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'Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 6 11/16 in. (17 cm), Codices, The

Designs for McCormick Windows, 1922, Made in New York, United States, American, Watercolor sketching boards with window-shaped mounts with text in graphite, 2 5/8 x 8 5/8 in. (6.7 x 21.9 cm), Drawings, Tiffany Studios (1902–32), One of a

Williams Middleton, ca. 1752–58, Watercolor on ivory, Oval: 1 1/2 x 1 in. (3.8 x 2.5 cm), Paintings, Mary Roberts (died 1761 Charleston, South Carolina), The English émigré Mary Roberts was the first known miniaturist in the American

Krishna Slays Bakasura, the Crane Demon: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu)), 1800–1825, India, Ink and opaque watercolor on paper, 13 7/8 x 8 1/4 in. (35.2 x 21 cm), Paintings, The gopas (cowherds) of

Design for medallion window for the American College of Surgeons, Chicago, IL, 1923–26, Made in New York, United States, American, Watercolor, gouachem pen and black and brown India inks, and graphite on off-white wove paper, 24 1/8 x 12

Design for a Bangle, early 19th century, India (Pahari Hills), Ink and translucent watercolor on paper, Image (sight): 4 1/4 x 4 5/8 in. (10.8 x 11.7 cm), Paintings

Prince with Four Attendants, late 18th–early 19th century, India (Rajasthan), Ink and opaque watercolor on paper, Overall: 11 9/16 x 8 9/16 in. (29.4 x 21.8cm), Paintings, Sri Prathi Singh of Ratlam (Indian

The Goddess Durga Slaying an Enemy; Page from a Dispersed Markandeya Purana (Stories of the Sage Markandeya), 1650–60, India, Ink and opaque watercolor on paper, 4 3/16 x 5 1/2 in. (10.6 x 14 cm), Paintings

Fireworks Display for the Convalescence of Louis XV, 1726, Pen and gray and brown ink, brush and gray wash, with watercolor, over black chalk, 14 3/4 x 14 7/8 in. (37.5 x 37.8 cm), Drawings, Jacques de Lajoüe (French, Paris 1686–1761

'Rustam Seizes Afrasiyab by the Girdle and Lifts him from the Saddle', Folio from a Shahnama (Book of Kings), ca. 1430–40, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, 7.5 in. high 7.62 in. wide (19.1 cm high

Design for hanging light fixture, late 19th–early 20th century, Made in New York, United States, American, Watercolor, colored pencil, and graphite on tan wove paper with vertical grain direction, Overall: 22 1/8 x 15 1/16 in. (56.3 x 38.3

The Twenty Tirthankaras: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519), India (Gujarat), Ink, opaque watercolor, and gold on paper, 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings

Krishna at the Feet of Radha: Page from a Dispersed Rasikapriya, 1634, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, Image: 7 1/4 × 5 1/2 in. (18.4 × 14 cm), Paintings, The Rasikapriya passage illustrated shows Radha

Suggestion for Window, ca. 1910–20, Made in New York, United States, American, Gouache and watercolor over silver gelatin photograph collage and watercolor, pen and black India ink, and graphite on wove paper support:, 16 9/16 x 11 13/16

Design for a corner of a rug for the Curtis Publishing Co., late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and ink, and graphite on artist board, 21 5/8 x 29 7/16 in. (55 x 74.8 cm), Drawings,

Design for Ceiling of Ladies' Dressing Room at the Pantheon, Oxford Street, London, ca. 1770, Ink and watercolor over graphite, sheet: 20 1/4 x 14 3/16 in. (51.5 x 36 cm), James Wyatt (British, Weeford, Stafforshire 1746–1813 near

Madhumadhavai Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes), ca. 1640–50, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 10 1/2 x 7 7/8 in. (26.7 x 20 cm), Paintings, The text of this Ragini tells

A Lady and Her Duenna: Page from a Dispersed Rasikapriya (Lover's Breviary), 1685–92, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, Overall: 9 1/2 x 5 5/8 in. (24.1 x 14.3 cm), Paintings, Ibrahim

Painting, Meiji period (1868–1912), 19th century, Japan, Album of seventeen sketches; watercolor on paper; mounted on natural silk, Image: 11 x 14 in. (27.9 x 35.6 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Portrait of a Lady, ca. 1845, Made in United States, Watercolor on ivory, Framed: 3 x 2 1/4 in. (7.6 x 5.7 cm), Paintings, Daniel F. Ames (1803–1886

The First Babe, 1872, Watercolor, Overall: 14 1/8 x 17 1/2 in. (35.9 x 44.5 cm), Drawings, Jean-Georges Vibert (French, Paris 1840–1902 Paris

'The Eavesdropper', Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 8 7/8 in. (22.5 cm),

'Luhrasp Hears from the Returning Paladins of the Vanishing Kai Khusrau', Folio from a Shahnama (Book of Kings) of Firdausi, 1576–77, Made in Iran, Qazvin, Ink, opaque watercolor, and gold on paper, H. 18 1/2 in. (47 cm), Codices,

Mahavira in Puspottara Heaven: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519), India (Gujarat), Ink, opaque watercolor, and gold on paper, 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings

Queen Nefertari being led by Isis, New Kingdom, Ramesside, Dynasty 19, ca. 1279–1213 B.C., Original from Egypt, Upper Egypt, Thebes, Valley of the Queens (Biban el-Malikat), KV 66 (Tomb of Nefertari), Facsimile by Charles K. Wilkinson,

'Khusrau Catches Sight of Shirin Bathing', Folio 50 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: H. 12 5/8 in. (32.1 cm), Codices,

Radha and Krishna on a Bed at Night, ca. 1830, India (Punjab Hills, Sirmur), Ink and opaque watercolor on paper, 7 3/8 x 9 3/4 in. (18.7 x 24.8 cm), Paintings

Bairadi Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1605–6, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 8 1/4 x 6 1/8 in. (21 x 15.6 cm), Paintings, In this image lovers quarrel and the bedchamber

'Rustam Saved by his Horse Rakhsh from an Attacking Lion', Folio from a Shahnama (Book of Kings), late 15th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 12 in. (30.5 cm), Codices

“Royal Hunt, ” folio from a Mahabharata, 1800–1850, Western India, Maharashtra, Paithan or northern Karnataka, Ink and opaque watercolor on paper, 12 1/4 x 17 1/8 in. (31.1 x 43.5 cm), Paintings, The numerous battles that feature in the

Two Court Ladies with Fireworks, ca. 1725, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 6 11/16 x 2 7/8 in. (17 x 7.3 cm), Paintings

Villa for Robert Donaldson, Fishkill Landing, New York (perspective and plans), 1834, Watercolor, sheet: 13 x 10 in. (33 x 25.4 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Krishna and Radha, Page from a Dispersed Rasikapriya (Verses Celebrating Aspects of Love), ca. 1660–70, India (Rajasthan, Bundi), Ink, opaque watercolor, and gold on paper, Image: 12 3/8 in. × 7 in. (31.4 × 17.8 cm), Paintings, Krishna

Suggestion for Decoration of Hershey Community Theater, Hershey, PA, ca. 1915, Made in New York, United States, American, Watercolor, gouache, pen and black ink, aluminum paint, and graphite on artist board with original shaped window mat,

Krishna and Radha Conversing: Page from a Dispersed Gita Govinda (Loves of Krishna), 18th century, India (Orissa), Ink and opaque watercolor on paper, 8 3/4 x 5 1/4 in. (22.2 x 13.3 cm), Paintings, Krishna and Radha sit conversing on opposite

'Rustam Slays the White Elephant', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 12 5/8 x 8 1/2in. (32.1 x 21.6cm), Codices

Design drawing of flower buds and seedpods of floral capitals from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

Portrait of Muhammad Khan Shaibani, the Uzbek (d0), 16th century, Attributed to present-day Uzbekistan, Bukhara, Opaque watercolor and gold on paper, Painting: H. 5 1/2 in. (14 cm), Codices, This painting, considered a portrait of the

'Bahram Gur in the Yellow Palace on Sunday', Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 7 1/2 in. (19.1 cm),

Unidentified Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1610, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 6 5/8 × 9 3/4 in. (16.8 × 24.8 cm), Paintings, A nobleman is about to lose his

A Portal of a Church, first half 19th century, Pen and brown ink, watercolor, heightened with white gouache, sheet: 12 5/8 x 10 5/8 in. (32 x 27 cm), Drawings, Ernst Ferdinand Oehme (German, Dresden 1797–1855 Dresden

Reproduction of the 'Shield frieze' fresco, Late Helladic IIIA-B, ca. 1325–1250 B.C., Mycenaean, watercolor on paper, Overall: 39 1/2 x 32 in. (100.3 x 81.3 cm), Excavated 1910 in the Inner Forecourt of the Tiryns palace.. The original

Malkos Raga: Page from a Dispersed Ragamala Series (Garland of Musical Modes), ca. 1640–50, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 10 3/8 x 8 in. (26.4 x 20.3 cm), Paintings, This painting perfectly illustrates the

A Female Musician Charms an Antelope, ca. 1825, Western India, Rajasthan, Kota, Ink and opaque watercolor on cloth, 9 7/8 x 7 3/4 in. (25.1 x 19.7 cm), Paintings, The rugged, inhospitable terrain of Rajasthan, a favorite setting for Kota

'Rustam Shoots Isfandiyar in the Eye', Folio from a Shahnama (Book of Kings), ca. 1330–40, Made in Iran, probably Isfahan, Ink, opaque watercolor, and gold on paper, Painting: 1 3/4 x 2 in. (4.4 x 5.1 cm), Codices

Folk Painting, 1725, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 7 7/8 x 5 11/16 in. (20.0 x 14.4 cm), Paintings

Maharana Amar Singh II or Sangram Singh Hunting Wild Boar, 19th century, Western India, Rajasthan, Udaipur, Ink and opaque watercolor on paper, 15 3/8 x 10 5/16 in. (39.0 x 26.2 cm), Paintings, This painting, which depicts one of two eminent

Portrait of Thakur Utham Ram, ca. 1760, India (Rajasthan, Jhilai), Ink, opaque watercolor, and silver on paper, 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm), Paintings, Like many portraits of the Rajput elite, this depiction of Thakur Utham Ram

Four designs for glass ceiling panels, 1895–1920, Made in New York, United States, American, Watercolor, gouache and graphite on wove paper [original presentation matt missing], Overall (A): 17 5/8 x 7 5/8 in. (44.8 x 19.4 cm), Drawings,

Villa Farnese, ca. 1780, Etching, with watercolor and gouache, Mat: 32 1/4 × 23 1/2 in. (81.9 × 59.7 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne

The Watzmann seen from the North-East, and Some Sketches of a Mountain; verso: Sketch of the Church of Sankt Bartholomä at the Königsee at the foot of the Watzmann Seen from the East, 1820–22, Watercolor over a sketch in charcoal; verso,

Four Love Scenes and a Landscape: Page from a Dispersed Raskapriya, ca. 1700, India (Rajasthan, Bundi), Ink and opaque watercolor on paper, Image: 11 1/4 × 7 7/8 in. (28.6 × 20 cm), Paintings, The lowest register sets the context for the

A Heroine Plucking a Flower: Page from a Dispersed Nayikabheda, ca. 1660–80, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 8 3/8 x 6 3/16 in. (21.3 x 15.7 cm), Paintings, The artist instilled this painting with an

Watercolor of musician playing frame drum, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Dipak Raga: Folio from a Ragamala Series (Garland of Musical Modes), 1630–40, India (Madhya Pradesh, Ragugar?), Ink and opaque watercolor on paper, Overall: 9 3/4 × 7 7/8 in. (24.8 × 20 cm), Paintings, The Dipak Raga is associated with

Design for peacock feather, 1902–10, Made in New York, United States, American, Watercolor and graphite on smooth-surfaced off-white Bristol board, Design: 6 1/8 x 4 1/4 in. (15.5 x 10.8 cm), Drawings, Tiffany Studios (1902–32

Radha and Her Confidant Sit in an Open Room: Page from a Dispersed Rasikapriya, ca. 1680–90, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, Image: 8 3/4 × 5 3/4 in. (22.2 × 14.6 cm), Paintings, In the Rasikapriya the

Garden of Palazzo Colonna, ca. 1780, Etching, with watercolor and gouache, Mat: 23 7/16 × 31 15/16 in. (59.5 × 81.2 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon

Design for a nave, ca. 1892–1918, Made in New York, United States, American, Watercolor, pen and red and brown inks, and graphite on white wove paper; tissue, Overall: 19 7/8 x 25 in. (50.5 x 63.5 cm), Drawings, Possibly Tiffany Glass and

Nata Ragina: Folio from a ragamala series (Garland of Musical Modes), 1714, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 6 x 4 3/4 in. (15.2 x 12.1 cm), Paintings, Mohamed (active early 18th century), Within the ragamala

Joseph Barrell, Jr. (1765-1801), ca. 1790, Watercolor on ivory, Portrait: 2 15/16 x 2 3/8 in. (7.5 x 6.1 cm), Paintings, Attributed to Nathaniel Hancock (active 1785–1809), The sitter, Joseph Barrell Jr. (1765-1801), was a Boston merchant.

Design for three light landscape window, 1900–1915, Made in New York, United States, American, Watercolor, gouache, and graphite on off-white wove paper mounted on mat board, Overall: 26 7/16 x 22 1/16 in. (67.2 x 56 cm), Drawings,

Lalit Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1680–90, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 7 3/4 x 5 1/2 in. (19.7 x 14 cm), Paintings, This morning raga shows the sleeping woman

'Iskandar Slays the Habash Monster', Folio from a Shahnama (Book of Kings), ca. 1330–40, Made in Iran, probably Isfahan, Ink, opaque watercolor, and gold on paper, Painting: 1 15/16 x 4 5/16 in. (4.9 x 10.9 cm), Codices

Paul Joseph Revere, ca. 1840, Watercolor on ivory, 3 13/16 x 3 in. (9.7 x 7.6 cm), Paintings, Margaret Bogardus (1804–1878), The grandson of the patriot and silversmith Paul Revere, Paul Joseph Revere (1832-1863) attended Milton Academy as

Krishna Dancing: Page from the Dispersed 'Boston' Rasikapriya (Lover's Breviary), ca. 1610, India (Rajasthan, Amber), Ink, opaque watercolor, and gold on paper, Image: 8 1/2 × 5 1/4 in. (21.6 × 13.3 cm), Paintings, Krishna plays the flute

Design for triple lancet window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, red and black ink, and graphite on paper mounted on board within original double matt, Overall: 25 5/8 x 20 7/8

Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars) of al-Sufi, 18th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 9 13/16 in. (24.9 cm), Codices

Thomas Middleton, ca. 1752–58, Watercolor on ivory, 1 1/2 x 1 in. (3.8 x 2.5 cm), Paintings, Mary Roberts (died 1761 Charleston, South Carolina), The English émigré Mary Roberts was the first known miniaturist in the American colonies. She

Puriya Ragaputra: Page from the Dispersed 'Boston' Ragamala Series (Garland of Musical Modes), ca. 1760, India (Rajasthan, Kota or Bundi [?]), Ink, opaque watercolor, and silver, on paper, 7 15/16 x 4 7/8 in. (20.2 x 12.4 cm), Paintings,

'Bahram Gur in the Green Palace on Monday', Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 7 1/4 in. (18.4 cm),

Qur'anic Compilation Page, ca. 1370, Possibly made in Iraq, Baghdad, Ink, gold, and opaque watercolor on paper, Text block: 14 7/16 x 10 1/2 in. (36.7 x 26.7 cm), Codices, The manuscript this folio comes from contains the five suras, or

Setmalar Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1630–40, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 13 1/4 x 9 3/4 in. (33.7 x 24.8 cm), Paintings, This ragini evokes the rainy season and

The Flemish Picture Gallery, the Mansion of Thomas Hope, Duchess Street, Portland Place, 1830–51, Watercolor, sheet: 23 1/4 x 32 3/4 in. (59.1 x 83.2 cm), Robert William Billings (British, 1813–1874), In 1799 Thomas Hope, the famous

Prayer of the Good Shepherd, late 19th–early 20th century, Made in New York, United States, American, Carbon print on lightweight paper, gouache and watercolor in grisaille, and graphite on off-white wove paper, Overall: 11 3/4 x 8 7/8 in.

Lovers Returning to a Palace, late 18th century, India (Rajasthan, Bundi), Ink and opaque watercolor on paper, Image (sight): 9 x 5 1/2 in. (22.9 x 14 cm), Paintings, Two lovers approach a bedchamber set within an elaborate architectural

Ramkali Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes), 18th century, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 11 13/16 x 9 in. (30 x 22.8 cm), Paintings

The Children of Homer Ramsdell, Esq., 1842, Watercolor on ivory, 7 3/8 x 5 3/4 in. (18.7 x 14.6 cm), Paintings, Thomas Seir Cummings (American (born England), Bath 1804–1894 Hackensack, New Jersey), This miniature depicts three of the

'Yazdegird I Kicked to Death by the Water Horse', Folio from a Shahnama (Book of Kings), ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 2 1/8 in. (5.4 cm), Codices,

Shahnama (Book of Kings) of Firdausi, 1660s, Attributed to Iran, probably Isfahan, Ink, opaque watercolor, gold, and silver on paper, Painting (folio 158v): H. 9 15/16 in. (25.2 cm), Codices, Painting by Mu'in Musavvir (active ca.

'A Muslim Pilgrim Learns a Lesson in Piety from a Brahman', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Image: Ink, opaque watercolor, and gold on paper, H. 9 7/8 in. (25.1 cm), Codices, Painting by

Archibald McCall, ca. 1755–60, Watercolor, gold leaf, and lead white on ivory, 1 1/2 x 1 1/4 in. (3.8 x 3.2 cm), Paintings, John Hesselius (1728–1778), The sitter (1727-1799) was a Philadelphia merchant and underwriter for the Insurance

Design for mosaic birdbath, ca. 1917, Made in New York, United States, American, Watercolor, brown ink, graphite on artist board, 13 7/8 x 11 7/8 in. (35.2 x 30.2 cm), Drawings, Louis Comfort Tiffany (American, New York 1848–1933 New

Design for fireplace objects, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on off-white wove paper, 14 15/16 x 19 7/8 in. (37.9 x 50.5 cm), Drawings, Tiffany Studios (1902–32), This

Great Indian Fruit Bat, ca. 1777–82, Made in India, Calcutta, Pencil, ink, and opaque watercolor on paper, Painting: Ht. 23 1/2 in. (59.7 cm), Paintings, Painting attributed to Bhawani Das or a follower, This dramatic image is of the

A Raja Receives Homage Outside the City: Page from a Dispersed Manuscript, last quarter of the 17th century, India (Punjab Hills, Bilaspur), Ink and opaque watercolor on paper, 8 7/8 x 11 1/2 in. (22.5 x 29.2 cm), Paintings, This page from an

Episodes from Krishna's Life: Folio from a Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1700, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 7 1/4 x 13 7/8 in. (18.4 x 35.2 cm), Paintings, The top register shows

John Neagle, 1830, Made in United States, Watercolor on ivory, 3 x 2 3/8 in. (7.6 x 6 cm), Paintings, Daniel Dickinson (1795–1877), The subject is the Philadelphia portraitist John Neagle (1796-1865). Dickinson exhibited this miniature at

Design for architectural detail, ca. 1883–85, Made in New York, United States, American, Watercolor and graphite on buff-colored wove paper mounted on light brown Bristol-type board, Overall: 10 7/16 x 14 1/4 in. (26.5 x 36.2 cm), Drawings,

'Bahram Gur Slays the Dragon', Folio from a Shahnama (Book of Kings), second half 17th century, Attributed to Iran, Isfahan, Ink, opaque watercolor, and gold on paper, 1.06 in. high 4.37 in. wide (19.5 cm high 11.1 cm wide), Codices

The Sage Vishvamitra Requests from King Dasharatha the Assistance of His Son Rama: Folio from a Ramayana series, ca. 1780, India (Himachal Pradesh, Kangra), Ink and opaque watercolor on paper, 9 5/8 x 13 15/16 in. (24.5 x 35.4 cm), Paintings,

Cassandra Imploring Athena for Revenge Against Ajax, 1795–1838, Black and colored chalk with watercolor and lead white paint, 16 1/4 x 19 1/2 in. (41.3 x 49.5 cm), Drawings, Jérôme Martin Langlois (French, Paris 1779–1838 Paris

Suggestion for Lunette, 1890–1910, Made in New York, United States, American, Watercolor, pen and brown ink, pink colored pencil, and graphite on off-white wove paper, Overall: 11 3/8 x 17 1/2 in. (28.9 x 44.5 cm), Drawings, Possibly

Rama and Lakshmana Search in Vain for Sita, ca. 1680–90, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, 10 1/4 × 16 1/4 in. (26 × 41.3 cm), Paintings, “Ranging the woods, hills, rivers, and lakes on every side,

'Iskandar Kills the Habash Monster', Folio from a Shahnama (Book of Kings) of Firdausi, ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 2 1/8 in. (5.4 cm), Codices,

'Isfandiyar's Second Course: He Slays the Lions', Folio from a Shahnama (Book of Kings), ca. 1330–40, Attributed to Iran, probably Isfahan, Ink, opaque watercolor, gold, and silver on paper, Page: 8 1/8 x 5 1/4 in. (20.6 x 13.4 cm),

Panchama Ragini: Page from a Ragamala Series (Garland of Musical Modes), ca. 1640, India (Rajasthan, Bikaner), Ink, opaque watercolor, and gold on paper, 7 3/4 x 4 7/8 in. (19.7 x 12.4 cm), Paintings, The patron here has inserted himself as

Design for a rose window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, graphite, and India ink on off-white textured artist board. Green backing paper with printed griffin-like motif on verso.,

Pair of Bracelets, 1840, Made in New York, New York, United States, American, Gold, watercolor on ivory, hair, Bracelet (MLP): L. 5 1/4 in. (13.3 cm), Jewelry, Painted by John Carlin (American, Philadelphia, Pennsylvania 1813–1891 New

Watercolor of musician playing sheng, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

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