Images at Librifly

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Roadside Halt, 1826, Oil on canvas, 18 1/4 x 14 7/8 in. (46.4 x 37.8 cm), Paintings, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), Set in Normandy, this canvas of 1826 is painted with a fluidity and

'Bahram Gur and the Indian Princess in the Dark Palace on Saturday', Folio 23v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper,

Suggestion for Marble & Mosaic Floor, ca. 1932–33, Made in New York, United States, American, Watercolor, gouache, and graphite on off-white wove paper, Other (Design): 19 1/4 x 11 13/16 in. (48.9 x 30 cm), Drawings, Louis C. Tiffany

Unidentified Scene and Text Fragment from a Shahnama (Book of Kings), ca. 1330–40, Made in Iran, probably Isfahan, Ink, opaque watercolor, and gold on paper, Painting: 2 1/8 x 4 7/8 in. (5.4 x 12.4 cm), Codices

Tombs of Great Arab Saints to be seen in the Neighborhood of Rosetta, Egypt, ca. 1800, Graphite, watercolor, and gouache, sheet: 13 5/16 x 21 1/4 in. (33.9 x 54 cm), Drawings, Luigi Mayer (Italian, Rome (?) ca. 1755–1803), Trained in

Portrait of a Gentleman, 1810, Watercolor on ivory, 3 x 2 3/8 in. (7.6 x 6 cm), Paintings, William M. S. Doyle (American, Boston, Massachusetts 1769–1828 Boston, Massachusetts), Henry Williams (American, Boston, Massachusetts 1787–1830

Design for an Altar, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on white wove paper, Overall: 14 15/16 x 22 1/4 in. (37.9 x 56.5 cm), Drawings, Possibly Tiffany Glass Company

'Rustam Shoots His Half-brother Shaghad through a Plane Tree', Folio from a Shahnama (Book of Kings) of Firdausi, dated A.H. 887/A.D. 1482, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, H. 8 7/8 in. (22.5 cm), Codices,

'Manuchihr Kills Salm', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 12 1/2 x 8 3/8in. (31.8 x 21.3cm), Codices

The Churning of the Ocean of Milk, ca. 1780–90, India (Punjab Hill, Mandi), Ink and opaque watercolor on paper, 6 7/8 x 7 11/16 in. (17.5 x 19.5 cm), Paintings, At the time of the great deluge aeons ago, many treasures— including amrita,

Disputations on a Chariot, 1650–60, India, Ink and opaque watercolor on paper, 2 1/2 x 5 5/16 in. (6.3 x 13.5 cm), Paintings

Mrs. Paul Joseph Revere (Lucretia Watson Lunt), 1888, Watercolor on ivory, Sight: 3 9/16 x 2 3/4 in. (9 x 7 cm), Paintings, Charles James Turrell (1846-1932), Lucretia Watson Lunt (1832-1898) married Paul Joseph Revere on March 17, 1859

'Prince Feasting on a Balcony', Folio from the Davis Album, late 17th–early 18th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 13 1/8 in. (33.3 cm), Codices, Paintings of the mid-seventeenth century

Watercolor of musician playing gaohu(?), late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes), 1700–1725, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 11 13/16 x 8 15/16 in. (30 x 22.7 cm), Paintings, One early text thus explains the

Chandravimba Ragaputra: Page from a Dispersed 'Boston' Ragamala Series (Garland of Musical Modes), ca. 1760, India (Rajasthan, Kotah or Bundi[?]), Ink, opaque watercolor, and silver on paper, 7 3/8 x 4 15/16 in. (18.7 x 12.5 cm), Paintings,

Horoscope with Floral Drawings, 1850, India (Madhya Pradesh, Gwalior or Indore), Ink and opaque watercolor on paper, 7 1/8 x 10 3/8 in. (18.1 x 26.4 cm), Paintings

Watercolor of musician playing jingu, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Watercolor of musician playing qin, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Parsvanatha's Austerities: Folio from a Kalpasutra Manuscript, 15th century, India (Gujarat), Ink, opaque watercolor, and gold on paper, Overall: 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings, Parsvanatha, the twenty-third jina, is

'Kai Khusrau, Gudarz and Giv Capturing the Demon's Fortress, Bahman (?)', Folio from a Shahnama (Book of Kings), ca. 1430–40, Attributed to India, Ink, opaque watercolor, and gold on paper, 7.62 in. high 7.75 in. wide (19.4 cm high 19.7 cm

Design drawing of of poppy blossom of floral capital from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

Watercolor of musician playing laba, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

The Sot (The English Dance of Death, plate 12), July 1814, Etching and aquatint with watercolor, image: 4 7/16 x 7 13/16 in. (11.3 x 19.8 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

'Buzurjmihr Explains the Game of Backgammon (Nard) to the Raja of Hind', Folio from a Shahnama (Book of Kings), ca. 1300–30, Made in Iran or Iraq, Ink, opaque watercolor, and gold on paper, Text block: 6 1/8 x 4 15/16 in. (15.6 x 12.5 cm),

Women Enjoying the Moonlight, 18th century, Attributed to India, Opaque watercolor, gold, and ink on paper, Image 8 9/16 in x 11 3/4 in., Codices

'Gushtasp Kills the Wolf of Fasiqun', Folio from a Shahnama (Book of Kings), ca. 1300–30, Attributed to Northwestern Iran or Baghdad, Ink, opaque watercolor, silver, and gold on paper, 6 1/2 x 5in. (16.5 x 12.7cm), Codices

'Kai Khusrau Crosses the River Jayhun with Giv and Farangis', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 12 9/16 x 8 9/16in. (31.9 x

Interior of a Museum, 19th century, Watercolor (recto); graphite (verso), 13 1/8 x 20 1/2 in. (33.4 x 52 cm), Drawings, Eugène-Louis Lami (French, Paris 1800–1890 Paris

Design for dining room, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on board, Overall: 13 5/8 x 21 15/16 in. (34.6 x 55.7 cm), Drawings, Tiffany Studios (1902–32), Tiffany Studios

Studies of Magnolias, 1891, Made in New York, New York, United States, American, Graphite, watercolor, and ink on brown wove paper, Overall: 6 13/16 x 20 1/8 in. (17.3 x 51.1 cm), Drawings, Tiffany & Co. (1837–present

Seated Four-Armed Ganesha, ca. 1775, India (Rajasthan, Bundi), Ink and opaque watercolor on paper, 5 15/16 x 4 1/2 in. (15.1 x 11.4 cm), Paintings, Ganesha, the Hindu god of good fortune is shown sitting on a multitiered lotus—holding in

Mrs. James Bleecker (Elizabeth Garland Bache), ca. 1788, Watercolor on ivory, 1 7/8 x 1 5/8 in. (4.8 x 4.1 cm), Paintings, John Ramage (Ireland ca. 1748–1802 Montreal), Elizabeth Garland Bache (1762-1794), daughter of Theophylact Bache and

'Kai Khusrau Enthroned Holding a Sword', Folio from a Shahnama (Book of Kings), ca. 1300–30, Made in Iran or Iraq, Ink, opaque watercolor, and gold on paper, Image 5 1/8 in x 6 1/4 in., Codices, This illustration from the Shahnama shows

'Battle Between Iranians and Turanians', Folio from a Shahnama (Book of Kings), 1562–83, Attributed to Iran, probably Shiraz, Ink, opaque watercolor, and gold on paper, 17 x 10 1/8 in. (43.2 x 25.7 cm), Codices

Portrait of a Lady, 1830, Watercolor on ivory, Sight: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm), Paintings, Frederick R. Spencer (American, Lenox, New York 1806–1875 Wampsville, New York

Catafalque of the Empress Catherine the Great of Russia (Side Elevation)., 1796, Pen and gray-black ink, brush and watercolor, over traces of graphite or leadpoint, sheet: 28 1/4 x 23 3/8 in. (71.7 x 59.4 cm), Vincenzo Brenna (Italian,

'Kharrad Recognizes the 'Princess' as being an Automaton', Folio from a Shahnama (Book of Kings), A.H. 741/A.D. 1341, Made in Iran, Shiraz, Ink, watercolor, and gold on paper, Image 9 1/2 in x 11 3/8 in., Codices

Villa Borghese, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/4 × 32 1/4 in. (59.1 × 81.9 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne

Arch of Titus, ca. 1780, Etching, with watercolor and gouache, Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne

Self-portrait, ca. 1825, Watercolor on ivory, 3 x 2 in. (7.6 x 5.1 cm), Paintings, William Dunlap (Perth Amboy, New Jersey 1766–1839 New York

Krishna Accepts an Offering from the Hunchbacked Woman Trivakra: Page from a Bhagavata Purana Series, ca. 1650, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 6 3/4 x 8 3/16 in. (17.1 x 20.8 cm), Paintings, While traveling,

Design for Pink, White and Blue Curtains with Blue Fringes, and Gold and Blue Pediments, ca. 1820, Ink, watercolor and wash, sheet: 10 13/16 x 15 in. (27.5 x 38.1 cm), Anonymous, British, 19th century

Design for a Bookstand, early 19th century, Ink and watercolor, sheet: 8 7/8 x 11 15/16 in. (22.6 x 30.3 cm), Anonymous, British, 19th century

Design for an Oil Lamp, 19th century, Graphite, brush and gray wash, watercolor, and gouache, sheet: 17 1/8 x 9 15/16 in. (43.5 x 25.2 cm), Drawings, Anonymous, French, 19th century

Ceiling and Cove Designs for Stairway, Hôtel Rothschild, Vienna, second half 19th century, Pen and gray ink, watercolor, 8 3/16 x 11 7/16 in. (20.8 x 29 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre

Design for the painted decoration of a ceiling with the monogram: AS, 1830–97, graphite, pen and ink, watercolor on wove paper, sheet: 10 3/8 x 7 1/16 in. (26.4 x 18 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Design for a Porcelain Platter, 1777, Watercolor heightened with white, sheet: 9 1/8 x 12 3/16 in. (23.2 x 31 cm), Leroux (French, 18th century

Design for Sideboard with Inset Landscape, early 19th century, Ink and watercolor, sheet: 5 5/16 x 8 15/16 in. (13.5 x 22.7 cm), Anonymous, British, 19th century

Landscape with a Path between Trees, ca. 1886, Watercolor with touches of white gouache on wove paper, sheet: 10 13/16 x 13 13/16 in. (27.4 x 35.1 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer

Songs of Innocence and of Experience: The Little Boy Found, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London

Butter Balls, Eriogonum orthocaulon, May 26, 1914, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Mademoiselle Marie-Jeanne Fesch Chevallier, Black chalk and watercolor, 14 x 18 3/8 in. (35.5 x 46.7 cm), Louis René Boquet (French, 1717–1814), Mlle. Marie-Jeanne Fesch Chevallier (Paris 1722 - after 1789 Paris) was a famous French opera

Design for Three Chairs with Green Upholstery, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Design for Two Sèvres Porcelain Flower Pots, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 11 1/4 x 16 5/8 in. (28.6 x 42.2 cm), Drawings, Anonymous, French, 19th century

Pompeiian Design for Paneling, second half 19th century, Pen and black ink, watercolor, and graphite, 7 x 5 3/16 in. (17.8 x 13.2 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris,

Design for an Ewer, 1853, Pen and gray ink, watercolor, framing lines in pen and gray ink. Design pasted onto green mounting paper., sheet: 10 7/8 x 7 5/16 in. (27.7 x 18.6 cm), Drawings, Anonymous, French, 19th century

Design for a ceiling in rococo style with a trompe l'oeil oculus, 19th century, graphite, pen and ink, wash, watercolor, gouache, and gold paint, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Design for a Curve-backed Settee, early 19th century, Ink, watercolor and wash, sheet: 9 1/16 x 12 in. (23 x 30.5 cm), Anonymous, British, 19th century

Indian Hyacinth, Tritelia grandiflora, May 23, 1913, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Two Women and Three Men Playing Cards, 18th–early 19th century, Pen and black ink, grey wash, watercolor, over a sketch in black chalk or graphite, sheet: 15 1/16 x 11 3/4 in. (38.3 x 29.9 cm), Drawings, Johann Eleazar Zeissig, called

Design for the painted decoration of a ceiling, 1830–97, pen and ink and watercolor on wove paper; mounted on blue wove paper, Overall: 14 3/4 x 10 7/16 in. (37.5 x 26.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Medallion with putti holding a cello, second half 19th century, Graphite and watercolor, Overall: 10 13/16 x 8 9/16 in. (27.4 x 21.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris,

Penstemon Parryi, 1909–14, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New York

Design for a Gothic Settee, early 19th century, Ink, watercolor and wash, sheet: 9 1/16 x 11 7/8 in. (23 x 30.2 cm), Anonymous, British, 19th century

Allegory of the Arts (Music?), second half 19th century, Graphite, gouache, and watercolor, Overall: 8 3/8 x 10 3/4 in. (21.2 x 27.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Design for Ceiling of the Duchess of Newcastle's Petit Salon, Hôtel Hope, 1867, Pen and black ink, gouache and watercolor, sheet: 7 5/16 x 8 1/8 in. (18.6 x 20.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Alms House Bird, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 13/16 x 7 1/16 in. (27.4 x 18 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882

Elevation of a paneled wall with a mural or tapestry and a double doors surmounted by a painting of ducks, 19th century, pen and ink and watercolor on laid paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died

Design for a Painted Ceiling with Strapwork and Foliage on a Rose Background, second half 19th century, Pen and black ink, watercolor, and gouache, 7 3/4 x 11 5/8 in. (19.7 x 29.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died

Design for Gothic Tracery and Paneling, early 19th century, Ink and watercolor and wash, sheet: 9 7/16 x 11 7/8 in. (24 x 30.2 cm), Anonymous, British, 19th century

Design for a ceiling with trompe l'oeil balustrade and sky, 1869, Graphite, pen and black ink, and watercolor, Overall: 14 11/16 x 10 9/16 in. (37.3 x 26.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre

Design for Two Armchairs with Red and Green Upholstery, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Christ in the Garden of Gethsemane, 1848, Black fabricated crayon (possibly early conté crayon) with touches of brown fabricated crayon and thin brown watercolor wash; framing line in black fabricated crayon, 18 1/16 x 22 3/4 in. (45.9 x 57.8

Design for a ceiling with two putti and symbols for the arts, second half 19th century, Graphite, gilt, gouache, and watercolor, Overall: 8 3/4 x 10 5/8 in. (22.2 x 27 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Design for Red Fringed and Tasseled Curtains with a Gold Pelmet, early 19th century, Ink, watercolor and wash, sheet: 9 7/16 x 11 15/16 in. (24 x 30.3 cm), Anonymous, British, 19th century

Design for Bathroom Ceiling, Hôtel Cahen d'Anvers, second half 19th century, Pen and black and brown ink, watercolor, 9 x 8 1/2 in. (22.9 x 21.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Three designs for painted decorative motifs featuring griffins and scrollwork, 1830–97, pen and ink, wash and watercolor over graphite on wove paper, Overall: 19 3/8 x 13 3/8 in. (49.2 x 34 cm), Drawings, Jules-Edmond-Charles Lachaise

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, black chalk, watercolor, sheet: 9 3/4 x 12 1/2 in. (24.7 x 31.8 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Chair, ca. 1820, Ink, watercolor and wash, sheet: 7 5/16 x 4 7/16 in. (18.5 x 11.3 cm), Attributed to Gillows (British, 19th century

Drawing of an Interior: Salon, 1850, Graphite, pen and brown ink, watercolor. Framing lines in graphite., sheet: 4 3/4 x 8 1/8 in. (12 x 20.7 cm), Drawings, Anonymous, French, 19th century

Design for the decoration of aceiling with painted clouds and a pierced border, 1830–97, graphite, pen and ink, wash, and watercolor on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Songs of Innocence and of Experience: The Little Girl Found (second plate), ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake

Elevation of a Pulpit, Side View, R. Edmundson & Sons, early 19th century, Ink and watercolor, sheet: 9 1/2 x 11 7/8 in. (24.1 x 30.2 cm), Anonymous, British, 19th century

Dugler, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Peasant on a Donkey, ca. 1783–87, Watercolor, over graphite., 13-7/16 x 17-1/8 in. (34.1 x 43.5 cm), Drawings, Giovanni Battista ('Titta') Lusieri (Italian, Rome 1754–1821 Athens

Scarlet Gilia, Gilila aggregata, May 18, 1913, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Young Hunter with His Dogs in a Landscape, 1641–1710, Pen and brown ink, brush and watercolor, 8 5/16 x 12 1/16in. (21.1 x 30.6cm), Drawings, Giovanni Francesco Castiglione (Italian, Genoa 1641–1710 Genoa), The graphic oeuvre of the

Partial design for a circular ceiling decoration, 1830–97, graphite and watercolor on tracing paper; mounted on cardboard, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Elevation of a salon decorated in Louis XV style, 19th century, graphite, watercolor, wash, and gold paint on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

A design for the painted decoration of a ceiling or walls, 1830–97, graphite, pen and ink, watercolor, and gold paint on laid paper mounted on blue wove paper, Overall: 10 3/8 x 14 13/16 in. (26.4 x 37.6 cm), Drawings, Jules-Edmond-Charles

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, Irregular sheet: 11 5/8 x 18 7/8 in. (29.6 x 48 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a ceiling decoration, 19th century, Graphite, pen, and ink with watercolor and gouache on peach wove paper, sheet: 16 1/4 x 14 1/4 in. (41.3 x 36.2 cm), Drawings, Anonymous, French, 19th century

Study for the Astor Library, New York, 1843, Watercolor, ink and graphite, Sheet: 20 3/4 x 14 1/2 in. (52.7 x 36.8 cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey), This striking design for the Astor

Alternative designs for the painted decoration of a ceiling, 19th century, pen and ink, watercolor, and gold paint on laid paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor and gouache over graphite, Irregular sheet: 11 x 21 in. (27.9 x 53.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Grossmonger, in Low Cast of Malabar, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Design for Ceiling, 18th century, Brush with brown, yellow, and red watercolor over leadpoint or graphite, with ruled and compass construction, 8 3/8 x 7 15/16 in. (21.3 x 20.1 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese

Woodmonger in Culla Caste, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

View of Berlin with the Dome and Castle, 1824, Pen and gray ink, watercolor, sheet: 12 1/16 x 18 1/4 in. (30.6 x 46.4 cm), Drawings, Ludwig Eduard Lütke (German, Berlin 1801–1850 Berlin

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