Images at Librifly

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Persian Iris (Iris persica), c. 1777-1787, attributed to William Kilburn, British, 1745 - 1818, 8 1/4 x 3 in. (20.96 x 7.62 cm) (image)8 5/8 x 5 9/16 in. (21.91 x 14.13 cm) (sheet), Watercolor on paper, England, 18th century

Carriage Design, 18th century, Jacques François Blondel, French, 1705 - 1774, 9 1/2 x 7 1/16 in. (24.13 x 17.94 cm) (image), Ink and wash with watercolor, France, 18th century

Botanical Dissection: Yellow Asphodel (Asphodelus lutea), c. 1778-1790, Attributed to Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 9 3/16 x 6 3/8 in. (23.34 x 16.19 cm) (image)14 15/16 x 11 13/16 in. (37.94 x 30 cm)

Botanical Dissection: Spidorwort and Senna, c. 1778-1790, Attributed to Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 9 1/16 x 6 3/8 in. (23.02 x 16.19 cm) (image)14 9/16 x 11 3/4 in. (36.99 x 29.85 cm) (sheet),

Botanical Dissection: Sweet Pea (Lathyrus odoratus), c. 1778-1790, Attributed to Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 9 3/16 x 6 3/8 in. (23.34 x 16.19 cm) (image)15 1/16 x 11 3/4 in. (38.26 x 29.85 cm) (sheet),

Botanical Dissection: Spiderwort and Senna (Tradescantia sp., Cassia sp.), c. 1778-1790, Attributed to Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 9 1/4 x 6 5/16 in. (23.5 x 16.03 cm) (image)14 3/8 x 11 3/8 in. (36.51

Botanical Dissection: Sour Cherry (Prunus cerasus), c. 1778-1790, Attributed to Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 9 1/4 x 6 3/8 in. (23.5 x 16.19 cm) (image)14 3/8 x 11 1/8 in. (36.51 x 28.26 cm) (sheet),

Crocus Syber. Safran ou Crocus de Siberie., early 19th century, Unknown English, 16th century, 7 1/4 x 4 1/2 in. (18.42 x 11.43 cm) (image)10 x 7 3/4 in. (25.4 x 19.69 cm) (sheet), Watercolor, England (?), 19th century

Le coup de vent (The Gust of Wind), 1816, Carle Vernet; Engraver: Louis-Philibert Debucourt, French, 1755–1832, 13 x 9 5/8 in. (33.02 x 24.45 cm) (image), Watercolor, France, 19th century

Textile Design (East Indian style), 18th century, Unknown, 15 1/8 x 11 3/8 in. (38.42 x 28.89 cm) (sheet, irregular), Watercolor and gouache, England (?), 18th century

Textile Design (East Indian style), 18th century, Unknown, 15 x 8 13/16 in. (38.1 x 22.38 cm) (sheet), Watercolor and gouache wove, England (?), 18th century

Textile Design (East Indian style), 18th century, Unknown American, 20th century, 16 3/4 x 12 1/2 in. (42.55 x 31.75 cm) (image, irregular), Watercolor and gouache, England (?), 18th century

after The Pic-Nic Orchestra, No. 517, early 19th century, after James Gillray, British, 1756 - 1815, 10 1/8 x 15 5/8 in. (25.72 x 39.69 cm) (image, irregular), Brown ink and watercolor, England, 19th century

Laurel Tree (Laurus nobilis), 16th century, Unknown, 17 1/2 x 13 in. (44.45 x 33.02 cm) (image)18 5/8 x 15 in. (47.31 x 38.1 cm) (sheet), Watercolor and tempera, Italy, 16th century

Tulip, Lily, Rose, etc. in Vase, with Insects, 17th century, School of Maria Sibylla Merian, German, 1647-1717, 12 3/4 x 8 3/4 in. (32.39 x 22.23 cm) (image)13 1/16 x 9 1/8 in. (33.18 x 23.18 cm) (sheet), Watercolor on paper, Netherlands

Indian Shot (Canna indica), 16th century, Unknown, 17 1/4 x 12 1/4 in. (43.82 x 31.12 cm) (image)18 3/4 x 14 7/8 in. (47.63 x 37.78 cm) (sheet), Watercolor, Italy, 16th century

Sea Holly (Eringium Maritimum), 16th century, Unknown, 17 x 13 1/4 in. (43.18 x 33.66 cm) (image)18 3/4 x 15 in. (47.63 x 38.1 cm) (sheet), Watercolor and tempera, Italy, 16th century

Poppies (Papaver spp.), 16th century, Unknown, 17 x 12 1/2 in. (43.18 x 31.75 cm) (image)18 3/4 x 15 in. (47.63 x 38.1 cm) (sheet), Watercolor and tempera, Italy, 16th century

Basket of Flowers, 17th century, German, 1647-1717, 6 1/4 x 8 1/4 in. (15.88 x 20.96 cm) (image)8 7/8 x 13 1/16 in. (22.54 x 33.18 cm) (sheet), Watercolor on paper, Netherlands (?), 17th century

Peony and Butterfly, 17th century, School of Maria Sibylla Merian, German, 1647-1717, 12 1/2 x 8 3/16 in. (31.75 x 20.83 cm) (image)13 1/16 x 9 1/8 in. (33.18 x 23.18 cm) (sheet), Watercolor on paper, Netherlands (?), 17th century

Bird on Fruits in Bowl, 17th century, School of Maria Sibylla Merian, German, 1647-1717, 7 7/8 x 11 1/2 in. (20 x 29.21 cm) (image)9 1/16 x 13 1/16 in. (23.02 x 33.18 cm) (sheet), Watercolor on paper, Netherlands (?), 17th century

Fashion Figure, 19th century, Unknown, 14 3/4 x 9 7/8 in. (37.47 x 25.08 cm) (image), Black chalk, gouache and watercolor, France, 19th century

Red-backed Shrike, No.31, 1789, William Lewin, English, died 1795, 9 9/16 x 7 9/16 in. (24.29 x 19.21 cm) (sheet), Gouache and watercolor on off-white wove paper. Per cat.card: Original drawing, h.c., England, 18th century

Fashion Figure, 19th century, Unknown, 15 11/16 x 10 3/16 in. (39.85 x 25.88 cm) (image), Black chalk, gouache and watercolor, France, 19th century

Wood Chat, No. 32, 1789, William Lewin, English, died 1795, 9 9/16 x 7 5/8 in. (24.29 x 19.37 cm) (sheet), Gouache and watercolor on off-white wove paper. Per cat.card: Original drawing, h.c., England, 18th century

Zwergel windling. (Butterfly) Convolvulus humilis. Papil: Phaloena Atlas. (mit durchsichtigen flugel flocken von der Citronum--(?) nach Dunevan.), c. 1800, Unknown; Artist: after Edward Donovan, English, 1767-1838, 12 x 6 1/2 in. (30.48 x 16.51

Insects, c. 1805, Unknown, 11 x 8 1/2 in. (27.94 x 21.59 cm) (image)18 3/4 x 14 5/8 in. (47.63 x 37.15 cm) (sheet), Ink, watercolor (with some graphite?), England (?), 19th century

Insects, c. 1805, Unknown, 11 x 8 1/2 in. (27.94 x 21.59 cm) (image)18 3/4 x 14 5/8 in. (47.63 x 37.15 cm) (sheet), Black ink, watercolor (with some graphite?), England (?), 19th century

Insects, c. 1805, Unknown, 10 3/4 x 9 in. (27.31 x 22.86 cm) (image)18 3/4 x 14 5/8 in. (47.63 x 37.15 cm) (sheet), Black ink, watercolor, England (?), 19th century

Landscape with Ruins, 19th century, George Chinnery, English, 1774 - 1852, 6 9/16 x 9 in. (16.67 x 22.86 cm) (sheet), Watercolor over graphite, Ireland, 19th century, Born in London to a wealthy family, George Chinnery spent most of his

A Stage Drawing for a Vast Interior with a Temple, c. 1803-1805, Karl Friedrich Schinkel, German, 1781 - 1841, 15 1/16 x 20 1/4 in. (38.26 x 51.44 cm) (image), Watercolor and ink wash over graphite on laid, laid down paper (backed), Germany,

A Stage Drawing for a Vast Arched Interior, c. 1803-1805, Karl Friedrich Schinkel, German, 1781 - 1841, 14 3/4 x 18 13/16 in. (37.47 x 47.78 cm) (sheet), Watercolor, ink wash and gouache over graphite on laid paper, Germany, 18th-19th

Italian Sketchbook of Antique and Revolutionary Subjects, after 1797, Unknown Italian, late 18th - early 19th century, 11 5/16 x 7 7/8 in. (28.73 x 20 cm) (page), Pen and brown ink, brush wash, graphite, and watercolor on laid paper; bound

Saved, 19th century, 11 1/16 x 8 7/8 in. (28.1 x 22.54 cm) (sheet), Watercolor over graphite and black chalk sketch on white wove paper, England, 19th century

Winter, from a Series of the Four Seasons, late 18th century, Robert Dighton, British, 1752-1814, 13 1/2 x 10 9/16 in. (34.29 x 26.83 cm) (image), Watercolor with touches of white, England, 18th century

Adieux d'un Russe à une Parisienne, c. 1814, Carle Vernet; Engraver: Louis-Philibert Debucourt, French, 1755–1832, 12 3/8 x 9 5/8 in. (31.43 x 24.45 cm) (image, irregular, without attached title panel), Watercolor, France, 19th century

Fashion Figure, 19th century, Unknown, 14 3/4 x 9 7/8 in. (37.47 x 25.08 cm) (image), Black chalk, gouache and watercolor, France, 19th century

Canal Scene, c. 1889, Henry Pember Smith, American, 1854 - 1907, 21 3/4 x 15 1/4in. (55.2 x 38.7cm), Watercolor on paper, United States, 19th century

Double Portrait of Two Young Women, c. 1795, Alexandre Moitte, French, 1750 - 1828, 8 3/4 x 7 in. (22.23 x 17.78 cm) (image)9 7/8 x 8 in. (25.08 x 20.32 cm) (sheet), Pen, black ink and watercolor heightened with white, France, 18th-19th

Midday Slumbers, 1888, Sir Lawrence Alma-Tadema, Dutch (active Britain), Dutch (active Britain), 1836–1912, 26 1/8 x 10 1/4 in. (66.3 x 26 cm) (sheet)37 1/16 × 21 1/16 × 3 1/2 in. (94.14 × 53.5 × 8.89 cm) (outer frame), Watercolor, pen

Winter, 1798, J. Culbert, British, active about 1800, 3 5/8 x 4 7/8 in. (9.21 x 12.38 cm) (image)4 x 5 1/4 in. (10.16 x 13.34 cm) (sheet), Pen and black ink, wash and watercolor on white wove paper, laid down on edges, England, 18th

Spring, 1798, J. Culbert, British, active about 1800, 3 9/16 x 4 13/16 in. (9.05 x 12.22 cm) (image)4 x 5 1/4 in. (10.16 x 13.34 cm) (sheet), Pen and black ink, wash and watercolor on white wove paper, laid down on edges, England, 19th

Summer, c. 1800, J. Culbert, British, active about 1800, 3 9/16 x 4 13/16 in. (9.05 x 12.22 cm) (image)4 x 5 3/16 in. (10.16 x 13.18 cm) (sheet), Pen and black ink, ink wash and watercolor on white wove paper, laid down at edges, England,

Autumn, c. 1800, J. Culbert, British, active about 1800, 3 1/2 x 4 7/8 in. (8.89 x 12.38 cm) (image)3 7/8 x 5 1/4 in. (9.84 x 13.34 cm) (sheet), Pen and black ink, wash and watercolor on white wove paper, laid down at edges, England,

Morpeth Bridge, c. 1796, Thomas Girtin, British, 1775 - 1802, 12 3/8 x 20 5/8 in. (31.43 x 52.39 cm) (sheet), Watercolor over graphite, England, 18th-19th century, Built in the 1200s, Morpeth Bridge was the crossing point of the River

Mount Parnassus from the Road Between Livadia and Delphi, c. 1790, John Robert Cozens, British, 1752 - 1799, 19 1/2 x 26 5/8 in. (49.53 x 67.63 cm) (image, sheet), Watercolor on paper, fully mounted down, England, 18th century

Stanwick Manor, Yorkshire, c. 1799, attributed to W. Mackie, active around 1800, 5 1/2 x 7 3/4 in. (13.97 x 19.69 cm) (sheet), Pen, ink and watercolor on white wove paper, England, 18th-19th century

A Young Woman in a Blue Dress, 1866, Mariano José Maria Fortuny y Marsal, Spanish, 1838–1874, 14 1/8 x 9 5/8in. (35.9 x 24.4cm), Watercolor and white gouache, Spain, 19th century, In 1860, the young Fortuny was invited to join the

A Difficult Move, c. 1770-1784, Nicolas-Bernard Lépicié, French, 1735 - 1784, 8 5/8 x 7 3/4 in. (21.91 x 19.69 cm) (image)12 3/4 x 10 7/8 in. (32.39 x 27.62 cm) (mount, on board)20 × 16 1/4 × 1 3/4 in. (50.8 × 41.28 × 4.45 cm) (outer

Troupiale, 1798, William Hayes, British, 1729 - 1799, 11 3/4 x 9 3/4 in. (29.85 x 24.77 cm) (image)13 5/16 x 11 3/4 in. (33.81 x 29.85 cm) (sheet), Pen and ink, watercolor, England, 18th century

Landscape with Ruins, 19th century, Carlo Labruzzi, Italian, 1748 - 1817, 16 x 22 5/8 in. (40.64 x 57.47 cm) (sheet, irregular), Watercolor over black ink over black chalk, Italy, 19th century

Evening: Landscape with Figures, c. 1830, David Charles Read, British, 1790 - 1851, 4 x 6 3/4 in. (10.16 x 17.15 cm) (sheet), Watercolor, England, 19th century, In contrast to watercolors that present a place, this postcard-sized work

Grand Canal, Venice, 19th century, Hercules Brabazon Brabazon, English, 1821 - 1906, 9 1/16 x 10 in. (23.02 x 25.4 cm) (sheet), Watercolor, England, 19th century, Despite pressure from his father, Hercules Brabazon Sharpe followed his

Farmstead on the Bank of a River, 1796, Thomas Rowlandson, British, 1756 - 1827, 10 3/4 x 16 5/16 in. (27.31 x 41.43 cm) (image), Watercolor over graphite on white wove paper, England, 18th century

Sewing box, 1844, Daniel Evans, 4 11/16 x n16 x 10in. (11.9 x 40.6 x 25.4cm), Painted pine, inscribed paper, United States, 19th century, This sewing box is one of fewer than a dozen known examples signed by Daniel Evans. In the 1830s and

The Sacrifice of the Rose, c. 1780, Jean-Honoré Fragonard, French, 1732–1806, 16 5/8 x 13 in. (42.2 x 33.0 cm)21 3/4 x 18 1/8 in. (55.3 x 46.0 cm) (board)26 1/16 x 23 1/16 x 1 in. (66.2 x 58.6 x 2.5 cm) (outer frame), Brush and gray and

The Vilaval Ragini, c. 1780, 9 3/4 x 6 1/4 in. (24.77 x 15.88 cm), Opaque watercolor, gouache and gold on paper, India, 18th century, The central Rajasthan state of Kishangarh flourished as a painting center during the eighteenth century.

An Offering to Venus, c. 1780, Jean-Jacques Francois Le Barbier the elder, French, 1738 - 1826, 11 7/8 x 8 7/8 in. (30.16 x 22.54 cm), Pen, black ink and wash, watercolor heightened in white, France, 18th century

Krishna and Radha, c. 1680, 8 3/4 x 6 in. (22.23 x 15.24 cm), Opaque watercolor on paper, India, 17th century, The Rasikapriya (The Lovers Breviary), a late-sixteenth-century verse written in Hindi by the poet Keshavadasa, analyzes the stages

A Jain Guru Gives a Sermon, c. 1810, 8 1/8 x 5 3/8 in. (20.64 x 13.65 cm) (image)10 3/4 x 8 in. (27.31 x 20.32 cm) (sheet), Opaque watercolor and gold on paper, India, 19th century, A Jain guru seated in a meditative posture on a podium

Portrait of Shah Jahan, 1700-1720, 10 1/16 x 6 5/16 in. (25.6 x 16 cm), Opaque watercolor and gold on paper, India, 18th century, This posthumous portrait of the Mughal ruler Shah Jahan (r. 1628-58) probably would have been kept in an album,

Portrait Study, c. 1775, 4 1/2 x 3 in. (11.43 x 7.62 cm), Opaque watercolor on paper, India, 18th century, This large profile study of a man, broadly rendered with a wet brush and light colors, typifies the clear, direct style of Kishangarh.

Study of a Bird, c. 1810, 9 x 7 in. (22.86 x 17.78 cm), Opaque watercolor on paper, India, 19th century, The naturalistic coloration and attention to detail suggest this bird study was intended for European patronage. The loose washes and

A Garden Scene, c. 1725, 6 1/4 x 9 1/4 in. (15.88 x 23.5 cm), Opaque watercolor and gold on paper, India, Deccani, A court lady stands under a canopy in a lavish garden, her servant prostrate beside her. The highly stylized and lyrical poses

Album folio of poetry, c. 1725, 16 x 11 1/4 in. (40.64 x 28.58 cm), Opaque watercolor and gold on paper, India, 18th century, Album pages combining fine calligraphy with borders richly illuminated with floral and animal motifs were a favorite

A Lioness Preparing to Spring, August 8, 1889, William Strutt, British, 1826 - 1915, 4 7/16 x 12 in. (11.27 x 30.48 cm) (sheet)15 3/4 x 19 3/4 in. (40.01 x 50.17 cm) (outer frame), Watercolor, graphite, and touches of brown ink on wove

Painter and His Wife Just Finishing Their Meal, 19th century, Michael Baschiloff, Russian, active mid 19th century-1870, 4 1/2 x 5 in. (11.43 x 12.7 cm) (sheet)19 3/4 x 15 3/4 in. (50.17 x 40.01 cm) (outer frame), Pen and brown ink,

Album folio of a pink lotus, Mughal dynasty, 18th century, 16 3/8 x 11 5/16 in. (41.6 x 28.8 cm), Opaque watercolor and gold on paper, India, Mughal dynasty, 18th century, There are many ways to contextualize this fluidly painted flower. It

View near Barbizon, c. 1878–1880, Gustave-Achille Guillaumet, French, Paris 1840–Paris 1887, 11 3/8 x 8 3/4 in. (28.89 x 22.23 cm) (sheet), Watercolor, France, 19th century, Gustave-Achille Guillaumet studied at the Ecole des Beaux-Arts

Indian Doctor Concocting a Pot of Medicine, 1849-1855, Seth Eastman, American, 1808–1875, 6 3/4 × 8 3/4 in. (17.15 × 22.23 cm) (image)9 3/4 × 12 15/16 in. (24.77 × 32.86 cm) (sheet), Watercolor, United States, 19th century

Mourning for the Dead, 1849, Seth Eastman, American, 1808–1875, 7 × 5 1/2 in. (17.78 × 13.97 cm) (image) (trimmed and mounted), Watercolor, United States, 19th century, This nocturnal scene reveals mourners tearing their clothes and

Spearing Fish, 1850, Seth Eastman, American, 1808–1875, 6 3/4 × 10 3/4 in. (17.15 × 27.31 cm) (image)9 7/8 × 13 in. (25.08 × 33.02 cm) (sheet), Watercolor, United States, 19th century, Seth Eastman’s original title for this image was

Manabosho's Devices, 1849-1855, Seth Eastman, American, 1808–1875, 8 7/8 × 6 3/4 in. (22.54 × 17.15 cm) (image)9 3/4 × 7 9/16 in. (24.77 × 19.21 cm) (sheet), Pen, ink, and watercolor on paper, United States, 19th century, Henry Rowe

Manabosho's Devices, 1849-1855, Seth Eastman, American, 1808–1875, 8 15/16 × 6 3/4 in. (22.7 × 17.15 cm) (image)9 5/8 × 7 1/2 in. (24.45 × 19.05 cm) (sheet), Pen, ink, and watercolor on paper, United States, 19th century, Henry Rowe

Manabosho's Devices, 1849-1855, Seth Eastman, American, 1808–1875, 9 × 6 3/4 in. (22.86 × 17.15 cm) (image)9 11/16 × 7 1/2 in. (24.61 × 19.05 cm) (sheet), Pen, ink, and watercolor on paper, United States, 19th century, Henry Rowe

Manabosho's Devices, 1849-1855, Seth Eastman, American, 1808–1875, 8 15/16 × 6 3/4 in. (22.7 × 17.15 cm) (image)9 5/8 × 7 1/2 in. (24.45 × 19.05 cm) (sheet), Pen, ink, and watercolor on paper, United States, 19th century, Henry Rowe

Indians Travelling, 1850, Seth Eastman, American, 1808–1875, 6 9/16 × 10 1/4 in. (16.67 × 26.04 cm) (image)9 3/4 × 12 13/16 in. (24.77 × 32.54 cm) (sheet), Watercolor, United States, 19th century, In this sentimentalized scene, Seth

Protecting the Cornfields from Vermin, 1849-1855, Seth Eastman, American, 1808–1875, 7 × 9 1/2 in. (17.78 × 24.13 cm) (image)9 3/8 × 12 1/4 in. (23.81 × 31.12 cm) (sheet), Watercolor, United States, 19th century, U.S. Army Captain Seth

Medicine Man Curing a Patient, 1850, Seth Eastman, American, 1808–1875, 7 7/8 × 6 3/4 in. (20 × 17.15 cm) (image)7 3/4 × 6 11/16 in. (19.69 × 16.99 cm) (sheet), Watercolor, United States, 19th century, U.S. Army Captain Seth Eastman

Menstrual Lodge, 1849-1855, Seth Eastman, American, 1808–1875, 6 7/8 × 9 7/8 in. (17.46 × 25.08 cm) (image)9 1/2 × 12 7/16 in. (24.13 × 31.59 cm) (sheet), Watercolor, United States, 19th century, U.S. Army Captain Seth Eastman was a

Indian Courting, 1849-1855, Seth Eastman, American, 1808–1875, 6 1/4 × 5 1/8 in. (15.88 × 13.02 cm) (image)12 15/16 × 9 3/4 in. (32.86 × 24.77 cm) (sheet), Watercolor, United States, 19th century, U.S. Army Captain Seth Eastman was a

Sounding Wind, The Chippewa Brave, 1849-1855, Seth Eastman, American, 1808–1875, 7 3/8 × 9 9/16 in. (18.73 × 24.29 cm) (image)12 3/4 × 9 5/8 in. (32.39 × 24.45 cm) (sheet), Watercolor, United States, 19th century, U.S. Army Captain

Indian Burial Ground, 1849-1855, Seth Eastman, American, 1808–1875, 5 5/8 × 9 in. (14.29 × 22.86 cm) (image)9 9/16 × 12 13/16 in. (24.29 × 32.54 cm) (sheet), Watercolor, United States, 19th century, U.S. Army Captain Seth Eastman was a

Dog Dance of the Dacotahs, 1849, Seth Eastman, American, 1808–1875, 6 3/4 × 10 1/8 in. (17.15 × 25.72 cm) (image), Watercolor, United States, 19th century, Seth Eastman owned an early daguerreotype—a coincidence since a relative

Gathering Wild Rice, 1849-1855, Seth Eastman, American, 1808–1875, 6 1/4 × 8 3/4 in. (15.88 × 22.23 cm) (image)9 11/16 × 12 3/4 in. (24.61 × 32.39 cm) (sheet), Watercolor, United States, 19th century, This is the first known picture by

Itasca Lake, Source of the Mississippi, 1575 Feet above the Gulf of Mexico, 1849-1855, Seth Eastman; Designer: after Henry Rowe Schoolcraft, American, 1808–1875, 6 × 8 11/16 in. (15.24 × 22.07 cm) (image)9 11/16 × 12 13/16 in. (24.61 ×

Guarding the Corn Fields, 1849-1855, Seth Eastman, American, 1808–1875, 6 1/2 × 9 7/8 in. (16.51 × 25.08 cm) (image)9 11/16 × 12 7/8 in. (24.61 × 32.7 cm) (sheet), Watercolor, United States, 19th century

Marriage Custom of the Indians, 1849-1855, Seth Eastman, American, 1808–1875, 5 1/2 × 8 1/4 in. (13.97 × 20.96 cm) (image)9 5/8 × 12 13/16 in. (24.45 × 32.54 cm) (sheet), Watercolor, United States, 19th century, U.S. Army Captain Seth

Indian Medas Secretly Showing the Contents of their Medicine Sacks to Each Other, 1849-1855, Seth Eastman, American, 1808–1875, 6 × 8 1/2 in. (15.24 × 21.59 cm) (image)9 5/8 × 12 7/8 in. (24.45 × 32.7 cm) (sheet), Watercolor, United

Ethnographic Map of the Indian Tribes of the United States, A.D. 1600, 1849-1855, Seth Eastman, American, 1808–1875, 9 × 12 in. (22.86 × 30.48 cm) (image)9 11/16 × 12 7/8 in. (24.61 × 32.7 cm) (sheet), Pen, ink, and watercolor, United

Spearing Muskrats in Winter, 1849-1855, Seth Eastman, American, 1808–1875, 7 3/4 × 11 1/8 in. (19.69 × 28.26 cm) (image)8 7/8 × 11 1/8 in. (22.54 × 28.26 cm) (sheet), Watercolor, United States, 19th century, The muskrat heads peeking

Map Showing the Present Boundaries of the Ojibwa, Menomonee, Winnebago, and Dakotah Tribes of Indians 1851, 1851, Seth Eastman, American, 1808–1875, 8 × 12 1/2 in. (20.32 × 31.75 cm) (image)9 3/4 × 13 in. (24.77 × 33.02 cm) (sheet),

The Death Whoop, 1849-1855, Seth Eastman, American, 1808–1875, 8 × 6 9/16 in. (20.32 × 16.67 cm) (image)12 5/8 × 9 5/8 in. (32.07 × 24.45 cm) (sheet), Watercolor, United States, 19th century, U.S. Army Captain Seth Eastman was a

Cannes, c. 1839-1840, Paul Huet, French, 1803–1869, image, sheet: 12 1/2 x 18 13/16 in. (31.75 x 47.78 cm)23 3/4 x 29 7/8 x 1 in. (60.33 x 75.88 x 2.54 cm) (outer frame), Transparent and opaque watercolor on white wove, France, 19th

We-har-ka, 1849-1855, Seth Eastman, American, 1808–1875, 6 1/2 × 5 in. (16.51 × 12.7 cm) (image)12 7/8 × 9 3/4 in. (32.7 × 24.77 cm) (sheet), Watercolor, United States, 19th century, U.S. Army Captain Seth Eastman was a trained artist

Indian Sugar Camp, 1849-1855, Seth Eastman, American, 1808–1875, 6 × 8 3/4 in. (15.24 × 22.23 cm) (image)9 11/16 × 12 7/8 in. (24.61 × 32.7 cm) (sheet), Watercolor, United States, 19th century

Untitled (Woman with Two Dogs and Two Children Moving Camp), c. 1890, Roan Eagle, Lakota (Oglala Teton Sioux), 19th century, 7 5/16 x 12 1/4 in. (18.57 x 31.12 cm) (sheet), Ink, watercolor, and graphite on ledger paper, United States, 19th

20th century, 13 11/16 x 18 3/16 in. (34.77 x 46.2 cm) (sight)21 3/8 x 25 3/8 in. (54.29 x 64.45 cm) (outer frame), Watercolor and pastel, United States (?), 20th century

Queen Trisala on Her Couch, c. 1500, 4 1/2 x 10 3/4 in. (11.43 x 27.31 cm), Opaque watercolor and gold on paper, India, 15th-16th century, Growing contacts between northern Indian and the Islamic cultures of Mamluk Egypt and Timurid Persia

Kalaha Preaches to King Sahr; Mahavira’s Departure with Indra (top); Adoration of a Tirthankara (bottom), c. 1500, 4 3/8 x 10 3/8 in. (11.11 x 26.35 cm), Opaque watercolor and gold on paper, India, 15th-16th century, The Kalpasutra (Book of

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