Images at Librifly

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A Sailor Standing on the Shore, 1859–60, Pen and brown ink with wash and watercolor, heightened with white on cream wove paper, laid on card, 12-13/16 x 8-7/8 in. (32.5 x 22.5 cm), Drawings, Paul Gavarni [Chevalier] (French, Paris

Design for a niche with urn, late 19th–early 20th century, Made in New York, United States, American, Graphite, gouache, watercolor, and black pen on splatter painted buff paper, Overall: 29 x 20 1/2 in. (73.7 x 52.1 cm), Drawings,

Sycamore, 1935, Wax emulsion, watercolor, and crayon on paper, 6 7/8 x 4 7/8 in. (17.5 x 12.4 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, [1911], Watercolor, 13 1/8 x 19 3/4 in. (33.3 x 50.2 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris

Portrait of Muhammad Shah Qajar and his Vizier Haj Mirza Aghasi, second quarter 19th century, Country of Origin Iran, Ink, opaque watercolor and gold on paper, H. 15 in (38.1 cm) , Codices, This imperial portrait shows Muhammad Shah, the

Design for a Gothic Style Table, 19th century, Graphite and watercolor on tracing paper, sheet: 8 3/8 x 13 3/8 in. (21.3 x 34 cm), Anonymous, British, 19th century

Drawing Room, Guys Cliffe, Warwickshire, 1860, Watercolor, Sheet: 8 3/8 × 11 3/4 in. (21.3 × 29.8 cm), Anonymous, British, 19th century

Head of a Scottish Deerhound, after Landseer's 'Hafed', late 19th–mid-20th century, Watercolor and graphite, sheet: 7 1/8 x 7 1/4 in. (18 x 18.4 cm), Drawings, Maud Earl (British, London 1863/4–1943 New York), After Sir Edwin Henry

Lakeland Landscape, early 19th century, Watercolor over graphite, sheet: 7 x 9 3/4 in. (17.8 x 24.8 cm), Drawings, Formerly attributed to Copley Fielding (British, Sowerby Bridge, West Yorks 1787–1855 Worthing, West Sussex

Design for a Gothic 'Belle Vue', ca. 1800, Watercolor, Sheet: 12 5/8 x 19 1/8 in. (32.1 x 48.6 cm), William Hurst Ashpitel (British, London 1776–1852 Schuller von Dan

Grotesque Frieze, 19th century, Watercolor on tracing paper, Anonymous, British, 19th century

The Bouquet, Watercolor, Sheet: 12 3/4 x 8 3/8 in. (32.4 x 21.3cm), Drawings

Reading the News at the Weavers' Cottage, 1673, Pen and brown ink, watercolor, white heightening, traces of graphite; framing lines by the artist (?) in brown ink and gold., 9 5/8 x 7 15/16 in. (24.4 x 20.2 cm), Drawings, Adriaen van Ostade

Costume Study for Robed Boyar with White Beard, 1929, Watercolor, gouache, gold paint, over graphite., sheet: 15 11/16 x 12 3/4 in. (39.9 x 32.4 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940 Zagreb

'Dervish Leading a Bear', Folio from the Shah Jahan Album, recto: early 19th century; verso: later copy of 16th century original, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/16 in. (38.6 cm), Codices

Fashionable Figures Seated in an Interior, 19th century, Watercolor, sheet: 6 3/16 x 8 7/8 in. (15.7 x 22.6 cm), Drawings, Daughters of Bishop Parr (British, 19th century

Title Page Design: Designs for Cabinet and Upholstery Furniture, 1830–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Bittern's Wings: study showing both sides, 1515, Watercolor on vellum., 4 1/2 x 5 1/8 in. (11.5 x 13.0 cm), Drawings, In the manner of Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Low Chair on Casters, 1840–99, Ink and watercolor and wash, sheet: 8 7/16 x 6 9/16 in. (21.4 x 16.7 cm), Anonymous, British, 19th century

Design for an Octagonal Cabinet with Glass Doors and Shelves, 19th century, Ink and watercolor over graphite, sheet: 5 1/2 x 3 3/8 in. (13.9 x 8.5 cm), Anonymous, British, 19th century

Inscribed drawing with monogram of Sang, of a ceiling design, July 1868, 1868, Ink and watercolor, sheet: 9 9/16 x 12 5/16 in. (24.3 x 31.3 cm), Frederick Sang (British, active 1868–70

'Krishna Holds Up Mount Govardhan to Shelter the Villagers of Braj', Folio from a Harivamsa (The Legend of Hari (Krishna)), ca. 1590–95, Made in present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, H. 11 3/8 in.

Landscape with Stars, ca. 1905–1908, Watercolor over graphite on white wove paper, 9 5/8 x 12 5/8 in. (24.4 x 32.1cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair), This poetic depiction of a

Bungalow drawing -- Western elevation and interior, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.4 x 30.3 cm), Ernest Geldart (British, London 1848–1929

Section from a Qur'an Manuscript, late 14th–early 15th century (before 1405), Attributed to present-day Uzbekistan, Samarqand, Ink, opaque watercolor, and gold on paper, H. 28 3/4 in. (73.0 cm), Codices, This fragment of a page comes from

Confessions of an Inquiring Spirit, No. 6, 1899, Pen and black ink, watercolor over graphite, sheet: 15 1/16 x 12 7/16 in. (38.2 x 31.6 cm), Drawings, Dion C. Calthrop (British, London 1875/78–1937

Illuminated Initial 'O', 1830–62, Watercolor, pen and red ink over graphite with touches of gold, sheet: 14 1/2 x 9 1/8 in. (36.9 x 23.2 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

The Farmer's Supper, ca. 1932, Watercolor, pen and black ink with touches of white gouache, sheet: 11 1/8 x 9 9/16 in. (28.3 x 24.3 cm), Drawings, Arthur Rackham (British, London 1867–1939 Limpsfield, Surrey), Rackham's great success as a

'Four Portraits: (upper left) A Raja (Perhaps Raja Sarang Rao), by Balchand; (upper right) 'Inayat Khan, by Daulat; (lower left) 'Abd al-Khaliq, probably by Balchand; (lower right) Jamal Khan Qaravul, by Murad', Folio from the Shah Jahan Album,

Cabinet Design with Black Doors and Red Interior, 19th century, Ink and watercolor, sheet: 5 1/16 x 7 1/2 in. (12.9 x 19 cm), Anonymous, British, 19th century

Costume Design for 'Touchstone' [a]; Descriptive Sheet of Costume and Accessories [b], 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 7/16 in. (31.4 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons

September 8th at Heart's Content, the day of the successful termination of the work of laying, recovering, completing and testing the Atlantic Telegraph Cables of 1865 and 1866, 1866, Watercolor over graphite with touches of gouache, Sheet: 7

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Landscape, 1785, Watercolor, pen and ink over graphite. Framing line in pen and ink., 10 5/8 x 14 in. (27 x 35.5 cm), Drawings, Jacob Wilhelm Mechau (German, Leipzig 1745–1808 Dresden

Design for a Painted Ceiling, 1800–1900, Watercolor, 9-3/4 x 12-1/8 in, Drawings, Anonymous, Italian, 19th century

Drawing for an Interior, 1750–1800, Ink and watercolor, 14-7/16 x 10 in, Drawings, Anonymous, Italian, first half of the 18th century

The Fabulous Creature Buraq, ca. 1660–80, Attributed to India, Deccan, probably Golconda, Opaque watercolor and gold on paper, OveralL. 14 5/8 x 10 3/4in. (37.1 x 27.3cm), Codices, Buraq, the beast on which Muhammad is said to have made

Cabinet Design, 19th century, Graphite and watercolor on tracing paper, sheet: 5 13/16 x 7 1/16 in. (14.7 x 17.9 cm), Anonymous, British, 19th century

A Medal Cabinet for Napoleon, 1804–10, Pen and ink and watercolor, 36 7/8 x 21 7/8 in. (93.7 x 55.6 cm), Jean Guillaume Moitte (French, Paris 1746–1810 Paris

Munajat (Confidential Talks) of 'Ali ibn Abu-Talib, ca. 1200, Attributed to Iraq, possibly Mosul, Ink, opaque watercolor, and gold on paper; morocco leather binding, H. 6 7/8 (17.4 cm), Codices, The munajat, or “confidential talks, ” of

The Paying-out Machinery in the Stern of the Great Eastern, 1865, Watercolor over graphite with touches of gouache, Sheet: 6 3/4 × 10 1/2 in. (17.2 × 26.7 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th century's

Pisa, 1843–44, Watercolor over graphite, Sheet: 2 1/16 x 4 13/16 in. (5.2 x 12.2 cm), Drawings, Sir Francis Seymour Haden (British, London 1818–1910 Bramdean, Hampshire

Study of a Roman Coachman, early 19th century, Graphite and watercolor, sheet: 12 3/4 x 8 5/8 in. (32.4 x 21.9 cm), Drawings, Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen

Design for a Painted Ceiling, 1800–1900, Watercolor, 8-5/15 x 13-3/4 in, Drawings, Anonymous, Italian, 19th century

Studies of a Blue Beetle and Insects, 17th century (?), Gouache and watercolor, sheet: 3 15/16 x 5 3/16 in. (10 x 13.2 cm), Drawings, Anonymous, Dutch, 17th century

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper mounted on board, Overall: 17 1/16 x 11 1/2 in. (43.3 x 29.2 cm), Drawings, Possibly Tiffany Glass Company

Design for an Aedicular Altar with St. Paul at the Left, mid-18th century, Graphite, gray wash, watercolor, and white gouache. Broad framing line in pen and black ink, sheet: 18 1/4 x 12 1/4 in. (46.4 x 31.1 cm), Drawings, Johann Georg Dirr

South Aspects of Lea Castle, Worcestershire, Great Court, ca. 1816, Watercolor, sheet: 9 1/2 x 17 15/16 in. (24.1 x 45.5 cm), Attributed to John Carter (British, London 1748–1817 London

Seated Cavalier, mid-19th century, Chalk and watercolor heightened with gouache, sheet: 8 7/16 x 5 11/16 in. (21.5 x 14.5 cm), Drawings, Jean-Baptiste Madou (Belgian, 1796–1877

Still Life with Jug, 1919, Graphite and watercolor, 11 7/8 x 17 5/8 in. (30.2 x 44.8 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Two Designs for an Overmantel Glass (Verso: Partial Floor plan), 1743–96, Pen and ink, wash and watercolor, over graphite, sheet: 22 3/4 x 14 5/8 in. (57.8 x 37.1 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796

Design for Spanish Chair, 1835–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Elevation and Plan of Parish of Great Bentley near Colchester, Mission Chapel and Infant School at Angers Green, late 19th–early 20th century, Watercolor, pen and black ink, sheet: 16 x 12 in. (40.6 x 30.5 cm), Ernest Geldart (British,

Design for a Tudoresque Villa, Elevation, 19th century, Pen and ink and watercolor, sheet: 13 x 16 in. (33 x 40.7 cm), Anonymous, British, early 19th century

Design for a Ceiling, 1800–1900, Watercolor, 6-1/8 x 7-7/8 in, Drawings, Anonymous, Italian, 19th century

The Mirror of Venus, ca. 1890, Watercolor and gouache, sheet: 13 15/16 x 10 in. (35.4 x 25.4 cm), Drawings, Walter Crane (British, Liverpool 1845–1915 Horsham

Son of the Tunisian Ambassador, 1780, Watercolor over graphite, sheet: 11 3/4 x 8 1/2 in. (29.8 x 21.6 cm), Drawings, Ozias Humphrey (British, Honiton, Devon 1742–1810 London

A Night Scene. The Cable Entangled and Nearly Broken, July 18th, 1866, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 8 x 10 1/4 in. (20.3 x 26 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

Illuminated Initial 'C', 1830–62, Watercolor, pen and red and blue ink over graphite with touches of gold, sheet: 14 9/16 x 9 1/8 in. (37 x 23.2 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Cabinet Design with Porcelain Plaques and Red Interior, 19th century, Ink and watercolor, sheet: 5 15/16 x 8 1/8 in. (15.1 x 20.7 cm), Anonymous, British, 19th century

Page of Calligraphy from a Sharafnama (Book of Honour) of Nizami, ca. 1620–30, Attributed to India, Deccan, Golconda, Ink, opaque watercolor, and gold on paper, H. 12 3/8 in. (31.5 cm), Codices

House for Henry Whitney, New Haven, Connecticut (revised plan), ca. 1836, Pen and ink, watercolor, graphite, Sheet: 16 15/16 × 12 5/8 in. (43 × 32 cm), Drawings

Design for a window, Madonna and child, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and black India ink, and graphite on artist board, 29 15/16 x 21 7/8 in. (76 x 55.6 cm), Drawings, Possibly

Design for an Iron Gate, Elevation and Plan, ca. 1880, Pen and ink, wash and watercolor, sheet: 7 1/16 x 4 1/2 in. (18 x 11.4 cm), Attributed to Richardson Ellson & Co. (British

'The Captive Peasant with his Two Wives', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

An Italianate Villa, 1820–85, Pen and black ink, watercolor, sheet: 12 3/8 x 16 3/8 in. (31.4 x 41.6 cm), Henry Edward Kendall Jr. (British, ca. 1805–1885

Cabinet Design with Glass Front, its Doors Adorned with Porcelain Plaques, with a Green Top, 19th century, Ink and watercolor, sheet: 5 5/16 x 6 15/16 in. (13.5 x 17.7 cm), Anonymous, British, 19th century

Entry Hill, Belvedere, late 19th–mid-20th century, Watercolor squared for transfer in pen and red ink, heightened with white., sheet: 8 5/8 x 8 7/16 in. (21.9 x 21.4 cm), Drawings, Walter Richard Sickert (British, Munich 1860–1942

Illuminated Initial 'B', 1830–62, Watercolor and gold over graphite with touches of gouache, sheet: 14 9/16 x 9 1/16 in. (37 x 23 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

East Front of Wentworth Woodhouse, Yorkshire, 1790, Pen, ink and watercolor, sheet: 15 x 21 1/2 in. (38.1 x 54.6 cm), Drawings, R. Blasson (British, active 1790

Folio from a Qur'an Manuscript, dated A.H. 531/A.D. 1137, Attributed to Iran, Ink, gold, and opaque watercolor on paper, 8 1/2 x 4 13/16in. (21.6 x 12.2cm), Codices

Spring, 1888–90, Watercolor with touches of gouache over graphite, Sheet: 11 3/4 in. × 17 in. (29.9 × 43.2 cm), Drawings, John William North (British, London 1842–1924 Stamborough, Somerset), Like his fellow 'Idyllists' Frederick Walker

Christ on the Cross with Six Scenes from the Life of Christ, ca. 1850, Graphite and watercolor, 8 11/16 x 10 15/16 in. (22 x 27.8 cm), Drawings, Eduard Jakob von Steinle (Austrian, Vienna 1810–1886 Frankfurt am Main

Tiger Rolling on Its Back, 1810–75, Watercolor on heavy wove paper, Sheet: 9 3/16 x 11 5/8 in. (23.3 x 29.5cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Design for a Cabinet witha Porcelain Plaque on the Center Panel, 19th century, Graphite, watercolor and scratching on grey ground, sheet: 5 7/8 x 6 13/16 in. (15 x 17.3 cm), Anonymous, British, 19th century

Tiger Stalking Prey, Watercolor, Sheet: 5 3/8 x 10 3/16 in. (13.7 x 25.8cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Angel Scourging a Harpy (recto); Athletic Scene (verso), ca. 1890, Gouache and watercolor, sheet: 11 3/4 x 9 1/4 in. (29.8 x 23.5 cm), Drawings, Anonymous, British, 19th century

Ceiling Design with Center Cut Out, 1854–68, Ink and watercolor, sheet: 9 13/16 x 5 1/4 in. (24.9 x 13.3 cm), Attributed to J. S. Pearse (British, active 1854–68

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio,

Prince Riding Prancing Horse, late 16th century, Attributed to India, Ink, opaque watercolor, and gold on paper, 13 1/2 x 8 5/8in. (34.3 x 21.9cm), Codices

A Glen in Sorrento, mid-19th century, Watercolor over graphite, 14-9/16 x 10-3/4 in. (37 x 27.3 cm), Drawings, Thomas Hartley Cromek (British, London 1809–1873 Wakefield

A Katydid, a Fly, a Bee, and a Fulgoroid, 17th century (?), Pen and brown ink, gray wash, gouache, and watercolor, sheet: 1 7/8 x 9 3/8 in. (4.7 x 23.8 cm), Drawings, Anonymous, Dutch, 17th century

Section from a Qur'an, probably second half 13th century, Made in Iraq or Turkey, Ink, opaque watercolor, and gold on paper; tooled leather binding, Ht. 19 1/2 in. (49.5 cm), Codices, The Qur'an consists of 114 chapters (suras) of uneven

'Portrait of Khan Dauran Bahadur Nusrat Jang', Folio from the Shah Jahan Album, verso: ca. 1640; recto: 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/8 in. (38.9 cm), Codices, Painting by Murad, The

The Fortune Teller, 18th century, Pen and black ink, with brush and gray wash, watercolor, and gouache, over black chalk underdrawing, 6 5/8 x 11 in. (16.8 x 27.9 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

Design for Hanging Shelves, 1840–99, Ink, watercolor and gouache, Anonymous, British, 19th century

The Saw-Setter, 1780–1827, Ink and watercolor, image: 8 1/8 x 6 1/2 in. (20.6 x 16.5 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Extensive landscape prospect with a fortified building on hill in the background (recto); Study of a landscape and a female figure (verso), mid-19th century, Watercolor, Sheet: 6 x 9 3/16 in. (15.3 x 23.4cm), Drawings, Antoine Chintreuil

Designs for [Gas?] Lights for a Church, ca. 1880, Pen and ink, wash and watercolor on tracing paper, sheet: 12 3/16 x 6 1/2 in. (31 x 16.5 cm

Fish Series, No. 3, 1917, Watercolor and graphite on paper, 8 x 10 in. (20.3 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Landscape with Waterfall, late 18th–early 19th century, Pen and black ink, watercolor. Double framing line in pen and black ink., sheet: 9 13/16 x 14 5/16 in. (25 x 36.3 cm), Drawings, Friedrich Christian Klass (German, Dresden 1752–1827

Landscape with a Rainbow over a Farmhouse and Distant Village, n.d., Watercolor over black chalk, sheet: 8 11/16 x 11 5/8 in. (22.1 x 29.6 cm), Drawings, Vincent Jansz. van der Vinne (Dutch, 1736–1811

Tiger Approaching Pool, 1810–75, Watercolor on wove paper, Sheet: 10 3/4 x 15 1/8 in. (27.3 x 38.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Alternative design for sidescreens, 1894, Pen and ink, over graphite, with watercolor, sheet: 16 1/4 x 12 1/4 in. (41.3 x 31.1 cm), Ernest Geldart (British, London 1848–1929

Asie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Anonymous, French, 18th century

Design for music cover: A Runaway Girl Waltz, 1898, Watercolor over graphite, sheet: 14 x 10 1/16 in. (35.5 x 25.5 cm), Drawings, W. George (British, active late 19th century

Folio from a Qur'an Manuscript, ca. 1180, Attributed to Eastern Iran or present-day Afghanistan, Ink, opaque watercolor, and gold on paper, H. 11 3/4 in. (29.8 cm) , Codices, These folios from a dispersed Qur'an exemplify the transition

Gothic Style Chair, 19th century, Graphite and watercolor, sheet: 14 3/4 x 10 3/4 in. (37.5 x 27.3 cm), Anonymous, British, 19th century

A Common Indian Nightjar (Caprimulgus asiaticus), ca. 1780, Made in India, probably Lucknow, Opaque watercolor on paper, Painting: H. 18 5/8 in. (47.3 cm), Codices, The Latin name for the nightjar, Caprimulgus asiaticus, translates as

Design for ceiling decoration, mid-18th–early 19th century, Watercolor over graphite, sheet: 9 5/8 x 7 3/4 in. (24.4 x 19.7 cm), Joseph Bonomi (Italian, Rome 1739–1808 London (active England

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