Images at Librifly

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Summer dress: Costume design for Kunstgewerbeschule, Wien, 1920–50, Pen and brown ink, brush and red, grey, black watercolor over traces of graphite. Inlaid on cardboard mount., 11 1/4 x 8 7/8 in. (28.6 x 22.5 cm), Drawings, Lilly Jacker

Design after a Fountain in the Villa Aldobrandini at Frascati., 1590–1600, Pen and brown ink, brush with brown wash and pale blue-gray watercolor accents (on the depictions of water), over leadpoint or black chalk, with ruling and compass

The Campidoglio seen from the Staircase of the Church of the Aracoeli, Rome, at Sunset, 1846, Pen and brown ink, brown wash, watercolor and gouache; lined., 10 5/8 x 14 5/8 in. (27 x 37.1 cm), Drawings, Charles-François Houel (French,

Project for a Fête Decor, n.d., Pen and black ink, watercolor, over traces of black chalk, sheet: 9 1/4 x 14 1/8 in. (23.5 x 35.9 cm), Louis Pierre Baltard (French, Paris 1764–1846 Paris

Design for a Bracket and Rod for Drapery, 19th century, Ink, wash and watercolor, sheet: 7 x 8 3/4 in. (17.8 x 22.2 cm), Anonymous, British, 19th century

Design for a Cabinet with Portrait Rondel, 19th century, Ink and watercolor over graphite, sheet: 4 15/16 x 7 11/16 in. (12.5 x 19.5 cm), Anonymous, British, 19th century

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 5/8 x 7 1/4 in. (29.5 x 18.4 cm), Drawings, Charles Edmund Brock (British, London 1870–1938

View of Kensington Gardens, London, 1812, Watercolor over graphite, Overall: 4 x 5 1/2in. (10.2 x 14cm), Drawings, John Linnell (British, London 1792–1882 Redhill, Surrey), Compact, luminous, and intense, this unkempt view of Kensington

Table Design, 19th century, Ink and watercolor over graphite, sheet: 4 3/4 x 5 13/16 in. (12 x 14.8 cm), Anonymous, British, 19th century

'St. Michael, the Archangel', Folio from the Bellini Album, ca. 1600, Attributed to Italy, Ink, opaque watercolor, and gold on paper, H. 6 7/8 in. (17.5 cm), Codices

Grace Hill for Edwin C. Litchfield, Brooklyn, New York (front elevation), 1854, Watercolor, ink, and graphite on paper, Sheet: 20 15/16 x 27 7/8 in. (53.2 x 70.8 cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New

One Quarter of a Design for a Painted Ceiling (recto); Frieze with Putto, Vases, and Other Decorations (verso), 1700–1780, Pen and brown ink, brush with gray wash and watercolor, over lead point or graphite, with ruled and compass

A Gaming Table at Devonshire House, 1791, Pen and ink and watercolor, sheet: 12 1/8 x 17 1/8 in. (30.8 x 43.5 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London), Rowlandson underscored gambling’s grip on British

'Siege of Baghdad', Folio from a Dispersed copy of the Zafarnama (Book of Victories), A.H. 839/A.D. 1435–36, Made in Iran, Shiraz, Ink, opaque watercolor, silver, and gold on paper, Page: 13 1/8 x 9 11/16in. (33.4 x 24.6cm), Codices,

Landscape with Wagon and Haystacks, ca. 1869–70, Watercolor, Sheet: 5 3/8 x 6 5/8 in. (13.6 x 16.9cm), Drawings, Zacharie Astruc (French, Angers 1835–1907 Paris

Design for the Facade of a Theater (Perspective), late 18th–early 19th century, Watercolor over pen and black ink, sheet: 10 7/8 x 14 1/4 in. (27.6 x 36.2 cm), Charles Middleton (British, 1756–1818

'The Man who Pretends to be Asleep While the Thief Enters his House Becomes Drowsy and Really Falls Asleep', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8

Thomas Jackson, 1780, Watercolor and graphite, sheet: 8 13/16 x 7 1/2 in. (22.4 x 19 cm) (circular), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Thomas Jackson, portrayed here, was widely connected to the

Balloon Ascending Near the Entrance to Lord's Cricket Ground, 1839, ca. 1839, Watercolor, sheet: 5 7/8 x 7 5/8 in. (14.9 x 19.4 cm), Drawings, After Robert Bremmel Schnebbelie (British, active 1803–1849 Camden Town), Balloon ascents were

'The Ascetic Finds his Son Alive in his Crib', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Study of a Bird, dated A.H. 1043/A.D. 1634, Attributed to Iran, Isfahan, Ink, opaque watercolor, gold, and silver on paper, H. 4.25 in. x W. 7.25 in. (10.8 cm high 18.4 cm wide), Codices, Painting by Riza-yi `Abbasi (Persian, ca.

Design for Drawing Room Chairs, Louis Quinze Style, 1835–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Jean-Pierre de Bougainville, 1760, Watercolor over graphite and black and red chalk, sheet: 11 13/16 x 7 1/2 in. (30 x 19 cm), Drawings, Louis de Carmontelle (French, Paris 1717–1806 Paris), Born Louis Carrogis, the son of a cobbler,

The Iron Age (L'Age de fer), n.d., Pen and black and gray ink, with watercolor, 10-5/8 x 7-1/2 in. (27.0 x 19.1 cm), Drawings, Nicolas Arnoult (French, ca. 1650–ca. 1722

Albert de Ligne, Count of Arenberg, Prince of Brabançon, (1600-1674), 17th century, Watercolor and oil on paper, 15 13/16 x 12 1/8 in. (40.1 x 30.8 cm), Drawings, After Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Seated Woman, Back View, 1917, Watercolor, gouache, and graphite on paper, 18 1/4 x 11 3/4 in. (46.4 x 29.8 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna), While living in Vienna from 1921 to 1923, Scofield Thayer

Designs for Trophies Containing Medallion and Urn, 19th century, Ink and watercolor, Anonymous, British, 19th century

Design for a Cast-iron Hob Grate in Ormolu, 1814, Pen and ink, brush and wash and yellow watercolor, sheet: 8 x 7 1/2 in. (20.3 x 19 cm), Benjamin Dean Wyatt (British, London 1775–1850 Camden Town

Reclining Figure, 1630–40, Attributed to Iran, Ink, watercolor, and gold on paper, Painting: H. 3 3/4 in. (9.5 cm), Codices

Antibes, 1882, watercolor, Sheet: 12 3/4 x 9 5/8 in. (32.4 x 24.5cm), Drawings, Henry Victor Burgy (French, died 1901

Isle of Arran, Early Morn, 1830–39, Watercolor with touches of gouache over graphite on wove paper, 7 3/16 x 13 1/2 in. (18.3 x 34.3 cm), Drawings, Thomas Miles Richardson (British, Newcastle upon Tyne 1784–1848 Newcastle

Design for trapezoidal panel, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache and graphite on paper mounted on board, Overall: 16 15/16 x 13 9/16 in. (43 x 34.4 cm), Drawings, Possibly Tiffany

The Temple of Dendur, Watercolor and graphite on off-white wove paper, 4 7/8 x 7 9/16 in. (12.4 x 19.2 cm), Drawings, Frederick Arthur Bridgman (1847–1928

Cow II, 1935, Ink and watercolor on paper, 5 x 7 1/8 in. (12.7 x 18.1 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

'The Tortoise Ferries the Monkey', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Nude Couple Embracing, 1780–1827, Watercolor, Sheet: 8 9/16 x 6 13/16 in. (21.8 x 17.3 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Design for a Mirror, 1820–80, Ink, watercolor and gouache, Anonymous, British, 19th century

The Forge on Deck, Night of August 9th: Preparing the Iron Plating for Capstan, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 7 in. × 10 3/8 in. (17.8 × 26.3 cm), Drawings, Robert Charles Dudley (British, 1826–1909),

Sheet of Jewelry Designs, 17th century, Pen and brown ink, brush with blue watercolor, over faint traces of ruled graphite construction, sheet: 7 5/8 x 5 in. (19.3 x 12.7 cm), Anonymous, Italian, 17th century

Old woman carrying a red and white checkered card, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 5/8 x 8 1/16 in. (42.2 x 20.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk

Cymon and Iphigenia, 1796, Watercolor, pen and black ink over graphite, sheet: 8 7/16 x 9 5/8 in. (21.5 x 24.5 cm), Drawings, James Gillray (British, Chelsea 1756–1815 London), Gillray here parodies a tale found in Boccaccio's Decameron and

Licenza, near Rome: Horace's Villa, ca. 1828–29, Watercolor and gouache over graphite, sheet: 10 11/16 x 14 13/16 in. (27.2 x 37.6 cm), Drawings, William Havell (British, Reading 1782–1857 London), After a decade in China and India,

Design for Desk, 1841–84, Graphite and watercolor, sheet: 8 11/16 x 13 9/16 in. (22.1 x 34.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

Cabinet Design with Renaissance style Ornament and Red Interior, 19th century, Ink and watercolor, sheet: 5 1/8 x 7 3/16 in. (13 x 18.3 cm), Anonymous, British, 19th century

Liturgical Incense Burner, second half 19th century, Graphite and watercolor on tracing paper, sheet: 7 1/16 x 4 1/4 in. (17.9 x 10.8 cm), Anonymous, British, 19th century

A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda, ca. 1660–80, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 8 1/2 x 6 3/16 in. (21.6 x 15.7 cm), Paintings, The extensive poetic Nayikabheda

A House near a Bridge, 17th century, charcoal, white chalk and watercolor on gray paper, sheet: 14 x 11 in. (35.5 x 28 cm), Drawings, Anthonie Waterloo (Dutch, Lille 1609–1690 Utrecht

Title Page to a Group of Plans, Elevations and Scenic Interiors of Lea Castle, Worcestershire, Containing a View of New Front to the Ice House, 1816, Watercolor, sheet: 11 x 14 in. (27.9 x 35.6 cm), Attributed to John Carter (British, London

Suggestion for Window; All Saints Church, Atlanta, Georgia, late 19th–early 20th century, Made in New York, United States, American, Watercolor, ink, and graphite on artist board in original shaped matt, Overall: 17 1/2 x 10 7/8 in. (44.5

Tiger in Landscape, 1810–75, Watercolor on lined paper, Sheet: 9 3/4 x 12 15/16 in. (24.7 x 32.8cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Design for Ceiling in Four Parts, One Decorated with a Compass Motif, in Rust and Olive Green, Moorish Motifs, 19th century, Graphite, watercolor in reds yellows and blues, and gilt, sheet: 16 7/8 x 11 5/8 in. (42.9 x 29.5 cm), John Gregory

The Family of Cain, ca. 1638–47, Pen and black and brown ink, brush and gray wash over red Chalk, highlighted with white gouache, sheet: 7 1/16 x 10 11/16 in. (18 x 27.1 cm), Drawings, Peter Oliver (British, London, 1589/1594–1647

The Wagonner (after Peter Paul Rubens), 1620 (?), Watercolor, graphite and black ink, sheet: 8 11/16 x 11 9/16 in. (22 x 29.3 cm).This does not include the mat., Drawings, Lodewijk de Vadder (Flemish, Brussels 1605–1655 Brussels), After

'Vegetarian Odd Fellows: or, Carrott and Pa-Snip', 1837–64, Watercolor, pen and brown ink over graphite, Sheet: 5 x 6 1/4 in. (12.7 x 15.9 cm), Drawings, John Leech (British, London 1817–1864 London

Daniel interprets Nebuchadnezzar's Dream, 1815–83, Watercolor, gouache, and traces of graphite. Black pen and ink border added when laid on blue mount., image: 16 x 12 1/16 in. (40.6 x 30.7 cm), Drawings, Franz von Hauslab the Younger

Interior with coffered ceiling and Corinthian order applied to walls, 19th century, Graphite, watercolor and gilt, image (arched shape): 11 3/8 x 14 3/16 in. (28.9 x 36.1 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation, ca. 1800, Ink and watercolor, sheet: 8 3/4 x 12 1/4 in. (22.2 x 31.1 cm), Anonymous, British, late 18th to early 19th century

Design for a Bed with Canopy, 1841–84, Graphite and watercolor, sheet: 12 5/8 x 9 5/16 in. (32 x 23.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for a Room, 1850–1919, Watercolor, pen and brown ink over graphite, sheet: 12 3/8 x 16 3/4 in. (31.5 x 42.6 cm

A View Near the Arco Scuro, Looking Towards the Villa Medici, Rome, 1785, Watercolor over graphite with pen and brown ink, on laid paper, sheet: 12 13/16 x 18 7/8 in. (32.5 x 48 cm), Drawings, Francis Towne (British, Isleworth, Middlesex

Design for a Table, second half 18th century, Watercolor over pen and black ink and graphite, sheet: 7 5/16 x 7 11/16 in. (18.5 x 19.6 cm), Style of Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

'Kalila Visits the Imprisoned Dimna', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Design for the Garden of a Hotel on Rue des Amandiers, Paris, late 18th century, Pen and black and brown ink, watercolor, over graphite, 27 5/16 x 18 3/16 in. (69.4 x 46.2 cm), Drawings, Anonymous, French, 18th century

Design for a Church Wall Lantern, Front and Side Elevations, ca. 1880, Pen and ink, wash and watercolor, sheet: 9 3/4 x 10 7/8 in. (24.8 x 27.7 cm), Attributed to Richardson Ellson & Co. (British

Wall Design with a Trompe l'Oeil Balcony Overlooking a Mountainous Harbor, 19th century, Ink and watercolor, Anonymous, British, 19th century

Sketchbook of Italian Landscape Subjects, 1869, Drawings in watercolor, graphite, and white gouache on blue wove paper, bound in cloth-covered boards, Cover: 4 3/4 x 9 1/4 in. (12.1 x 23.5 cm), Drawings, Jervis McEntee (American, Rondout,

'The Riverside, Favourable Wind and the Trout Rising as Fast as Possible', 1830–64, Watercolor, pen and brown ink over graphite, sheet: 10 1/4 x 12 7/8 in. (26 x 32.7 cm), Drawings, John Leech (British, London 1817–1864 London

Oriental Scene, ca. 1844, Watercolor over black chalk, sheet: 4 3/4 x 7 3/16 in. (12.1 x 18.3 cm), Drawings, Attributed to William James Müller (British, Bristol 1812–1845 Bristol), Formerly attributed to William Makepeace Thackeray

'Spotted Forktail', Folio from the Shah Jahan Album, recto: ca. 1610–15; verso ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on silk, H. 15 3/16 in. (38.6 cm), Codices, Painting by Abu'l Hasan (Indian, born ca. 1588/89,

Young man with acne, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 x 6 7/8 in. (40.7 x 17.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Design for a Table, ealry 19th century, Brush with yellow, green and purple watercolor with graphite underdrawing., 34.5 x 29.4 cm, Attributed to Adrien Louis Marie Cavelier (French, Paris 1785–1867

Decorated Border with Nativity Scene, 1830–62, Watercolor, pen and red ink over graphite with touches of gold and gouache, sheet: 14 5/8 x 9 3/16 in. (37.1 x 23.3 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Priest and Two Men Seated at a Table, 1857–1932, Watercolor, Drawings, Giuseppe Signorini (Italian, Rome 1857–1932 (active Paris

Design for Font Cover, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 12 1/4 x 3 3/4 in. (31.1 x 9.5 cm), Ernest Geldart (British, London 1848–1929

Design for a Cabinet with Glass Side Doors and Porcelain Plaques, 19th century, Graphite, watercolor and scratching on grey ground, sheet: 5 7/16 x 7 in. (13.8 x 17.8 cm), Anonymous, British, 19th century

View of Bayeux, 1832, Brush and watercolor over graphite, sheet: 10 9/16 x 7 3/4 in. (26.9 x 19.7 cm), Drawings, Thomas Shotter Boys (British, Pentonville 1803–1874 London

An Officer of the Corps of Bowmen, 1797–1805, Watercolor over graphite, 7-11/16 x 5-3/8 in. (19.5 x 13.6 cm), Drawings, William Alexander (British, Maidstone, Kent 1767–1816 Maidstone, Kent), In 1792 Alexander was appointed as draftsman

Design for a Cabinet with Two Central Shelves and Arched Doors, 19th century, Ink and watercolor, sheet: 5 3/16 x 7 9/16 in. (13.1 x 19.2 cm), Anonymous, British, 19th century

Design for three windows, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper mounted on board, Overall: 14 15/16 x 13 1/2 in. (37.9 x 34.3 cm), Drawings, Possibly Tiffany

'Portrait of Jahangir Beg, Jansipar Khan', Folio from the Shah Jahan Album, verso: ca. 1627; recto: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39 cm), Codices, Painting by Balchand (Indian,

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 10 x 14 1/4 in. (25.4 x 36.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Cabinet Design, 19th century, Ink and watercolor, sheet: 4 15/16 x 6 5/16 in. (12.6 x 16.1 cm), Anonymous, British, 19th century

Designs for Embroidery, 19th century, Watercolor over traces of black chalk., 7 3/4 x 9 5/8 in. (19.7 x 24.5 cm), Drawings, Anonymous, German, 19th century

Clown in cubist costume, n.d., graphite, watercolor, gouache., sheet: 5 13/16 x 3 in. (14.7 x 7.6 cm), Drawings, Sergey Chekhonin (Russian, 1878–1936

The Twelve Months, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Elevation for a Multi-story Brick, Half-timbered House with Stained Glass Windows and a Small Cupola, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 9 x 12 1/4 in. (22.9 x 31.1 cm), Ernest Geldart (British,

Genoveva, 1820–84, Watercolor on paper, 12 1/4 x 7 1/4 in. (31.1 x 18.4 cm), Drawings, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden

Champion strong man, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 14 13/16 x 11 9/16 in. (37.6 x 29.4 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Design for a Ceiling Decoration, 1850–70, Watercolor, 7-5/8 x 7-5/8 in, Drawings, Anonymous, Italian, 19th century

'Seven Devotional Scenes', Folio from the Bellini Album, ca. 1600, Attributed to Italy or the Netherlands, Ink, opaque watercolor, and gold on paper, H. 8 3/8 in. (21.2 cm), Codices

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

'Dancing Dervishes', Folio from a Divan of Hafiz, ca. 1480, Attributed to present-day Afghanistan, Herat, Opaque watercolor and gold on paper, Painting: H. 6 5/16 in. (16 cm), Codices, Painting attributed to Bihzad (ca. 1450–1535/36), This

View of the Interior of One of the Tanks on Board the Great Eastern, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 10 1/2 × 14 3/4 in. (26.6 × 37.5 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the

'Man's Fate or the Man Taking Refuge in a Well Inhabited by a Dragon', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

The Cable Fleet Leaving Ireland, July 1858, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 10 7/8 x 15 7/8 in. (27.6 x 40.3 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th century's great

Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London, 1771–75 (?), Pen and brown ink, brush and watercolor, graphite, sheet: 6 3/4 x 3 7/8 in. (17.1 x 9.9 cm), Sir William Chambers (British (born

The House of Bijapur, ca. 1680, Made in India, Deccan, Bijapur, Ink, opaque watercolor, gold, and silver on paper, Page: H. 16 1/4 in. (41.3 cm), Codices, Painting by Kamal Muhammad (active 1680s), Painting by Chand Muhammad (active

'Three Trees of India', Folio from a Baburnama (Autobiography of Babur), late 16th century, Country of Origin India, Ink, opaque watercolor, and gold on paper, H. 9 13/16 in.(25 cm), Codices, The Baburnama, one of the most important texts

Design for a Ceiling with Lion and Lioness, 19th century, Ink and watercolor, Anonymous, British, 19th century

Drawing for a Mantelpiece, 1780–90, Ink and watercolor, 9-1/2 x 11-3/16 in; sheet: 10 x 11-3/4 in, Anonymous, Italian, 18th century

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