Images at Librifly

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A Grasshopper and a Bee, 17th century (?), Pen and black ink, gray wash, gouache, and watercolor, sheet: 3 5/16 x 2 5/16 in. (8.4 x 5.8 cm), Drawings, Anonymous, Dutch, 17th century

'Devotional Scene', Folio from the Bellini Album, ca. 1600, Attributed to The Netherlands, Ink, opaque watercolor, and gold on paper, H. 7 1/2 in. (19.1 cm), Codices

Design for a Mirrored Cabinet and a Set of Corner Shelves, 19th century, Ink, watercolor and gouache, Anonymous, British, 19th century

Design for a Fancy Table, Louis Quatorze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

The Virgin and Saints Interceding before Christ for the Souls of the Lost, 1771 or before, Pen and black ink, watercolor and gouache on laid paper, Sheet: ca. 26 x 17 11/16 in. (66 x 45 cm), Drawings, Johann Baptist Enderle (German, Ulm

Design for Stained Glass Windows, 19th century, Pen and black and brown ink, with touches of watercolor, over graphite, sheet: 7 1/8 x 4 in. (18.1 x 10.2 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Visitation, 1768–1837, Brush with dark grey and black watercolor/gouache wash and pen and brown ink, highlighted with brush and white gouache on grey-washed off-white paper cut into shape, with domed top. Composition outlined in pen and black

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Design for Stained Glass Window, 1885, Watercolor, pen and brown ink, sheet: 11 11/16 x 7 1/4 in. (29.7 x 18.4 cm), Horatio Walter Lonsdale (British, 1844–1919

Designs for Furniture, ca. 1800–ca. 1840, Pen and black ink, graphite, and watercolor., 11 1/8 x 12 1/4 x 1 13/16 in. (28.3 x 31.1 x 4.6 cm), Pierre Antoine Bellangé (French, Paris 1758–1827 Paris), Louis-Alexandre Bellangé (French,

Study of a Rock, early 19th century, Watercolor and gouache over graphite on buff-colored paper, sheet: 5 5/8 x 8 3/4 in. (14.3 x 22.2 cm), Drawings, Anonymous, British, early 19th century

Elevated Railroad, Broadway, New York, 1861, Watercolor over graphite, sheet: 25 1/2 x 35 13/16 in. (64.8 x 90.9 cm), Drawings, J. Beigel (American, 19th century

North Front and Second Floor Plan of John Munn House, Utica, New York, 1854, Ink and watercolor, Sheet: 14 3/8 x 9 3/4 in. (36.5 x 24.8 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Design for a Four-poster Bed with Draperies, 1840–99, Ink, watercolor, wash and graphite, sheet: 16 1/4 x 13 in. (41.3 x 33 cm), Anonymous, British, 19th century

The Albany Buoying a Bight of the Cable of 1865 on the Night of August 26th, 1866, 1866, Watercolor with touches of gouache, Sheet: 8 1/8 x 12 13/16 in. (20.6 x 32.5 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

Divan (Collected Works) of Jami, ca. 1480, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper; leather binding, 10 x 6in. (25.4 x 15.3cm), Codices, This manuscript is signed by a member of the renowned al?Khwarazmi family

Study of Three Old Gnarled Trees, 1660, Watercolor and gray wash, sheet: 9 15/16 x 9 5/16 in. (25.2 x 23.7 cm), Drawings, Jan Siberechts (Flemish, Antwerp 1627–ca. 1703 London

Design for an Oak Font, late 19th–early 20th century, Graphite, pen and ink and watercolor, sheet: 13 7/8 x 3 3/4 in. (35.3 x 9.5 cm), Ernest Geldart (British, London 1848–1929

Soldier, first half 20th century, Graphite, gouache, watercolor, green colored pencil, traces of graphite framing lines, sheet: 16 1/4 x 9 3/16 in. (41.2 x 23.4 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Section from the 'Qur'an of `Umar Aqta', late 14th–early 15th century (before 1405), Attributed to present-day Uzbekistan, Samarqand, Ink, opaque watercolor, and gold on paper, H. 19 1/2 in. (49.5 cm), Codices, This fragment of a page

Design for a Stole, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 13 13/16 x 6 1/4 in. (35.1 x 15.9 cm), Ernest Geldart (British, London 1848–1929

Deer in Landscape, 1810–75, Watercolor on wove paper, Sheet: 7 1/2 x 9 7/16 in. (19 x 23.9cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

'Journey of the Prophet Muhammad', Folio from the Majma al-Tavarikh (Compendium of Histories), ca. 1425, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 16.87 in. high 13.00 in. wide (42.8 cm high 33

Design for a Chimneypiece Made from an Old Altarpiece, 19th century, Ink and watercolor, sheet: 14 9/16 x 11 7/8 in. (37 x 30.2 cm), Anonymous, British, 19th century

Costume Design for 'Officiers du duc Frédéric' [a]; Descriptive Sheet of Costume Accessories [b], 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 7/16 in. (31.4 x 23.9 cm), Drawings, Charles Bianchini (French,

'Shah Jahan on Horseback', Folio from the Shah Jahan Album, verso: ca. 1630; recto: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Payag (Indian, active ca.

Lea Castle, Worcestershire, View in Bower, looking North, ca. 1816, Watercolor, sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm), Attributed to John Carter (British, London 1748–1817 London

'Preparing for the Pantomime', 1836–64, Watercolor, pen and brown ink over graphite, Sheet: 6 7/16 x 3 7/8 in. (16.3 x 9.8 cm), Drawings, John Leech (British, London 1817–1864 London

Cabinet Design with Central Shelves, 19th century, Graphite and watercolor on tracing paper, sheet: 4 13/16 x 5 1/8 in. (12.2 x 13 cm), Anonymous, British, 19th century

Design for Skylight, New University Club, 19th century, Pen and brown ink, watercolor over graphite, sheet: 14 x 17 in. (35.6 x 43.2 cm), John Dibblee Crace (British, London 1838–1919 London

Design for Stained Glass with Marine Motifs, 19th century, Graphite, ink and watercolor, sheet: 18 3/8 x 14 9/16 in. (46.7 x 37 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Au Choix Design for a Ceiling, n.d., Pen and black ink, brush with gray wash and watercolor, over graphite. Measurement scale drawn along lower border, sheet: 10 3/8 x 6 11/16 in. (26.3 x 17 cm), Anonymous, Italian, first half of the 18th

Hab.t de la Corse from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Scene from 'My Aunt Margaret's Mirror' (Keepsake Story by Sir Walter Scott), ca. 1828, Watercolor, Sheet: 7 5/8 x 5 7/16 in. (19.4 x 13.8 cm), Drawings, John William Wright (British, London 1802–1848 London

Frieze of Figures and Birds, 19th century, Graphite with ink, watercolor and gilding, sheet: 8 1/4 x 17 in. (21 x 43.2 cm), Drawings, Rev. Geoffrey Liddell Johnstone (British, 19th century

Semi-Circular Design with Grotesques and a Central Medaillon containing a Landscape, 18th century, Pen and gray ink, brush with gray, red green, pink and blue watercolor over traces of lead on cream laid paper. Framing outlines in pen and gray

Red, Black and Gold Drapes, etc., late 19th–early 20th century, Graphite, pen and ink with watercolor, sheet: 19 1/2 x 9 1/2 in. (49.5 x 24.1 cm), Ernest Geldart (British, London 1848–1929

Design for three windows, ca. 1894–1922, Made in New York, United States, American, Watercolor, gouache, brown ink, and graphite, Overall: 14 1/16 x 21 15/16 in. (35.7 x 55.8 cm), Drawings, Possibly Tiffany Glass and Decorating Company

'Buzurgmihr Masters the Game of Chess', Folio from a Shahnama (Book of Kings), ca. 1300–30, Made in Iran or Iraq, Ink, opaque watercolor, and gold on paper, Painting: H. 1 15/16 in. (4.9 cm), Codices, The text of the Shahnama has its own

Design for the Ceiling of a Bedchamber at Goodwood House, Sussex, ca. 1800, Ink and watercolor over graphite, sheet: 20 1/4 x 14 3/16 in. (51.5 x 36 cm), James Wyatt (British, Weeford, Stafforshire 1746–1813 near Marlborough, Wiltshire

Christian Inspiration, 19th century, Pastel over watercolor, gouache, on cream-colored paper, Image: 18 5/8 x 23 1/2 in. (47.3 x 59.7 cm); sheet: 19 5/8 x 24 3/16 in. (49.9 x 61.4 cm), Drawings, Pierre Puvis de Chavannes (French, Lyons

Bifolium from a Qur'an, late 9th–10th century, Attributed to Central Islamic Lands or North Africa, Ink, opaque watercolor, and gold on parchment, 9 1/8 x 25 5/16 in. (23.2 x 64.3 cm), Codices, This double folio was once bound in a

'Death of Farud', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, Page: 8 x 4 7/8 in. (20.3 x 12.4 cm), Codices, The Shahnama is filled with

Architectural Project based on the Pantheon, ca. 1847, Pen and ink, brush and watercolor, sheet: 30 1/4 x 40 in. (76.8 x 101.6 cm), Drawings, Ahlsned (Scandinavian, active ca. 1847

'Rescue of Bizhan by Piran', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, Page: 7 7/8 x 4 3/4 in. (20 x 12.1cm), Codices, During the reign of

Demons Fighting Over an Animal Limb, late 17th century, India (Rajasthan, Bikaner or the Deccan), Ink, opaque watercolor, and gold on paper, 11 9/16 x 7 5/16 in. (29.4 x 18.6 cm), Paintings, In this painting, set in a fantastic landscape

'How Rustam Found a Spring', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Text block: 6 1/16 x 4 13/16 in. (15.4 x 12.2 cm),

Meeting of a Prince and Poet, mid-16th century, Attributed to Iran, Tabriz, Ink, opaque watercolor, silver, and gold on paper, Page: H. 13 5/8 in. (34.6 cm) , Codices, This unfinished work depicts the meeting of a noble young horseman and

Design drawing of of lotus blossom of floral capital from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

'Rustam Captures the Horse Rakhsh', Folio from a Shahnama (Book of Kings), late 15th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 12 3/8 in. (31.4 cm), Codices

Working drawing for 'Fruit' shade, 1900–1915, Made in New York, United States, American, Watercolor and graphite on linen cloth mounted on off-white wove paper, 15 5/8 x 12 5/8 in. (39.7 x 32.1 cm), Drawings, Possibly Tiffany Glass and

Eye of Maria Miles Heyward, ca. 1802, Watercolor on ivory, 3/8 in. (1 cm), Paintings, Edward Greene Malbone (1777–1807), Emily Drayton Taylor (q.v.) had this work in her possession and copied it

Design for a window, Mr. J.C. Meredith, St. Paul's Cathedral, London, Ontario, Canada, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and dark orange and black inks, and graphite on off-white

Design for room interior, late 19th–early 20th century, Made in New York, United States, American, Watercolor, ink and graphite on paper, mounted on board, Drawing: 22 × 30 in. (55.9 × 76.2 cm), Drawings, Possibly Tiffany Glass and

A Janissary 'of War' with a Lion, ca. 1577–80, Watercolor, gouache, gold paint, gum arabic, and burnishing, 11 1/8 x 8 13/16in. (28.2 x 22.4cm), Drawings, Jacopo Ligozzi (Italian, Verona 1547–1627 Florence

Shri Raga: Folio from a ragamala series (Garland of Musical Modes), mid-17th century, India (Rajasthan, Bundi), Ink and opaque watercolor on paper, 8 1/4 x 4 3/4 in. (20.9 x 12.1 cm), Paintings, Here the ruler is seen playing a rudra vina,

Snowdon from Llyn Nantlle, North Wales, 1832, Graphite and watercolor with gum, sheet: 7 7/8 x 11 3/4 in. (20 x 29.8 cm), Drawings, George Fennel Robson (British, Durham 1788–1833 London), Every summer, Robson explored the wilder corners

Mrs. James Bleecker (Sarah Bache), ca. 1795, Watercolor on ivory, 2 1/8 x 1 3/8 in. W (5.4 x 3.5 cm), Paintings, John Ramage (Ireland ca. 1748–1802 Montreal), Sarah Bache (1774-1852) married James Bleecker after the death of her sister

The Honey Moon (The English Dance of Death, plate 13), August 1, 1814, Etching and aquatint with watercolor, image: 4 13/16 x 8 1/16 in. (12.3 x 20.4 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

'Battle between Alexander and Darius', Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Painting: H. 7 3/8 in. (18.7 cm), Codices, This razm

Mahavira Distributes Wealth: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519), India (Gujarat), Ink, opaque watercolor, and gold on paper, 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings

Design for a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, graphite, and POP (print out paper) photograph on wove paper, Overall: 12 5/8 x 8 15/16 in. (32 x 22.7 cm), Drawings,

The Monkey Leader Angada Steals Ravana's Crown from His Fortress, ca. 1725, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, 22 5/16 x 33 in. (56.7 x 83.8 cm), Paintings, Attributed to Manaku (active ca. 1725–60), This scene

God Judging Adam, ca. 1795, Relief etching, printed in color and finished with pen and ink and watercolor, sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm), Prints, William Blake (British, London 1757–1827 London), A nude and aged Adam, newly

'Laila and Majnun at School', Folio from a Khamsa (Quintet) of Nizami, A.H. 835/ A.D. 1431–32, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: H. 12 5/16 in. (31.3 cm), Codices, This splendid

Divan (Anthology) of Hafiz, last quarter 18th century, Attributed to India, Kashmir, Opaque watercolor, gold, and ink on paper, H. 7 1/4 in. (18.4 cm), Codices

Study of Magnolia Blossom, ca. 1891, Made in New York, New York, United States, American, Graphite and watercolor on brown wove paper, Overall: 13 1/4 x 11 in. (33.7 x 27.9 cm), Drawings, Tiffany & Co. (1837–present

Les fêtes vénitiennes, after 1759, Watercolor and gouache over pen and brown ink, 8 1/16 x 5 15/16 in. (20.5 x 15.1 cm), Drawings, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris

Interior of the Baths at Caracalla, ca. 1780, Etching, with watercolor and gouache, Mat: 31 1/8 × 23 1/4 in. (79 × 59 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon

Krishna with an Ascetic, ca.1850, India (Maharashtra, Marathi), Ink and opaque watercolor on paper, 11 1/2 x 6 7/16 in. (29.2 x 16.4 cm), Paintings, Krishna converses with an emaciated ascetic while crowds of onlookers observe the auspicious

Design Drawing for Perfume Container Exhibited at 1893 Columbian Exposition in Chicago, ca. 1893, Made in New York, New York, United States, American, Watercolor over graphite on grey cardboard, Drawing: 4 3/8 x 2 1/16 in. (11.1 x 5.2 cm),

A Prince Hunting Boars with His Retinue, late 18th–early 19th century, Western India, Rajasthan, Jhilai, Ink, opaque watercolor, and gold on paper, 11 3/8 x 15 7/8 in. (28.9 x 40.3 cm), Paintings, The distinctive style of painting that

'Rustam Overpowers the King of Hamavaran', Folio from a Shahnama (Book of Kings), late 15th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Image: H. 10 1/2 in. (26.7 cm), Codices

Catafalque for the Empress Catherine the Great of Russia (Front Elevation)., 1796, Pen and gray-black ink, brush and watercolor, over traces of graphite of leadpoint, sheet: 28 1/4 x 23 3/8 in. (71.7 x 59.4 cm), Vincenzo Brenna (Italian,

Watercolor of musician playing bowed qin(?), late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Jewish Woman of Algiers Seated on the Ground, ca. 1846, Watercolor over graphite on wove paper (trimmed and laid down on blue wove paper), Sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.2cm), Drawings, Théodore Chassériau (French, Le Limon,

Design Drawing, ca. 1893, Made in New York, New York, United States, American, Watercolor and graphite on off-white board, 24 3/8 x 19 in. (61.9 x 48.3 cm), Drawings, Tiffany & Co. (1837–present

Needlework picture, 1820, Made in New York, New York, United States, American, Silk thread on silk ground with watercolor paint, 45 x 35 in. (114.3 x 88.9 cm), Textiles, Anna Matilda Curtis (1802–39

Design for a seven lancet window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and brown ink, and graphite on artist board, 24 7/16 x 15 1/2 in. (62 x 39.4 cm), Drawings, Possibly Tiffany

The Siege of Ujjain and the Magic She-Ass: Folio from the Kalakacarya Section of a Kalpasutra Manuscript, 16th century, India (Gujarat), Ink, opaque watercolor, and gold on paper, Overall: 4 1/2 x 11 1/4 in. (11.5 x 28.6 cm), Paintings, This

View of Weinheim on the River Neckar, 1800–1818, Black chalk, pen and brown ink, watercolor, over graphite. Framing line in pen and black over brown ink, sheet: 10 3/4 x 10 7/8 in. (27.3 x 27.6 cm), Drawings, Carl Philipp Fohr (German,

A Lady Walking at Night Holding an Oil Lamp, ca. 1725, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 5 5/8 x 2 5/8 in. (14.3 x 6.7 cm), Paintings

Design for wall fixture, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and graphite on off-white lightweight board, Overall: 22 1/16 x 14 in. (56.1 x 35.5 cm), Drawings, Possibly Tiffany

Le Jardin des Plantes, Descriptions et Moeurs des Mammiferes, 1842, Engraving, wood engraving, lithography and watercolor, Overall: 10 11/16 x 7 1/2 x 1 15/16 in. (27.2 x 19 x 5 cm), Books

'Alexander is Lowered into the Sea', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: Ink, watercolor, gold on paper, 9 3/8 x 6 1/4in. (23.8 x 15.9cm), Codices, Painting attributed to

Design Drawing, ca. 1898–99, Made in New York, New York, United States, American, Watercolor and graphite on paper, 11 3/8 x 16 in. (28.9 x 40.6 cm), Drawings, Tiffany Glass and Decorating Company (American, 1892–1902), This drawing is

King Siddharta Listens to an Astrologer Forecast the Conception and Birth of His Son, the Jina Mahavira: Folio from a Kalpasutra Manuscript, late 14th century, India (Gujarat), Opaque watercolor on paper, 3 3/8 x 13 13/16 in. (8.6 x 35.1 cm),

Watercolor of musician playing ruan(?), late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Mrs. John Wood Dodge (Mary Louise Dodge), 1836, Made in United States, Watercolor on ivory, 4 3/4 x 3 5/8 in. (12.1 x 9.2 cm), Paintings, John Wood Dodge (1807–1893), The subject was the artist's wife and cousin

Ragini Des Variri: Page from a Dispersed Ragamala Series (Garland of Musical Modes), ca. 1680, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 7 1/4 x 6 in. (18.4 x 15.2 cm), Paintings

'A Bathhouse Keeper is Consumed by Passion for his Beloved', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Made in present-day Pakistan, Lahore, Main support: Ink, opaque watercolor and gold on paper, Image: H. 10 in. (25.4

Small Boy Wearing a Black Hat Holding a Heart, 18th century, Cut paper with gouache and watercolor, in a wood and gilt-metal frame, Overall: 2 9/16 x 2 9/16 in. (6.5 x 6.5 cm), Cut Paper, Anonymous, Austrian, 18th century

'Khusrau Seated on his Throne', Folio 64 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: H. 12 5/8 in. (32.1 cm), Codices, Painting by

Cottage Residences; or a Series of Designs for Rural Cottages and Cottage-Villas, and Their Grounds, Adapted to North America, 1842, Illustrations: wood engraving with watercolor tipped in, 9 1/2 x 6 3/16 x 1 in. (24.2 x 15.7 x 2.5 cm

'Rustam's Seventh Course: He Kills the White Div', Folio from a Shahnama (Book of Kings), 1666–67, Attributed to Iran, Isfahan, Ink, opaque watercolor, silver, and gold on paper, 13.56 in. high 8.75 in. wide (34.5 cm high 22.2 cm wide),

Vishnu as Varaha, the Boar Avatar, Slays Banasur, A Demon General: Page from an Unknown Manuscript, ca.1800, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, Overall: 12 1/2 x 9 1/2 in. (31.8 x 24.1 cm), Paintings, Vishnu

'Bahram Gur Entertained by the Daughters of Barzin', Folio from a Shahnama (Book of Kings), 1300–1330, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Text block: 6 3/16 x 4 13/16 in. (15.7 x

'Gustaham Kills Lahhak and Farshidvard', Folio from a Shahnama (Book of Kings), ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Text block: 6 3/16 x 5 in. (15.7 x 12.7 cm),

Design for a mosaic or a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and graphite on textured white wove paper mounted to warm grey matt board, Overall: 15 3/4 x 6 15/16 in. (40 x

The Atlantic Telegraph Cable Fleet Assembled at Berehaven (Southwest Coast of Ireland): Ships, the Great Eastern, H.M.S. Terrible, the Alby, the Medway and the William Cory, 1866, Watercolor over graphite with touches of gouache, Sheet: 12

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