphite, sheet: 11 3/4 x 8 1/2 in. (29.8 x 21.6 cm), Drawings, Ozias Humphrey (British, Honiton, Devon 1742–1810 London

The Temptation of Saint Anthony, 17th century, Brush with brown and red watercolor over black chalk, touched with gouache on brown paper, 8-15/16 x 13-1/2 in. (22.7 x 34.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Russian peasant wig, n.d., Graphite, watercolor, and wash, sheet: 10 7/8 x 7 in. (27.6 x 17.8 cm), Drawings, Constantin Alexandrovitch Westchiloff (Russian, St. Petersburg 1877–1945 New York State

Birth and Baptismal Certificate, 1822, Made in Lebanon County, Pennsylvania, United States, American, Ink and watercolor on paper, 12 3/8 x 15 5/8 in. (31.4 x 39.7 cm), Drawings

Section from a Qur'an Manuscript, ca. 1300, Attributed to Morocco or Southern Spain, Ink, gold, and opaque watercolor on parchment, 7 15/16 x 7 9/16 in. (20.2 x 19.2 cm), Codices, As the second volume of a seven-part Qur'an manuscript, this

'The Discredited Ascetic Being Paraded Through the Town on a Donkey', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Futuh al-Haramayn (Description of the Holy Cities), 16th century, Country of Origin present-day Uzbekistan, probably Bukhara, Ink, opaque watercolor, gold on paper, 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Codices, The Futuh al-Haramayn explains

Design for a Room in the Etruscan or Pompeian style (Elevation), 1833, Pen and black ink, watercolor with touches of gold ink, sheet: 9 1/2 x 12 3/8 in. (24.1 x 31.4 cm), C. G. Hawkhurst (British, active 1830s

Design for a Frontispiece, ca. 1793, Brush and brown ink, watercolor over graphite, sheet: 8 3/4 x 10 1/2 in. (22.2 x 26.7 cm), Drawings, Josiah Boydell (British, Hawarden, Flintshire 1752–1817 Middlesex

Angel Appearing to Three Marys at the Tomb, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, graphite, and black ink on artist board, Overall: 21 15/16 x 14 5/8 in. (55.7 x 37.1 cm), Drawings,

Death wearing a brown robe, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines., sheet: 16 3/8 x 5 15/16 in. (41.6 x 15.1 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Approach to Montevideo, Uruguay, 1832, Watercolor over graphite, sheet: 7 13/16 x 11 11/16 in. (19.8 x 29.7 cm), Drawings, Conrad Martens (British, London 1801–1878 Sydney), Martens made this drawing at Montevideo, where he accepted a

Four Alternate Designs for a Vault., 1700–1780, Pen and brown ink, brush with gray wash and watercolor, over lead point or graphite, with ruled and compass construction. Traces of red chalk. Framing outlines in pen and brown ink, Sheet: 11

Album Page with Two Christian Subjects, late 16th century, Country of Origin India, Opaque watercolor, ink, and gold on paper, Page:, Codices

Woman in a harlequin costume holding a mask, first half 20th century, brush and black ink, gouache, watercolor, sheet: 17 1/16 x 10 7/8 in. (43.3 x 27.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Interior of the Church of St. Jacques, Louvain, 1807–54, Pen and black ink with brush, and watercolor, highlighted with white gouache on heavy yellow paper, 14-3/16 x 10-9/16 in. (36.0 x 26.8 cm), Drawings, Genaro (Jenaro) Pérez Villaamil

Illustration for 'Till Eulenspiegel', 1916, Watercolor, pen and ink, gouache on paper, Image: 14 x 10 in. (35.6 x 25.4 cm), Drawings, Arthur Rackham (British, London 1867–1939 Limpsfield, Surrey

Drawing after an Antique Vase., 18th century, Brush and brown wash or watercolor, sheet: 8 1/16 x 4 5/16 in. (20.5 x 11 cm), Drawings, Anonymous, Italian, 18th century

Design for a Gondola Decorated for a Festive Occassion, ca. 1750–1780 , Brown pen and ink, watercolor, Sheet: 16 13/16 × 30 7/16 in. (42.7 × 77.3 cm), Anonymous, Italian, 18th century, Design for a gondola, decorated for a festive

Masked Woman, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 15/16 x 8 11/16 in. (43.1 x 22 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Fan Mount: The Spanish Piazza, 1896, Watercolor on silk, laid down on Japanese paper, Sheet: 5 7/8 × 19 5/8 in. (14.9 × 49.9 cm), Drawings, Charles Edward Conder (British, London 1868–1909 Virginia Water, Surrey

Landscape with a Farmhouse, 1757–1837, Pen and black ink and watercolor, sheet: 12 x 16 5/8 in. (30.5 x 42.2 cm), Drawings, Adrianus de Visser (Dutch, Rotterdam 1762–1837 Alkmaar

Design for Ottoman, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Design for memorial window, 1917, Made in New York, United States, American, Watercolor, gouache, pen, and black and light purplish-grey inks, graphite, 21 5/8 x 15 3/16 in. (55 x 38.6 cm), Drawings, Tiffany Studios (1902–32), The

Confessions of an Inquiring Spirit, No. 3 (recto); Study for a scene with ten imaginary creatures (verso), 1899, Pen and black ink, watercolor over graphite (recto); graphite (verso), sheet: 15 1/4 x 12 1/2 in. (38.7 x 31.8 cm), Drawings, Dion

Portrait of a Man, Seated in Front of a Writing Desk, 1795–1800, Watercolor over graphite with touches of gouache, sheet: 14 x 10 1/16 in. (35.6 x 25.6 cm), Drawings, Henry Edridge (British, Paddington, Middlesex 1769–1821 London), In

View of University Park looking towards New College, Oxford, after 1825, Watercolor over graphite, Overall: 8 1/2 x 15 1/8 in. (21.6 x 38.4 cm), Drawings, William Turner of Oxford (British, Black Bourton, Oxfordshire 1789–1862 Oxford),

Crystal Vessel with Ornamented Metal Lid, Foot, Handle and Mounts, second half 19th century, Graphite and watercolor, sheet: 6 7/8 x 4 1/8 in. (17.4 x 10.5 cm), Anonymous, British, 19th century

'Portrait of Zamana Beg, Mahabat Khan', Folio from the Shah Jahan Album, recto: ca. 1610; verso: ca. 1530–40, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, Painting by Manohar (active

Design for a Panel, 1748–92, Watercolor over pen and black ink, sheet: 11 1/8 x 4 9/16 in. (28.2 x 11.6 cm), Style of Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Foilhummerum Bay, Valentia, Looking Seawards from the Point at Which the Cable Reaches the Shore of Ireland, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 5/16 × 9 1/4 in. (16 × 23.5 cm), Drawings, Robert Charles

Study of a Tree, ca. 1606–7, Gray watercolor wash, a red chalk wash, charcoal dipped in oil, and graphite on off-white laid paper, 12-1/16 x 15-1/2 in. (30.6 x 39.4 cm), Drawings, Roelandt Savery (Flemish, Kortrijk 1576–1639 Utrecht),

A Princely Hunt, late 16th century, Attributed to Iran, Qazvin, Ink, gold, and watercolor on paper, Painting: H. 6 15/16 in. (17.6 cm), Codices, Following the death of Shah Tahmasp in 1576 royal art patronage declined and artists sought

Design drawing, 1899–1904, Made in St. Petersburg, Russia, Russian, Graphite, watercolor, and gouache on wove paper, 10 1/8 × 7 3/4 in. (25.7 × 19.7 cm), Drawings, Peter Carl Fabergé (1846–1920), This design drawing and its

Design for two lancet windows, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and graphite on paper mounted on board., Overall: 21 7/8 x 14 3/4 in. (55.6 x 37.5 cm), Drawings, Possibly

Design for Top Portion of a Gate, Full-Size, ca. 1880, Pen and ink, wash and watercolor, sheet: 9 7/16 x 9 in. (24 x 22.8 cm), Attributed to Richardson Ellson & Co. (British

Costume Study for a Boyar with High Boots and a Red Cap, 1929, Watercolor, gouache, gold paint, over graphite., sheet: 15 7/8 x 11 in. (40.3 x 28 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940 Zagreb

Caracal and Pheasant, 1810–75, Watercolor on wove paper, Sheet: 8 9/16 x 11 5/8 in. (21.7 x 29.6cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Page of Calligraphy, 17th century, Made in Northern India, Ink, opaque watercolor, and gold on paper, 12 1/4 x 8 1/2 in. (31.1 x 21.6 cm), Codices, This leaf of fine nasta'liq calligraphy was conceived as an artistic endeavor, in which the

Joan of Arc Imprisoned in Rouen, 1819, Pen and brown ink, watercolor, and wash on two sheets of laid paper, mounted together on a sheet of laid paper, 18 7/8 x 26 7/8 in. (48 x 68.2 cm.), Drawings, Pierre Henri Revoil (French, Lyon

Ancient Maltese Costume, A Lady in a Faldetta, 19th century, Watercolor and gouache over graphite, sheet: 6 5/16 x 4 3/4 in. (16.1 x 12 cm), Vincenzo Feneck (British (?), active 19th century

Purple Iris, ca. 1920, Watercolor and graphite on paper, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

'The Execution of the Brahmins', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Coiling the Cable in the Large Tanks at the Works of the Telegraph Construction and Maintenance Company of Greenwich, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 7 3/16 × 10 1/2 in. (18.2 × 26.6 cm), Drawings, Robert

Hab.t de la France from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Ceiling Design, late 19th century, Ink and watercolor, Anonymous, British, 19th century

Philip the Good, Duke of Burgundy; costume design for Jeanne d'Arc by the Paris Opera, 1897, Pen and black ink, watercolor, gouache, sheet: 12 5/16 x 9 3/8 in. (31.2 x 23.8 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

'The Fox and the Battling Rams Observed by the Ascetic', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Woman dressed as a milkmaid holding a pail, first half 20th century, brush and black ink, watercolor, gouache, traces of graphite framing lines, sheet: 16 x 6 13/16 in. (40.6 x 17.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk

Mathurin Régnier, ca. 1846, Watercolor and gouache over traces of graphite on wove paper, 12-1/8 x 8-13/16 in. (30.8 x 22.4 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

An Allegory of the Triumph over Heresy, with St. Domenic to the Fore, 1650–60, Pen and gray ink and watercolor, heightened with white, over black chalk, 11 1/2 x 7 11/16 in. (29.2 x 19.6 cm), Drawings, Abraham van Diepenbeeck (Flemish, 's

Design for an Altar with a Statue of the Virgin and Child., ca. 1831, Pen and brown ink, watercolor, over graphite with some ruled and compass construction, sheet: 14 1/16 x 6 13/16 in. (35.8 x 17.3 cm), Drawings, Anonymous, Italian, 19th

Moonlight, ca. 1860, Watercolor on blue laid paper, Sheet: 6 5/16 x 11 9/16 in. (16 x 29.4cm), Drawings, Charles-François Daubigny (French, Paris 1817–1878 Paris

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on artist board in original light grey window mat, Overall: 29 x 21 9/16 in. (73.7 x 54.7 cm), Drawings, Possibly Tiffany

Designs for Two Gothic Style Chairs, 19th century, Graphite and watercolor, sheet: 10 1/8 x 12 3/4 in. (25.7 x 32.4 cm), Anonymous, British, 19th century

Mantiq al-tair (Language of the Birds), ca. 1600, Attributed to Iran, Isfahan, Opaque watercolor and gold on paper, H. 12 7/8 in. (32.7 cm), Codices, This lavishly illuminated double-page frontispiece contains the first twenty lines of

The Artist's Garden at St. Clair, 1904–5, Watercolor, Sheet: 10 1/2 x 14 1/8 in. (26.6 x 35.8cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair), The art of Henri-Edmond Cross belongs to the

Narcissi, 1917, Watercolor, graphite, and dry pigment on paper, 10 7/8 x 7 3/4 in. (27.6 x 19.7 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Demuth's home in Lancaster,

Princesses Gather at a Fountain, ca. 1770, Made in India, Farrukhabad, Opaque watercolor and gold on paper, 9 x 13 5/8in. (22.9 x 34.6cm), Codices, Scenes of courtly pleasure, garden settings, and longlegged female figures dressed in

Houses with Red, 1917, Watercolor and graphite on paper, 10 x 14 in. (25.4 x 35.6 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

La Fortune from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Jeune equilibriste, first half 20th century, brush and brown ink, graphite, gouache, watercolor, traces of graphite framing lines, mounted on grey paper, sheet: 12 13/16 x 9 in. (32.5 x 22.8 cm), Drawings, Sergey Sudeykin (Russian,

Man in jacket with yellow braid trim, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 x 8 7/16 in. (40.7 x 21.4 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946

Design for one Half of an Altar: Elevation and Ground Plan, 1700–1780, Pen and brown ink, brush with watercolor, over lead point or graphite, with ruled and compass construction. (recto). Scales, at bottom, in pen and brown ink over graphite

Stage Set for La Fedra, 1800–1900, Watercolor, 9-5/8 x 7-1/2 in, Drawings, Anonymous, Italian, 19th century

Landscape, ca. 1904, Watercolor and crayon on paper, Sheet: 6 7/8 x 9 3/4 in. (17.5 x 24.8cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

Costume design for Polovtsian girl in 'Prince Igor', 1909, Pen and black ink, watercolor, gouache, and silver paint, sheet: 15 1/4 x 10 9/16 in. (38.7 x 26.8 cm), Drawings, Konstantin Korovin (Russian, Moscow 1861–1939 Paris

A Bridge on the Aar, at the Foot of the Grimsel, in the Canton of Berne, ca. 1775, Watercolor and pencil; framing lines in black ink, sheet: 12 x 7 15/16 in. (30.5 x 20.2 cm), Drawings, Caspar Wolf (Swiss, Muri 1735–1783 Heidelberg

'Ottoman Army Entering a City', Folio from a Divan of Mahmud `Abd al-Baqi, last quarter 16th century, Attributed to Turkey, Ink, opaque watercolor, and gold on paper, Page: 10 1/4 x 6 5/16 in. (26 x 16 cm), Codices, This manuscript copy of

Suggestion for mosaic panel, Mrs. Edward Van Ingen, Church of the Redeemer, Patterson, New Jersey, ca1, Made in New York, United States, American, Watercolor, gouache, gold metallic ink, and graphite on artist board in original mat,

'The Merchant Listens to the Workman Playing Cymbals', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Bermuda No. 2, The Schooner, 1917, Watercolor and graphite on paper, 10 x 13 7/8 in. (25.4 x 35.2 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), While in Bermuda, Demuth expanded upon

Design for a Mirror-fronted Cabinet Topped with a Mirror, 19th century, Ink and watercolor, sheet: 8 7/16 x 7 1/16 in. (21.4 x 18 cm), Anonymous, British, 19th century

Mountain Valley, early 19th–mid 19th century, Watercolor over graphite, 8 1/4 x 11 1/4 in. (21 x 28.5 cm), Drawings, Thomas Ender (Austrian, Vienna 1793–1875 Vienna

A Black Curassow, n.d., Watercolor and gouache over traces of black chalk, sheet: 6 x 7 11/16 in. (15.2 x 19.5 cm), Drawings, Johannes Bronckhorst (Dutch, 1648–1727

Design for Panel Decoration, 1828–40, Watercolor, pen and black ink, sheet: 6 7/16 x 10 13/16 in. (16.4 x 27.5 cm), J. Hulme (British, active 1828–40

Design for Church Lights or Standards, ca. 1880, Pen and ink, wash and watercolor on tracing paper, sheet: 14 3/16 x 6 1/2 in. (36 x 16.5 cm), Attributed to Richardson Ellson & Co. (British

Bouquet of Small Chrysanthemums, 1862, Watercolor and gouache, 6 1/8 x 5 7/8 in. (15.5 x 14.9 cm), Drawings, Léon Bonvin (French, Paris 1834–1866 Meudon

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