Images at Librifly

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Tintern Abbey by Moonlight, ca. 1789, Graphite and watercolor with scratching out, sheet: 5 1/4 x 8 1/4 in. (13.3 x 20.9 cm), Drawings, John 'Warwick' Smith (British, Irthington, Cumberland 1749–1831 London), John 'Warwick' Smith-whose

Lion Devouring Prey, 1810–75, Watercolor, Sheet: 10 3/8 x 14 9/16 in. (26.4 x 37cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 5/8 x 7 1/4 in. (29.5 x 18.4 cm), Drawings, Charles Edmund Brock (British, London 1870–1938

Design for Curtains, 1841–84, Graphite and watercolor, sheet: 13 3/4 x 9 5/8 in. (35 x 24.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

An Allée in the Woods, 1859, Watercolor, sheet: 8 3/8 x 6 11/16 in. (21.3 x 17 cm), Drawings, Sir Edward John Poynter (British (born France), Paris 1836–1919 London), In this woodland scene, Poynter’s sonorous shades of brown, gray,

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 9 15/16 x 14 1/4 in. (25.2 x 36.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

A Winter Landscape, 1854, Watercolor, sheet: 9 1/8 x 12 5/8 in. (23.2 x 32.1 cm), Drawings, Johannes Franciscus Hoppenbrouwers (Dutch, 1819–1866

'The Thief Falls Through the Skylight in the Bedroom', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Houses at Sorrento, mid-19th century, Watercolor over graphite with touches of gouache, sheet: 10 1/4 x 13 11/16 in. (26.1 x 34.7 cm), Drawings, Thomas Hartley Cromek (British, London 1809–1873 Wakefield

'Six Devotional Scenes', Folio from the Bellini Album, ca. 1600, Attributed to Italy or the Netherlands, Ink, opaque watercolor, and gold on paper, H. 9 3/4 in. (24.8 cm), Codices

Un Mari Pour Rire, n.d., Black chalk, watercolor, heightened with white, Oval sheet: 13 1/8 x 17 11/16 in. (33.3 x 44.9 cm), Drawings, Paul-Émile-Anthony Morlon (French, Sully-sur-Loire, 1845–1905

The Months: February and March, late 16th–early 17th century, Pen and brown ink and watercolor, sheet: 6 x 8 in. (15.2 x 20.3 cm), Drawings, Joos de Momper the Younger (Netherlandish, Antwerp 1564–1635 Antwerp

Seascape with Seven Figures and a Dog, 18th century, Brush and gray wash, watercolor. Some remains of black chalk., 2 3/4 x 3 13/16 in. (7 x 9.7 cm), Drawings, Nicolaas Aartman (Dutch, Amsterdam 1713–1793 Amsterdam

Weekly Calendar, 1822, Pen and blank ink, watercolor, ca. 16 15/16 x 13 3/4 in. (43 x 35 cm), Drawings, Joseph Anton Koch (Austrian, Obergibeln bei Elbigenalp 1768–1839 Rome

Page of Calligraphy from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Design for a Cabinet in an Interior Setting, 1870–80, Graphite, watercolor, gray wash, with metallic paint. On thin tracing paper mounted on cardboard with decorative framing lines in pencil., Image: 13 7/8 x 8 7/8 in. (35.2 x 22.6 cm),

'Rosette Bearing the Names and Titles of Shah Jahan', Folio from the Shah Jahan Album, recto: ca. 1645; verso: ca. 1630–40, Made in India, Ink, opaque watercolor, and gold on paper, H. 15 3/16 in. (38.6 cm), Codices, A shamsa (literally,

Venetian Street Scene, 19th century, Watercolor and graphite, Sheet: 6 13/16 × 8 9/16 in. (17.3 × 21.7 cm), Drawings, Hercules Brabazon Brabazon (British, Paris 1821–1906 Oaklands, London

A Man Riding on a Donkey, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Two female penguins, n.d., graphite, gouache, watercolor, traces of graphite framing lines, mounted, sheet: 12 1/16 x 7 11/16 in. (30.7 x 19.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Design for a Stage Set: A Classical Courtyard and Colonnade with a Statue of Minerva, 1780–90, Pen and brown ink, brush with gray, blue, green and pink watercolor, over graphite or lead, on cream laid paper, 17-3/8 x 12-3/8 in. (44.2 x 31.5

Page of Calligraphy from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

'Solanki Raga', Folio from a Ragamala, ca. 1590, Attributed to India, Deccan, probably Ahmadnagar, Ink and opaque watercolor on paper, H. 8 3/4 in. (22.3 cm), Codices, Some of the earliest depictions of musical modes in Indian painting

Woman Applying Henna, late 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 14 7/16 x 9in. (36.7 x 22.9cm), Codices, This painting is a rare depiction of a young woman applying henna to her feet, a ritual

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, A.H. 741/A.D. 1340–41, Attributed to Iran, Isfahan, Ink, opaque watercolor, and gold on paper, Page: 7 1/2 x 5 in. (19.1 x

Design for Cabinet Pianoforte, Arabesque Style, 1835–1900, Ink and watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Ragini, possibly Asavari: Folio from a Ragamala Series, ca. 1700–1710, India (Himachal Pradesh, Mankot), Ink and opaque watercolor on paper, Image: 7 in. × 6 5/8 in. (17.8 × 16.8 cm), Paintings, In this pictorial metaphor for a raga (a

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, dated A.H. 741/A.D. 1341, Attributed to Iran, Isfahan, Ink, opaque watercolor, and gold on paper, 6 5/8 x 9 1/8 in. (16.8 x

Design for a Haircomb, n.d., Pen and black ink, watercolor and gouache and metallic paint over graphite, 7 11/16 x 4 15/16 in. (19.5 x 12.6 cm), Jacques Caillot (French, 1823–1905

'Jonah and the Whale', Folio from a Jami al-Tavarikh (Compendium of Chronicles), ca. 1400, Attributed to Iran, Ink, opaque watercolor, gold, and silver on paper, H. 13 1/4 in. (33.7 cm), Codices, The story of Jonah and the Whale, mentioned

Valentia, Ireland, from the Harbor, Opposite Knight's-town, at the Period of Laying the Cable of 1857, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 9 7/16 × 14 3/4 in. (23.9 × 37.4 cm), Drawings, Robert Charles

Design for a Ceiling Decoration, 1800–1900, Watercolor, 8-1/2 x 9 in, Drawings, Anonymous, Italian, 19th century

Design for a Wall Decoration, ca. 1800, Watercolor, sheet: 9 1/8 x 12 1/2 in. (23.2 x 31.8 cm), Anonymous, British, 19th century

Design for Cabinet Pianoforte, François Premier Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

A Syce (Groom) Holding Two Carriage Horses, ca. 1845, Made in India, Calcutta, Opaque watercolor on paper, H. 12 in. (30.5 cm), Codices, attributed to Shaikh Muhammad Amir of Karraya (active 1830s–40s), Many of the East India Company

'The Lion king, With his Mother, Receives Dimna', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Tree II, 1934, Ink and watercolor on paper, 5 x 6 7/8 in. (12.7 x 17.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Design for a Ceiling Decoration, 1800–1900, Pencil and watercolor, 6-3/4 x 11-1/4 in (17.1 x 29.8 cm), Drawings

'The Attack on the Camel by the Lion, Crow, Wolf, and Jackal', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Monarda didyma/Scarlet Lion's Tail, ca. 1791 (?), Paper mosaic: cut piece of laid paper colored with watercolor, laid onto a supporting sheet colored entirely with black ink and marked with a white paper label, sheet: 11 3/4 x 8 1/2 in. (29.8 x

Page of Calligraphy from a Mantiq al-tair (Language of the Birds), dated A.H. 892/ A.D. 1486, Opaque watercolor and gold on paper, Codices

'King Sal Visits Kala Yavana', Folio from a Harivamsa (Legend of Hari (Krishna)), ca. 1590–95, Attributed to present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Page: 13 9/16 x 8 15/16 in. (34.4 x 22.7 cm),

Battle Scene, 13th century, Attributed to Probably Egypt, Opaque watercolor on paper, H. 5 1/2 in. (14 cm), Codices, This scene depicts a battle in which the central figure appears to be the only one who has not lost a limb. Severed heads,

'Black Buck', Folio from the Shah Jahan Album, recto: ca. 1615–20; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39 cm), Codices, Painting attributed to Manohar (active ca.

Fish Series, No. 2, 1917, Watercolor and graphite on paper, 8 x 10 in. (20.3 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Farming scene, 1780–1827, Watercolor, graphite, pen and ink, sheet: 6 x 10 3/16 in. (15.2 x 25.9 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Overmantel Picture with Diana, 19th century, Ink and watercolor, Anonymous, British, 19th century

Design for a Painted Ceiling, 1825–75, Watercolor, 6-3/8 x 9-3/8 in, Drawings, Anonymous, Italian, 19th century

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 7 15/16 x 10 11/16 in. (20.1 x 27.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Dining Room, Villa Barbaja, Naples, 1800–1870, Watercolor, sheet: 7 5/8 x 10 1/8 in. (19.4 x 25.7 cm), Drawings, Attributed to Anonymous, British, 19th century

Design for Old Testament Window, ca. 1870, Black pen and ink, colored washes, and watercolor, sheet: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm), Attributed to Dante Gabriel Rossetti (British, London 1828–1882 Birchington-on-Sea

Roman View, early 17th century, Watercolor over red chalk. Framing line in pen and black ink., Overall: 5 7/8 x 4 3/16 in. (15 x 10.6 cm), Drawings, Bartholomeus Breenbergh (Dutch, Deventer 1598–1657 Amsterdam

Design for Square Pianoforte, Grecian Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Studies for Decorative Arts Objects, 17th century, Pen and brown ink and grey watercolor, 6 11/16 x 14 in. (17 x 35.6 cm), Anonymous, German, 17th century

Stone Vessel Supported on Legs in the Form of Fauns, with a Metal Lid, second half 19th century, Ink and watercolor on tracing paper, sheet: 7 9/16 x 5 1/8 in. (19.2 x 13 cm), Anonymous, British, 19th century

Greenwich Hospital (recto); Study of a Building (verso), ca. 1831, Watercolor over graphite (recto); graphite (verso), on off-white wove paper, Sheet: 10 9/16 x 14 3/4 in. (26.8 x 37.5 cm), Drawings, David Cox (British, Birmingham 1783–1859

Design for “Woman in a Pergola with Wisteria” window, ca. 1915, Made in Queens, New York, New York, United States, American, Watercolor, pen and brown ink, and graphite on translucent paper adhered to artist board in original metallic

Design for a Mirror, 1841–1900, Graphite with touches of watercolor, sheet: 14 15/16 x 11 in. (38 x 28 cm), Charles Hindley and Sons (British, London 1841–1917 London

Hunting Scene, mid-16th century, Attributed to Iran, Ink, transparent watercolor, and gold on paper, H. 7 1/4 in. (18.4 cm), Codices

Road near La Côte-Saint-André, 1885, Watercolor over black chalk, 7 1/16 x 12 13/16 in. (17.9 x 32.5 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-Andr

Design for Stained Glass Window, 1908, Watercolor, pen and black ink over graphite, sheet: 10 1/4 x 9 3/4 in. (26.1 x 24.7 cm), Horatio Walter Lonsdale (British, 1844–1919

River at Norwich, early 19th century, Watercolor, Sheet: 12 3/4 × 18 3/4 in. (32.4 × 47.6 cm), Drawings, Anonymous, British, 19th century, Formerly attributed to Thomas Girtin (British, London 1775–1802 London

Design for a Glass Box with a Silver Base and Cover, 1820–65, Watercolor and gouache on beige paper, sheet: 10 5/8 x 17 1/16 in. (27 x 43.3 cm), George Richards Elkington (British, Birmingham 1801–1865 Denbinghshire

John Munn of Utica, ca. 1854, Ink and watercolor, Sheet: 10 3/16 x 14 9/16 in. (25.8 x 37 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

The Barber's Shop, ca. 1803, Pen and ink, with watercolor, sheet: 9 3/8 x 13 1/4 in. (23.8 x 33.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London), After Sir Henry William Bunbury (British, Mildenhall, Suffolk

Lock from Elaborate Dresson de Sacristy, now in the Hotel de Clugny, ca. 1880, Graphite, ink and watercolor on tracing paper, sheet: 6 9/16 x 6 15/16 in. (16.7 x 17.6 cm), Richardson Ellson & Co. (British

Interior with a Woman Writing and Sewing, 19th century, Watercolor, sheet: 8 5/8 x 15 in. (21.9 x 38.1 cm), Drawings, Daughters of Bishop Parr (British, 19th century

'The King of the Hares in Counsel with his Subjects', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

A Woman, Followed by Her Servant, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Design for an Altar with a Variant, 18th century, Graphite, pen and black ink, watercolor, sheet: 11 3/4 x 6 7/16 in. (29.9 x 16.3 cm), Attributed to Anonymous, German, 18th century

Design for Fancy Child's Cot, 1830–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Tracery and Church Ornament, second half 19th century, Graphite and watercolor, sheet: 15 1/16 x 1074 in. (38.2 x 2728 cm), Anonymous, British, 19th century

Peasant holding a broom, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 5/8 x 7 11/16 in. (39.7 x 19.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Oriental Scene, 1838, Watercolor over traces of graphite on cardboard, sheet: 12 3/16 x 9 1/16 in. (31 x 23 cm), Drawings, David Roberts (British, Stockbridge, Scotland 1796–1864 London

Plan for a Menagerie, ca. 1783, Pen and black ink, watercolor, 20 5/8 x 17 15/16 in. (52.4 x 45.6 cm), Charles Percier (French, Paris 1764–1838 Paris

Design for One Eighth of an Illusionistic Ceiling of a Dome, 1700–1780, Pen and gray ink, brush and watercolor, over graphite, with ruled construction, 9 3/4 x 9 13/16 in. (24.8 x 24.9 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

Landscape with rushing stream and a couple on the bank, frightened by a snake, 1775–1827, Pen and ink, with watercolor, sheet: 13 1/4 x 18 in. (33.7 x 45.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

'The Prince Having been Proclaimed King is Paraded Through the City on a White Elephant', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high

'Alexander and the Circle of Seven Sages', Folio from a Khamsa (Quintet) of Nizami, 15th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Image 5 5/8 in x 8 3/4 in., Codices

Herd of deer under an oak tree, 1775–1827, Pen and brush, red and gray watercolor, sheet: 8 5/8 x 11 1/2 in. (21.9 x 29.2 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Design for an Organ Case for Saint Saviour's Church, Chelsea, London, 1890, Pen and ink, wash, watercolor, and gouache, over graphite, Ernest Geldart (British, London 1848–1929

Watermill, ca. 1870, Watercolor, sheet: 9 5/8 x 9 5/16 in. (24.4 x 23.6 cm), Drawings, Ernst Erwin Oehme (German, Dresden 1831–1907 Dresden

A Woman Kneeling Selling Produce, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Allegory of Victory: Soldier Being Crowned by Laurels, ca. 1814, Watercolor with touches of gouache, sheet: 10 13/16 x 8 1/2 in. (27.5 x 21.6 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Un Mari qu'on Aime, n.d., Black chalk, watercolor, and gouache, Oval sheet: 14 1/8 x 17 13/16 in. (35.9 x 45.3 cm), Drawings, Paul-Émile-Anthony Morlon (French, Sully-sur-Loire, 1845–1905

Unwan from the Shah Jahan Album, recto: ca. 1630–40; verso: ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, A manuscript often opened with an 'unwan, a sumptuous double-page

Panel of Ornament, possibly Metalwork, second half 19th century, Ink and watercolor on tracing paper, sheet: 12 9/16 x 7 5/8 in. (31.9 x 19.4 cm), Anonymous, British, 19th century

Hab.t de Rome from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Drawing of the 'Koh-I-Noor Diamond', 1851, Watercolor and gold paint over graphite, sheet: 9 3/4 x 12 13/16 in. (24.8 x 32.6 cm), R. S. Garrard & Co. (British, founded 1730

Girl Playing Croquet, 1904–1935, Watercolor with gum arabic, sheet: 14 9/16 x 9 1/4 in. (37 x 23.5 cm), Drawings, William Stephen Coleman (British, 1829–1904

Plan of a Greek House, 1800–1900, Pen and watercolor, 6-3/8 x 9-1/4 in, Drawings, Anonymous, Italian, 19th century

Design for Hanging Shelves, 1840–99, Ink, watercolor and gouache, Anonymous, British, 19th century

Harbor scene with the tide out, and beached boats, 1775–1827, Pen and ink, with watercolor, sheet: 10 1/2 x 16 1/4 in. (26.7 x 41.3 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Study of a Thistle, before 1822, Watercolor and gouache over graphite on buff-colored paper, Sheet: 17 7/16 x 11 13/16 in. (44.3 x 30 cm), Drawings, James Sowerby (British, London 1757–1822 London), The Sowerbys were an English family of

Design for the Entrance to a Chapel, 1700–1780, Pen and gray ink, brush and watercolor, over lead point. Scale at bottom in pen and gray ink, 13-9/16 x 9 in. (34.5 x 22.9 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

View of the Colosseum from the Basilica of Domitian and the Flavian Palace, Rome, 1864, Watercolor over graphite, lightly squared in graphite, Overall: 10 1/16 x 14 1/2in. (25.6 x 36.8cm), Drawings, Henri-Joseph Harpignies (French,

The Cliffs, Foilhummerum Bay, Valentia, the Point at Which the Shore-end of the Cable was Landed on July 22nd, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 6 7/16 × 9 5/16 in. (16.4 × 23.6 cm), Drawings, Robert

View of Milan, 1820–84, Graphite with watercolor, 3 7/8 x 4 13/16 in. (9.9 x 12.2 cm), Drawings, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden

Allegorical Design for a Ceiling Fresco., 1650–1700, Pen and brown ink, brush and watercolor, over black chalk or leadpoint, 10 7/16 x 28 9/16 in. (26.5 x 72.5 cm), on two glued sheets of paper., After Francesco Albani (Italian, Bologna

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