Images at Librifly

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Ashoka Tree Flower, Leaves, Pod, and Seed, first half 19th century, Made in India, probably Calcutta, Opaque watercolor on paper, Page: H. 23 1/4 in. (59.1 cm), Codices, At the bottom of the page, the painting is inscribed Jonesia asoca,

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 10 x 14 5/16 in. (25.4 x 36.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

'Jahangir and His Vizier, I'timad al-Daula', Folio from the Shah Jahan Album, recto: ca. 1615; verso: ca. 1530–45, Attributed to India, Ink, opaque watercolor, and gold on paper, 15 3/8 x 10 3/16in. (39 x 25.9cm), Codices, Manohar (active

'Ilar (or Irakht) About to Throw the Bowl of Rice at the King', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Loggia of the Ducal Palace, Venice, 1849–50, Watercolor over graphite, Sheet: 18 1/8 × 11 7/16 in. (46 × 29 cm), Drawings, John Ruskin (British, London 1819–1900 Brantwood, Cumbria), Ruskin painstakingly depicted the shafts, capitals,

La Hire, chef de guerre, n.d., pen and black ink, watercolor, heightened with white, sheet: 12 5/16 x 9 7/16 in. (31.3 x 23.9 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

'The Clever Hare with the King of the Elephants at the Spring of the Moon', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Design for 'Angels of Praise' window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and ink on paper mounted on board in original matt, Overall: 21 5/8 x 11 1/16 in. (54.9 x 28.1 cm),

Facade of a Gothic Revival Church, 1745–76, Pen and black ink, gray ink wash and watercolor, image: 6 9/16 x 9 7/16 in. (16.6 x 23.9 cm), Attributed to Henry Keene (British, Ealing 1726–1776 Ealing

Study for a Birth Announcement, 19th century, Watercolor, black chalk, pencil framing line., 8 7/8 x 6 3/8 in. (22.6 x 16.2 cm), Drawings, Anonymous, German, 19th century

Salaman u Absal of Maulana Nur al-Din 'Abd-Rahman Jami, A.H. 993/ A.D. 1585, Country of Origin Iran, Mashhad, Ink, opaque watercolor, and gold on paper; Binding: pasteboard; painted and lacquered, 9 1/4 x 6 7/8 in. (23.5 x 17.5 cm), Codices

Ascoli Cope, early 20th century (original dated 13th century), Italian, Watercolor on paper, 24 1/2 × 49 in. (62.2 × 124.5 cm), Reproductions-Textiles

Design for a Balustrade with Female Figures and Urns, 16th–17th century, Pen and brown ink, brush with brown wash and pink watercolor; over traces of graphite underdrawing and ruled construction., sheet: 7 x 12 13/16 in. (17.8 x 32.5 cm),

Two Market Women, 1789, Blue chalk, black chalk, and watercolor, sheet: 11 x 8 7/16 in. (28 x 21.4 cm), Drawings, Jacobus Perkois (Dutch, Middelburg 1756–1804 Middelburg

Chateau de Vouzan, 1888, Watercolor, Sheet: 9 1/2 x 6 3/8 in. (24.1 x 16.2cm), Drawings, Henry Victor Burgy (French, died 1901

Seneca Lake, 1935, Watercolor, gouache, and ink on paper, 5 1/8 x 7 in. (13 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

'The Parent Bird Blinds the Prince in Revenge for the Death of her Young One', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

'Bahram Gur Shows His Skill Hunting, while Fitna Watches', Folio from a Haft Paykar (Seven Portraits) of Nizami, mid-16th century, Attributed to Iran, Opaque watercolor, gold, and ink on paper, Image 6 3/8 in x 8 7/8 in., Codices,

Elevation of Solomon's Temple, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall ink and gold on vellum, 16 1/2 x 9 3/4 in. (41.9 x 24.8

Village Scene with Figures, 19th century, Watercolor over black chalk, framing line in gray watercolor, sheet: 9 13/16 x 15 3/8 in. (25 x 39 cm), Drawings, Jan van Ravenswaay (Dutch, Hilversum 1789–1869 Hilversum

Design for a Stole, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 13 5/8 x 8 15/16 in. (34.6 x 22.7 cm), Ernest Geldart (British, London 1848–1929

The Labro Falls, 1824–42, Watercolor, wash and brush and pen and ink, sheet: 21 1/4 x 29 3/4 in. (54 x 75.5 cm), Drawings, Thomas Fearnley (Norwegian, Frederikshald 1802–1842 Munich

Hab.t de la Pologne from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Elevation of Wall for a Coffee Room, ca. 1887, Watercolor and graphite with touches of gouache, image: 10 3/8 x 13 1/2 in. (26.3 x 34.3 cm), John Dibblee Crace (British, London 1838–1919 London

Designs for Church Lights: Wall Bracket, Nave Standard, Chancel Standard, ca. 1880, Pen and ink, wash and watercolor, irreg. sheet: 9 1/4 x 9 3/16 in. (23.5 x 23.4 cm), Richardson Ellson & Co. (British

A Stallion, ca. 1601–6, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: W. 11 7/8 x H. 8 in. (30.1 x 20.3 cm); Painting: H. 7 3/4 x W. 5 in. (19.7 x 12.7 cm), Codices, Painting by Habiballah

Costume Design for '4 Villageois jouant au hautbois' [a]; Descriptive Sheet of Costume Accessories [b], n.d., Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 3/16 in. (31.4 x 23.3 cm), Charles Bianchini (French, Lyons

Landscape with a Waterfall, 1816, Pen and brown ink, and watercolor. Framing line in graphite., sheet: 11 13/16 x 9 1/16 in. (30 x 23 cm), Drawings, Johann Christoph Rist (German, Stuttgart 1790–1876 Augsburg

Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room, ca. 1769, Pen and brown ink, touches of watercolor, sheet: 8 3/8 x 11 3/4 in. (21.3 x 29.8 cm), Sir William Chambers (British (born Sweden),

Arcadian Landscape with Figures Making Music, early 18th century, Pen and grey ink and watercolor. Broad framing line in black ink, sheet: 9 3/16 x 13 9/16 in. (23.4 x 34.4 cm), Drawings, Jan van Huysum (Dutch, Amsterdam 1682–1749 Amsterdam

'Hare', Folio from the Mantiq al-wahsh (Speech of the Wild Animal) of Ka'b al-Ahbar, 11th–12th century, Found Egypt, probably Fustat, Opaque watercolor on paper, H. 6-3/16 ' (15.72 cm)., Codices, This page from a zoological manuscript

Design for a Cabinet, 1830–90, Ink, watercolor and gouache, Anonymous, British, 19th century

Buckland Grange, Proposed Alterations, South Elevation, early 19th century, Watercolor, sheet: 8 1/2 x 12 1/4 in. (21.6 x 31.1 cm), Anonymous, British, 19th century

River Landscape in Wales, ca. 1850, Watercolor with touches of gouache over black chalk on rough paper pasted onto board, 18-7/8 x 28-5/8 in. (47.9 x 72.7 cm), Drawings, David Cox (British, Birmingham 1783–1859 Harborne, West Midlands

Early Landscape, 1914, Watercolor and graphite on paper, 9 1/2 x 12 1/4 in. (24.1 x 31.1 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), On the back of the original mount, Stieglitz

'The Cuckold Carpenter Under the Bed of his Wife and her Lover', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Opaque watercolor and ink on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Moors on Horseback, 1838–74, Brush and watercolor on off-white paper, 2 x 6 in. (5.1 x 15.2 cm), Drawings, Mariano Fortuny Marsal (Spanish, Reus 1838–1874 Rome

Young Prince and Mentor Sitting in Landscape, ca. 1600, Attributed to India, Deccan, Ink, opaque watercolor, and gold on paper, Image 5 5/16 in x 7 9/16 in., Codices

'Red-Headed Vulture', Folio from the Shah Jahan Album, recto and verso: early 19th century, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/8 in. (38.4 cm), Codices

'Belmead', James River, Virginia: Entrance façade and west-east section (recto); North-south section and upper floorplan (verso), 1845, Watercolor and ink, Sheet: 13 3/8 x 10 1/4 in. (34 x 26 cm), Drawings, Alexander Jackson Davis (American,

Half of a Circular Ceiling Design with Nymphs, 19th century, Ink and watercolor, Anonymous, British, 19th century

Italian Landscape with Trees (recto), 1815–21, Watercolor (recto), sheet: 8 11/16 x 12 3/8 in. (22 x 31.5 cm), Drawings, Friedrich Salathé (Swiss, Binningen 1793–1860 Paris

'Preparation For a Noon-Day Meal, ' Folio from a Divan (Collected Works) of Mir 'Ali Shir Nava'i, 1580, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Image 57/8 in x 10 1/4 in., Codices

The Tailor, 1814, Pen and ink, with watercolor, sheet: 11 5/8 x 9 1/2 in. (29.5 x 24.1 cm), Drawings, After Thomas Rowlandson (British, London 1757–1827 London

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

'The Monkey Escapes to the Safety of the Fig Tree', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Portrait of Abram Jacob Messir, 1841, Colored chalks and watercolor with white gouache on gray paper, sheet: 17 x 11 1/4 in. (43.2 x 28.5 cm), Drawings, Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar), Wilkie, who

Hero and Dragon, third quarter 16th century, Attributed to Iran, Qazvin, Ink, watercolor, and gold on paper, H. 8 11/16 in. (22 cm), Codices, In a rocky landscape a hunter on horseback plunges his sword through the neck of a dragon that has

Krishna and Radha in a Bower: Page From a Dispersed Gita Govinda, ca. 1665, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, H. 9 5/8 in (24.4 cm); W. 7 3/4 in. (19.7 cm), Paintings, Sahibdin (active ca. 1628–55), The lush

Leopard Watching Serpent, 1810–75, Watercolor on wove paper, Sheet: 6 9/16 x 9 13/16 in. (16.6 x 25cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Foggy Landscape in the Apennine; verso: Sketch of Landscape, 1800–1867, Watercolor, over graphite; verso: graphite, sheet: 10 1/16 x 12 3/16 in. (25.5 x 31 cm), Drawings, Carl Wagner (German, Rossdorf 1796–1867 Meiningen

Liturgical Incense Burner, second half 19th century, Graphite and watercolor on tracing paper, sheet: 7 1/16 x 4 5/16 in. (18 x 11 cm), Anonymous, British, 19th century

Design for a Desk on Wheels and a Canterbury Table on Wheels, 19th century, Ink, watercolor and gouache, Anonymous, British, 19th century

Design for a trade publication titled: 'Historical Copies Chronographically Arranged', by R. W. Hume; J. W. Schermerhorn & Co., 14 Bond Street, N. Y., second half 19th century, Ink, watercolor, Designed by Robert William Hume (British, London

Faith, 1830–62, Gouache and watercolor, sheet: 11 1/2 x 17 3/8 in. (29.2 x 44.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Design for a Console Table, second half 18th century, Watercolor over pen and black ink and graphite, sheet: 10 3/4 x 8 7/8 in. (27.3 x 22.5 cm), Style of Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London), Style of James Adam

Hab.t de Juida from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Anonymous, French, 18th century

Oak Carving from Fireplace in the Jerusalem Chamber, Westminster, 1838, Watercolor, sheet: 10 5/8 x 7 1/2 in. (27 x 19.1 cm), Charles James Richardson (British, London 1806–1871 London

'The Crows Trap the Owls in Their Cave by Lighting a Fire at the Entrance and Fanning it with Their Wings' , Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in.

Design for Console Table, 1850–1904, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Folio from a Qur'an Manuscript, late 13th–early 14th century, From Spain, Ink, opaque watercolor, and gold on parchment, H. 21 1/16 in. (53.5 cm), Codices, This large folio comes from a magnificent two-volume Qur'an. In Spain, as in North

Project for a Headquarters of a War Ministry, 1853, Pen and ink and watercolor, 23 5/8 x 34 15/16 in. (60 x 88.7 cm

May, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Design for a stained glass window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, pen and red ink, and graphite on off-white lightweight Bristol board cut into shapes: five vertical lights; one

Interior of a Drawing Room, 1838, Watercolor, 10-1/4 x 9-1/4 in, Drawings, Anonymous, Italian, 19th century

A Hat on a Stand, 1863, Pen and ink, brush and watercolor on wove paper, sheet: 4 13/16 x 3 7/8 in. (12.3 x 9.8 cm), Drawings, Auguste Félix (French, active 1860s

Anthology of Persian Poetry, 17th century, Attributed to Iran, Ink, opaque watercolor and gold on paper, H. 6 in. (15.2 cm), Codices

Portrait of Julius Olivier, the Artist's Son, 1846, Graphite, watercolor, white gouache. Octagonal framing lines, sheet: 5 5/16 x 4 7/8 in. (13.5 x 12.4 cm), Drawings, Friedrich Olivier (German, Dessau 1791–1859 Dessau

A Piano Lesson, 1800–1859, Watercolor over graphite, sheet: 13 7/8 x 9 3/4 in. (35.2 x 24.8 cm), Drawings, David Cox (British, Birmingham 1783–1859 Harborne, West Midlands

Illuminated Initial 'D', 1830–62, Watercolor, pen and purple and red ink over graphite with touches of gold, sheet: 14 9/16 x 9 1/8 in. (37 x 23.2 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Five Shells, n.d., Watercolor, sheet: 9 5/16 x 12 3/8 in. (23.7 x 31.4 cm), Drawings, George Jacobus Johannes van Os (Dutch, Amsterdam 1782–1861 Amsterdam

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Convent of St. Cloud, mid-19th century, Watercolor, sheet: 10 x 8 7/8 in. (25.4 x 22.5 cm), Anonymous, British, 19th century

A Crow, Watercolor with body color on paper, sheet: 6 1/2 x 10 1/4 in. (16.5 x 26.1 cm), Drawings, Anonymous, Italian, 17th century

Design for window, late 19th–early 20th century, Made in New York, United States, American, Gouache, watercolor and graphite on transparent paper mounted on board in original mat., Overall: 26 1/4 x 10 9/16 in. (66.7 x 26.8 cm), Drawings,

Prayer Book, dated A.H0/A.D6, Made in Turkey, Manuscript: ink, opaque watercolor, and gold on paper, H. 6 in (15.25 cm), Codices, This small prayer book, or du'anama, belongs to a corpus of illustrated devotional texts produced in the

Motor House and Loft (Timber frame), late 19th–early 20th century, Pen and ink, over graphite, with watercolor, Sheet: 14 3/4 x 7 3/4 in. (37.5 x 19.7 cm), Ernest Geldart (British, London 1848–1929

View of the Villa Lante on the Janiculum in Rome, 1782–83, Watercolor over traces of graphite, sheet: 9 15/16 x 14 1/2 in. (25.3 x 36.8 cm), Drawings, John Robert Cozens (British, London 1752–1797 London), Like many eighteenth-century

Horse and Rider (Henderson Ledger Artist A), ca. 1882, United States, Central Plains, Arapaho, Pencil, colored pencil, watercolor, ink on paper, H. 5 3/8 x W. 11 7/8 in., Paper-Drawings, Frank Henderson (Native American, Hinono'eiteen

'The Emperor Shah Jahan with his Son Dara Shikoh', Folio from the Shah Jahan Album, verso: ca. 1620; recto: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Nanha,

On the Wharfe, Bolton Abbey, 1858, Watercolor, sheet: 9 15/16 x 14 in. (25.3 x 35.6 cm), Drawings, William Callow (British, Greenwich 1812–1908 Great Missenden, Buckinghamshire), This drawing demonstrates Callow’s mastery of watercolor

The Goddess Bhairavi Devi with Shiva, ca. 1630–35, Country of Origin India, Opaque watercolor and gold on paper, H. 7 1/4 in. (18.5 cm), Codices, Attributed to Payag (Indian, active ca. 1591–1658), In this painting attributed to the

Design for coat of arms, 18th century, Graphite and watercolor, sheet: 10 3/16 x 7 5/16 in. (25.9 x 18.6 cm), Drawings, Anonymous, 18th century

Costume Drawing for Little John, late 19th century, Pen, brush and black ink, watercolor over graphite, sheet: 8 3/16 x 6 3/4 in. (20.8 x 17.1 cm), Phil May (British, New Wortley, Leeds 1864–1903 London

Caricature of a Tall Thin Man Carrying a Book, 1885, Watercolor, sheet: 13 x 10 in. (33 x 25.4 cm), Drawings, Anonymous, Italian, 19th century

Allegory of Wisdom, late 16th–early 17th century, Watercolor and gold over graphite, sheet: 3 15/16 x 2 5/8 in. (10 x 6.7 cm), Drawings, Anonymous, Swiss, late 16th to early 17th century

Design for Enameled Clock, ca. 1882, Pen, ink, and watercolor, 23 x 13 3/4in. (58.4 x 34.9cm), Drawings, Lucien Falize (French, Paris 1839–1897 Paris

'Haji Husain Bukhari', Folio from the Shah Jahan Album, recto: early 19th century; verso: later copy of 16th century original, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices

Illuminated Initial 'O', 1830–62, Watercolor over pen and red ink with touches of gold and gouache, sheet: 9 3/16 x 14 9/16 in. (23.3 x 37 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

'Burzuyeh is Summoned by Nushirvan on his Return from India', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Interior: Fireplace wall, 19th century, Graphite, watercolor, and gilt in wallpaper, sheet: 13 3/4 x 19 15/16 in. (35 x 50.6 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Hab.t de la Russie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Design for Octagonal Ceiling, 19th century, Watercolor and gold, Anonymous, British, 19th century

Fish Series, No. 1, 1917, Watercolor and graphite on paper, 8 x 9 7/8 in. (20.3 x 25.1 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), The colorful tropical fish in the waters around

Two Mounted Soldiers in Classical Ruins, for a poem by Cremes, 1812–83, Watercolor, gouache, and pen and black ink. Pen and black ink framing line added when mounted., sheet: 14 1/4 x 11 in. (36.2 x 28 cm), Drawings, Franz von Hauslab the

Design for a Round Renaissance Style Table, 19th century, Ink and watercolor, sheet: 4 11/16 x 6 3/16 in. (11.9 x 15.7 cm), Anonymous, British, 19th century

Bearded lady, first half 20th century, graphite, gouache, watercolor, sheet: 16 5/16 x 9 1/4 in. (41.5 x 23.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

A Moorish Couple on Their Terrace, 1832, Watercolor over traces of graphite on wove paper, 5-3/8 x 7-7/16 in. (13.7 x 18.9 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Izards in the Glaciers (Pyrenean Chamois), 1810–75, Watercolor on wove paper, Sheet: 7 11/16 x 10 in. (19.6 x 25.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

'Chinese Emperor Standing in Pavilion', Folio from a Majma al-Tavarikh (Compendium of Histories) of Hafiz-i Abru, ca. 1425, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Image 9 in x 13 1/4 in., Codices,

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